Sami Yaffa should be a household name.  Some of the bands he’s played with should be household names, and some of the records he’s made should be in every self-respecting music lover’s collection.  Sami Yaffa is a Bass guitar-playing Legend. 

I know the term legend gets banded about willy nilly and people refer to players who should be nowhere near the word but there are some artists who are the absolute embodiment of Rock and Roll and worthy of the word legend. From his humble beginnings and his love of music from many genres through his time as the bass player in Hanoi Rocks through his dalliances with Joan Jett, Demolition 23, New York Dolls, Jetboy, Hellacopters and most recently old sparring partner Michael Monroe who to be fair have been a going concern for the best part of a decade and most recently his solo album that wiped the floor with everything released last year Sami Yaffa is a Rock and Roll Icon as far as I’m concerned and now the fucker is a published author with magic in his pen and a wonderfully engaging style that shines like his personality from his humble beginnings right up until 2016. 

Mysterious yet open.  Up for a party yet shy, charming and seemingly always living life with a smile and a jour de Vivre that has seen him through some horrendous challenges yet the guy rolls with the punches and pulls through stronger and more determined.  Yaffa must be a fucker to be around with such qualities most mortals can only dream about achieving and boy has he got a story to tell.

The book opens with his humble beginnings as he sets the scene of how his formative years set him in good stead for what was to come. Yaffa’s style is engaging and you feel like you’re in the passenger seat for the ride there’s a flow to his story that’s engaging and throughly captivating, especially for a fan of his work.  The stories aren’t bogged down with detail but the sense of adventure and ability to roll with the punches shines through and his unwavering love of music no matter what genre is always about how it affects your heart and soul.

I’m always a bit miffed when I speak to musicians who claim to not listen to music or keep an interest in what’s happening around them nor seemingly give a shit about their own music once it’s been put in the can.  Yaffa is like a sponge and his modesty shines like a star when working with others every day is a school day and striving to be better is never a bad thing.  I’ve lived my whole youth and adult life with Sami’s music and whatever he gets involved with usually turns out to be something I need to be listening to be it his punk roots, the reincarnation of the Dolls, his roots music through Mad Juana, Jetboy, Joan Jett to Hanoi Rocks (the best band ever) to his debut solo album in 2021 He’s also a documentary maker his skills make you sick if he didn’t have such a warm smile.

As a teenager, Hanoi rocks dished up everything I loved about music and Sami was a vital part of the story and his input was a huge part of the sound. He talks fondly about the band, especially some of the trips they had but he never shys away from being honest and how they fell apart or at least how his time was done and how being in the band was affecting his health physically and mentally.  Sure they were flawed and it was their imperfections that were a big part of why people loved them so much even if their story is tragic and a well-trodden path reading Sami’s take is captivating and heartbreaking.  Apart from the pretty shambolic Sherrif McCoy book, it’s the first English worded inside track from any member of the band. But seeing it all laid out in front of you as big a part as Hanoi was there is so much more to Sami’s legacy than one band. I particularly loved reading about his chaotic time working with Steve Stevens which then led to the Demolition 23. period and the band that grew for that record.

I love reading biographies and autobiographies and the master of this genre is Alvin Gibbs another bass player whose career overlaps with Yaffa’s on several levels as far as players go, I’d probably have them both at the pinnacle of style in playing and approach to music as well as both playing on some of my favourite records and had Sami not been so loyal he might have had the Iggy gig and Alvin’s legacy would have been a little lighter than it is, sliding doors and all that.

I don’t was to give any spoilers except to say I laughed out loud at some of the stories and drifted off into what could have been with others but throughout the book it is a real page-turner, heartfelt, warm, insightful, honest and engaging – exactly what you’d want from the writer and another excellent addition is that excerpts of the book come on a 12-inch record to accompany where Sami reads excerpts from the book.  I love it all and if there’s one book you need to check out this year then it’s this, absolutely fantastic – makes you piggin sick. Hopefully, it won’t be so long before we get the second volume where Sami brings us up to date and spills the beans on what he did from 2016 to right here right now! Brilliant

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Author: Dom Daley

Liquids recorded this album with the help of Erik Nervous. Then Erik mixed, mastered and released it via his label Nail Biter Records. It is distributed by Drunken Sailor Records (for the UK) and Australia’s finest Computer Human Records. In the United States the record is available from Violent Pest Records and is limited colour pressing. That should be all the background you need when investigating this album.

Ok Ok maybe not all the info you need to make an informed choice but its like the seal of quality. Liquids’ Mat Williams seemed like one of those creative punk rockers who was going to release what he wrote and as often as the weeds grow in my yard. Prolific is another word you could useif you kept your ear to the ground but don’t take your eye off social media or you’ll miss a release. Two albums (one a double) and a whole lot besides were pumped out of Indiana between 2015-18. You know the drill hardcore, Ramones pop, A splash of Devo, and more but that gives you the gist. I guess I’d align with Alex Wonk for quality of output maybe even more prolific Then it went quiet. then after several years of nowt, it was a new album last year this fucker but this has some added junk in the trunk and on vinyl. Twenty-seven tracks to be precise. Sure it’s Lo-Fi it’s not going to be high fidelity half-speed remastering but to be fair most of the songs only last under a minute with a couple barely stretching out over two FFS! Hell, how did I miss this even as a digital release it’s got a cover of Meat Loaf ‘Bat Out Of Hell’ that is almost prog length reaching out over three minutes although I’m sure Meat would have liked this version much better than his bloated anthem. It reminds me of The Briefs goofing around, Genius? Hell Yeah!

Some of the jerking rhythms are like a sped-up Undertones ‘Nobody Likes You’ is like a fucked-up Scooby Doo tune The Briefs meets NomeansNo at times and some of these songs are so rapid that even some speed metal bands would bow down with respect. ‘Life Of Oi’ is a pair of 18-holers moon stomping all about the place. The covers don’t end there as ‘Strutter’ is taken to school and given a proper punk rock makeover even Gene would raise an eyebrow for. The four bonus tracks are also all killer and no filler. A hot mess of an album that I can’t recommend highly enough. It’s punk rock baby but not of this earth what a top top record! Buy it!

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Author: Dom Daley

In an age of playlists where music has seemingly become a throwaway, background commodity to the multi-faceted lives of many, a 70 plus minute prog rock odyssey, recorded on a long-discarded format favoured by 70’s rock giants, seems as out of time and out of place as a Commodore 64 in 2022. But Texas based alt rock legends …And You Will Know Us By The Trail Of Dead have never been ones to buckle and follow trends, preferring to experiment and do what the fuck they like, regardless of what is going on around them.

2020 should have seen the core duo of Conrad Keely and Jason Reece touring latest album ‘X: The Godless Void And Other Stories’ with a brand-new 5-piece line up, but Covid had other ideas. Following months of doing nothing, Keely decided to write a new album, and the band retreated to a rehearsal studio/barn in their native Austin, Texas with their new 6-piece line up, to do things on their own terms with no interference or pressure to deliver. They set up 2 drum kits, 3 guitar stations and a bank of keyboards to record an album in quadrophonic surround sound. The fruits of their labour is their 11th studio album and it is called ‘Bleed Here Now’.

Inspired by ‘Behind The Music’ and ‘Classic Album’ documentaries featuring their favourite 70’s artists, …Trail Of The Dead have crafted a 22 track, 73-minute rock album that features multi-layered vocals, swathes of cinematic strings and organs, cleverly thought-out arrangements and melodies aplenty.

Following a couple of trademark atmospheric intros that set the scene, first song proper ‘Field Songs’ is a euphoric offering of guitar and piano. Both upbeat and melodic, it harks back to classic TOD material. ‘Penny Candle’ with its bombastic drums and effect-ridden guitars, carries the melodic feel through and seems the perfect backdrop for Conrad’s wailing alt rock vocals.

‘No Confidence’ is a full-on rock monster, riding on a Zep-like riff and a killer rhythm. Energetic and invigorating in equal parts, it brings to mind ‘Worlds Apart’ to my ears. The odd wavering, vocal effect gives it an unnerving feel that may have you checking your speakers to make sure they are not broken. The ensuing tribal gang vocal section takes us out of classic rock, further afield than alt rock, yet with our feet firmly planted in …Trail Of Dead territory.

The segues do what it says on the tin and bleed into one another, giving the feel of one whole body of music, a trip if you will, into the mind of Keely and Reece during the pandemic days and months. From the subtle and dreamy, to the cinematic and the in your face, it certainly piques the interest and keeps the listener coming back for more.

The fast and furious ‘Kill Everyone’ could be the only lead vocal cameo this time around from Jason Reece. It may only last 1 minute and 22 seconds, but it showcases the frenetic live punk energy the band are capable of.

Yet, ‘Bleed Here Now’ certainly seems more like Conrad’s baby this time around. With multi-layered, dreamy vocals and mournful piano chords ‘Golden Sail’ is a proggy, space rock odyssey. The breakdown and the ensuing, galloping space rock mid-section is as trippy as you like. Every listen brings new, trance like noises that hypnotize, enrapture and take the listener to another realm.

This brings us to the 11-minute album centerpiece ‘Taken By The Hand’. A fuzzy wall of guitars contrasts nicely with Conrad’s wailing vocals and stark use of space in the verses, before the guitars crank things up again. Guitar solos wail, before another time change that gives way to the tribal beats of 2 kits in unison that battle with layered, effect-ridden guitars, building and creating drama in the most epic of ways.

The influence of the likes of Rush and Yes are prevalent on the likes of ‘Protest Streets’. Chanting vocals befitting a monastery of monks, a folky, acoustic outro featuring female vocals that travel the Enya/Kate Bush trail. This leads us nicely to the duet with Amanda Palmer that is ‘Millenium Actress’. The juxtaposition of the two lead vocals works well over the orchestral instrumentation, as the song builds over regimental drums and soaring strings.

In 900 words I can only really scratch the surface of this album. The proof is in the pudding so to speak, but from the opening ‘Our Epic Attempts’ to the closing epilogue of ‘Calm As The Valley’, …And You Will Know Us By The Trail of Dead certainly take the listener on a journey like no other.

As immersive as it is refreshing, ‘Bleed Here Now’ is a grandiose, 73-minute rock masterpiece that gives more with each listen. But you have to give it the time it deserves to reap the rewards. As much thought and effort has gone into the sequencing as it has the writing and recording of the music. It plays out as one piece of music, one whole body of work, the many segues leaving you unsure where one track ends and another begins. Like a book, it becomes an exciting aural adventure with many twists and turns through its cleverly designed arrangements and glorious musical interludes.

As powerful as their first three albums and more ambitious than mid-career highlights such as ‘Worlds Apart’ and ‘Tao Of The Dead’, ‘Bleed Here Now’ is Conrad Keely’s ‘Dark Side Of The Moon’, his ‘Melancholy & The Infinite Sadness’, and it could turn out to be …Trail Of The Dead’s finest moment.

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Author: Ben Hughes

They’ll be celebrating in the streets of Llansanfrith or something like that but one man band Iselder or should that read Golfid has seen fit to release his debut EP mini album call it what you wish again this summer and to be fair it’s a welcome addition to my collection of acrid Black Celtic Metal.

I first came across Iselder when I heard ‘Metel Du Gwir’ during lockdown and was fascinated by his bilingual approach to the Black Metal genre. Sure, it’s not for everyone but it will appeal to those who love a bit of blackest Metal and those who have a passing interest in Wales for me being interested in both it was a no-brainer. So, I applied the corpse paint went down into the basement, and supped from the chalice as Beelzebub was summoned by some bone crunchingly loud Black Fucking Metal.

The album kicks off with a bleak Sabbath-inspired low end of ‘08.54’ where Golfid explains he is not a terrorist but I’m already in as he dabbles in the darker side of independence and for the next five minutes this indy-inspired blackness washes over me. ‘Freedom’ it’s a no-brainer lyrically as the solid thumping pounding song rides off into the sunset.

The songs pretty much hover around the four-minute mark and whilst Golfid has the bestial growl – it’s not the cookie monster of a lot of the scenes indecipherable which serves his lyrical imagery well, especially on the previously mentioned ‘Metal Du Gwir’ album. The titles are in welsh but the lyrics aren’t which in itself is interesting. It’s the early Mayhem slay on the heavily distorted guitar riffs that twist and turn. The pace might well be slightly one-dimensional but it doesn’t detract from the songs.

‘Butchers Apron’ lays out his feelings on the lie of the land in the UK and if you weren’t aware that there was indeed a Black Metal scene here in Wales you can now rectify that. It’s a fine line to treat when dealing with Black Metal and its politics and sure this is a heavily political artist we’re dealing with. Pride in where you come from is one thing and Iselder lays his cards on the table on album closer ‘Cymru Am Byth’ Whilst I can’t see him taking the stage at the World Cup or being involved with the Countries song for the World Cup and there are no ‘Yma Oh Hyd’ songs here I like what Iselder do and its another fine addition to a scene that needed representing from these shores.

We have a wonderful history every bit as mysterious as the Norwegians who rule this scene and when Golfid gets a band together I’m windmilling down the street of Llansanfrith and punching the air to ‘Fe godwn ni eto’ and the whole of this Red, White and Green Black Metal Massacre. Di Yawn Iselder

Get it Here

Released October 7th on Wicked Cool Records & 10 date October UK Tour  

Ginger Wildheart & The Sinners are proud to announce the release of their debut album on October 7th  on Wicked CoolRecords.
Their self-titled album is an energetic album that celebrates rock’n’roll and as Ginger explains it is in “the spirit of the music that we all collectively love, from childhood to the present day. Little Feat, The Allman Brothers, Wilco, The Band, Creedence, The Jayhawks, Lone Justice, Jason & the Scorchers, Georgia Satellites, Status Quo, The Stones…from roots country to rock n roll and Americana.
The uplifting new single Lately, Always is about a dream “Not necessarily one that will come true but enough to have something to look forward to, especially when times seem a little hopeless.

Ginger Wildheart & The Sinners were formed in August 2019 when Ginger joined forces with Neil Ivison and Nick Lyndon from the band Stone Mountain Sinners. The lineup was completed with drummer Shane Dixon (Tri-City Fanfare) and as Ginger explains “Me and The Sinners met for the very first time in the studio, in preparation for recording an album together. We figured out that if we can’t get along with each other then the music would be ultimately worthless. So we went to the pub and got drunk together. The next morning the music started flowing with ease. This is the sound of friendship.
Their self-titled album was recorded at Mwnci studios in Pembrokeshire, Wales, with Dave Draper producing.
The album kicks off with their first single Wasted Times, which sets the tone for an album of pure rock n roll, peppered with country touches.  The listener will find a further seven original songs, including Lately, Always plus two covers: Dirty Water by Status Quo and Six Years Gone by Georgia Satellites’, the first song Ginger wanted to play with the band back when this was just an idea. “I became a bit obsessed with the song while in LA for Lemmy’s funeral, and carried it around in my heart from then until we all congregated at the studio.” 
There is a refreshingly familiar sound to every one of the songs on the album and it is a masterclass in how to write melodies that pull the heartstrings.
Despite the turmoil in which we find ourselves, Ginger with his Sinners give us all hope. Get with it or get out.
Ginger Wildheart & The Sinners essential debut album will be available digitally, on CD, and limited edition “Seaside Swirl” 12” vinyl. To pre order / pre stream Here

To celebrate the release of the Ginger Wildheart & The Sinners album the band will be playing ten UK shows, starting at Bannermans in Edinburgh on 18th October and finishing on 30th October at The Hare & Hounds in Birmingham. Tickets available from Monday 1st August at

Ginger Wildheart & The Sinners UK October 2022 tour 

18th Edinburgh, Bannermans

19th Newcastle, Riverside 

20th Huddersfield, The Parish 

22nd Cardiff,  The Globe 

23rd Plymouth, The Juntion 

25th London, Bush Hall 

26th Norwich, Brickmakers 

27th Portsmouth, Wedgewood Rooms 

29th Chester, Live Rooms

30th Birmingham, Hare & Hounds 

Tickets available from Monday 1st August at Here







Dark Horse Records is celebrating what would have been Joe Strummer’s 70th birthday on 21st August with ‘Joe Strummer 002: The Mescaleros Years’, the first-ever comprehensive collection highlighting his work with his post-Clash band, The Mescaleros. The collection includes remastered editions of all three of the band’s studio albums, plus 15 rare and unreleased tracks spanning the first demos Joe wrote for the Mescaleros, as well as ‘Ocean Of Dreams’, featuring Steve Jones of the Sex Pistols on guitar, and outtakes of several tracks of Joe’s final recordings with the band. This richly curated boxset was executive produced by Joe’s widow Lucinda Tait and produced by David Zonshine and features exclusive new interviews with Joe’s friends, collaborators and Mescaleros band mates, plus never-before-seen handwritten notes, lyrics, and drawings by Strummer taken from the Joe Strummer Archive. The release arrives on 16th September on 4 CD w/72-page book and 7 LP w/32-page book, special edition packaging and exclusive 12”x12” art print. The first track from the collection, the previously unreleased version of ‘The Road To Rock ‘N’ Roll (Demo)’ is available to stream NOW. The video for the song was created using Joe’s drawings and handwritten lyrics found in the Strummer archive.

While best known as the front man for The Clash, Strummer produced some of the most exciting work of his career with The Mescaleros. Strummer said during this period: “All that’s happening for me now is just a chancer’s bluff. I learned that fame is an illusion and everything about it is just a joke. I’m far more dangerous now, because I don’t care at all.” Joe Strummer 002: The Mescaleros Years highlights this intense period of creativity from 1999-2002, collecting for the first time such extraordinary albums as Rock Art and the X-Ray Style (1999), Global A Go-Go (2001), and the posthumous Streetcore (2003), along with Vibes Compass, a brand-new compilation of 15 B-sides and rarities, including early demos of some of the first tracks Joe wrote for the Mescaleros such as ‘The Road To Rock ‘N’ Roll’, ‘X-Ray Style’, ‘Techno D-Day’, as well as the previously unreleased ‘Secret Agent Man’ and the original recordings from Joe’s last ever sessions, including outtakes of ‘Get Down Moses’, ‘Coma Girl’ and the song ‘Fantastic’. All albums are remastered by three-time GRAMMY® Award-winning engineer Paul Hicks (The Beatles, John Lennon, The Rolling Stones, David Bowie) especially for the release and are packaged with extensive new liner notes, unreleased images, and four reproduction lyric sheets and chord charts from the Strummer archive.  

“There’s so much great music that Joe left us in his archive,” says Joe’s widow and the executive producer, Lucinda Tait. “We started this work with ‘001’, so to focus on Joe’s work with The Mescaleros was the natural second step on ‘002’ because those songs he made with them just seemed to resonate so strongly and reinvigorated his connection with his audience at a level he hadn’t experienced since his days with The Clash.  “He was so excited to work with the Mescaleros and the reception he got from the press and fans was incredible, it gave him a whirlwind of energy and confidence and he was creatively fulfilled and happy.

 “His words are so beautiful and honest and together with the Mescaleros some fantastic tunes were created and to listen to some of the tunes recorded as outtakes for me was really special.” 2022 marks twenty years since the passing of the legendary Joe Strummer. Punk poet, musician, composer, actor, and style icon, Strummer spent his life smashing musical and cultural boundaries both as the singer of The Clash and as a solo artist. His songs sound as urgent and vital today as when they were written. Calling out social injustices and giving a voice to the struggles of the working class, Strummer’s politically charged lyrics struck a chord with legions of fans and the press alike, with Rolling Stone calling The Clash “the greatest rock & roll band in the world.” He famously once said, “Without people, you’re nothing.” Through his art, Joe Strummer played his part in shaping the musical landscape of the world and with it left an unrivalled and timeless legacy.



Legendary British rock & roll band The Godfathers return with an almighty bang on their highly-anticipated new album Alpha Beta Gamma Delta. Featuring thirteen tracks of new material, the album is described by the band’s lead singer and founder Peter Coyne as “a sonic tour de force” and is their first full-length studio release since the critically acclaimed A Big Bad Beautiful Noise in 2017.

Written and recorded during the course of the Covid pandemic, the album was produced by The Godfathers’ bassist (and former Damned member) Jon Priestley. Following on from the double A-side single I’m Not Your Slave / Wild And Free released in 2020, ‘Alpha Beta Gamma Delta’ is the first Godfathers’ album to feature the new line-up of Coyne, Priestley, ex-Heavy Drapes’ members Billy Duncanson (drums) and Richie Simpson (guitar) and guitarist Wayne Vermaak from The Great St Louis.

“Alpha Beta Gamma Delta is definitely one of the very best albums The Godfathers have ever made – it’s exciting, dark, dangerous contemporary rock & roll!” states Coyne. 

Originally formed in 1985 out of the ashes of The Sid Presley Experience, The Godfathers quickly earned a serious reputation for their electrifying brand of primal rock & roll and their incendiary live shows, aided and abetted by a string of classic radio hits and chart-bothering albums.

With numerous sold-out international tours and festival appearances to their credit, The Godfathers remain a consistent and reliable draw on the world’s stages and Alpha Beta Gamma Delta marks a thrilling new chapter in The Godfathers’ saga.

The album will be preceded by a 4-track EP entitled Midnight Rider on Friday 26th August, featuring two album tracks (Midnight Rider and OCD) plus two brand new and exclusive non-album tracks When The Cowards Fall and Fade Away.

The Godfathers will be announcing a full Autumn tour to coincide with the album’s release.

Alpha Beta Gamma Delta track listing:

Alpha Beta Gamma Delta / Bring On The Sunshine / You Gotta Wait / I Hate The 21st Century / OCD / Midnight Rider / Straight Down The Line / Lay That Money Down / Tonight / I’m Not Your Slave / There’s No Time / Dead In Los Angeles / I Despair  

The ‘Alpha Beta Gamma Delta’ album & ‘Midnight Rider’ EP can be pre-ordered Here

From the album “Jukebox Junkies” Andy was never shy about wearing his influences on his sleeves. When playing with Hanoi Rocks the group frequently included surprising cover versions among their killer original songs. Now, McCoy taps into the rich musical history that inspired him on his own full-length album of highly addictive covers entitled Jukebox Junkie! Check out the album’s first single and video for a deep cut by ‘80s hitmakers Squeeze, “Take Me I’m Yours!”

Your second offering is from Harlow punk legends Newtown Neurotics who have announced a new album called ‘Cognitive Dissidents’ that will be released through Cadiz Music on October 21. Before that, they have a new single ‘Climate Emergency’, which sees the band focused on one of the most important issues of current times.

The pre-order link for the album is here

The band have the following gigs confirmed:

Friday 27 July – Triangle, London  

Friday 5 August – Rebellion, Blackpool (band show on Empress Ballroom + interview w/ Steve Drewett on Literary stage) 

Saturday 6 August – Rebellion, Blackpool (Steve Drewett almost acoustic show) 

Released via Bandcamp to be getting on with, I’m assured it’s also getting a vinyl press on snap! Records (or at least some of them are) On this evidence it richly deserves that vinyl pressing and a whole lot more besides.

Continental Lovers is the workings of former Breakdown band leader Joe Maddox who was busy writing tunes prior to the pandemic and decided to recruit some likeminded band members who had a passion for good time Rock and Roll with a penchant for big choruses like Cheap Trick and a few other notable seventies rock n rollas. A dash of punk Rock snot and a whole heap of attitude and when it’s put together by people who clearly love the music and respect where it’s come from it deserves to rise straight to the top of the pile. Joe has put together a bunch of Trash Rock monsters that are glittering examples of just how to do trashy punk and on this evidence, it won’t be too long before the support slots are the thing of the past and its headline shows in packed venues for The Continental Lovers.

Some of the songs were tested out on the public as demos over the last year or so but the punch of songs like ‘St Joan’ are excellent. short songs with big hooks and no messing about are exactly what’s on offer here. Punching like a heavyweight but these haymakers aren’t random swinging but more lazer-guided jabs to the temple.

Six tracks just about make for side one of an album, but we’ll investigate them one by one, hopefully, we can give them the respect they deserve. None of these tunes overstay their welcome and most nestle around the two-minute mark kicking off with ‘Tape Deck’ which is a sprightly, snotty dust-up where Joe gets on with the job of kicking out the jams with no fucking about. Cool, calm, and right up for it. ‘Really Doesn’t Matter’ has the feel of his old band The Breakdowns with an excellent melody and I love the tone of the guitar break which nails it and pulls the whole tune together. A cool backbeat and some sunshine Rock n Roll blasting through the speakers.

‘Tattered Star’ is Trashy Rock n Roll in all its finery. There’s a familiarity about it like slipping into a well-worn pair of creepers that have some wickedly comfortable insoles for you to bop til you drop. Continental Lovers clearly know where their music comes from and have big enough hearts to use that history and write new songs for the 21st century whilst doffing that gatsby to the past.

‘St Joan’ pays tribute to the Queen of noise – Ms. Jett and they nail the riff to the lyrics and pen a killer song that is fitting someone so cool. I hope she gets to hear it and who knows take these guys out on tour and duet this one cheek to cheek. ‘Can’t Get Her Out Of My Head’ is sub two minutes of 1-2-3-4 hey ho let’s go. It’s got attitude and a cheeky pogo, covered in sweat and just enough snot to satisfy the punks and the glam kids.

Bringing this EP to a swift end is ‘Dale Arden’ which is a thumping way to go out – swinging and bopping and leaving the listener wanting more, more, more. A massively impressive debut offering of six of the best. Continental Lovers can go straight to the top of the class with this EP. It’s everything you could hope to hear. Now get to work on an album and we very much look forward to the record when it hits the shelves later this Summer. Continental Lovers your new favourite Glam Slamming trash Rock n Rollas #Fact! If you get the chance go see em live and when the pre-orders drop for the vinyl record we’ll let you know

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Author: Dom Daley

Noo Yawk City mutherfuckers! via Old London Town. Mala Vista has released their debut long-playing platter that matters and it’s a slab of Lo-Fi Punk Rock n Roll that’s as much The Boys as it is The HEartbreakers and a whole lotta snot besides. IT’s thirteen grizzly slices of all the meats pizza the action and they’ve nailed that attitude-soaked punk n roll from the lo-fi production that is every bit their identity as the melodies that cut through the airwaves when the needle drops.

From the opening speaker cone splitting treble of ‘Baby So Wasted’ the chaos begins with the cool as fuck guitar breaks that pierce the sound levels and punctuate a rapid slice of Punk n Roll to the Buzzcocks inspired ‘Nowhere To Go’ this album is crammed full of top tunes that ebb and flow very nicely spitting out sweaty salty Punk Rock.

The chest-beating riff-a-rama of ‘Nuclear’ that swiftly goes pogo tastic or the infectious ‘NY Groove’ Mala Vista has got the chops and it’s no wonder they captured the interest of No Front Teeth Records because it’s a perfect collision of like-minded souls.

‘Relegated Lover’ started off like the bastard son of Rebel Rebel with the needle in the red before breaking out into a stonking thumping chest beater. ‘Ole Blue Eyes’ is like one of those magic tunes that drops when you hit the random button on a Wurlitzer in some dive bar far from home, It’ll put a smile on your face and have you raising a glass to the magic of a great tune. ‘Western Beef’ is like the runaway speed train with Chuck Berry at the steering wheel. The album is relentless as ‘Echo’ kicks into ‘Mouth Breeder’ which then spills into ‘Criminal’ with all its wonderful snotty melody it could be a kissing cousin of Los Pepe.

‘Summer Weekend’ is a banger that sounds familiar because it’s got the hallmarks of what’s gone before it from the melody to the chorus – great stuff. ITs a rapid over with in the blink of an eye, punk rock that fuses a whole bunch of top-notch influences together in a bunch of perfectly formed songs from the Ramones to the Boys to Buzzcocks to The HEartbreaers and a whole bunch in between Mala Vista has delivered a banger of a debut album and I suggest you check it out – Pronto!

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Author: Dom Daley