Eel Men – ‘Are You There God Its Me’ (NFT Records) Jangly jarring guitars over a good melody is always going to be a single to grab the attention. This one is backed by a metronomic robotic backbeat and guitar lick that is part Devo and part Kraftwerk and a spoonful of Buzzcocks for good measure.   There that’s the yardstick to aim for three classic bands thrown into the punk rock melting pot and out pops the Eel Men

 

Buy Here

 

 

Kurt Baker – ‘Keep It Tight’ (Wicked Cool Records) It’s fair to say that this cover of the Single Bullet theory song is held dear by Mr Baker so much so he burnt a cdr of the song from vinyl and ended up covering it here.  Coolest song in the world by underground garage sounds about right. Kurt Baker should be huge I guess those of us in the know will just have to hold on to that secret until the rest of the world catch up with us and Bakers genius.  until then Keep it tight kids

Get it here

 

 

Delusions Of Grandeur – ‘Self Titled’ (Self Released)  Lockdown blues got to some Hip Priests and a couple of Bitch Queens and out birthed Delusions Of Grandeur.  A noisy (obviously) chug through four blistering tracks of tunes that if the backyard Babies wanted to get back into the groove they should listen to.  With guitar licks sparking off the wheels of this Punk and Roll beauty as the EP opens with the bashful ‘Drinking My Life Away’  with some gang vocals on the chorus as these gents trade licks.  Sing-a-long drinkathon.  Nice.  ‘Shits Fucked’ is sped-up snarled punk n roll that just about summed up the past 18 months rather nicely.

 

If you ever loved the really early ‘Get some Action Now’ era Hellacopters and hankered after some Dragons meets a healthy dose of Gluecifer then this is a no-brainer. With a nod to some spicey Motorhead on the closing track which is never a bad place to be.   Excellent EP from top to bottom. Four track 7″ available on gold, white or black vinyl – Buy It Here

 

Steve Conte – ‘Flyin’ (Wicked Cool Record) with a cool acoustic song Conte is Flyin.  The latest track off the upcoming album, ‘Bronx Cheer’ its a song in the mould of The Faces balladeering meets classic early Black Crowes.  Steve says of ‘Flyin’, “This one goes back to 1994. We jammed on this in my rehearsal studio very organically and I came up with the lyrics later. I did a few demos of it over the years and it never left my consciousness.”  The lyrics focus on perseverance and how, “in the face of adversity, disappointment and trauma, a person of strong will can keep going for their dreams.”  Whilst the track has a wonderful sound from the acoustic to the earthy Drum sound and the snap of the snare it showcases Conte’s vocals really well and the track has a really earthy sound.  It’s all about light and shade it doesn’t always have t be full-tilt rock and roll.  Great tune.   You can pre order the album Here

 

 

Billy Idol – ‘The Roadside’ EP (Dark Horse Records) Four tracks of vital idol with opener ‘Rita Hayworth’ with his familiar snarl and curled lip vocal it’s glossy and has that Idol pound on the rhythm and slick gang vocals on the chorus.  What’s not to like?  it is what it is.

Seconds out and the King Rocker cranks up the laid-back acoustic guitar for ‘Bitter Taste’ it’s a reflective side of Idol and one he’s used to good effect on his last couple of records. ‘U Don’t Have To Kiss Me Like That’ sees a pop beat and some female vocals puncturing the wall of sound It’s a big sound and made for the American market and another side of Idol he’s used to great effect throughout his career.   To be fair he could write this stuff in his sleep. Drum machine at the ready as he goes for the reflective cool sound on the EP closer which to be fair is a decent tune and his vocals sound really good but I’d have prefered an album please Billy rather than an EP.

 

Cutters – ‘Midnight Bus’ (Self Release) A cover of Betty McQuade’s 1961 hit ‘Midnight Bus’ sees Australian Punks give the tune a bloody good tuning to be fair.  There is no question in my mind that the most impressive new records are coming from down under where there seems to be a hell of a lot of great bands currently kicking the shit out of instruments all over the continent.

 

Cutters are right up there with the finest exports from Oz now get over to Bandcamp and check em out you might just fall in love with these punks.  Their mini lp ‘Australian War Crimes’ is a fuckin belter!  Here

 

 

Junkyard – ‘Lifer’ (Acetate Records) ‘Lifer’ backed by ‘Last Of A Dying Breed’ sees these Californian Rockers come out swinging. It’s hard-rocking licks with a thumping great rhythm section what were you expecting? If this was a new AC/DC track people would be hailing it as the second coming.  These guys are veterans of the hard rock scene and still have energy and a pocket full of tunes that cut it.  Never meant to reinvent the wheel just borrow it for the Hog their riding with this as the theme tune for burning rubber on the highway.

Buy Here

 

 

 

The Professionals – ‘Spike Me Baby’ lifted from the new album  ‘SNAFU’ is Tom Spencer throwing his Loyalties tip into the Professionals jar and knocking out the best of both worlds.  Sure it’s not Jonesy but it has his blessing and once you’re over that it’s a really good song and why wouldn’t it be.  Its familiar has a rock-solid beat courtesy of Mr. Cook and a decent melody with some sweet guitar licks to boot.  If you’re wondering yes the album is rather good as well some excellent tunes on offer

 

Jackson Reid Briggs – ‘Fear/Move’ (Legless Records) Jackson Reid Briggs is back with a 4 track EP of punk/soul belters. Jackson got together with two mates a few days after the initial lockdown in Melbourne, Australia ended in November 2020. Noone except Jackson had heard the tracks yet but they smashed them out in a few hours in a storage unit.  Coming on like a ragged US Bombs its class punk rock n Roll.

 

From the opener ‘Fear’ through ‘The Chase’ which happens to be the pick of the four on offer here. ‘Move’ is a blast of ‘on the hoof’ punk rock with a swirling keyboard mixing up some great gang vocals and spat out lyrics. ‘Monster’ closes off this EP in grand style with a great thumping beat and chanted chorus with a cool guitar lick and some splendid handclaps.  Fantastic four to be fair and well worth checking out.    Buy Here

 

LA veterans Junkyard follow up their excellent 2017 comeback album ‘High Water’ with the release of a ‘new’ album entitled ‘Old Habits Die Hard’. Now, this album contains long lost songs recorded back in ’92 and features original members David Roach, guitarists Brian Baker and Chris Gates, bassist Todd Muscat and drummer Pat Muzingo.
These songs have actually been previously available and Junkyard diehards will probably already own the albums ‘Joker’ and ‘XXX’ that the band self-released and were selling over 10 years ago.
This collection of songs were slated to be released as the follow up to 1991’s ‘Sixes, Sevens and Nines’, but of course Grunge happened, the music scene changed, the band were dropped by Geffen and the proposed album shelved. It’s a familiar story that rings true with so many bands from that era.
Presented here in all their glory are the handpicked gems from those sessions, released for the first time on vinyl.

While ‘Sixes. Sevens and Nines’ followed a more laid back, country rock direction, with the likes of the MTV friendly ‘All The Time In The World’ and ‘Misery Loves Company’, the band found themselves trying to deliver hits for their record label, but still remaining true to their punk rock roots and write the songs they wanted to play. Those sessions provided an album that harks back to their first album and ultimately the sound the band continues with to this day.
‘Old Habits Die Hard’ is pretty much as you would expect, it doesn’t stray from what Junkyard were doing at the time. Hard, bluesy rock with a southern twist and a sleazy delivery.
That trademark bluesy swagger is evident from the off. The likes of opener ‘Pushed You Too Far’ and ‘Fall To Pieces’ are prime Junkyard. It’s all spit and sawdust, engine oil and cheap whiskey, as Gates and Baker trade dirty riffs and southern licks while vocalist David Roach spits lyrics like a punk rock Vince Neil in his prime.
At times the band comes close to repeating themselves. The bloozy ‘Blue Sin’ is pretty much a rewrite of ‘Long Way Home’ from the debut album and ‘Take Me Home’ is very similar to ‘Blooze’ the opener of that very same album. But I’m nit-picking, as they certainly didn’t struggle to deliver the singles the record company demanded. ‘Tried & True’ could’ve been the strong single contender. Heartfelt, full of sentiment, but with that bluesy Junkyard swagger still intact. Baker and Gates’ howling leads and fat riffs don’t disappoint. Again, ‘Holdin’ On’ is more evidence of that. A great melodic verse that leads to a catchy chorus, with nice gang backing vocals thrown in for good measure. It’s a song that would’ve been pure MTV fodder back in the day and it still holds up all these years later.
With its instantly hook-ridden chorus and metal riffage ‘I Come Crawling’ is the band taking the bull by the horns and delivering the goods. Elsewhere, the acoustic and countrified ‘Hanging Around’ is Junkyard doing their laid back balladry thang, which they always did with style and substance.

It’s interesting to note that Junkyard never actually split up and have been touring sporadically for their entire career. And while I feel ‘Old Habits Die Hard’ is not as strong an album as ‘High Water’, it’s a snapshot of where the band were heading during the Grunge years and proves they still had the songs when the record company ditched them for plaid and goatees.
This collection of songs do not sound dated or out of time because Junkyard were never part of that whole scene anyway. They continue to do what they have always done, play low down and dirty rock ‘n’ roll with attitude, because they are doing it to please nobody but themselves. As they say, old habits really do die hard.

Author: Ben Hughes

Acetate Records: Here

Buy Old Habits Here

 

Junkyard opens the vault and blows the dust off a killer collection of recordings slated as the follow up to 1991’s “Sixes, Sevens and Nines.” Guitarist Brian Baker’s (Bad Religion, Minor Threat) opening riff serves up the concoction of raucous, bittersweet, bloozy rock that follows. Loose and tight in good measure, with stomping beats and dual guitars zigzagging around David Roach’s raspy howl… make no bones about it – this band could play.
The strut and swagger of “Pushed You Too Far” and the soulful “Tried & True” are balanced by the slow, dirge of “Blue Sin” and the melancholic duet “Hangin’ Around With My Dreams.” “Old Habits” recalls everything from Sticky Fingers-era Stones and ZZ Top to the Ramones and Lynyrd Skynyrd (who they toured with in ’91). More than anything else, though, it sounds like Junkyard.
Back in 1992, Junkyard was a well-oiled machine, their previous two releases performed well, they had multiple videos in rotation on MTV, and successful club and arena tours under their belt. Looking to infuse more of their musical sensibilities into their third effort, they began writing and recording and in a short few months, they had compiled over 20 songs. The new material reflected more of their alt/punk roots, which wasn’t much of a directional change considering their strong punk pedigree.
But the major label’s rush to jump on the next “popular music trend” quickly led to Junkyards demise. “At this point, Nirvana’s “Nevermind” album had been out a few months and we all kinda knew which way the wind was blowing,” singer David Roach recalls, “we didn’t really ‘officially’ break up as a band, it was as simple as the party’s over.” So, with zero fanfare, the band members signed their release paperwork from Geffen (a whopping 2 page fax), gathered their gear and parted ways… the tapes were left to gather dust in the vaults.
Twenty years later, Geffen re-released the first two Junkyard albums and once again, the band was in demand. Tours of Japan and Europe followed, including a headlining slot at Serie Z Festival in Spain, and the band started writing again. In early 2017, Junkyard released “High Water”, their first full-length album in 26 years on LA indie, Acetate Records. The album peaked at 24 on Billboard’s Hard Rock Charts and Junkyard once again played to packed houses across America and Europe. With the band back in form, it seemed like the right time to dust of the tapes.
“Old Habits Die Hard” pretty well summarizes where the band was at the time,” Roach continues, “The addition of Tim Mosher (yes, way back then) brought another element to what Chris Gates and I had been doing. So it was the hard rock, blues, southern thing plus some more melodic and punk which was also a natural course considering where we came from.”
“During the months we recorded these songs we were in various stages of dealing with Geffen. Trying to write a single, but also trying to not care and write for ourselves. The songs indicate the direction we were ultimately not able to take until all these years later.”
“Old Habit’s Die Hard” will be released via streaming, CD and ‘Beer’ colored vinyl on November 22, 2019. A limited number of signed LPs will also be available via acetate.com.
Pre-sale link CD: Here
Pre-sale link LP: Here


Acetate Records unleashes Junkyard’s previously unreleased 1992 album “Old Habits Die Hard” on November 22!
“Junkyard is not a band from the 80s. Junkyard is not a band from the 90s. Junkyard is pure kick-ass bar-hopping motorcycle-ridin’ rock n roll that seems as relevant today as when they first started.” – Riki Rachtman

Junkyard opens the vault and blows the dust off a killer collection of recordings slated as the follow up to 1991’s “Sixes, Sevens and Nines.” Guitarist Brian Baker’s (Bad Religion, Minor Threat) opening riff serves up the concoction of raucous, bittersweet, bloozy rock that follows. Loose and tight in good measure, with stomping beats and dual guitars zigzagging around David Roach’s raspy howl… make no bones about it – this band could play.
The strut and swagger of “Pushed You Too Far” and the soulful “Tried & True” are balanced by the slow, dirge of “Blue Sin” and the melancholic duet “Hangin’ Around With My Dreams.” “Old Habits” recalls everything from Sticky Fingers-era Stones and ZZ Top to the Ramones and Lynyrd Skynyrd (who they toured with in ’91). More than anything else, though, it sounds like Junkyard.
Back in 1992, Junkyard was a well-oiled machine, their previous two releases performed well, they had multiple videos in rotation on MTV, and successful club and arena tours under their belt. Looking to infuse more of their musical sensibilities into their third effort, they began writing and recording and in a short few months, they had compiled over 20 songs. The new material reflected more of their alt/punk roots, which wasn’t much of a directional change considering their strong punk pedigree.
But the major label’s rush to jump on the next “popular music trend” quickly led to Junkyards demise. “At this point, Nirvana’s “Nevermind” album had been out a few months and we all kinda knew which way the wind was blowing,” singer David Roach recalls, “we didn’t really ‘officially’ break up as a band, it was as simple as the party’s over.” So, with zero fanfare, the band members signed their release paperwork from Geffen (a whopping 2 page fax), gathered their gear and parted ways… the tapes were left to gather dust in the vaults.
Twenty years later, Geffen re-released the first two Junkyard albums and once again, the band was in demand. Tours of Japan and Europe followed, including a headlining slot at Serie Z Festival in Spain, and the band started writing again. In early 2017, Junkyard released “High Water”, their first full-length album in 26 years on LA indie, Acetate Records. The album peaked at 24 on Billboard’s Hard Rock Charts and Junkyard once again played to packed houses across America and Europe. With the band back in form, it seemed like the right time to dust of the tapes.
“Old Habits Die Hard” pretty well summarizes where the band was at the time,” Roach continues, “The addition of Tim Mosher (yes, way back then) brought another element to what Chris Gates and I had been doing. So it was the hard rock, blues, southern thing plus some more melodic and punk which was also a natural course considering where we came from.”
“During the months we recorded these songs we were in various stages of dealing with Geffen. Trying to write a single, but also trying to not care and write for ourselves. The songs indicate the direction we were ultimately not able to take until all these years later.”
“Old Habit’s Die Hard” will be released via streaming, CD and ‘Beer’ colored vinyl on November 22, 2019. A limited number of signed LPs will also be available via acetate.com.

A limited number of signed LPs will also be available!

Track Listing:
1. Introduction
2. Pushed You Too Far
3. Out Cold
4. Tried & True
5. Fall To Pieces
6. Blue Sin
7. Holdin’ On
8. Staredown
9. I Come Crawling
10. Hangin’ Around
11. Take Me Home
12. One Foot In The Grave

Another week rolls by and we head towards Christmas but there are no mince pies or sherry being overindulged round here when there are records to review and Shows to see and last week was no exception as RPM brought you a diverse bunch on the live front as well as on the death decks.

 

Sadly the last seven days saw another rock n roller pass on to the next life and we said goodbye to Peter Blast.  I had the pleasure of reviewing several of his albums and spoke to him in the last twelve months.  On behalf of everyone here at RPM I’d like to offer our condolences to his family and friends and raise a glass to his memory.

 

We also brought you an interview with Phil Privilege from the  awesome kings of power punk n pop Cyanide Pills with an amazing trail of singles and albums as part of their repertoire Phil told us they were on the way to deliver the next long player as well as answer a few of our questions about the band, Catch up with it here

 

We also had some pretty diverse live reviews from the likes of hard rockin’ Junkyard Cowboy Junkies and a doubleheader from He Who Cannot Be Named and the Awesome Hip Priests. But our bread and butter has to be our album reviews and with Black Friday RSD releases in thin supply some of our favourite labels did manage to put out some quality must have records in the shape of MC5. UK Subs ‘Sub Mission’ got its first pressing on record  and we again scoured the four corners of the globe to bring you the likes of Civic from Australia, X Darlings from Switzerland, Paris’ Youth Avoiders and Californias Smash Fashion to name a few.

As for the coming week, we continue with Bens California Dreaming road trip where he visits some pretty amazing places as he skips across the USA. we also caught a few amazing live shows and bring you some fantastic records by some well-known people as well as some of the finest new performers current kicking up a storm on record players and concert halls around the planet. Remember to stick with RPM for all your alternative news and reviews. As Lux used to say “Stay Sick” www.rpmonline.co.uk its a rock n roll revolution!

 

 

 

Ben Hughes

 

I wear my Junkyard t-shirt with pride. I saw them back in the day and I saw them last year at Hull Hair Metal Heaven, albeit with a 26-year gap. Now I get to see them do an actual headline set at my local venue, just a short walk from my house, 27 years since first seeing them open for The Almighty.

Over here as support to Blackberry Smoke by personal request of singer Charlie Starr shows the respect these Hollywood veterans have in certain circles and rightly so. Lumped in with the late 80’s glam scene, they were always more Steve Earl than Motley Crue. Times may have changed, styles may have changed but Junkyard will always be Junkyard. Bowing to no trends or fads, they play rock ‘n’ roll like they always have, honest songs with dirty riffs and sleazy vocals that get under the fingernails and refuse to budge.

 

First up we have The Jokers. I’ve not seen or heard The Jokers before tonight and to be fair the Northern band were highly impressive. I guess you could put them right in the Classic Rock category, think Bad Company meets Shortino-era Quiet Riot. You can’t knock their energy and enthusiasm for starters and I think they turned it up to 11, maybe a bit too loud for the sparse turnout at Fibbers tonight.

Singer Wane Parry looks like a young Dave King in his Fastway days with Bolans’ corkscrew hair and what a damn fine set of pipes he has. Diminutive guitarist Paul Hurst is a poundshop Warner E Hodges and an excellent player who gives his all, pulling off massive riffs and licks aplenty. Several times he downs his Les Paul and comes out into the audience to beckon people to come to the front. He partly succeeded by pulling forward some birds who were probably wives and girlfriends of the band to be honest.

They played like the room was packed and they deserve bigger audiences. If they play in your town I strongly urge you to go see them.

 

Vintage Trouble’s ‘Run Like The River’ blats from the PA as an introduction for Junkyard’s set tonight. With the cover of last year’s excellent ‘High Water’ album emblazoned on the screens behind them, they launch straight into ‘Life Sentence’. It’s been the opener every time I have seen them, no wonder, it’s a killer introduction. “That’s my life, that’s my way…that’s my life sentence”  shouts Roach as he swings his mic stand around the stage, no truer words have been sung with such conviction.

Dressed in their obligatory matching denim cut-offs, Junkyard are a gang who wear their colours proudly on their backs and their brand of biker blues is for real. The raw, punk rock delivery of David Roach is the perfect match for the bluesy twin guitars of Jimmy James and Tim Mosher. Uber cool Quireboys bassist Gary Ivin, standing in for the absent Todd Muscat, is a fine replacement and keeps a perfect rhythm with original drummer Pat Muzingo.

New songs such as ‘Faded’ and the punky ‘W.F.L.W.F.’ fit perfectly with the old standards and it’s as great to hear these new songs live as it is the classics. The ever cool ‘Back On The Streets’ and the bluesy ‘Long Way Home’ are played early and sound sublime.  

Jimmy James breaks a string midway through ‘Blooze’, so as the pair of guitarists dart off stage together to re-string (they didn’t even bring a spare?), the rhythm section keeps the song going, bassist Gaz keeps the rumbling bassline jamming stage front as David returns with an extended vocal rap. A fine rock ‘n’ roll moment to savor.

‘Hands Off’ remains one of my favourite Junkyard songs and tonight, as Tim picks those classic chords and Jimmy rips out that bluesy lead, it sends shivers up the back of my spine.

Of course, they close with the obligatory ‘Hollywood’ their biggest hit, but not their greatest song by far.

 

No encore’s, no surprises and a no-frills approach that delivered just what you expect from a Junkyard show. There is talk of them returning to these shores in the not so distant future, and while I’m sure the packed out shows with Blackberry Smoke have been rewarding for the band, I do hope the not so packed club shows don’t put them off coming back for more. Until they return, I still wear my Junkyard t-shirt with pride.

Buy Junkyard Here

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