Thee Hypnotics have confirmed the full supporting bill for their upcoming UK and European tour. In addition to topping the bill at the Fuzzville Festival in Alicante in Spain, the legendary testifiers will be bringing their devastating live show to BirminghamLeedsLondonRamsgateSouthampton and Cardiff.

 

Each date will have a different support act and adding to the ramalama are rockers Black Bombers (Birmingham), Teeside punk’n’rollers Johnny Seven (Leeds), downtuned desert rockers Sky Valley Mistress and chronicler of the dark Suzie Stapleton (London), grunge revivalists The Nightmares (Ramsgate) and punk rockers The Glorias (Southampton).

 

Suzie Stapleton will also support in Cardiff.

 

Thee Hypnotics reunited in 2018 after a 20-year hiatus to play sold-out dates across the UK and Europe in support of the career-spanning and re-mastered vinyl boxset, Righteously Recharged. Featuring the classic line-up of co-founders Jim Jones (vocals) and Ray Hanson (guitar), with Phil Smith (drums) and Jeremy Cottingham (bass), Thee Hypnotics will once again deliver their sonic payload with a savage intensity.

 

“We’re really pleased to be joined by so many good bands,” says frontman Jim Jones. “It means that each and every night of this tour is going to be offering more bang for your buck. You’ll definitely be getting a proper night out.”

 

Tickets for all the shows are available via Thee Hypnotics’ website at theehypnotics.com

 

Thee Hypnotics play

 

MARCH 2020

 

19 – Hare & Hounds, Birmingham UK (w/Black Bombers)

20 – The Warehouse, Leeds UK (w/Johnny Seven)

21 – The Dome, London UK (w/Sky Valley Mistress and Suzie Stapleton)

22 – Music Hall, Ramsgate UK (w/The Nightmares)

24 – The Joiners, Southampton UK (w/The Glorias)

25 – The Globe, Cardiff (w/Suzie Stapleton)

28 – Fuzzville, Alicante ES

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I like it when a band takes its time to get the album they want but we all giggled when Axl took however long to knock out a guns n Roses album well Johnny Seven don’t like to rush a record release either but these punk rockers took forty years! Yup, I did say Forty Four Zero.  Don’t giggle at the back it’s true. Anyway its here now the format might be different to what was originally envisaged but times change and so do lineups.

 

you might well ask yourself what this Teeside foursome are all about well, let me tell you they clearly have a collective ear for a decent tune and I’m pretty sure judging by the songs they wrote we’d share a lot of similarities in our record collections.  One thing they got spot on is when they declared you can’t escape Rock and Roll and that spot on as is this tune.  It’s sloppy – it’s rough and ready – its got a great guitar sound and I love a good gang sing-a-long chorus and ‘Can’t Escape’ has certainly got that. ‘LSD’ is a rolling riff borrowed (or Stolen) and the lyrics show the band has a sense of humour and a rollicking interlude between the more serious elements of Rock and Roll. Don’t do drugs kids they’re bad for you.

‘In Detroit’ they give the Wah Wah a good work out and rattle through Motor City Nice n sleazy does it boys nice n sleazy. They turn the clock back for a sid style romp through ‘Burning Love’ I wouldn’t say its rubbish because its not but if you want to pop the kettle on nows your chance.  I’m not sure this record needed a cover smack bang in the middle to be honest because they were going so well with their own material. ‘Pumping The Pop’ is more like it.  snot ‘n’ sweat flying everywhere as the band get trashy not a million miles from The DeRellas here or the Babysitters when they weren’t singing about trembly noses. and the guitar and handclaps remind me of Hanoi when they were doing the duck and the guitar lick isn’t a million miles away from ‘Shakes’ so I was always going to like this one.

There’s a reckless edge to ‘Car Crash Girls’ and I like it it sounds spontaneous and at any point could fall or stumble over and Rock and Roll needs that sometimes it keeps proceedings exciting which is where we head as the album moves towards its conclusion.  ‘Skinheads’ is a wonderful stomping slice of glam pop in the same snotty vein as The Boys, great melody and a great look back. Finally, we reach the end of what has been a really good record and one I have enjoyed and ‘Hang Loose’ takes this bad boy home with another sleazy rocker that kinda pulls all the previous influences together for one last hurrah as the band goes over the top and into battle once more.

I spose like busses the follow up will be right behind this one dyou think someone should tell the band that Blakey won’t be collecting the fares on it though? Forty years for fucks sake but like a good wine it’s finally reached maturity and its ready to be enjoyed and I certainly did that.

Buy The Album Here

Author: Dom Daley