Slyder Smith New Single “Killing The Machine”

Slyder Smith New Single “Killing The Machine”

Slyder Smith Unleashes New Single “Killing The Machine” on 10th April
A Powerful Anthem Confronting the Rise of Technology and Human Disconnection & unveils new line-up with a string of UK dates


UK rock singer-songwriter Slyder Smith returns with his explosive new single “Killing The Machine”, released on 10 April 2026 — a hard-hitting, thought-provoking track that tackles the growing fear and reality of technology overtaking human connection and control.

Blending gritty guitars, anthemic melodies, and his trademark raw lyricism, “Killing The Machine” channels both urgency and unease, capturing the tension between modern dependence on technology and the instinct to resist it. The track stands as one of Slyder’s most socially charged releases to date, reflecting a world increasingly dominated by screens, algorithms, and artificial noise.
“This one’s about that disturbing feeling that we’re losing control,” says Slyder. “We’ve built something that’s meant to serve us, but it’s starting to feel like it’s shaping us instead. It’s about fighting back — holding onto what makes us human.”

Produced by Robin Wynn Evans (Manic Street Preachers, The View, Sam Brown, Dodgy) at TPot Studio, the single showcases a bold evolution in Slyder’s sound — combining a modern sonic edge with the timeless energy of classic rock. Evans’ production brings clarity and punch to a track that is both sonically powerful and lyrically resonant.

Killing The Machine follows a string of acclaimed releases including “Plan To Fail” and “Nobody’s Listening”, further cementing Slyder’s reputation as an artist unafraid to confront uncomfortable truths – from self-doubt and addiction to isolation and societal disconnection. 
The release also comes as a limited edition numbered CD bundle. Including a signed CD, signed poster & lyric sheet featuring 2 tracks recorded live at a sold-out Forfar 10 Bar show last summer. 

The release coincides with a run of UK live shows:
10th April – Bannermans, Edinburgh
1st May – Audio (w/Bonifide), Glasgow
24th May – 10 Bar, Forfar
11th July – Rock Bottom, Falkirk
12th July – Trillians, Newcastle

Now fronting a powerful four-piece band featuring Brian Kerr (guitar), Kevin Skelly (bass, backing vocals), and John McAvoy (drums), Slyder continues to build momentum with electrifying live performances that have already seen sold-out shows and glowing praise from the UK rock press.
“The new band is sounding awesome in rehearsal; moving to a 4-piece was a great move that brings much more depth to the sound & we genuinely can’t wait to put it in front of a live audience”

Following the success of his critically acclaimed debut album Charm Offensive (2022), Slyder Smith remains a compelling voice in modern rock — delivering music that is fearless, honest, and deeply relevant to the times we live in.

“Killing The Machine” is available on all major streaming platforms from 10 April 2026.

Slyder Smith & the Oblivion Kids – Website

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SLYDER SMITH & THE OBLIVION KIDS On The Charm Offensive

SLYDER SMITH & THE OBLIVION KIDS On The Charm Offensive

SLYDER SMITH & THE OBLIVION KIDS, have announced the release of their debut album ‘Charm Offensive‘, to be out on 19th August 2022 through Ray Records on 12” black vinyl, digipak CD and digital, distributed worldwide via Cargo Records. Pre-order the album here

“This album has been a real labour of love for me, I’ve really put my heart & soul into it. Over the last year or so I’ve been working very hard developing my guitar playing, music & lyric writing pulling myself in all sorts of directions, really stretching myself. I feel I have accomplished what I set out to do, create songs from the heart in no specific genre & perform them to the best of my ability on the record. I guess for years I have been a frustrated lead singer so I have relished the opportunity to showcase what I can do vocally too.” – Slyder Smith –

Slyder Smith first swaggered onto the stage as lead guitarist with glam-tinged power popsters, Last Great Dreamers. After releasing four studio albums and one live album on Ray Records, & having toured extensively throughout the UK & Europe with LGD, Slyder now takes centre stage leading new power trio, Slyder Smith & The Oblivion Kids (Tim Emery, Bass and Rik Pratt, Drums) in an honest outpouring of grit, glamour and emotion.

Stepping out of the shadows and into the spotlight, the self-confessed ‘frustrated lead singer’ has been forced to delve deep into his own psyche, to carefully craft lyrics and melodies that speak from the heart. Slyder’s emotive vocals are powerful, yet melancholic, the perfect balance of light and shade sitting effortlessly within the sonic landscape of his varied rhythm guitar sounds and highly melodic & anthemic lead lines.

Stage left, Slyder is joined by Tim Emery, a towering enigma, whose stylish bass lines are the only thing to outshine his impeccable apparel and at the back sits the Oblivion Kids’ powerhouse and beat master, Welshman, Rik Pratt. A man of few words but whose presence is palpable in this rock steady rhythm section.

But this is no ordinary guitar-based rock album; together with producer Pete Brown (George Harrison, Siouxsie & the Banshees, Marc Almond, The Smiths and Sam Brown), Slyder has allowed the songs to dictate the direction they have gone in; discovering melodies and hook lines along the way. Making use of Hammond organ and piano with the help of Neil Scully (Richard Davies & the Dissidents), a 1950s Phillicord organ, lap steel guitar & even a bit of banjo.

A chocolate box of sonic sensations offering up a little something for everyone – from heavy riffage with walloping drums akin to the brothers Young to the anticipated sleaze rock shades of Hanoi Rocks. However, this band is not afraid to step away from their rock roots, instead, with nods to the likes of The Doors, Velvet Underground, The Stranglers and The Kinks from the past and the alternative rock sound of Manic Street Preachers, The Oblivion Kids have reimagined an 80s synth-pop classic and mastered singalong pop, gothic, dark Americana, and dare I say it, funk-rock?! There are a few firsts for Slyder on here too in the form of an instrumental track with a western feel to a duet featuring the ethereal vocals of Nina Courson (Healthy Junkies). The result is an idiosyncratic 14-track album of outstanding versatility.  A Charming debut, I’m sure you’ll agree.
 

On the strength of the new recordings, Slyder has also just signed a publishing deal with Cherry Red Songs… “I’m really hopeful that with Cherry Red’s help we will find plenty of opportunity for my new music to be used commercially.”

On May 2nd Slyder Smith & The Oblivion Kids played their live debut on the main stage at HRH Ibiza Road Trip and went down a storm in front of a packed house to opening the 5-day rock festival!

The band plan a string of single & video releases throughout the summer & will perform their UK debut show In London at Pump It Up Festival on Sat July 2nd.  followed by a demanding schedule of live dates including a 9 date UK tour as special guests to Swedish groove-rockers, The Electric Boys in Aug/Sept to coincide with the release of the debut album. Further headline & festival live dates are planned for the rest of the year in UK & Europe.

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https://www.slydersmith.com

Last Great Dreamers – Retrosexual (Ray Records)

Last Great Dreamers – Retrosexual (Ray Records)

Well well well.  This is a blast from the past and pressed on a chunky piece of plastic as well it’s the 25th anniversary of ‘Retrosexual’ so what better way to celebrate than to stick it out fully remastered and on the old deluxe 180g black circle.  Very nice indeed.

Man, I’m feeling a little down holding this record in my hand thinking its been twenty-five years since this was originally released that is until I chuckle at the cover art in the form it was originally intended to be.  I never was concerned about the fact that there was a lady dead or alive underwater but what a ghastly jumper they’re  wearing is that wrong of me? Anyway, any blues I might have had quickly blew away once the needle dropped.

Firstly I notice there are no bells and whistles added or bonus tracks etc which is cool because ‘Retrosexual’ set the bar for Last Great Dreamers and to tinker with the original formula would have been wrong so I’m pleased with that. Secondly, remastering is like the Harry Potter of Rock and Roll acts sort of the dark arts it’s not like remixing its more than that.  Making a record sonically better for record over CD or fit for radio is a whole dark art and once the needle drops on ‘Chrome Tonic’ I’m taken back to a simpler time when rock and roll wasn’t so instant it was harder to find and you had to be in the club to get to know about the new bands and visit venues to catch support bands to see what was out there people seemed more committed to their cause and stumbling across this after reading a review wasn’t a disappointment at all.  The chorus and hook on ‘Chrome Tonic’ is still twenty-five years on such a rush and an instantly gratifying hook.  Bring it on.

I’ll fess up and admit the last time I played this record was when they released ’13 Floor Renegade’ to contrast and compare but I thoroughly enjoyed it then and I’ll admit now hearing the Acoustic vs Electric riff-a-rama on ‘Last Great Dreamer’ in all its trashy delivery is a beautiful thing.  What a tune! It drew from the ’70s glam through the mid-’80s Hanoi rocks years and beyond but it wasn’t just copying it was being inspired and inspiring and that’s the difference, top tune then and top tune now its lost none of its charm and class.

‘Save You’ was a bit tougher but mopped up what was a super strong opening three tracks. Some albums from years ago never live up to the memory I’m not on about your favourite albums that always stay with you but the ones that bubble under. ‘Paper Crown’ was always a beauty with its Bolan meets Bowie glamness with a welcome dose of Ian Hunter – this record should have been a popular hit that much is a tragedy.  I’m glad they are back and going strong and this wasn’t a one-off. They weren’t afraid to soften things like ‘Kings And Keepsakes’ alongside the out and out rockers like ‘Charlie’ and they could boogie-woogie as well like on ‘Only Crime’ and I always liked the Hanoi Rocks DNA that ran through ‘Streets Of Gold’.

Don’t take my word for it go and treat yourself and pick this one up on vinyl. If you’ve not heard it in a while then it’ll be a treat and if you’ve never heard the band then what are you waiting for?  Jump in ignore the tartan trews and platform boots they were never cool but the music is first class and ‘Retrosexual’ is the sound of a band living and loving it and pouring their heart and soul into the grooves of a great record, Buy it!

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Buy ‘Retrosexual’ 25th remastered edition Here

Author: Dom Daley

Last Great Dreamers – Festive Five

Last Great Dreamers – Festive Five

After a very successful debut show at Planet Rockstock, The Dreamers are now looking forward to their ‘Festive Five’ UK dates.

Rock comic Pete K Mally will be compering every show & we have a fantastic local band each night. Whore No More at Birmingham, Cyster Scalpel at Glasgow, Boomville (feat. Mark Yates of Terrorvision) at Sheffield, Anita Chellamah at London & 60th Parallel at Southampton.

Details of Pete & all the bands can be found at the facebook events page. https://www.facebook.com/pg/lastgreatdreamers/events

Advance tickets are still available via the links below:

Fri 7th December – BIRMINGHAM Asylum 2 – TICKETS

8th Sat December – GLASGOW Nice ‘n’ Sleazy – TICKETS –TICKETS-SCOTLAND

9th Sun December – SHEFFIELD Corporation – TICKETS

15th Sat December – LONDON Black Heart (Camden) –TICKETS

16th Sun December – SOUTHAMPTON Heartbreakers –TICKETS