The unstoppable Suzi Moon comes roaring back with a debut solo EP Call the Shots, a powerful clutch of high-impact songs which reaffirm her status as one of punk rock’s most vibrant performers! With a stellar rock & roll pedigree reaching back to when the then 15-year-old Moon joined her sister’s famed punk band, Civet, the singer-songwriter has followed through with songs that show her incredible growth. Recording two albums for Hellcat Records and touring with the likes of Social Distortion, Dropkick Murphys and Flogging Molly (all before she turned 21) Moon established herself as a ferocious punk truth-teller with both a distinctive personal style and a fiercely untamed stage presence. After Civet went on hiatus, Moon formed Turbulent Hearts, a high-intensity trio that quickly gained popularity in their hometown Los Angeles scene and earned followings in the US and Europe, playing such high stakes settings as the Rebellion Festival and Punk Rock Bowling.

The restless, boundlessly creative Moon next co-founded unique garage/punk/stoner female power trio L.A. Machina. The group almost immediately issued a memorable EP for Alternative Tentacles before abruptly flaming out in late 2020. Undeterred, Moon set about crafting the groundbreaking songs which comprise Call the Shots and was in the recording studio just months later. Set for a May 2021 release on Pirates Press Records, Call the Shots is classic Moon: hard-hitting, dynamic and thunderingly expressive, the perfect artistic antidote for today’s uncertain climate. A daringly mesmerizing performer and bold, intuitive, composer, Suzi Moon consistently delivers an appealing, high-velocity authenticity that is hers alone.

 

OK, Firstly it seems like a good place to start, what made you decide to go solo?

I always knew I would end up going solo. As a songwriter, it is important for me to take ownership of the music I create. I have a very clear vision for my art and have brought that into every collaborative project I have been a part of. It was really only a matter of time until I had the guts to really step forward and go solo. What have you noticed so far that’s different about playing under your name as opposed to being in a band? -It comes with new challenges. Now I am solely the one to blame if something goes wrong or if it doesn’t resonate within people, I am taking that very personally as the person who is the face of the project. At the same time, it is easier in ways, like I don’t have to get 3 other peoples opinion or approval before I make a decision.

 

Having seen you perform at Rebellion and reviewed your music previously both with Civet and Turbulent Hearts I must admit I was really impressed with the new EP? The energy you put into a live show is something you must be really missing with the Covid pandemic interrupting live shows and travel? How have you found the downtime? What have you found fulfilling that you’ve otherwise would have filled with traveling and touring?

Thank you! I am very proud of the EP and it is a natural progression for me. I am lucky to have worked with amazing musicians, engineers, and mixers on this new music that really set the bar higher, right where I want it, for this new chapter. I miss playing live terribly. It has been very hard to stay home every weekend. I really love being around other people and feeding off the energy of a live show. That is the reason for everything else – to get onstage. That is the real payback for me. The good thing is that I have been able to keep very busy during the pandemic preparing for my new releases and that has kept me sane and on track.

 

Going back to the EP. How did you hook up with Pirates Press?

Well, I have admired the label for many years. They have constantly released really impressive music and the product is such high quality. I do believe timing is everything, though, and when I started chatting with them in Oct. 2020, it just made perfect sense at that moment to begin a working relationship together. They are incredibly supportive and I love being a part of their awesome team.

 

What about putting the musicians together to work on your solo music? Did you have a plan? How easy was it to pick the songs for the EP?

I find that whenever I make a plan, the Universe has a better one for me, haha! I try to say “Yes” to as much as possible to keep the pathways to new opportunities open. The three songs on the EP are recorded with Rikki Styxx on drums because we had been playing together in L.A. Machina and had been spending so much time jamming together it just worked out that way! She is not formally a member of my band but she is close to me like a sister, and it was very special to build the foundation for Suzi Moon solo with her at my side. My guitar player Drew Champion is just amazing, he can play anything I ask him to, it’s really cool. He is still in the project but now I have a new bass player Patti Bo (from River City Rebels) and Sean Peterson (from The Split Seconds – with Drew) so I was able to round up these amazing players who are on board to tour a lot and they are all pro’s with experience. It was very easy to pick the songs for the EP because they were already written and ready to go and they all complimented each other.

 

 

Was there a lot of music written and recorded?

Yes there IS currently a lot written and recorded! I have 13 other songs that are done – 10 are recorded for a full length and I am going into the studio in August this year to record the other. We have a plan for releasing these but I can’t say too much yet… When can we hear an LP? Then obviously see you perform them live? -The full length will be out for summer 2022. I will start playing shows this September 2021 and anyone who sees me play is going to hear a LOT of unreleased material! Going back to the beginning of this latest adventure you’re on.

 

 

What was the catalyst for going solo? Is there anything you miss thus far not being in a band situation? Is it liberating seeing your name on the artwork for your new record?

The catalyst for going solo was more like, I didn’t have a fucking choice. It was just time to do it. I had already put Turbulent Hearts behind me, and then L.A. Machina broke up, and I was in no mood to slow down. It just seemed like it was the right time.

 

What noticeable things would you consider an advantage now to being part of a band?

Advantages are being in control of every facet of the image/product/brand, disadvantages are being the person solely responsible for all that work, haha! I have been so lucky to be in some amazing bands over the years, and I think collaboration is one of the best facets of a band, but it’s not like I am totally alone doing Suzi Moon. I have a band, they have good ideas, it’s just that I get final say now. Which is really good because I like to be the boss.

 

 

How do you approach writing new music? Is there anyone you bounce ideas off of?

Well, I am always singing and making up little silly songs throughout the day, about random shit. Sometimes the melody is so good that I will hum it into my phone recorder and actually take it seriously. I have had songs come to me in my sleep, or when I am running. It usually starts without a guitar, and then I will sit down and figure out how to play what I am hearing in my head. After that I will wait a few days, weeks, months even and if the melody keeps playing in my mind, I know it is really good and worth finishing. So I will write the next part, and try to finish it to 90% before I bring it to the band. For years I have worked like this. It is only recently, since my boyfriend Drew has joined the band as lead guitarist, that I will ask for his opinion on things and we can work on it. He is a great songwriter in his own right, so I fully trust that together we can make something even better together. Of course, in the case of a song like Turbulent Hearts “Panic” or my new song “Nuthin’ To Me” – those are the kinds of songs that just wrote themselves in 20 minutes, ya know?

Every song requires something different!

 

 

The last couple of years have been a deep well of inspiration for songwriters with what happened stateside with Trump being dumped and what happened in January and Covid being such a mindfuck globally there’s been a lot going on out there. What has inspired you to write? Have you found the downtime from touring a productive period?

It’s really nice that Trump is out of office because he was such a fucking embarrasment but I would never give a politician space in my songs. It’s just not the kind of songwriter I am. I don’t really care for any of them, I don’t trust the system and it doesn’t feel like those guys truly have “our” best interests in mind. What I DO care about is the human condition, and I do care about the struggle and the experiences we share. This world is fucked. There is tragedy and pain all around us all the time. Please forgive me if I don’t want to relive that while I am doing something that I believe is meant to bring joy to people. I want folks to forget about their problems while they are at my show. For an hour, just have fun. There are poets and artists out there that just absolutely nail it when it comes to political statements. I respect and admire them greatly, but if it’s in everything we do, see & hear… That is pretty fucking depressing. Sometimes you just need to forget about it for a while.

 

 

The sales of the EP must have delighted you and exceeded your initial expectations. Is a repress on the cards for when you hit the road and more people want in? -Absolutely I was overjoyed and it is still very surreal! It’s been really fucking special. I can’t give out too much information yet about what’s up next but… For those people that bought one of the 200 Cyan colored records – be stoked cause those are the only ones of that color that will ever be made!

 

 

What can you tell us what’s next record-wise? Is there an album in the can? What about other titles can you let us in on what you’ve worked on. -Yes, there is a full length that is coming and another release, too. I can’t give too much away yet, but I promise it’ll be rad!

 

 

 Is there anyone you’d like to work with as a solo artist? you can go anywhere you like with this what would be your dream? If you could get on a tour or record a split with someone what song would you want them to record? Any videos planned that we can watch? What about live streaming?

Living, I would love to work with Billie Joe Armstrong, and Laura Jane Grace from Against Me! Dead, Tom Petty. I have two music videos out right now for “Special Place In Hell” and “I’m Not A Man” – there will be one for “Nuthin’ To Me” next. I don’t plan on doing any livestream concerts because real shows are coming back and I want that to be the focus.

 

If I’ve missed anything here’s your chance. What would you like to let people know that I’ve missed out? I have a Youtube show called “Rockin’ Closets” where I interview other musicians, creators, business owners about their wardrobes and what inspires their fashion choices. It has been very rewarding to make the show and learn new things about these people. I just finished Season One and the show will be back again in the Fall with all new guests! All of those episodes are on my Youtube channel or you can watch them on my Instagram. I suggest for anyone who likes my music to check out the rest of the Pirates Press Records catalog. They have an incredible roster of bands that are doing really cool shit. I plan to tour a lot for the next few years. I will definitely be back in England during Summer 2022 so I hope to see you then! Thanks for the interview! Xo Suzi

Before January is finished we have another session of the Singles Club to round off the first knockings of 2021and as usual the quality is impressive.  Hit em up and share the love of the trusty old 45RPM…

 

Muck & The Mires – ‘I’m your Man’ (Dirty Water Records)  We’re starting this weeks singles club with this garage rock hip shakin bundle of energy from Muck & The Mires.  As you’ll hear from the guitars this is right on the money sounding like it was recorded live in the moment and with some great melody and BV’s its a right Banger!  Don’t doubt it that you need to hear these cats so head over to Bandcamp Here

 

45 Adapters – ‘Now Or Never’ (Pirates Press Records)  Emerging out of the clusterfuck for bands that was 2020, this long-anticipated EP really packs the punch everyone has been hoping for.

It Comes out swinging, and is hit after hit on a pretty cool 12” picture disc that looks like it was printed on glass. The title track, a rip-roaring addition to the Pirates’ sampler “For Family And Flag“ that we reviewed a few weeks ago.  It whet the whistle of fans across the globe… and the remaining tracks stacked up on this EP

Summarizing the sentiment felt by many, it really is “Now or Never“! Time to take a stand.

 

Guerrilla Teens – ‘End of the Leash’ (Self Release) Two downloadable tracks from the epic Guerrilla Teens Hell Yeah! I’ll take that sir.  Scott ‘Deluxe’ Drake leads another slice of hellish Rock and Roll from the garage with a bluesy guitar break that leads you down a dark alley where the band is waiting to pound you without mercy they won’t rest and who can blame them as the song tail off into the distance with howls and wah! leaving you satisfied once again with the tracks teased out of Bandcamp. But wait there’s more as ‘Running Away’ is a petulant slice of Rock and Roll that’s got some loose gang vocals snarling away on the chorus.  It’s snot captain but not as we know it.  I love Guerrilla Teens they’re one of the triumphs of Lockdown and Pandemic.  Now get this motherload of songs onto a slab of vinyl and we can put this past twelve months behind us.  Bop Showaddy indeed – Buy It! Here

 

Captain Future – ‘Holy Waters’ (Gypsy Hotel Records)  Alex McGowan is the man behind Captain Future and the new album ‘Ghostman’ and the first single taken from the album is ‘Holy Waters’ a bluesy slice of Dub or a dubby slice of Blues, either way, it’s a trip and a trip you should take. Love and hate collide and with the backdrop of what’s going on with certain leaders, it’s a slice of up-to-date right on-the-money music. It’ll creepy crawl into your head and shifting it is hard. Subtle and flavoursome the verses are dark whilst the chorus is raised and lets in the light.  clever stuff.

 

Automatics – ‘Irish Blessing’ (Blank Generation Records ) Taken from the recent Automatics, white vinyl, promotional 4 track ‘Octonary’ EP, and also on the album ‘A Grand Swandive Into The Void’.  You might think so what? However, if I were to say Steve Jones and Johnny Thunders contribute then I might just grab your attention and you might prick those ears back and give this some deserved attention. Also featuring SLF guitarist  Ian McCallum.

what you have on this EP is quality ’77 punk Rock and Roll. Considering the calibre of the players, of course, these songs have that wonderful crunch on the guitar and when recorded right it lifts a recording.   As you’ll hear ‘Irish Blessing’ has a Galic slant and some typical Irish folk leanings from the acoustic guitar to the lyrics.  A bit of everything on the EP means – for me, a good proper investigation into the bands back catalogue and great discovering a whole bunch of tunes that passed me by first time and when, as I say. they are as good as this its a joy to discover. Website

 

Brad Marino – ‘What Do You Know’ (RumBar Records) The Connection, New Trocaderos, Rydells, Jimmy Rydell, and upfront and center; Portsmouth New Hampshire’s Brad Marino has founded, co-founded, written, co-written, performed, and recorded in & on multiple garage rock, punk, and power-pop bands and releases over the last 10 years.  2021, Brad Marino returns with his sophomore Full-Length release, jam-packed with power poppin’ rock and roll extraordinaire… ‘Looking For Trouble’.  But to whet the appetite ‘What Do You Know’ is sent around the ether like a cannonball.  Sure it’s got melody and a solid rockin’ backbeat and a whole heap of hooks and of course a raw guitar making it a must-hear track. Forging the way forward in powerpop circles.  Don’t delay and be sure to hit Marino up and check this out you won’t regret it.  Bandcamp

 

UNDER THE INFLUENCE ‘Moon Flavoured Magnets’ (Riot Records) ‘Moon Flavoured Magnets’ is the follow up to recent singles ‘Body Parts’ and the acoustic version of fan favourite ‘Propaganda Leaks’. Whilst the title comes across as being psychedelic, this track is far from it. It is another storming hardcore flavoured punk track. A vicious and intense punk / Metal hybrid. Its the sound of the roof caving in on you but it’s ok because the band are kicking up a shitstorm and I like that.  Noisy Aussie bastards

“Welcome to Kins brain. It’s infused with mushrooms, madness and wisdom but we’ll let you decide… This is a mystical magical poem I wrote to Mother Nature. Touching on human greed, space, time, pollution and disrespect. Sadly, most humans are on a self-driven vendetta. Without a care for what really matters or anything that’s connected to the natural world. The only hope I see for mankind is to reconnect to the moon and oceanic currents by the only way I know, magic of course. That’s what this song is about…. Magic.’’
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Wildstreet – ‘Set It Off’ (Golden Robot Records)  new single ‘Set It Off’ is like stepping back in time onboard bill and teds cock – rock – o’clock time machine.  Not quite as dangerous as I was expecting and sounding more like a homage to Def Leps.

“Be yourself and stand up for what you believe. There will be set-backs, scars & bruises but you have to pick yourself up because you will make it to the top.”  oh ok righto guys but cmon. I have been transported back in time this covid lockdown has sent me down a wormhole where Warrant and Ratt are strutting up and down the Sunset Strip for sure this would be featured in Bill & Teds next movie for sure  all they have to do is wait…and wait…and wait

 

 

Midnite Snaxxx – ‘Contact Contamination’ (Slovenly Records) Rough blast of sugar-sweet punk rock with a video to test your brain its Midnite Snaxxx baby and their rapid adjit punk rock is addictive like hidden E numbers in kids confectionery its fast its fun and its addictive like a rapid Siouxie & the Banshees if I might be so bold. Songs outta Oakland never sounded so good did they?

Get it while it lasts Here

The Shang Hi Los – ‘Kick It Like A Bad Habit’ (Rum Bar Records) A new one on me but it came via Rum Bar so of course I was going to check them out. Coming on like a Jags meets Blondie with healthy dollops of Cars thrown in along with a whole heap of other power pop luminaries this is a great easy listen for a debut single.  There’s enough edge to remind me of Johnny Thunders last incarnation with the magnificent Oddballs – now I’m not comparing them quite yet but there are traces of the same DNA going on and that’s always going to drag me in.  Love the guitar break on ‘Funeral Home Mint’ These cats love Rock and Roll and pop from days gone by as ‘Stay’ would testify then follow it up with the luscious ‘Skipping Records’ with big chords and big harmonies. It wouldn’t be fair if there wasn’t a Smokie sounding acoustic big finale with those duel vocals working really well together.  In such trying times it’s nice to be nice and The Shang Hi Los sound like a really nice band and they’ve got tunes baby that’s for sure.

Check it out Here

 

Hookers & Blow – ‘Time Of The Season’ (Golden Robot Records) Hookers & Blow, the now legendary project formed by longtime Guns N’ Roses keyboardist Dizzy Reed and Quiet Riot guitarist Alex Grossi, recently hit the studios last year to record a covers album that will be released this year via Golden Robot Records. This is the fifth single off the album, a cover of The Zombie’s ‘Time Of The Season’.  It follows the release of the singles Shakin’ (Eddie Money), Rocks Off (Rolling Stones) and Ziggy Stardust (David Bowie) and Trampled Underfoot (Led Zeppelin)  and a jolly good cover it is too.  Polished as fuck but has a load of energy, Decent.

Pre-order/save Time of the Season HERE

 

The Cavemen – ‘Am I A Monster’ (Pig Baby Records)  I’ll be honest if The Hip Priests aren’t releasing a record the singles club can be a bit quieter but those crazy fuckers from New Zealand releases anything it sure perks this place up and again these Garage Ghouls have released an absolute pair of snotty stonkers in the shape of ‘Am I A Monster’ and ‘Schizophrenia’.  The lead track is a stuttering head-shaking noisefest.  It’s uncompromising yet totally uplifting and I love it.  Imagine a time when these could have toured with The Parkinsons and The Hip Priests now that’s a tour I’d risk.

If the A-side was a rush then the B side is a Rock and Rolla for sure from start to finish and before the second line of the chorus I’m shouting along.  One simple instruction from here is  Buy It Here

 

Real People – ‘Life Without A Head’ (Slovenly Records) Rapid shots across the bow Real People aren’t fucking about available on tape (hip fuckers) or digital it’s shouty hardcore folks and tight as a gnats chuff.  Lead track is a sprint to the finish and blink and you might miss it slice of Hardcore and it’s good.  It’s pretty much the same MO for all the tracks with only one breaking the two-minute barrier but where it might be brief flashes of noise its quality and that counts. As they say on their promo blurb “seven solid minutes of no-frills and cheap thrills” just about hits the nail on the head and that’s what it should be,  I like the riffs and the final offering is sharp and the riff is nailed.  Check em out Here and thank us later

 

 

Cornered – ‘Failure EP’ (Blindsided Records)  Dutch Harcore band Cornered are a new one on me but on first play they have that NYHC sound off to a tee, and with that clicky bass they thump their way into the singles round-up. ‘Burn’ is the opener with the Metal edged Hardcore being delivered in fine fashion.  ‘Jungle Law’ reminds me of Downset and with a classic seg from Planet Of The Apes introducing the track what’s not to like?  It’s short sharp and to the point exactly what no-nonsense Hardcore is supposed to be.  ‘Realms Of Misery’ is a measured intro then off into a huge groove.  I’m sure live in a tight pit these would be perfect and go down a storm.

There’s a lot going on here and at times it’s claustrophobic but at the same time, it’s good to just lash out and Cornered does it very well this isn’t a ‘Failure’ at all it’s European Hardcore mixing it with the best of em and holding their own. Check em out Here or pick this EP up Here

 

Yur Mum – ‘Black Rainbow’ (Self Release) The band, consisting of Anelise Kunz (Vocals/Bass) & Fabio Couto (Drums), have decided to unleash the first track from their forthcoming album, ‘Tropical Fuzz’ considering its just the rhythm section they manage to make a hell of a din I’m sure you’ll agree? claiming to not play by the rules would be about right to be fair and the Black & White video makes perfect sense as the track is bleak and cold and wintery.  For fans of Therapy? and Placebo would be just about right on this evidence.  Interesting stuff indeed. check em out Here  /  Bandcamp – https://yurmum.bandcamp

The Last International – ‘Modern Man’ (SME, The Orchard Music)  Taken From New Live Record ‘Live At Arda. Vocalist Delia Paz, comments: “We live in a time where “Girl Power” has been reduced to a hashtag, used by countless celebrities and companies to sell products. The #metoo movement continues to welcome leaders that directly carry out heinous violence against women and children throughout the world, via drone strikes and crippling economic policies. These victims have been completely ignored by mainstream feminists. Anyone, including myself, who tries to expose this hypocrisy is immediately silenced and shamed. “Modern Man” is a song that gives a voice to the overlooked and disenfranchised women all over the world. I hope it encourages everyone, not just women, to think critically and speak up against all injustices and oppression. We will not be silenced!”

Album out now on general release: Digital: https://TheLastInternationale.lnk.to/… Physical: Worldwide excl.  https://thelastinternationaleukeurost… USA: https://thelastinternationale.bigcart…

Swampy Rock and Roll is the order of the day as The Luxurious Faux Furs are an enigmatic rock n roll duo based outta New Orleans, Louisiana.

Since their beginning in 2011 (supposedly in New York City), Luxurious Faux Furs have stripped their vision of garage rock down to the bone. Over the course of two LPs and a handful of seven-inches, Jessica-Melain (drums) and Josh Lee Hooker (guitar) approach their music with the howling, elemental minimalism of the Gories and Mississippi Fred McDowell. Yet they also embody the opulent absurdity of 70’s glam rock (a la Cockney Rebel), with stretched out songs, copious “ooh ooh” backup singing just like Jagger got his stones bandmates to do on the likes of ‘Gimme Shelter’. Their records have been issued by labels in Western Europe, South America, and Memphis, Tennessee, and especially at volume, it’s easy to see the attraction.

On this new LP,  the pair maintains their garage squall and dives even further into hypnotic blues riffs and throbbing insistent drum pulse—what one listener called the “car with one square wheel” rhythm. Their choice of cover songs—obscure blues and sanctified numbers—show them moving even further from anything like “listener expectations.”

Playing live on stage, the band cuts a memorable image. Behind her pair of stand-up drums, Jessica-Melain swings her hips in time to the trance-like beat. Her hair is a big black thunder cloud with blonde streaks of lightning; her expression a bubblegum snarl. Meanwhile, Josh Lee Hooker, saturnine and overdressed, mutters confusing jokes to the audience then abruptly careens into impassioned, expressive singing.

The Luxurious Faux Furs are defiantly un-modern and anti-traditional; they’re neither urban nor rural; they have no interest in “what’s going on” and they certainly don’t care what people say about them.  the tunes are unfussy and they delve deep into the blues but also keep it fairly contemporary with a borrowed riff here and there.  ‘Seat In The Kingdom’ sounds like it could be half-inched from Brian James when he was looking for new tunes for the Lords Of The New Church and to contrast the rough arsed vocal that can be chaotic and wild the BV’s are often quite lush and smooth in comparison whatever it is it works.

At times it can sound quite hypnotic and other times it sounds claustrophobic and chaotic.  I’m not too sure there was a great deal of quality control going on which helps keep it fresh but plays havoc with one’s OCD tendencies.  Whatever view you have you can’t deny it’s rock and roll and I’m sure live these cats would go down a treat in some sweaty dive bar where the PA is way too loud and the drinks are cheap.

I love the tone on ‘Joe Bird’ and then there’s the vibe they’ve hit upon for the video ‘Home Cooking’ which is great. move over Jon Spenser and Guitar Wolf look over your shoulder there are some new kids in town and I don’t think they play nice. Favourite track is the haunting ‘Sign Of Judgment’ – sparse and like a diamond in the rough worth checking out for this one alone. The more I play it the more I want to play it now if every album had those qualities.  Check em out – you’ll like em!

Buy on Bandcamp Here

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Author: Dom Daley

 

OK, so some days lockdown ain’t so bad.  One of those days is right here right now.  Urban Voodoo Machine Nailing it with their brand new video for ‘Living In Fear’.

Next up we have those Garage funsters Mean Motor Scooter with their video for ‘Aristobrat’

Finally bring up the rear is the fine new offering from Pale Lips with ‘The Kids’