Jeff Dahl – ‘Mr Antlers I Presume?’ (Iwannabeahoople Records)

Jeff Dahl – ‘Mr Antlers I Presume?’ (Iwannabeahoople Records)

Ok, Heres the deal.  Limited to 100 copies then they’re gone as an appetizer to the new LP that’s on the way.  This CD only features Deniz Tek on a couple of tracks and is seven songs deep – Three Exclusive to this EP.  Two from the last Studio album (still available on vinyl from those good looking lifers at Ghost HighwayRecords) the to round it all off there are a pair of tracks from the forthcoming new long player ‘Electric Junk’. If thats not enough to get your Rock and Roll heart skipping a beat then I’d check for a pulse and thats before the virtual needle has dropped on this little lot.

Right then settle down as Deniz Tek joins our man Jeff on the first exclusive and rather intriguing ‘Mr. Antlers I Presume?’ imagine this a smokey barroom with some honky-tonk piano and a raw guitar riffing away before riding in on a sinister dark lick and the band crash in.  Well, that the opener with a spoken narration from Dahl before your mind get fucked with some Jazzy middle eight.  Don’t get too worried you punk rock kids because ‘Burned Out’ is like being punched in the face and enjoying it – More, please.  An Acoustic ‘The Wooo Girls’ which has the loose feel of capturing the vibe of some repeated listening to Bowie’s ‘Hunky Dory’ album. Laidback and cool Like a mid ’70s bit of NYC rock and roll Lou Reed would approve I’m sure of it.

A couple of beauties from the ‘Made In Hawaii’ album are up next the first is the catchy ‘Kailua 5 a.m.’ followed by the slide guitar rock and rolla of ‘Bang On’ with its Glam undertones inspired by The Faces and some excellent 70s BV’s that make you want to hand clap and stamp your feet. Oh shit, I’m getting ahead of myself here because the first glimpse into the new album is ‘Violence Squad’ and man they’re stomping their feet and handclapping alright.  Again Tek adds his six-string expertise to this stonking rocka that whets the appetite for what’s to come. Another taken from ‘Electric Junk’ is ‘Until We Bleed’ and Dahl once again shows his roar with a no-nonsense slab of punk rock.  That’ll do nicely sir until we can all get down and get with the new long-player and if this pair of tracks are anything to go by we’re in for a treat pop pickers.

Now, what are you waiting for get over on the link and secure a copy before they’re gone and cost you a fortune on some website in six months. Essential purchase!

 

Buy it from direct from Jeff Here

Author: Dom Daley

Andy McCoy – ‘21st Century Rocks’ (Ainoa Productions)

Andy McCoy – ‘21st Century Rocks’ (Ainoa Productions)

It’s been a while since we heard anything from the Sherriff McCoy. In fact, its 10 years since Hanoi Rocks performed their last hurrah and put the band to bed with a final show at the Tavastia in Helsinki. So what has Michael Monroe’s former partner in crime been up to? Well, if you believe the comments on YouTube, it appears he has been a lighthouse keeper for 10 years! While I would love that to be true, apart from the short-lived Grease Helmet and a few guest appearances, it seems he has done little musically to speak of and has spent more time on his artwork, clothes design and even a stint on Finland’s Celebrity Big Brother.

But the guitar legend is back with a 12 song slab of ‘21st Century Rocks’, his first solo album since ‘Building On Tradition’ that came out way back in 1995. And what a welcome surprise it is.

 

Lead single ‘Seven Seas’ came out of nowhere a month back and actually upstaged Monroe’s first offering from the highly anticipated ‘One Man Band’. Andy always had an ear for melody and ‘Seven Seas’ confirms he still has a trick or two up his sleeve. A definite classic Hanoi feel comes across, as it builds to a fantastic uplifting chorus that fills the ears and soul with a feeling of euphoria no drug can give. Can Andy McCoy possibly be the king of all comebacks? We will have to see if the rest of the album holds up to the same quality.

That familiar guitar tone blasts from the speakers as the title track sets the scene for the album. The even more familiar vocal drawl follows. Andy McCoy’s vocals are certainly an acquired taste, but let’s not forget Hanoi Rocks’ back catalogue would not be the same without those quirky ‘out of tune’ backing vocals of his. And that guitar solo… no one plays guitar quite like Andy McCoy! Killer stuff indeed.

 

The ghost of his bastard past is never far away. ‘Undertow’ comes on like ‘A Day Late, A Dollar Short’, there’s even a sax solo to boot. I wonder if it originated from those sessions. Whether it did or not, it’s a cool tune for sure. Then ‘Batteram’ takes things way back in time. That melody comes on like Hanoi’s ‘Desperado’ to these ears. And the way he sings “round” and “ground” in the chorus with an unmistakeable accent is cool as fuck.

Andy’s songwriting and guitar playing has always been more experimental, taking in eastern and reggae influences, and he certainly creates a few more mental beats to make a diverse album. While Monroe has stuck to his rock ‘n’ roll roots for his whole solo career, (and we wouldn’t want it any other way, right?) McCoy explores the obscure and recaptures the quirky influences that peppered Hanoi’s earlier albums.

‘Maria Maria’ is pure class. Mariachi vibes all over as trumpets and strummed acoustics take us into spaghetti western territory. The Urban Voodoo Machine comes to mind as Andy transports us to the Mexican border to smoke a doobie or two, down tequila and jam out in the scorching sun with a chiquita or two. That is what I imagine Andy has been doing in the wilderness years! While I don’t think Andy is even allowed anywhere near any US boarders anytime soon due to his past antics, the idea is spot on.

‘Soul Satisfaction’ is another track that is out there, even in Andy McCoy terms. A tripped-out pre chorus leads into a 70’s New York groove as the main man slurs his words like Keith Richards on his second bottle of Jack.

‘Bible and a Gun’ could sit nicely anywhere in his discography. A bluesy, Stonesy little number with honky tonk piano and a cool barroom boogie groove. Elsewhere, Andy makes his guitar gently weep on the opening riff of ‘The Hunger’. The laid back, jangly backing, harmonised guitars and the ‘Village Girl’ style breakdown to fade makes this a rapturous and satisfying ride.

As we reach the final stretch it comes to mind that Andy McCoy actually comes on like vintage Alice Cooper, which is something that I never realised.  Take away the smoky sax on ‘Gimme Time’ and listen intently to closer ‘This is Rock ‘n’ Roll’ with its gang backing vocals and Detroit garage rock delivery and maybe you’ll catch my drift.

 

Obviously, ‘21st Century Rocks’ will be measured up against ‘One Man Gang’ as they literally come out within weeks of each other. Michael Monroe has an established career as a solo artist and has one of the best live bands in the business, and Andy is…well he’s just Andy McCoy, the guitar-slinging outlaw! Let’s not take anything away from either camp. Both are living legends that together produced some of the greatest albums in my record collection and influenced a whole generation of bands.

While they made magic together, they continue to do the same on their own terms. ‘21st Century Rocks’ is a testament to that, a surprise hit on many levels. Who’s for a UK tour then?

Buy 21st Century Rocks Here  (Finland)

Buy 21st Century Rocks Here (Amazon)

Facebook

Author: Ben Hughes

 

 

 

Dead Furies – Stay Gold (Dragstrip Riot Records)

Dead Furies – Stay Gold (Dragstrip Riot Records)

 

Wow-what a fantastic record.  That’s it I could leave the review right there that’s all you need to know.  It’s nothing new – they’re not reinventing the wheel – just cruising around with the hood down supping on a few beers with the best eight-track sitting in their retro rocket-fueled hot rod.  Dead Furies just play Rock and Roll and play it loud and loose and that’s all you need to know. Oh Yeah, incase you need it spelling out they write Great Songs!

 

Ok, so its not really all you need to know but you get the picture.  I’m not really up on what’s hot and what’s not in in Tallinn, Estonia but I do know that it has one of Europes finest Rock and Roller bands out there making Solid Gold Rock and Roll right here right now. They mix up some classic ’70s rock n Roll and stand it next to some Classic Rock n Roll from the likes of Iggy or the Stones and the whole Scandi scene and let it all melt into one. What’s not to like on the blistering ‘Good God Damn’ it’s like Bolan Jammin with Iggy – everybody on your feet because this pre-chorus needs a standing ovation its that good.  If I had to reward a tune ‘Tune of the month’ then this is it. Then, to follow it up with a slab of Motorhead inspired heads down Action Rock of ‘Holy Nothing’ these boys are having it and strutting their stuff like a Rock and Roll peacock and looking good doing it as well.

From the Stooges piano on the title track its feel-good Rock and Roll and seeing as Rockin is their business then I should declare right here right now that business is not just good its awesome.  With more than their fair share of excellent songs, this record should, in a just world, see the band kick open plenty of doors and hear ‘Stay Gold’ blasting out of bedroom all over this globe.  But they’ll have to work hard for it and tour the guts out of this record just to make a tiny dent I guess.  It deserves to be heard because they don’t just have one or two good ideas they have a record bursting with very good songs.

‘Death Of A Comedian’ is coolness personified cruising along towards the understated chorus and we go again. There are fourteen tracks on this album so they’ve shoed in plenty of bang for your bucks. ‘A couple OF Winos’ could be about a few people I know and from the heavy lick it cools down into a good groove for the verse this should appeal to classic old school rockers for its arrangement but its got style and is nestled in well in the middle of the record next to the MC5 hip shake of ‘Sweet Lovin’ Body’ with a great chorus and maybe candidate for my favourite track on the album.

Oh, wait, ‘The More things Change’ howls in on a cool as fuck saxophone honk wearing an old Bowie jacket and a little heavy eye makeup.  Such a good song.  ‘(I’m Not Gonna) Go Down’ is straight out of the early Hellacopters and Total 13 handbook and why the fuck not?  ‘Same Same But Different’ reminds me of The Heartbreakers ‘I Wanna Be Loved’ but it’s same same but different- you’ll get it.  As we head into the homestraight the boys just cut loose with rockers ‘Cowboys And Indians’ before taking you up a side street for the closer ‘I Get A  Kick From You’.  I get akick from hearing records this good and would happily endorse this bad boy there is a lot of music and it has variety yet keeps its identity and they’re not afraid to tread outside their comfort zone now and again either.

try it!

 

Bandcamp

Facebook

Author: Dom Daley

Happy Birthday Joan Jett

Happy Birthday Joan Jett

Joan Marie Larkin better known as Joan Jett was born on this day in.1958. Parents James and Dorothy had their daughter in Pensylvania at Lankenau Hospital  Joan is the eldest of three children. Joan was fourteen when she got her first guitar then her family relocated to California and soon after moving her parents split when Joan took her mothers maiden name Jett and the legend was born after taking in Rodney Birgenheimers Disco where she was exposed to glam rock and nothing would ever be the same again.

Jett teamed up with drummer Sandy West. Jackie Fox, Lita Ford and Cherie Currie and The Runaways were born. Jett was originally the rhythm guitarist and occasional singer but took on songwriting credits the girl group got support slots with the likes of Cheap Trick, Van Halen and Tom Petty and also toured the UK and Japan where they became massive stars. The band managed to fit in five albums in their four-year reign at the second half of the ’70s.

Jett also got into punk rock in the late ’70s producing the Germs one and only album before singer Darby Crash lost his life.  the band also had one Pat Smear playing guitars who later went on to play with Nirvana and the Foo Fighters. Jett managed to team up with Cook and Jones when the Sex Pistols fell apart and managed to get them in the studio to record some classic tracks when in London with the most famous being the version of The Arrows classic ‘I Love Rock And Roll’ which would go on to become the one song Jett would be known for more than any other. after shooting an iconic video to accompany the tune.

When Jett was a solo artist she also added the band The Blackhearts who managed to recruit some class players in the line up over the years but the original included, Gary Ryan (Bass), Ricky Byrd on Lead Guitar, and Lee Crystal on drums. One Track from the early years that has seen itself pop up over the years in loads of films is ‘Bad Reputation’ which appeared on that debut solo album along with the classic ‘You Don’t Own Me’ that also features the Pistols Cook & Jones. It was a record that showed many sides to Jett and what she was capable of performing. the album missed out on entering the Billboard top 50 by one place but it was indeed a start.

 

hot on the heels was the album ‘I Love Rock And Roll’ whilst it never managed to reach the number one spot on the Billboard Charts it has managed an impressive ten million copies sold in its life. it did however spawn the singles ‘Crimson And Clover’ that hit the top ten and Jett had her first number one with the Arrows track that carried the same title as the album.  Jett is known for being happy to put a cover song on her records but this album was 50/50 original songs. Later Jett would pen and produce a lot of her records.

Jett still makes records and released ‘unvarnished’ in 2013 that was co-produced by Foo Fighter Dave Grohl who also co-wrote.  Also, it’s notable that Jett wrote and co-wrote nine of the ten tracks on the record. this time sneaking in the top 50 as well is no mean feat for a rock record. It was also Jetts first album since 2006s ‘Sinner’ and prior to that was the Japanese only album ‘Naked’ which also featured RPM favourite Sami Yaffa on Bass guitar.  Of the sixteen tracks Jett penned thirteen – one was a cover of the Replacements ‘Androgynous’ from their ‘Let It Be’ album.

Jett’s has her own model guitar which is a white Gibson Melody Maker, which she has played on everything since 1977. In 2008 Gibson released the “Joan Jett Signature Melody Maker”. which is some reward for being such an icon, not something Gibson hands out to just anyone. Jett is also happy to talk about animal welfares and is a big supporter of PETA, as she has been a vegetarian for over twenty years and is a supporter of environmental issues.  Still making music and touring Jett continues to play with a biography and an excellent documentary being released last year (entitled ‘Bad Reputation’), as well as continued interest in The Runaways her legacy, will forever be passed down through time as a real pioneer for women in Rock and judged for her music and not who or what she is Joan Jettalong with Debbie Harry are rightfully regarded as legends and all Joan Jett needs now is one of those flunko statues and my work here is done.  Put another (Joan Jett) record on the jukebox baby and raise a glass as we wish Joan Jett a happy birthday and here’s to another year and who knows maybe another album? That would be good.

Facebook

Stream Joan Jett Here

FLAMIN’ GROOVIES HIT THE ROAD FOR FALL 2019 EAST COAST TOUR!

FLAMIN’ GROOVIES HIT THE ROAD FOR FALL 2019 EAST COAST TOUR!
Look out East Coast USA the kins of cool are coming to Shake Some Action on the East Coast through October.
FLAMIN’ GROOVIES 2019 EAST COAST TOUR DATES:

Wed. 10/23 – Northampton, MA – Iron Horse Music Hall (w/ The Figgs)
Thu. 10/24 – New Haven, CT – Café Nine (w/ Dust Hat)
Fri.  10/25 –  Somerville, MA – Once Ballroom – w/ Richard Lloyd, Tiger Bomb)
Sat. 10/26 – New York City – The Cutting Room (w/ Wreckless Eric)
Sun. 10/27 – New York City – The Cutting Room (w/ Walter Lure and the Waldos)
Tue. 10/29 – Philadelphia, PA – City Winery (w/ TBA)
Thu. 10/31 – Charlottesville, VA – The Southern (Halloween party for WTJU w/ New Boss, etc.)
Fri. 11/1 – Washington DC – City Winery (w/ Muck & the Mires)
Sat. 11/2 – Baltimore, MD – Creative Alliance (w/ The Stents)
Originating in San Francisco in 1965, and reunited for a tour of Australia in 2013, the FLAMIN’ GROOVIES have been touring and performing consistently for the last six years, exceeding all expectations, presenting their own unique and infectious style of rock ‘n’ roll with such cult classics as “Slow Death,” “Teenage Head” and of course, “Shake Some Action.” The current lineup features founding member Cyril Jordan with Chris von Sneidern on guitar, Tony Sales on drums, and newest member Atom Ellis on bass.
Expect a completely different show than their previous tours, featuring a repertoire that spans the band’s career, emphasizing both 1971’s “Teenage Head” album (associated with more old time rock ‘n’ roll, rockabilly, Stones and Yardbirds influences), as well as the power pop period (Beatles and Byrds influenced) more associated with the band’s three albums on Sire Records in the late ’70s.  Their place in history is well established as one of the all-time greatest bands from San Francisco (and the world) and as progenitors of real rock ‘n’ roll.
Chris von Sneidern has recorded a dozen albums as a solo artist, and is a highly-regarded name in the power pop genre. He and Tony Sales have been members of the Groovies for the last two years and things could not have worked out better. Tony Sales (whose father and uncle formed the rhythm section in David Bowie’s band, Tin Machine, and on some of Iggy Pop’s finest work) is an in demand session drummer, and just recently released the first album by his band, Ardent Sons. Atom Ellis has toured with many notable artists including Link Wray, Todd Rundgren, The New Cars, The Tubes, and as a member of Pyschefunkapus and Dieselhed.
Having recently completed a month-long tour of Europe the band is is top form, and great spirits.  They can’t wait to get back to the East Coast and some of the best cities and best fans in the world.

Cockroach Clan – Songs About Blunt Knives and Deep Love (Fysisk Format)

Cockroach Clan – Songs About Blunt Knives and Deep Love (Fysisk Format)

One of Norway’s most legendary bands, (that you might be forgiven for never having heard of them, Right? Right) anyway Norway has a good history of knocking out some fantastic bands and a lot of them have been mentioned here on RPM.  Backstreet Girls, Turbonegro, Gluecifer, Good Bad the Zugly, Razorbats, and of course Mayhem.

Well, these punk/hardcore veterans are fronted by Billy Cockroach, one of the first vocalists of Mayhem he performed on the 1987 album “Deathcrush” under the moniker of Messiah and they offer us well-aged vintage punk rock full of cheerful aggression and infectious tunes. throwing in Mayhem is a bit of a red herring because its nothing like Deathcrush this is polished positively glistening in the production stakes compared to that Black Metal demo.

‘Songs about Blunt Knives and Deep Love’, has only taken 22 bloody long years to reach our ears kinda puts Axel to shame with his Chinese Democracy. They’re being heralded as one of Norway’s most legendary bands, it basically consists of new recordings of old hits as well as a handful of new tracks and a cover of Mountain Goat’s “Going to Georgia”. It started out as an idea from producer Hugo Alvarstein (The Good the Bad and the Zugly, Raga Rockers, etc…) Who suggested the band go rehearse their best songs from the 1990s then call him up and he’d take em into his studio and get them recorded and give the songs the justice they deserve. To be fair he’s clearly a man of his word and has recorded one hell of an album..

The band started out as far back as 1994, building a loyal fan base and a reputation of being a riotous live band along the way. Compared to the bands two previous offerings this one is the dog’s bollocks and one that should rightly exalt them to the top table of punk rock.

Having honed the tunes by sharing the stage with acts like The Toy Dolls, Discharge, UK Subs, The Exploited, Cock Sparrer, Anti-Nowhere League, Vice Squad and GBH through the years, now it’s about time they put their hat in the ring with a bunch of songs that justified their boast of being up there with the best of them.

The album begins with a cover, ‘Going To Georgia’ and it drops its music bombs right square in the middle of the speakers with it’s spoken/sung verses holding up rather well over a musical backdrop that just crackles along with a joy and sound of a band just killing it doing something they love for the love. ‘You Have A Bun’ is a breath of fresh air as it has plenty of bounce and whilst the vocals are aggressive (often quite shouty) what did you think he was going to sound like? Ian Gillan? that’s the thing its aggressive as fuck but it sounds content and dare I say it – Happy at the same time, oh and the production is great and really lifts the songs.

‘Fantasyland’ has a little bit of Thin Lizzy in those dueling guitars on the intro.  I did a little momentary gasp on the intro of the piraty ‘Three Wishes’ as I thought we were getting some h ho ho shanty music but worry not me hearties it was only a false intro. Still, it’s quite piraty its the good end of piraty.

‘On An Island’ is just a banger with its head down its one foot in the Motorhead camp and the other, say, Argy Bargy – Imagine that? To be fair the middle part of the album isn’t fucking about and gets stuck in like The Adicts on a good day.  ‘Facts On The Wall’ is Ramones rapid with a dumb yet happy melody and ripping solo this is shaping up to be an excellent record.  ‘Necktie Party’ has a bit of a Crass vibe about it. These boys and these songs would go down a storm at somewhere like Rebellion Festival.

A lot of the pace and tempo of the songs remind me of a Norweigan Sham 69 and none more so that ‘Do It Again’ which is one of the highlights of the record on the breakdown it’s like vintage high jinx Damned who always threw in some cool off the wall melodies in fact there are plenty of influences I am feeling here more than ripping off a band they dance to their own tunes and just let their influences just bleed through..

With twelve songs on offer, I would highly recommend you at least give these cats the benefit of doubt and check em out and once you do that I’m sure you’ll be convinced.  Great album I’m glad has seen the light of day and hope it’s given the band the energy and drive to do it all again except to say next time don’t leave it so fucking long. – Buy it!

 

 

website
Facebook

Bitch Queens unveil first video off new album & Pre Orders

Bitch Queens unveil first video off new album & Pre Orders

The first video “City Of Class” off the upcoming Bitch Queens album of the same name is here

Three minutes of in your face punk-rock & crazy live-action. The new album will be out 27th of September on LuxNoise (CH) & Spaghetty Town Recrords (USA) and preorder starts today. Get your limited vinyl package with orange marbled vinyl, poster and pin.

You can pre order Here

Spotify

Website

Gone But Not Forgotten – Rob Tyner

Gone But Not Forgotten – Rob Tyner

Born Robert W. Derminer on December 12, 1944, we know him as Rob Tyner the voice of Motor City powerhouse The MC5 where he originally played bass before putting his talent to use as vocalist.

With moves like James Brown and a wardrobe like Marc Bolan he will forever be remembered for his rally cry of ‘Kick Out The Jams Motherfucker’ The band released three albums from ’69 and the classic ‘Kick out the Jams’ through the ’70s ‘Back In The USA’ to the bands final album ‘High Time’ a year later. The band fell apart due to infighting and drug problems but before it turned sour they really blazed a trail and managed to bug the powers that be – Big time!

Their impact cannot be denied and Tyner was a big part of that from his unique afro and his distinctive voice to their political stance in quite volatile times not just in the USA but around the world.  The MC5 featured on the cover of Rolling Stone Magazine even before they had a record out. The band had strong left-wing political ties and were happy to air their Anti-establishment views through their lyrics.  Along with Iggy And The Stooges they were punk way before punk was even a thing. They were loud, energetic and had style but most of all they had songs! Their back-to-basics rock and roll included now classics like ‘Ramblin’ Rose’ ‘Kick Out The Jams’ which must be one of the most covered songs in history. ‘Rocket Reducer No. 62 (Rama Lama Fa Fa Fa)’ and ‘Looking At You’ (Another that’s been covered by bands such as The Damned and The Mission). They were certainly unique and at the time caused quite a stir to the mainstream who didn’t know what to do with a bunch of young men who were clued up and armed with a voice their spat with Hudsons Department Store being a good example.

Tyner (going by his real name) was first approached by Wayne Kramer via the underground left-wing hipster scene in Detroit and his talent wasn’t on the bass but out front and center via the microphone. It was also Tyner who named the band MC5 which if you didn’t know it’s short for Motor City Five and the legend was born.

They were well known locally as the band to see with their incendiary live shows that were full of energy and it’s well documented that they were already hypnotising audiences in excess of a thousand people with a blistering energy and loud garage rock. It was Danny Fields who signed the band to Elektra at the same time he signed The Stooges but it was the MC5 who was the first hard Rock band signed to the label.

In ’68 the band performed at an anti-Vietnam war rally and allegedly played for eight hours straight!  Hold onto that and it might explain how the band were closely tied with LSD and Marijuana usage. They also use to have firearms as part of their stage show brandishing rifles on stage and then a sniper would shoot Tyner as part of their act to end the set.

Controversy was never far from the band’s door as they were embroiled in an ad campaign when a store (Hudsons) refused to stock their album so they took out an ad that claimed the store should go fuck themselves. in response, the store pulled all Elektra artists which led to the band being fired and subsequent signing to Atlantic for their second album so when McLaren thought he was unique engineering the Pistols labels fiascos it had already been done years earlier by the MC5.  Imagine being in an audience not having a clue who the band was and hearing Tyner announce Kick Out The Jams and then witnessing the kind of performance seen in the video?  It must have been life-changing.

After MC5 split he kept himself busy with a number of acts such as fireworks and then the Rob Tyner Band who played shows with the likes of Cheap Trick and AC/DC but by the end of ’78 the band fizzled out having not released an album.  Tyner then chanced his arm in the UK where he worked briefly with Eddie & the Hot Rods before he headed back to the states to work on Detroit legend Scott Morgan’s benefit project. the Guitar Army, which helped to organise and promote the music of Vietnam veterans. There was a solo record released in 1990 entitled ‘Blood Brothers’, but sadly, the singer died from a heart attack a year later, on this very day in 1991.

Several years after his passing, a live release surfaced courtesy of the Motor City Music label/website, ‘Rock and Roll People’, which documented a pair of Rob Tyner Band concerts from 1977 (at the Kramer Theatre and the Embassy Hotel). His legacy might be limited with regards to his recording output compared to many of his peers but never underestimate the influence of the MC5 – Gone but not forgotten Rob was only 46 at the time he passed away Rest In Peace Rob Tyner.

Fast Eddy Get ‘Lost’

Fast Eddy Get ‘Lost’

This little belter sneaked out onto the interweb in the last 24 hours so we thought it was our duty to share it with you the good people who check out RPM. Spaghetty Town Records and Boulevard Trash are releasing a 7″ entitled ‘Toofer One’ this vinyl will sell out,  This one has three songs, all produced by Tuk Smith (Heart Attacks, Biters, Tuk Smith and the Restless Hearts) the video is for ‘Lost’ now get out of here and spread the word! the video for one of the other tracks ‘Hurricane Alley# is also on the net but you have to look for that bad boy.

Facebook

Bandcamp

Michael Monroe ‘Last Train To Tokyo’ Video

Michael Monroe ‘Last Train To Tokyo’ Video

Brand new Michael Monroe video from the new album ‘One Man Gang’ filmed whilst in Japan recently.

“Last Train To Tokyo” is the second single from Michael Monroe’s new album “One Man Gang” available to pre-order NOW on CD, Coloured Vinyl and Digital formats: Here and as special D2C bundles: Here

The album was recorded and mixed by Petri Majuri at E-Studio in Sipoo, Finland over three weeks in March 2018, the 12-song record was mixed that following Autumn with Monroe and band-mates Rich Jones and Steve Conte on production duties.

2019 TOUR DATES:

Oct 22 John Dee Live Club & Pub Oslo, Norway

Oct 23 Pustervik Gothenburg, Sweden

Oct 24 Fryshuset Klubben Stockholm, Sweden

Oct 25 High Voltage Rock Club Copenhagen, Denmark

Oct 26 HeadCRASH Hamburg, Germany

Oct 27 FRANNZ Club Berlin, Germany

Oct 29 La Maroquinerie Paris, France

Oct 30 02 Academy Islington London, United Kingdom

Nov 01 Brudenell Social Club Leeds, United Kingdom

Nov 02 The Craufurd Arms Wolverton, United Kingdom

Nov 03 Engine Rooms Southhampton, United Kingdom

Nov 04 The Mill, Digbeth Birmingham, United Kingdom

Nov 05 The Garage Glasgow, United Kingdom

Nov 06 Manchester Club Academy Manchester, United Kingdom

Nov 07 The Fleece Bristol, United Kingdom

Nov 08 The Sugarmill Stoke-on-trent, United Kingdom

Nov 09 Hard Rock Hell Chapter XIII Vauxhall Holiday Park, Great Yarmouth, United Kingdom

Follow Michael Monroe: Facebook : Twitter : Instagram : Youtube : Spotify

A genuine rock star since birth, Michael Monroe innately knows exactly how to sing, swagger and walk the most glamorous and colourful of walks. One Man Gang, the former Hanoi Rocks man’s brand new offering on Silver Lining Music, is all about the fun of Friday nights, seven days a week, letting your hair down (or up!) for a dirty, dangerous, damn good time, and embracing a total escape into the rock ‘n’ roll dream. He’s unveiled the album’s second single ‘Last Train To Tokyo’ – a track equipped with the sort of sticky-yet-crispy riffs that were designed to take over radios from Japan to Jamaica.

The ‘Last Train To Tokyo’ video was recorded in Japan and features footage from the band’s dynamic performances at the Summer Sonic 2019 festival in Osaka and Tokyo.  Directed and edited by Toni Kristian Tikkanen, the video fully captures the vigour and rock ‘n’ roll essence of Michael Monroe, Rich Jones, Steve Conte, Sami Yaffa and Karl Rockfist.

“It’s a groovy, rockin’ track paying homage to Tokyo and Japan, one of the most rockin’ countries in the world” affirms Monroe. “In the ‘80s Hanoi Rocks had, and I have always had a very special relationship with Japan and it will always be one my favourite countries. Plus, they still live for rock ‘n’ roll as it should be celebrated, they still have physical product, they still make it crazy, exhausting and really exciting every time you go there, which I am really grateful for.”

‘Last Train To Tokyo’ follows the release of previous single ‘One Man Gang’ – the bombastic ballroom blitz that serves as the title track for the upcoming album. Recorded at E-Studios in Sipoo, Finland in about three weeks in March 2018, One Man Gang was produced by Monroe and his band-mates Rich Jones and Steve Conte. The album was engineered by Petri Majuri who also mixed the album in the fall of 2018.