DENIZ TEK
GROUNDBREAKING FIRST SOLO ALBUM ‘TAKE IT TO THE VERTICAL’ FEAT. THE STOOGES’ SCOTT ASHETON  AND RADIO BIRDMAN’S CHRIS MASUAK REISSUED ON 19TH MARCH VIA WILD HONEY RECORDS
Garage rock legend Radio Birdman founder Deniz Tek has announced the reissue of the groundbreaking album ‘Take It To The Vertical’. The album will be released for the first time on vinyl, digitally and on DSP’s on 19th March via Wild Honey Records.
‘Take It To The Vertical’, originally released by Redeye/Polydor Records Australia in 1992, was Deniz Tek’s first solo album. Recorded at historic SugarHill Studios in Houston, Texas, the album features Radio Birdman’s Chris Masuak on guitar and keyboards; and The Stooges’ Scott Asheton on drums. There are extensive liner notes, never before seen photos, and a bonus track that was not on the original release.
This amazing album has been long out of print, rare, and nearly impossible to find. It will now be available worldwide from Wild Honey as part two of a series of archival releases of Deniz Tek’s work.
Deniz has now shared the first track from the album. ‘Press On’, a ripping rock and roll anthem about air combat, was recorded live in the studio during the “Vertical” album sessions. This rare, unreleased track features Deniz and Chris Masuak, veteran Radio Birdman guitar slingers doing what they do best, and a smoking hot rhythm section led by the legendary Scott “Rock Action” Asheton on drums.
AVAILABLE FOR THE FIRST TIME ON VINYL, DIGITALLY AND ON DSP’S
HEAR FIRST TRACK ‘PRESS ON’ HERE, ON SOUNDCLOUD AND BANDCAMP

August the 8th 1970.  The last time the original powerhouse machine that is The Stooges took to a stage. August 2020 sees it hit the shelves on record and a nice slab of heavyweight vinyl it is too without all the finer niceties of modern recordings this is straight from the desk loud as fuck! With Iggy being the last man standing I bet that wasn’t something many people would have uttered 50 years ago.

With a $15 to $20 price tag on tickets for this festival that would have had Savoy Brown, Jethro Tull, Joe Cocker, Chicago and Alice Cooper on the bill way above The mighty Stooges.  it must have been a bummer to have had to go on after this aural assault had long left the stage.  Whilst it might not be the finest soundboard mix ever you get the emotion of the band playing as both Brothers Asheton are kicking up a shitstorm of rage and intense musicianship especially on songs like ‘TV Eye’ and an inspirational performance on ‘Dirt’ but you keep being sidetracked by Alexanders bass as it takes a wobble especially through the amazing solo it might be hindsight knowing what happened but his falling apart does happen, It must have been a jaw-dropping spectacle yet little did the punters know this would be the last time this five would take the stage with Dave Alexander being fired.

In a day when bands play albums in their entirety and sell out venues, the Stooges were doing it in 1970.  By the time you get to the title track that huge throbbing hypnotic bassline but the reality is its a mess, and you can see why Iggy might have been pissed, seeing as there were a reported 200K in attendance and it must have been mindblowing hearing this as Mackay’s saxophone is causing hypertension on what I would say is one of the finest song ever penned, by anyone, anywhere at any time it’s a royale maelstrom of noise here, a beautiful noise by the way and with Mr. Pop barking out the words over the top the PA sounds like it’s about to ignite at any minute. as the sax and guitar duke it out even if the tape goes a bit wobbly which is such a shame it sounded magnificent.

 

Its believed that this performance was almost the cause of a full-on riot and hundreds charged the stage and began dismantling it after the Stooges left the stage it’s not hard to see how that could be on this performance and having the plug pulled on your set only enhances The Stooges legend anyway.  Thanks to Jack White and his label for making this release possible as it’s believed that MR Pop isn’t enamored but hey its been worth the wait and even MR Pop would have to agree that for a document in musical history this needed to be preserved and something he could and should be immensely proud to be a part of.

If the Funhouse complete is way out of your price range and you love that record and the band then this is a no brainer and well worth the price of admission in anyone’s book. Awesome.

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Author: Dom Daley