Influenced by the likes of Bored! Radio Birdman, Sonic’s Rendezvous Band, The Hellacopters as well as the MC5, Stooges and Motorhead this impressive list alone was more than enough to pique my interest and have me blasting out ‘94/20’, the all new eleven tracker from Spanish garage punks Señor No.

Having never heard of Señor No before and then discovering that not only do they sing in their native Basque tongue but also that the ‘94/20’ album title refers to the fact that this year is the band’s 26 year in the business only added to the intrigue.

Thankfully ‘94/20’ more than lives up to the mystery and PR hype and in fact just like albums I’ve raved about in the past by the likes of City Saints and Trust what really sets Señor No apart is the fact that the songs are being sung in the band’s native language as it actually adds to the band’s incredible sonic melting pot.  And boy what an intoxicating mix it is too. Yes, there are elements of all of the aforementioned bands that could be pulled from the tracks on offer here but for me it is the bark and sneer of singer Xabi Garre (a veteran of the local Basque rock scene) that really hammers home the band’s message. Even if I do have to refer to the English track listing on the band’s Facebook page to really get a grip of the self-styled Bukowski style street poetry the singer specialises in – this doesn’t spoil this musical rocket ride one iota.  In many ways this curiously reminds me of what a Basque Tyla fronting the MC5 singing songs about the rock ‘n’ roll lifestyle might sound like, and one thing’s for sure, it will definitely require more than my usual “dos cervezas por favor” level of Spanish for me to fully understand.

So, with this in mind let me introduce you to Señor No’s ‘94/20’, an album chock full of musical twists and turns and yes, more than just a hint of mystery thanks to Xabi’s vocal stylings. With the band’s mission behind the record being to re-record and reimage songs from throughout their career to date.

Kicking off with ‘La Ruta Interior’ (The Interior Route) this is perhaps the nearest Señor No comes to the sonic jams of their Detroit heroes and the guitar interplay between Jorge Colldan and Joseba Baleztena at times really does bring to mind Smith and Kramer. For me its when the band really go for the throat like on ‘Déjate’ (Leave It) that they really click and here you can clearly pick out the Motorhead influence albeit with a little Poison Idea thrown in for good measure too.

Señor No are anything but a one trick punk rock piñata though, just take one listen to ‘Perra’ (Dog) where the guitar breakdown really will have you punching the air in celebration or the kooky time signature of ‘Meando En La Niebla’ (Piss In The Fog) that gives the track a real feelgood swig from the bottle kind of swing, all driven along by bassist Fumai and drummer Fosy who put in a superb shift throughout.

Bristling with energy and sounding like the very heartbeat of Basque punk rock ‘n’ roll ‘94/20’ should have by now seen Señor No tearing up and down the highways and byways of Europe in support of the record, that day I’m sure will eventually come, but in the meantime you can order your copy via the link below.  Glorious stuff!

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Detroit High Energy rock at its purest essence!!!! Niagara (DESTROY ALL MONSTERS) & Ron Asheton (THE STOOGES) among other great Detroit musicians recorded this killer album back in 1996.
And now it is finally reissued on vinyl with 2 added tracks to the original vinyl release, remastered in order to get its purest sound, and new artwork courtesy of Mrs. Niagara Detroit and Mr. Colonel Galaxy.
And guess what…. This is an extension of Destroy All Monsters with absolutely killer guitars in line with The Stooges´ “Funhouse” with the unique stamp and signature of Mr. Ron Asheton.


10 classic shots which need to be in your record collection right by The Stooges, Destroy All Monsters, MC5, Sonic´s Rendezvous Band, Radio Birdman, The New Christs, Bored!

I can’t vouch for how improved the sonic assault is compared to the original because I never owned the original slab of wax and digital is a whole different ball game especially if your listening on a PC but I can vouch that it’s not muddy in fact it’s positively bright in the mix department  Niagras voice is as seductive and sinister as ever and has a dark quality that sounds dangerous and then you throw Ashetons guitar soloing into the mix and you have a potent force to be reckoned with. Just listen to ‘Heaven Can Wait’ in the dark and loud and you’ll get the point. I love Ron’s guitar work on ‘Bang’ he’s really Rockin it out and the absence of any low end makes for interesting listening.

I love the boredom and fuck you attitude of ‘Good Morning, Headache’ and ‘The Last Great Ride’ is epic and the perfect way to end this collaboration and the guitar work gives me goosebumps with the solos absolutely killing it.  with only 500 copies of this pressed it won’t be long before this becomes rare as hen’s teeth so time is of the essence and you can’t say you haven’t been warned.  Get it!

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