Randy Rhoads by Ross Halfin Pre sales

Randy Rhoads by Ross Halfin Pre sales

When Randy Rhoads joined the Ozzy Osbourne band at the end of 1979 he not only helped to transform the career of the ex-Black Sabbath front man, he also helped to redefine the metal scene of the 1980’s and has been a prominent influence for hundreds of guitarists ever since and well after his tragic death at the age of just 25 in 1982.

Randy Rhoads by Ross Halfin celebrates his time with Randy and Ozzy Osbourne both on stage and off with hundreds of beautiful, largely unseen images from those early years. Measuring 240mm by 340mm this 280 page coffee table book contains hundred of beautiful images and features an exclusive introduction by Ozzy Osbourne and an epilogue by Rhoads fan, guitarist Tom Morello.

Randy Rhoads by Ross Halfin

The book will be available in three editions:

The standard book: 
240mm by 340mm, 280 page hard back book with printed cover and cloth slipcase £99.00

The Deluxe Signed Leather Edition
240mm by 340mm, 280 page hard back book with blue leather cover, lenticular and white leather slipcase. Numbered 1 to 500
Personally signed by Ozzy Osbourne and Ross Halfin £299.00

The Super Deluxe Edition
297mm by 420mm this 280 page hard back book with blue leather cover, lenticular comes in a special blue slipcase and outer presentation box with three numbered giclee prints. Numbered 1 to 150
Personally signed by Ozzy Osbourne and Ross Halfin £666.00 each. This edition is physically larger than the previous two editions.

PRE-ORDER DETAILS

The pre-sale starts on Wednesday May 12th at 3pm and the book will ship at the end of August 2021.

https://www.rufuspublications.com/rufusbooks/randyrhoads

Black Sabbath – ‘Sabotage’ – A Super Deluxe Edition

Black Sabbath – ‘Sabotage’ – A Super Deluxe Edition

BLACK SABBATH EXPANDS SABOTAGE

 

Super Deluxe Edition Of The Band’s Sixth Album Features Newly Remastered Original Plus A Complete Live Show Recorded During 1975 Tour

 

Both 4-CD And 4-LP + 7-Inch Versions Will Be Available From BMG On June 11

 

pre-order link here

Black Sabbath was embroiled in a protracted legal battle with its former manager in 1975 when the band started recording its sixth studio album, Sabotage. The group felt sabotaged at every turn – hence the album’s title – but that feeling helped fuel the intensity of the new music they were making. In spite of the distractions, the band created one of the most dynamic – and underappreciated – albums of its legendary career.

BMG pays tribute to the patron saints of heavy metal with a collection that includes a newly remastered version of the original album along with a complete live show recorded during the band’s 1975 tour. SABOTAGE: SUPER DELUXE EDITION will be available on June 11 as a 4-CD set and a 4-LP set that includes the same music on 180-gram vinyl plus a bonus 7-inch with the single edit for “Am I Going Insane (Radio)” and “Hole In The Sky” on the flipside, with artwork replicating the very rare Japanese release of the single. Both the 4-CD and 4-LP versions are available for pre-order now: Pre Orders

The newly remastered version of the original album will be available via digital download and streaming services on the same day. Click Here to listen to the newly remastered version of Am I Going Insane (Radio), available today digitally.

Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward recorded Sabotage in London and Brussels and co-produced the album with Mike Butcher. The eight songs were released first in the U.S. in July 1975, and then in the U.K. that September. Certified gold in America and Silver in the UK, Sabotage earned positive reviews for hard-hitting tracks like “Hole In The Sky” and “Symptom Of The Universe,” as well as more experimental music like “Supertzar,” which featured harp, Mellotron, and the English Chamber Choir.

SABOTAGE: SUPER DELUXE EDITION introduces 16 live tracks (13 of which are previously unreleased) that were recorded in 1975 during the quartet’s U.S. tour for the album. The performances include songs that span the group’s career, from the title track to its 1970 debut Black Sabbath to “Spiral Architect” and “Sabbra Cadabra” from its previous album, Sabbath Bloody Sabbath (1973). Sabotage is represented as well with live takes of “Hole In The Sky” and “Megalomania.”

The music is accompanied by in-depth liner notes that tell the story of the album through quotes from band members and the music media along with rare photos and press clippings from the era. Also included in the package is a 1975 Madison Square Garden replica concert book and Sabotage 1975 Tour colour poster.

Photo of Sabbath by Sam Emerson

Smashed Gladys set to release 3rd album ‘Raw’ from the vaults through Golden Robot Records

Smashed Gladys set to release 3rd album ‘Raw’ from the vaults through Golden Robot Records

Smashed-slang. : drunk, intoxicated. Synonyms & Antonyms Example Sentences Learn More about smashed.

Gladys -It means God’s Princess from the bible, 1 Peter 2:9. An alternative meaning would be the sword used by a gladiator in Roman times.

Born from the embers of the vibrant Toronto punk scene, Smashed Gladys helped to craft a legendary period of New York City rock.

Lead singer Sally Cato started as a singer in the art rock band The Concordes, while guitarist Bart Lewis did a brief stint with Canada’s most dangerous band, The Viletones, before departing for NYC.

Soon after relocating to Gotham, Sally & Bart met songwriter Tommy Boyce, who (along with his partner Mickey Hart) had coined most of The Monkees songs. Under Boyce’s guidance, the group began rehearsing at a well known studio in midtown Manhattan.

SG started playing venues in and around the NYC area, during which time they met Gene Simmons. Simmons offered them a production/ management deal.

The band’s original 4 members: Sally Cato- Vocals , Bart Lewis- guitar , Matt Stellutto- drums and Ken Fox (Toronto’s Raving Mojo’s , Jason and the Scorchers and The Fleshtones)- bass –  along with the addition of Hilly Micheals, drummer from the Ian Hunter band – went into the studio and recorded close to an albums worth of material produced by Simmons.

Four of the songs from those sessions are being released now, for the first time ever, on the Golden Robot release, ‘Raw’.

Simmons captured the personality and raw grittiness of the band perfectly and by the end of 1984, SG were in the UK recording their first album, Smashed Gladys, with Mark Dearnley at the producer helm.

Smashed Gladys returned to the states and began touring and doing opening slots with The Dead Boys, Van Zant, Nazareth, Ace Frehley, Cheap Trick, Poison, Rick Derringer, Blue Oyster Cult, Crocus and others.

It was during this feverish period that they established the infamous Wednesday night series at The Cat Club. The night became a launching pad for several bands, and grew to become a showcase venue, late night hang, and playing party stage for artists such as David Bowie, Duran Duran, Mick Jagger and several others.

Selling out venues in Manhattan and the surrounding tri-state area, Smashed Gladys caught the attention of Elektra records A&R rep Micheal Alago. In 1986 they were signed by Elektra VP, Howard Thompson.

The band played a signing gig to a packed house at one of the first venues they played in NYC – CBGB’s. Elektra picked up the rights to the first record and then sent the band into the studio to work on their next record, Social Intercourse, recorded in NYC with Rick Browdie and in L.A with Michael Wagner doing additional tracking and mixing.

While making the record, they met the artist working in the adjacent studio, Ozzy Osbourne, who made a guest background vocal appearance on the song “Cast of Nasties.” Osbourne had warned the band that some of the titles and subject matter on the record might get them in trouble in certain markets and banned altogether from retailers such as Walmart. He was right, and touring in certain Midwestern states became dangerous at times forcing the band to bring along new members … Mr Smith & Wesson.

SG was making demos for their third record when they received offers from producers John Paul Jones and Mick Ronson. They went with Mick Ronson and began pre-production, but Ronson fell ill. The Band was then picked up by Teddy Slatus, Johnny Winter’s manager and label.  Tragically, SG’s third bass player, Mark Sliker, then died from a drug overdose. Following the trials and tribulations, Sally left the music business and returned to being a graphic artist.

On May 19, 2020 Sally Cato passed away.

The ‘Raw’ album is a collection of some of the works that were initially the demos for the third record, which have been remixed by the bands first producer, Mark Dearnley, whose credits include a wide range from AC/DC to Paul McCartney. The album rounds out with an additional 4 songs from the Gene Simmons sessions due out in 2021 on Golden Robot Records.

Timeless Concert Images – 40 Years Of Rock Concert Experiences

Timeless Concert Images – 40 Years Of Rock Concert Experiences
Rock photographer Bill O’Leary has a book Featuring over 175 full color concert images from the ’70s through ’90s of icons like Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Zappa, and more Available Here
During his career, photographer Bill O’Leary took pictures of some of rock’s biggest names at the peak of their powers – Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Frank Zappa, etc. And now, he has opened his archives for the first time ever – assembling a collection of not only his best images, but also, offering stories and recollections behind concerts he shot over the years. Indeed, this book is comprised of over 175 full color, live concert images photographed primarily from the late 1970’s through the 1990’s.

Artists include…AC/DC, Albert King, The Allman Brothers Band, Anthrax, Blues Traveler, Bob Seger, Cheap Trick, Def Leppard, Dixie Dregs, Foreigner, Frank Zappa, Grateful Dead, Hot Tuna, Jeff Beck, Jethro Tull, Joan Jett, Judas Priest, Kiss, Marillion, Mercyful Fate, Michael Schenker Group, Molly Hatchet, Mötley Crüe, Motörhead, Outlaws, Overkill, Ozzy Osbourne, Pat Travers, Phish, Pink Floyd (The Wall), The Police, Queen, Rainbow, Reo Speedwagon, The Romantics, Rossington Collins Band, Rush, Scorpions, Slayer, Styx, Ted Nugent, Todd Rundgren’s Utopia, Triumph, UFO, Van Halen, White Zombie, XTC, Yes, Yngwie Malmsteen with Alcatrazz, and ZZ Top.

O’Leary says:
“Hard to believe that I have been shooting concerts for 4 decades now, beginning in the mid 70’s when I went to my first concert at the world famous Madison Square Garden in New York City. I felt at home among the walls of speakers and the towering lighting rigs, I also immediately knew that leaving the show with a ticket stub, program and maybe a t-shirt would not be enough, so I had to capture the memory permanently. Within’ weeks I had traded my Sony home stereo system for a black leather jacket and my first Minolta SLR camera. After a brief learning period experimenting with the constantly changing lighting and vast array of colors, film speeds and the quick movements of the artists, I was told by many people that I was a “natural”. I have always felt that “knowing” the music deeply and being passionate about it as well, really was the “secret” to capturing the “moment”. With that confidence, I was soon shooting many concerts, 46 in 1980 alone. By then I was also being published in many major magazines as well. In the early days, I practiced “gorilla type tactics” to get my equipment into the venue’s. Later, I was forced to play the game of securing credentials in order to shoot shows. All too soon, promoter and band management rules and demands on photographers began to take the excitement out of shooting shows. Then the ” first 3 song” rule became common, NO more pictures after the third song. Pro concert photographers know that the “best” part of a shows production comes later in the event. In the end, I’m glad to have been a part of the glory days of concert photography.”

FOREWARD by Freddie Salem of The Outlaws:
“Bill O’Leary has played an extremely important part in the rock n’ roll world, as the consummate live performance photographer for over 40 years. As a professional musician, rock photographers are a part of the music scene – whether it be shooting promotional shoots, live concerts, or simply capturing life on tour. Bill first photographed us back in 1979 – a couple years after I joined the Outlaws, at Madison Square Garden in New York City. We were touring in support of our latest album, In the Eye of the Storm. Madison Square Garden is a big show for any touring band – as well as me personally, as a musician. A landmark venue. The following year, 1980, Bill again photographed me onstage – twice. Once at a Pat Travers Band show at the Palladium in Lower Manhattan in April, then again later that fall in November, as the Outlaws were touring in support of our latest album, Ghost Riders. This time, we were playing a smaller venue in Passaic, New Jersey, called the Capitol Theatre. Hundreds upon hundreds of marquis performers from all over the world have been captured on film by Bill – with the help of his trusty camera. I am surely anticipating the release of Bill O’Leary’s book, featuring his life’s passion and his iconic photography work. Looking at the thousands of live photos Bill has shot over the years one thing is very clear – he knows when to “pull the trigger.”

A Touch Too Much – Gone But Not Forgotten

A Touch Too Much – Gone But Not Forgotten

On this very day in 1980, Ronald Belford “Bon” Scott was found dead in Camden London. Scott was the iconic hellraising singer of AC/DC and was the epitome of hard rockin, hard-partying rock and roller.  Nothing was half measure with Scott. It was alleged that On 15 February 1980, Scott attended a session where Malcolm and Angus Young who were working on the beginnings of two songs that would later be recorded on the Back in Black album; “Have a Drink On Me” and “Let Me Put My Love Into You” with Scott accompanying on drums rather than singing or writing lyrics.

Days earlier, Scott had gone with Mick Cocks to visit their friends the French group Trust in the Scorpio Sound studio in London where they recorded the album ‘Répression’; Scott was working on the English adaptation of texts by Bernie Bonvoisin for the English version of the album. During this visit, the musicians did a jam session of “Ride On”. This improvised session was Scott’s last recording.

Sometime during the evening of 18 February and early morning of 19 February, Scott passed out and died at the age of 33. He had just visited a London club called the Music Machine (currently known as KOKO) at the end of Camden High Street opposite Mornington Crescent Tube Station. He was left to sleep in a Renault 5 owned by a friend of Scott’s, Alistair Kinnear, at 67 Overhill Road in East Dulwich. Later that day, Kinnear found Scott lifeless and alerted the authorities. Scott was taken to King’s College Hospital in Camberwell, where he was pronounced DOA. It sent shockwaves through the industry at the time but the band soldiered on to reach greater success with a new singer (Cough Cough) Brian Johnson formerly of the band Geordie.  ‘Back In Black’ is one of the biggest selling rock albums of all time but the heart and soul had left the building when Scott passed and the band were never the same again, Scott’s tenure in the band produced  over half a dozen classic albums that pioneered boogie rock n roll with an incredible voice Scott will rightfully be remembered as a legend in hard rock.  R.I.P Bon.

Scott was born in Kirriemuir, Scotland, and emigrated to Melbourne, Australia with his family in 1952 He was six at the time. Scott started the Spektors in 1966 as the drummer the band then merged with another local band to form the Valentines who had a top 30 hit singe before breaking up due to a drug scandal or as the band put it at the time “Musical Differences”.  Scott then moved to Adelaide where he joined Fraternity. on 3 May 1974, at the Old Lion Hotel in North Adelaide, during a rehearsal with the Mount Lofty Rangers, a very drunk Scott had a raging argument with a member of the band. Scott stormed out of the venue, threw a bottle of Jack Daniel’s on to the ground, then sped off on his motorbike. Scott suffered serious injuries from the ensuing motorcycle accident, spending three days in a coma and a further 18 days in the hospital. It was during his recovery where he worked at the office of Vince Lovegrove who ran a talent and booking agency which was where Scott was introduced to the Youngs due to them being on the lookout for a lead singer and the rest, as they say, is history.

Buy AC/DC Here

On a Much lighter note a big Happy Birthday to Black Sabbaths Tony Iommi who was born on this day back in 1948. When a young Iommi was working in a sheet metal factory it was to be his last day at the job he managed to lose the tip of his middle finger and his ring finger of his right hand. He had to create thimbles to go on his fingertips so he could play the guitar this was after he attempted to play right-handed – remember health & safety at work kids and never play around with heavy machinery on Heavy Metal!

On this very same day in 1982 Iommis, former bandmate Ozzy managed to get himself arrested in San Antonio, Texas for urinating on the cenotaph at the Alamo, which honours the Alamo defenders. Osbourne was wearing a dress at the time of his arrest, (due to his wife Sharon hiding all his clothes so he couldn’t go outside). Osbourne was banned from ever playing in San Antonio, Texas again, (a ban which was lifted in 1992). When later interviewed, Ozzy said his next goal was to urinate on the White House lawn. Ozzy is pictured leaving the Sanantonio Court House with his stylish wife and manager Sharon

Buy Black Sabbath Here

 

 

 

 

Get well soon Bernie Tormé 

Get well soon Bernie Tormé 

Former GILLAN and OZZY OSBOURNE guitar legend Bernie Tormé has been hospitalised with double pneumonia.  RPM would like every reader to send prayers (if your that way inclined) and positive thoughts his way that he makes a speedy and full recovery.

The news of the Irish musician’s health issues was broken via his Facebook page earlier yesterday. The post: “Bernie Tormé is extremely ill in intensive care with virulent double pneumonia. We ask for your prayers.” So we’re only happy to oblige. Get well Bernie.

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Buy his latest LP: Here