The Best Of The Best

according to the team at RPM Online

 

It’s gotten to the time of year when everyone seems to be putting the past twelve months in order and creating their lists or best of and we read on social media that it’s been a bit of a rubbish year for new releases etc. Now we know that’s not quite true and bands and solo artists have been making good use of lockdown and releasing some pretty impressive albums and singles be it virtually or remotely or when possible in an actual studio.

Here at RPM Online, we pride ourselves on bringing you the best of those releases from far-flung places and the darkest recesses of the Rock and Roll world and this is where the talented bunch of writers get to reveal what is at the top of their lists for 2020.

I’d personally like to thank the writers for the hard work and dedication during such a difficult year for everyone and first and foremost would like to thank them for their efforts in bringing such talented writing to everyone’s attention.  the one thing that stands out is whilst we all champion alternative music it’s generally a very diverse pool we dive in for our musical highs yet there are many common threads.  I’d also like to thank the PR that send through the countless emails and the ones who do an outstanding job above and beyond for the bands to make this past year work and not totally collapse as well as the labels who release a lot of these albums at great personal expense thank you one and all and the biggest thank you goes to those of you who’ve taken the time in real life to check in on us be it a daily read or the occasional glance thank.  so without further delay please check out our end of year list from Best Albums, Best EP, Best Single, Best Reissue, Best music-related Book, and yes live concert (there were plenty in the first few months honest)

Enjoy –

 

 

Craggy

Albums of 2020

Levellers – ‘Peace’ (On The Fiddle Recordings)

Bob Mould – ‘Blue Hearts’ (Merge Records)

Kathleen Edwards – ‘Total Freedom’ (Dualtone)

Soul Asylum – ‘Hurry up and Wait’ (Blue Elan Records)

Craggy Collyde – ‘Wrapped up in Ribbons’ (Break Me Records)

Warner E Hodges – ‘Just Feels Right’ (JCPL)

Pete Berwick – ‘Too Cow to Punk’ (Self Release)

Dark Rags – ‘Suburbia’ (Backstab Records)

Parketový Lev – ‘Parketový Lev’ (Papagájův Hlasatel Records)

Rabbit Slow – ‘Coming Waves’ (Self Release)

 

 

Nev Brooks

Albums of 2020

Bob Vylan – ‘We live Here’ (Self Release)

Jesse Malin – ‘Sunset Kids’ (Wicked Cool Records)

Humanist – ‘Humanist’ (Self Release)

Suzie Stapleton – ‘We Are The Plague’ (Negative Prophet Records)

Mark Lanegan – ‘Straight songs of Sorrow’ (Heavenly)

Duncan Reid and the Bigheads – ‘Don’t Blame yourself’ (Lbh Records)

Psychedelic Furs – ‘Made of Rain’ (Cooking Vinyl)

Asaf Avidan – ‘Agnorisis’ (Telmavar Records)

Me and that Man – ‘New Songs, Same shit vol 1’ (Napalm Records)

Nick Cave – ‘Idiots Prayer’ (Bad Seed LTD)

Dystopian Future Movies – ‘Inviolate’ (Lasairfhiona Records)

The Levellers – ‘Peace’ (On The Fiddle Recordings)

Ryan Hamilton and the Harlequin Ghosts – ‘Nowhere To Go But Everywhere’ (Wicked Cool Records)

The Cravats – ‘Hoorahland’ (Sef Release)

Sault – ‘Untitled (Black is)’ (Forever Living Originals)

Bill Fisher – ‘Mass Hypnosis and the Dark Triad’ (Septaphonic Records)

Stay voiceless – ‘Lies to Tell Your Children’ (GMC)

The Dowling Poole – ‘See You See Me’ (Self Release)

Jehnny Beth – ‘To love is To Live’ (20L07 Records)

The Strokes – ‘The New Abnormal’ (RCA Cult Records)

 

Top 5 e.ps

 

Bar Stool Preachers – ‘Soundtrack to your Apocalypse’ (Pirates Press Records)

Jesse Malin – ‘Ameri’ka’ (Wicked Cool Records)

Buzzard Buzzard Buzzard – ‘Non Stop e.p.’ (Communion Records)

The Damned – ‘Rockfield sessions’ (Spinefarm Records)

Paul Ronney Angel – ‘Seven Spanish Angels’ (Self Release)

 

Top 5 Re-issues / Boxsets

 

Twin Temple – ‘Present Their Signature Sound (Satanic Doo Wop)’ (Rise Above Records)

New Model Army – ‘Carnival’ (Attack Attack Records)

David Bowie – ‘Metrobolist’ (Parlophone)

Rolling Stones – ‘Goats Head Soup’ (Rolling Stones Records)

Prince – ‘Sign Of The Times’ (NPG Records, Warner Records, The Prince Estate)

 

 

 

Dom Daley

Albums of 2020

Stiff Richards – ‘State Of Mind’ (Legless Records/Drunken Sailor Records)

Chubby & The Gang – ‘Speed Kills’ (Partisan Records)

Mud City Manglers – ‘Give Me The Hammer’ (Beluga Records)

Wayne Hussey & The Divine – ‘Live At The Bridge’ (Eyes Wide Shut Records)-

Thee acid tongue – ‘Snake Rattle And Roll (Bear Beach Records)

Bob Mould – ‘Blur Hearts’ (Merge Records)

Bob Vylan – ‘We Live Here’ (Self Release)

Marylin Manson – ‘We Are Chaos’ (Lorna Vista)

Cabbage – ‘Amanita Pantherina’ (Brassica Records)

Deathtrap – ‘Stole Your Rock and Roll’ (Spirit Of Disaster)

Lovesores – ‘Bats From Planet Skull’ (Self Release)

Wyldlife – ‘Year Of The Snake’ (Wicked Cool Records)

Duncan Reid & The Bigheads – ‘Don’t Blame Yourself’ (Lbh Records)

The Good The Bad And The Zugly – ‘Algorithm And Blues’ (Fysisk Format)

Midnight – ‘Rebirth By Blasphemy’ (Metal Blade Records)

Tommy Ray  – ‘First Hits Free’ (Cool Cat Music)

Mick Rossi – ‘All The Saints & All The Souls’ (TJM Records)

The Hip Priests – ‘Solid Gold Easy Option’ (Speedo Wax Records)

Chuck Prophet – ‘The Land That Time Forgot’ (Yup Rock)

Bruce Springsteen – ‘Letter To You’ (Columbia Records)

 

Single of the year

The Black Halos -‘ Ain’t No Time To Say Goodbye’ (Self Release)

Rock ‘n’ Roll Manifesto vol 1(Stamp Out Disco)

Jesse Malin – ‘Todd Youth’ (Wicked Cool Records)

 

Reissue / Boxset

The Boys – ‘The Safari years’ (Cherry Red Records)

Motochrist – ‘Greatest Hits’ (Dr Wu Records)

New Model Army – ‘Carnival’ (Attack Attack)

Buzzcocks – ‘Sell You Everything’ (Cherry Red Records)

Keith Richards – ‘ Live At The Hollywood Palladium’ (Virgin America)

Coloursound – ‘Coloursound’ (The Great North Western Recording Company)

Manic Street Preachers – ‘Gold Against The Soul’ (Sony Music)

 

 

Music-related Books of the Year

Alvin Gibbs – ‘Diminished Responsibility Volume 1’ (Tome & Metre Publishing)

‘Clang!’ (Smiley drops a few) – Steve ‘Smiley’ Barnard (GTP)

‘What Makes The Monkey Dance’ – Chuck Prophet & Green On Red – Stevie Simkin (Jaw Bone)

 

Best E.P. 

Buzzard Buzzard Buzzard – ‘Non Stop’ (Communion Records)

Bar stool preachers. – ‘Soundtrack To The Apocolypse’ (Pirates Press Records)

Chesty Malone and the Slice ‘Em Ups – ‘Covered In Blood! Quarantine Covers’

 

 

Live show of the year

Bar stool preachers – Bristol, Rough Trade

Mike Peters – Gathering – Llandudno North Wales

The Bellrays – le Pub, Newport

The Wildhearts – Cardiff, Tramshed

The Interrupters – Cardiff, Tramshed

 

2021 wishes?  I’d love to see an end to restrictions (stating the obvious I know) but it would be smart to see the Proposed Vive Le Rock show take place with Michael Monroe fronting the Lords Of The New Church and live shows becoming a thing again.  Other than that Stay Safe and look out for each other.

 

Dan Kasm

Albums Of 2020

Bambara – ‘Stray‘ (Wharf Cat Records)
…Trail Of Dead – ‘X The Godless Void and Other Stories’ (Dine Alone Records)
Airborne Toxic Event – ‘Hollywood Park’ (Rounder Records)
Bdrmm – ‘Bdrmm’ (Sonic Cathedral)
Zombeaches – ‘Zombeaches’ (Self Release)
The Blinders – ‘Fantasies of the Stay at Home Psychopath’ (Modern Sky Music)
Neonic Sundrive – ‘Lies Paradise’ (Self Release)
The Wildhearts – ’30 Year Itch’ (Round Records)
Neil Young – ‘Homegrown’ (Reprise Records)
Reissues / Boxsets
The Guilty Hearts – ‘The Guilty Hearts’ (Voodoo Rhythm Records)
Anna Calvi – ‘Hunted’ (Domino Records)
Virgin Suicides – ‘ost’ (Parlophone)
Neil Young – ‘After the Gold Rush’ 50th anniversary (Reprise Records)
Iggy & the Stooges – ‘You Think You’re Bad Man’ (Cherry Red Records)
EPs
Eyesore & the Jinx – ‘The Exile Parlour’ (Eggy Records)
Grow Rich – ‘Frantic Semantic’ (Self Release)
The Lotts – ‘We Are The Lotts’ (Self Release)
The Mysterines – ‘Love’s Not Enough’ (Self Release)
Various Artists – ‘Not Psycho Enough?’ Cosmic Psychos Tribute (Dull City Records)
Singles
The Dry Retch – ‘12000 Miles From New’
Murmur – ‘Shame’ (Self Release)
Salt The Snail – ‘Junkyard Cat’ (Self Release)
Psychedelic Furs – ‘Don’t Believe’ (Cooking Vinyl)
Silverbacks – ‘Drool’ (Nice Swan Records)
Music-related Books of the Year
Dave Haslam – ‘Looking for Love – Courtney Love in Liverpool’
Justin Quirk – ‘Ain’t Nothin’ But A Good Time – The Rise & Fall of Glam Metal’ (Unbound Digital)
Mikel Jollett – ‘Hollywood Park’ (Sceptre)
Gigs
The Wildhearts, Backyard Babies – Manchester Ritz
The Dry Retch, Tio Rico – Liverpool Outpost
Mysterines, Buzzard Buzzard Buzzard –  Liverpool Jimmys
2021
I’m hopeful for the new year that I will get some normality in order to attend the inaugural event of the new Futurama festival as well as 2000 Trees, HRH Sleaze & Psych as well as numerous other gigs and events. Like a lot of people the past 9 months has put things in perspective, grab things with both hands and tick off ‘bucket list’ life events instead putting them off.

 

Fraser Munro

Albums Of 2020

Scumbag Millionaire – ‘Poor and Infamous’ (Suburban Records)

The good, The Bad And The Zugly – ‘Algorithm & Blues’ (Fysisk Format)

Beat City Tubeworks – ‘Top Rock’ (The Sign Records)

Mud City Manglers – ‘Give Me The Hammer’ (Beluga Records, Spaghetty Town Records, Ghost Highway Records)

Supersuckers – ‘Play That Rock ‘N’ Roll’ (Acetate Records)

Christmas – ‘Hot Nights In Saint Vandal’ (TNS Records)

DBOY – ‘New Records In Human Power’ (Dine Alone Records)

Hank Von Hell – ‘Dead’ (Sony Music)

Kvelertak – ‘Splid’ (Rise Records)

ACDC – ‘Power Up’ (Columbia)

The Wildhearts – ’30 Year Itch’ (Round Records)

 

Reissues / Boxset

Black Halos – FFTS Demos & Rarities (Bandcamp)

The Hip Priests – Solid Gold Easy Option (Speedowax Records)

Midnight Evils – Straight ‘Til Morning (Sweet Ohm Ramalama)

 

 

Gigs

Undertones et al – Minehead

Wildhearts / Backyard Babies – Cardiff

Wildhearts / Backyard Babies – London

Guida – Bristol

Showaddywaddy – Swansea

 

 

Johnny Hayward

Albums Of The Year 2020

Aerial Salad – ‘Dirt Mall’ (Plasterer/Roach Industries)

Henrik Palm – ‘Poverty Metal’ (Svart Records)

The Wildhearts – ‘30 Year Itch’ (Round Records)

Mondo Generator – ‘Fuck It’ (Heavy Psych Records)

Then Comes Silence – ‘Machine’ (Oblivion/SPV, Metropolis Records)

Midnight – ‘Rebirth By Blasphemy’ (Metal Blade Records)

Kvelertak – ‘Splid’ (Rise Records/World Records)

The Dowling Poole – ‘See You See Me’ (369 Music)

Lovesores – ‘Bats From Planet Skull’ (Self Released)

Dirt Box Disco – ‘TV Sex Show’ (Avenue Recordz)

Division Of Laura Lee – ‘Apartment’ (Welfare Sounds)

Spunk Volcano & The Eruptions – ‘Barry Milner Is Thick’ (Avenue Recordz)

Stay Voiceless – ‘Lies To Tell Your Children’ (GMC)

Deathtraps – Stole Your Rock ‘N’ Roll (Spirit Of Disaster)

Scumbag Millionaire – ‘Poor and Infamous’ (Suburban Records)

HMLTD – ‘The West Is Dead’ (Lucky Number)

The Hip Priests – Solid Gold Easy Option (Speedo Wax Records)

The Speedways – ‘Radio Sounds’ (Alien Snatch Records, Snap!! Records/Hurrah Musica and Beluga Records)

Marilyn Manson – ‘We Are Chaos’ (Lorna Vista)

Mariachi El Bronx – Musica Muerta Volumes 1&2 (White Drugs)

 

EPs

The Bar Stool Preachers – ‘State Of Emergency’ (Pirate’s Press)

Lickerish Quartet – ‘Threesome Vol 1’ (Lickerish Quartet/Label Logic)

The Wildhearts – ‘30 Year Itch’ (Encores) (Round Records)

Buzzard Buzzard Buzzard – ‘The Non Stop EP’ (Communion Records)

Bob Vylan – ‘We Live Here’ (Venn Records)

 

 

Reissues / Boxset

UFO – ‘Strangers In The Night’ (Super Deluxe) (Chrysalis)

Def Leppard – ‘The Early Years’ (Mercury)

Bob Mould – ‘Distortion’ (Demon)

Keith Richards & The X-pensive Winos – ‘Live At The Hollywood Palladium’ (Mindless Records)

Black Sabbath – ‘Paranoid’ (50th Anniversary) (Sanctuary Records)

 

Music-related Books of the Year

Alvin Gibbs – ‘Diminished Responsibility Volume 1’ (Tome & Metre Publishing)

Rob Halford – ‘Confess’ (Headline)

Reuben Archer – ‘Rock N Rollercoaster Ride’ (Toxic Arrow)

 

Live Gigs

The Bar Stool Preachers – Rough Trade, Bristol – 6th March 2020

Great British Alternative Weekend – Butlins Minehead – 28th February – 1st March 2020

Bad Sam – Le Pub, Newport – 14th February 2020

Giuda – Louisiana, Bristol – 18th January 2020

The Bellrays – Le Pub, Newport – 17th January 2020

Wonk Unit – Clwb Ifor Bach, Cardiff – 11th January 2020

 

Bandcamp Discovery

Guerrilla Teens

 

Best Single

The Hip Priests – ‘Zero Fucks Given’​/’​Social Hand Grenade’ (Shitpark Records)

 

Most Looking Forward to in 2021

Going to a gig.

 

 

 

Ben Hughes

Albums of 2020

Butch Walker – ‘American Love Story’ (Ruby Red Records)

Ryan Hamilton & The Harlequin Ghosts – ‘Nowhere To Go But Everywhere’ (Wicked Cool Records)

Wyldlife – ‘Year Of The Snake’ (Wicked Cool Records)

Baby Chaos – ‘Ape Confronts Cosmos’ (Three Hands Records)

Dangereens – ‘Tough Luck’ (Alien Snatch Records)

Hellbound Glory – ‘Pure Scum’ (BCR Los Angeles)

Hello Operator – ‘S/T’ (Self Release)

Me And That Man – ‘New Man, New Songs, Same Shit’ (Napalm Records)

Low Cut Connie – ‘Private Lives’ (Contender Records)

The Speedways – ‘Radio Sounds’ (Alien Snatch Records, Beluga Records, Snap Records, Hurrah Records)

 

EPs

The Lickerish Quartet – ‘Threesome Vol. 1’ (Label Logic)

Saint Agnes – ‘The Family Strange’ (Death Or Glory Gang Records)

Junkyard – ‘Rome Is Burning’ (Acetate Records)

Hands Off Gretel – ‘The Angry EP’ (Puke Pop Records)

The Future Shape Of Sound – ‘It’s Gone All Wrong’ (Self Release)

 

Reissues / Boxset

Diamond Dogs – ‘Too Much Is Always Better Than Not Enough’ (Wild Kingdom Records)

Diamond Dogs – ‘Weekend Monster’ (Wild Kingdom Records)

Diamond Dogs – The Atlantic Juice’ (Wild Kingdom Records)

 

Gigs 

The Wildhearts/Backyard Babies/CKY – 02 Academy, Newcastle

Jesse Malin – Headrow House, Leeds

 

Livestreams

Jesse Malin – The Fine Art Of Self-Distancing

Baby Chaos

Low Cut Connie – Tough Cookies

 

Gerald Stansbury

Albums

Soraia – ‘Dig Your Roots’ (Wicked Cool Recotrds)

Massive Wagons – ‘House of Noise’ (Earache Records)

Ward Davis – ‘Black Cats and Crows’ (LLC)

Karen Jonas –  ‘The Southwest Sky and Other Dreams’ (Self Release)

Brooke Brown – ‘Troubled Heart’ (Self Release)

The Nude Party – ‘Midnight Manor’ (New West Records)

Vulvarine –  ‘Unleashed’ (Self Release)

Dangereens – ‘Tough Luck’ (Alian Snatch)

The Rumours – ‘Suck It’ (Self Release)

Lucifer Star Machine  – ‘The Devil’s Breath’ (The Sign Records)

Gareth Leach – ‘Trigger’ (Self Release)

Steve Earle & the Dukes –  ‘Ghosts of West Virginia’ (New West Records)

Randy Rogers and Wade Bowen – ‘Hold my Beer Volume 2’  (Lil Buddy Tunes)

Tyla – ‘Isolation Crossing Collection’ (King Outlaw Records)

Low Cut Connie – ‘Private Lives’ (Contender Records)

D.L. Marble – ‘One Line at a Time’ (Self Release)

Reckless Kelly  – ‘American Jackpot/ American Girls’ (No Big Deal Records)

Givvi Flynn –  ‘Tomboy’ (Self Release)

Armored Saint – ‘Punching the Sky’ (Metal Blade Records)

Butch Walker ‘American Love Song’ (Ruby Red Production)

 

Single of the Year 

Charlotte Leigh – ‘Life’

 

EP of the Year

Quinn the Brain – ‘Wide Open’

 

Reissue of the Year

Def Leppard ‘The Early Years’

 

Gareth ‘Hotshot’ Hooper

Albums 

Duncan Reid And The Bigheads – ‘Don’t Blame Yourself’ (Little Big Head Records)

The Network – ‘money money 2020 part 2 we told ya so’ (Warner Records)

Billie Joe Armstrong – ‘No Fun Mondays’ (Warner Records)

Green day- ‘Father Of All Motherfuckers’ (Warner Records)

Deathtraps – ‘Stole Your Rock’n’Roll’ (Spirit Of Disaster)

The Damned – ‘The Rockfield files’ (Spinefarm Records)

Stop worrying and love the bomb – ‘Fake Nature’

 

Gigs

The Bellrays – Le Pub Newport

The Wildhearts  / Backyard Babies – Cardiff Tramshed

Reissues / Boxset

Iggy and the stooge – ‘From KO to chaos’

The Boys – ‘On Safari’

Johnny Thunders – ‘Que sera Sera Resurrected’

Buzzcocks – ‘Sell You Everything’ (Cherry Red Records)

Buzzcocks – ‘Late For The Train’ (Cherry Red Records)

 

Music-related Books of the Year

Alvin Gibbs – ‘Diminished Responsibility Volume 1’ (Tome & Metre Publishing)

Joe Strummer – ‘Redemption Song’

The Replacements – ‘All Over But The Shouting’

Gaz Tidey

Albums of the Year

Butch Walker – ‘American Love Story’ (Red Ruby Production)

Larkin Poe – ‘Self Made Man’ (Tricki Woo Records)

Lamb Of God – ‘Lamb Of God’ (Epic)

Bob Vylan – ‘We Live Here’ (Venn Records)

Ryan Hamilton & the Harlequin Ghosts – ‘Nowhere To Go But Everywhere’ (Wicked Cool Records)

Onslaught – ‘Generation Antichrist’ (AFM Records)

Baby Chaos – ‘Ape Confronts Cosmos’ (Three Hands Records)

C.J. Wildheart – ‘Siege’ (Devilspit)

Foxy Shazam – ‘Burn’ (EEEOOOAH Records)

Kvelertak – ‘Splid’ (Rise Records)

Tairrie B. – ‘Feminenergy’ (Self Release)

Cro-Mags – ‘In The Beginning’ (Mission Two Entertainment)

Mommy Sez No – ‘The Dwellers Below’ (Self Release)

EPs of the Year

The Lickerish Quartet – ‘Threesome Vol. 1’ (Label Logic)

Chesty Malone and the Slice ‘Em Ups – ‘Covered In Blood! Quarantine Covers’ (Self Release)

American Hi-fi – ‘Anywhere Else But Here’ (Rude Records)

Tyla’s Dogs D’Amour – ‘The Powder Dry EP’ (King Outlaw Records)

Chris Catalyst – ‘Acoustic Machines’ (Self Release)

Singles of the Year

Tyla’s Dogs D’Amour – ‘Superhuman’ (King Outlaw)

Jesse Malin – ‘Todd Youth’ (Wicked Cool Records)

Royal Blood – ‘Trouble’s Coming’ (Warner Records)

Reissue/Boxset of the Year

Sigue Sigue Sputnik – ‘Flaunt It’ 4CD Deluxe Capacity Wallet  (Cherry Red Records)

Music-related Books of the Year

Pete Paphides – ‘Broken Greek’ (Quercus)

Rob Halford – ‘Confess’ (Headline Publishing)

Justin Quirk – ‘Nothin’ But A Good Time’ (Unbound Digital)

There you have it a fine selection of music you’re likely to find anywhere as diverse as you like yet common threads woven throughout.  It would be a boring place if we all liked the same records that’s for sure and I’m sure there are records released we’ve forgotten about in the deluge.  Don’t let anyone tell you that there were no good albums released during the pandemic because we know by looking at the list that there were plenty & plenty of reissues and Boxsets that were released during 2020.

Onwards and upwards we move into 2021 and we hope to bring you more new albums to fill yer airwaves and a return of the live show and festivals.  We need em and so does the industry.  So raise a glass to days gone by and to a better future when we can all meet again and watch our favourite bands.  Be good and stay safe RPM Online looks forward to a great 2021!

Barren Womb hail from Norway and Finland.  ‘Lizard Lounge’ is their fourth studio effort and is arguably their best however I’ll admit here this is my first foray into the world of Barren Womb so I can’t comment on whether it’s their best.  They’ve actually been around for almost a decade so the duo of Timo Silvola and Tony Gonzahl certainly aren’t wet around the ears and have plenty of time served to create their chosen craft.

Without any preconceptions, I turn the speakers up to “Neighbour Bothering” Levels and ‘Cemetery Slopestyle’ greets me with a feral rapid kick in the shins and a swift audio headbutt. A steady beat and feral guitar riff with dog snarling vocals but it never appears to be untethered this beast is being ridden to the end. I like it!

There’s a hint of ‘Bleach’ Nirvana about ‘Karma As A Tour Manager’ sparse yet claustrophobic if you know what I mean?  It’s an impressive mixture of HArdcore attitude mixed with an air of doing it on the hoof and a shade of commerciality or catchy parts that might be fleeting but prevalent enough that you notice them.  ‘Hairy Palms’ breaks down into some doomy heavy shit but like I say its fleeting before we’re back off on that big commercial riff.

‘Smoke Lets Go’ is one of my favourite tracks its a steady pounder with a dirty loose riff as the vocals bark their words but there’s handclaps which leads me to think these cats are winking at each other and like a long line of Northern European bands playing their punk rock with a cheeky grin and if the chorus was meant to be pop it is but it isn’t.  What it definitely is though is quality in a sea of quality songs.

 

It’s no shock that the duo are influenced by the Melvins because they’re crazy as well but that’s the melting pot the Womb are cooking part Grunge heavyweights part QOTSA chart lust part Hardcore part bat shit crazy.  One thing they do is keep it short and sweet with the exception of one track almost hitting the giddy heights of five minutes ‘Nerve Salad’ reminds me in part of Rage Against The Machine.  Signing off ‘You Do The Meth’ is a writhing beast and a fine way to sign off a rather good record.  I’m off to investigate their back catalogue because if its as good as this then I’m in for a treat.  check them out!

Pre-order on limited vinyl: Here

 

Follow Barren Womb now on:
Facebook | Twitter | Instagram | Spotify

Author: Dom Daley

The band has been around since 2012. Tell us who you are and how you came together.
Sol: Hi, my name’s Sol. We’re a London band, and I joined the group in 2012 –
Minky: You started the band, you nut.
Sol: Nah, you had a name for the band before I joined. You called it Bandwagon. I joined that
band.
Minky: Different band. Shit name.
Sol: Well anyway, I’ve been the bass player ever since. Through all of its ups and downs.
Minky: You’re fifty percent of the DNA of this band.
Jamie: Well anyway, I’m Jamie and I joined Brain Ape on drums in 2018 and then we played our
first show together in Paris.
Minky: And I’m Minky. I’m responsible for this mess, and I’ve been in the band for far too long.

 

You’ve released a couple of albums. How has the sound changed if at all and what are the
plans for album number three?
Sol: Album number three might or might not be coming. We don’t know yet.
Minky: Album three cannot be confirmed.
Sol: Or denied.
Minky: Or confirmed.
Jamie: I hope we have a third album.
Sol: Same, but it cannot be confirmed nor denied at this point in time. But as for our previous
albums, our sound has grown with us as we’ve grown up and become more confident and better
in our abilities.
Minky: We did one album, loved the sound, then played it for so many years, got bored. Did
another album, loved the sound, have played it for so many years, now bored. So we’ll see.
Sol: If we do a third album, we’ll take it into a new and unique direction. Our sound evolves with
us, and incorporates all of the different influences that we take with us.
Minky: But we’ll never forget the ‘Mudhoney sound’. They’ll always be legends.
Sol: Personally, I like Nirvana.
Minky: I hate you.
Sol: Can’t deny it.
Minky: I prefer the Melvins. You know we’ve had a lot of people recently compare us to the
Melvins? I am A-OK with that comparison. If I could grow a ‘fro like King Buzzo –
Sol: Except the Melvins didn’t really go anywhere –
Minky: Ouch, yes they did man.
Sol: Whereas their baby brother, Nirvana, went far farther.
Minky: You’re a cynic. And that’s coming from me.

You recently released a DVD which is a bold idea. What’s the idea behind the DVD so early
on?
Sol: We had the opportunity and we took it.
Minky: It showed itself, we smacked it in the face and took it hostage, and now we’re selling it for
a minimal price at our merchandise stands.
Sol: It was for the fans who can’t see us live, mainly. We wanted to show off how far we’ve come
and show people what we could do, even if they’re not in the same room as us. It’s a chance for
them so see us play our tunes.
Minky: Do you know how many messages I’ve had on social media of people telling me how glad
they are that we released a DVD, because finally they got to see what we do and they weren’t
disappointed?
Sol: That’s why we do what we do.
Minky: It’s been very humbling, somehow. And that’s the best feedback you can get. They had
expectations, and they weren’t disappointed? What could top that?
Sol: Exactly.
Minky: ’You changed my life’?
Sol: Why not?
Minky: With a DVD? Can a DVD really change your life?
Sol: Yep.
Jamie: Yeah, it can do.
Minky: Well was it the Decisive Video of a Decade?

 

What bands and songwriters have influenced Brain Ape?
Sol: Bowie, Queens of the Stone Age, Pixies –
Minky: It gets really boring naming the same people over and over again, but there’s no denying
who they are. Although, I disagree with the Pixies. I’d lean more towards Flipper.
Sol: Yeah, Flipper’s a good one.
Minky: Scratch Acid?
Sol: We took a lot from them in the early days, but one of our most influential artists has actually
been a band called Coffee. I live by Coffee. Every day. Eight times a day, even.
Minky: Eight times? Mate, you’re going to fucking kill yourself.
Sol: I need my daily Coffee.
Minky: Veruca Salt?
Sol: Veruca Salt are awesome. Love their harmonies.
Minky: And their tone is great, especially on that EP they did with Steven Albini.
Sol: Mantra?
Minky: Fu Manchu.
Jamie: They’re playing Download, actually.
Sol: Really?
Minky: I know, I saw them on the poster and instantly considered buying a ticket to the festival.
Sol: Alice in Chains? Avenged Sevenfold?
Minky: I think we’ve said Alice in Chains in previous interviews.
Sol: Blood Red Shoes?
Minky: I don’t know them.
Jamie: Blood Red Shoes are good.
Sol: Royal Blood?
Minky: Nah, fuck them.
Sol: I love Royal Blood.
Minky: Yeah, I know you do. I don’t.
Sol: I saw them back in the day, in a room with about twenty other people before they got
famous.
Minky: You love that story.
Sol: Yeah, I do.
Jamie: I saw them the first time they played Reading. I walked past the tent and just had to check
them out.
Sol: Soundgarden are good.
Jamie: I like them.
Sol: Pearl Jam.
Minky: Nice guy.
Sol: The big four are just solid.
Minky: AnnenMayKantereit? They’ve influenced the band a lot.

You appeared on our radar with the booking for Camden Rocks. Are there plans to play
other UK wide shows? Why should people come see you at the festival? It’s a great festival
and a cool concept with it being such a unique place to be able to do such a festival. Are there
any bands playing you’ll like to catch?
Sol: False Heads. Go see them.
Minky: To be fair, I’ll probably be at their show. But that’s no surprise to anyone, I don’t think.
Sol: We are actually playing a festival called Alice’s Wicked Tea Party the day before Camden
Rocks.
Minky: Correct. We’re going to have a wild time. We’ll still probably be hungover the next day.
And for Camden Rocks we’re playing at the Fiddler’s Elbow at 1:30 in the afternoon, so we’re
kicking things off nice and sweaty for the rest of the festival. But we’ll be hanging around for the
rest of the event. Why not? It’s a good excuse to drink beer and see some good bands.
Sol: This year’s Camden Rocks will be a bit special for us anyway, because it’s the first year that
we’re on the bill.
Minky: I’ve just come back from The Alternative Escape down in Brighton –
Jamie: I’d like to play that festival.
Minky: – and there are a lot of events like that popping up in towns and cities at the moment. The
Hanwell Hootie has just happened too, and I would have liked to have gone to that but obviously
I was in Brighton.
Jamie: The Hootie’s a good one.
Minky: There are plenty of day-festivals now, and I think it’s pretty good for punters. It’s quite a
cheap experience for a whole day or two.
Jamie: Camden Rocks is good because it’s a local London festival.
Minky: Camden’s a special place on earth, really.
Sol: And as a band, we’re really looking forward to it. We’ve played other festivals in our history,
but Camden Rocks will be a very nice addition to our trophy case.
Minky: We actually keep a trophy cabinet.
Sol: We reflect upon it every now and again.
Minky: We keep all of our platinum records in there, and we’ve also managed to keep a couple of
bits and pieces of memorabilia that we’ve collected over the years.
Sol: We keep loads of posters in there, too. Anything with our name on it, really.

 

Finally, What next for Brain Ape?
Minky: Sell out, make loads of money, move to L.A., forget about London, forget all of the people
we’ve met here, all of the people who’ve helped out. We can just completely leave them behind.
Use as many people as possible.
Sol: We have a new single coming out with its own music video, and it’s going to be the last
‘hurrah’ of Auslander. That record has been a really good album for us, and this single will
bookend this chapter nicely.
Jamie: A good old firework display for the end.
Sol: And from there, where do we go? We’ve had an undercurrent of people asking, nay,
demanding a new album –
Minky: But we’re not ready for a new album. I’m sorry. It’s going to come out in the next four
years.
Sol: Four years? I can neither confirm nor deny that the number given by Minky is true.
Minky: Actually, you know what? It’s coming out in four days’ time.
Sol: While Minky throws alternative facts at the wind, come down to Alice’s Wicked Tea Party and
Camden Rocks and watch us do our thing. We’ll have plenty of merch there, too. People keep
asking for more of that.
Jamie: Just send us a message, and I’m sure we can work something out.
Sol: And if you want us to play anywhere in the world, just get in touch.
Minky: If you’re in the EU, you’d better hurry up and ask us to come play before Theresa May
fucks everything up for everybody.

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photo courtesy of – Nuri Moseinco Photography & Jack Young

Title Pic – Nuri Moseinco Photography