The undisputed kings of swampy wild n wreckless garage rock n roll from New Zealand are in da house motherfuckers and they’ve brought a brand spanking new long player with them. ‘Ca$h 4 Scrap’ is everything you want it to be and some. It’s not all crash bang wallop (well, Almost) but I wouldn’t suggest for one minute that these four reprobates have lost any of that spark nor would I suggest old age is slowing them down. Songs like ‘Leather Boys’ is more a groovin slice of junk rock done in the best sleaziest way.
Start your record as you mean to go on. ‘Children Of The Dead’ rattles off with the band’s usual vim and vigour with plenty of Thrashing around. A sharp intake of breath and ‘Without You’ is climbing over broken glass to get heard. With a party kicks off in the speakers as Paul Caveman takes a drag from the 40 a day no filter smokes and gurgles neat whisky and broken glass as the boogie rages in support.
Hold onto your strides mates because these cats are grooving hard on the growling ‘Night Of The Demon’ where you can all join in on the chorus. It’s ‘Night Of The Demon’ x3 but clear your throat first this one needs some oomph.
‘Booze Ciggies n Drugs’ might be the thrasher up next but it might just be the band’s shopping list whilst they remember the essentials. Rapid, punk n roll at its dirtiest but finest. Get in the pit and start barking
y’ bastards.
I love the sleazy glam punk of ‘Isn’t Remember Your Name’ It’s trashy and beautiful with a melody knocked off from Los Pepes. Side One takes a kicking on ‘Personal WWIII’. Closing off with ‘Drug Man’ is a case of singing what you know being the mantra. So why not, with the sleazy solo and Iggy piano tonk it’s a beauty. That’s seven tracks in, about ten minutes of crash, bang, wallop! And closing off with a song almost three minutes long is decadent as fuck almost mature proto-prog.
If this was played out in a live setting you’d just have witnessed one of the best shows for ages so get a refill and flip this bad boy over. ‘Hanging Up’ has just done a bump in the toilet and the band comes out swinging complete with Groovy handicaps. Now that’s what I call music. ‘One Leg and a Waterbed’ has some trippy organ squealing throughout behind its fantastic lyrics. And as you head towards the end you realise the Cavemen have bashed you over the head with their club called rock n roll it feels great.
If only all albums sounded this good. Fuck the sound levels, the production, the tightness this is rock n fuckin roll baby and it sounds fantastic. Rough n raw, wild n reckless, and I fucking love it. Go get some Caveman Rock n Fuckin Roll its the way to start off 2024. Buy it!
Before January is finished we have another session of the Singles Club to round off the first knockings of 2021and as usual the quality is impressive. Hit em up and share the love of the trusty old 45RPM…
Muck & The Mires – ‘I’m your Man’ (Dirty Water Records) We’re starting this weeks singles club with this garage rock hip shakin bundle of energy from Muck & The Mires. As you’ll hear from the guitars this is right on the money sounding like it was recorded live in the moment and with some great melody and BV’s its a right Banger! Don’t doubt it that you need to hear these cats so head over to Bandcamp Here
45 Adapters – ‘Now Or Never’ (Pirates Press Records) Emerging out of the clusterfuck for bands that was 2020, this long-anticipated EP really packs the punch everyone has been hoping for.
It Comes out swinging, and is hit after hit on a pretty cool 12” picture disc that looks like it was printed on glass. The title track, a rip-roaring addition to the Pirates’ sampler “For Family And Flag“ that we reviewed a few weeks ago. It whet the whistle of fans across the globe… and the remaining tracks stacked up on this EP
Summarizing the sentiment felt by many, it really is “Now or Never“! Time to take a stand.
Guerrilla Teens – ‘End of the Leash’ (Self Release) Two downloadable tracks from the epic Guerrilla Teens Hell Yeah! I’ll take that sir. Scott ‘Deluxe’ Drake leads another slice of hellish Rock and Roll from the garage with a bluesy guitar break that leads you down a dark alley where the band is waiting to pound you without mercy they won’t rest and who can blame them as the song tail off into the distance with howls and wah! leaving you satisfied once again with the tracks teased out of Bandcamp. But wait there’s more as ‘Running Away’ is a petulant slice of Rock and Roll that’s got some loose gang vocals snarling away on the chorus. It’s snot captain but not as we know it. I love Guerrilla Teens they’re one of the triumphs of Lockdown and Pandemic. Now get this motherload of songs onto a slab of vinyl and we can put this past twelve months behind us. Bop Showaddy indeed – Buy It! Here
Captain Future – ‘Holy Waters’ (Gypsy Hotel Records) Alex McGowan is the man behind Captain Future and the new album ‘Ghostman’ and the first single taken from the album is ‘Holy Waters’ a bluesy slice of Dub or a dubby slice of Blues, either way, it’s a trip and a trip you should take. Love and hate collide and with the backdrop of what’s going on with certain leaders, it’s a slice of up-to-date right on-the-money music. It’ll creepy crawl into your head and shifting it is hard. Subtle and flavoursome the verses are dark whilst the chorus is raised and lets in the light. clever stuff.
Automatics – ‘Irish Blessing’ (Blank Generation Records ) Taken from the recent Automatics, white vinyl, promotional 4 track ‘Octonary’ EP, and also on the album ‘A Grand Swandive Into The Void’. You might think so what? However, if I were to say Steve Jones and Johnny Thunders contribute then I might just grab your attention and you might prick those ears back and give this some deserved attention. Also featuring SLF guitarist Ian McCallum.
what you have on this EP is quality ’77 punk Rock and Roll. Considering the calibre of the players, of course, these songs have that wonderful crunch on the guitar and when recorded right it lifts a recording. As you’ll hear ‘Irish Blessing’ has a Galic slant and some typical Irish folk leanings from the acoustic guitar to the lyrics. A bit of everything on the EP means – for me, a good proper investigation into the bands back catalogue and great discovering a whole bunch of tunes that passed me by first time and when, as I say. they are as good as this its a joy to discover. Website
Brad Marino – ‘What Do You Know’ (RumBar Records) The Connection, New Trocaderos, Rydells, Jimmy Rydell, and upfront and center; Portsmouth New Hampshire’s Brad Marino has founded, co-founded, written, co-written, performed, and recorded in & on multiple garage rock, punk, and power-pop bands and releases over the last 10 years. 2021, Brad Marino returns with his sophomore Full-Length release, jam-packed with power poppin’ rock and roll extraordinaire… ‘Looking For Trouble’. But to whet the appetite ‘What Do You Know’ is sent around the ether like a cannonball. Sure it’s got melody and a solid rockin’ backbeat and a whole heap of hooks and of course a raw guitar making it a must-hear track. Forging the way forward in powerpop circles. Don’t delay and be sure to hit Marino up and check this out you won’t regret it. Bandcamp
UNDER THE INFLUENCE ‘Moon Flavoured Magnets’ (Riot Records) ‘Moon Flavoured Magnets’ is the follow up to recent singles ‘Body Parts’ and the acoustic version of fan favourite ‘Propaganda Leaks’. Whilst the title comes across as being psychedelic, this track is far from it. It is another storming hardcore flavoured punk track. A vicious and intense punk / Metal hybrid. Its the sound of the roof caving in on you but it’s ok because the band are kicking up a shitstorm and I like that. Noisy Aussie bastards
“Welcome to Kins brain. It’s infused with mushrooms, madness and wisdom but we’ll let you decide… This is a mystical magical poem I wrote to Mother Nature. Touching on human greed, space, time, pollution and disrespect. Sadly, most humans are on a self-driven vendetta. Without a care for what really matters or anything that’s connected to the natural world. The only hope I see for mankind is to reconnect to the moon and oceanic currents by the only way I know, magic of course. That’s what this song is about…. Magic.’’ Facebook
Wildstreet – ‘Set It Off’ (Golden Robot Records) new single ‘Set It Off’ is like stepping back in time onboard bill and teds cock – rock – o’clock time machine. Not quite as dangerous as I was expecting and sounding more like a homage to Def Leps.
“Be yourself and stand up for what you believe. There will be set-backs, scars & bruises but you have to pick yourself up because you will make it to the top.” oh ok righto guys but cmon. I have been transported back in time this covid lockdown has sent me down a wormhole where Warrant and Ratt are strutting up and down the Sunset Strip for sure this would be featured in Bill & Teds next movie for sure all they have to do is wait…and wait…and wait
Midnite Snaxxx – ‘Contact Contamination’ (Slovenly Records) Rough blast of sugar-sweet punk rock with a video to test your brain its Midnite Snaxxx baby and their rapid adjit punk rock is addictive like hidden E numbers in kids confectionery its fast its fun and its addictive like a rapid Siouxie & the Banshees if I might be so bold. Songs outta Oakland never sounded so good did they?
The Shang Hi Los – ‘Kick It Like A Bad Habit’ (Rum Bar Records) A new one on me but it came via Rum Bar so of course I was going to check them out. Coming on like a Jags meets Blondie with healthy dollops of Cars thrown in along with a whole heap of other power pop luminaries this is a great easy listen for a debut single. There’s enough edge to remind me of Johnny Thunders last incarnation with the magnificent Oddballs – now I’m not comparing them quite yet but there are traces of the same DNA going on and that’s always going to drag me in. Love the guitar break on ‘Funeral Home Mint’ These cats love Rock and Roll and pop from days gone by as ‘Stay’ would testify then follow it up with the luscious ‘Skipping Records’ with big chords and big harmonies. It wouldn’t be fair if there wasn’t a Smokie sounding acoustic big finale with those duel vocals working really well together. In such trying times it’s nice to be nice and The Shang Hi Los sound like a really nice band and they’ve got tunes baby that’s for sure.
Hookers & Blow – ‘Time Of The Season’ (Golden Robot Records) Hookers & Blow, the now legendary project formed by longtime Guns N’ Roses keyboardist Dizzy Reed and Quiet Riot guitarist Alex Grossi, recently hit the studios last year to record a covers album that will be released this year via Golden Robot Records. This is the fifth single off the album, a cover of The Zombie’s ‘Time Of The Season’. It follows the release of the singles Shakin’ (Eddie Money), Rocks Off (Rolling Stones) and Ziggy Stardust (David Bowie) and Trampled Underfoot (Led Zeppelin) and a jolly good cover it is too. Polished as fuck but has a load of energy, Decent.
The Cavemen – ‘Am I A Monster’ (Pig Baby Records) I’ll be honest if The Hip Priests aren’t releasing a record the singles club can be a bit quieter but those crazy fuckers from New Zealand releases anything it sure perks this place up and again these Garage Ghouls have released an absolute pair of snotty stonkers in the shape of ‘Am I A Monster’ and ‘Schizophrenia’. The lead track is a stuttering head-shaking noisefest. It’s uncompromising yet totally uplifting and I love it. Imagine a time when these could have toured with The Parkinsons and The Hip Priests now that’s a tour I’d risk.
If the A-side was a rush then the B side is a Rock and Rolla for sure from start to finish and before the second line of the chorus I’m shouting along. One simple instruction from here is Buy It Here
Real People – ‘Life Without A Head’ (Slovenly Records) Rapid shots across the bow Real People aren’t fucking about available on tape (hip fuckers) or digital it’s shouty hardcore folks and tight as a gnats chuff. Lead track is a sprint to the finish and blink and you might miss it slice of Hardcore and it’s good. It’s pretty much the same MO for all the tracks with only one breaking the two-minute barrier but where it might be brief flashes of noise its quality and that counts. As they say on their promo blurb “seven solid minutes of no-frills and cheap thrills” just about hits the nail on the head and that’s what it should be, I like the riffs and the final offering is sharp and the riff is nailed. Check em out Here and thank us later
Cornered – ‘Failure EP’ (Blindsided Records) Dutch Harcore band Cornered are a new one on me but on first play they have that NYHC sound off to a tee, and with that clicky bass they thump their way into the singles round-up. ‘Burn’ is the opener with the Metal edged Hardcore being delivered in fine fashion. ‘Jungle Law’ reminds me of Downset and with a classic seg from Planet Of The Apes introducing the track what’s not to like? It’s short sharp and to the point exactly what no-nonsense Hardcore is supposed to be. ‘Realms Of Misery’ is a measured intro then off into a huge groove. I’m sure live in a tight pit these would be perfect and go down a storm.
There’s a lot going on here and at times it’s claustrophobic but at the same time, it’s good to just lash out and Cornered does it very well this isn’t a ‘Failure’ at all it’s European Hardcore mixing it with the best of em and holding their own. Check em out Here or pick this EP up Here
Yur Mum – ‘Black Rainbow’ (Self Release) The band, consisting of Anelise Kunz (Vocals/Bass) & Fabio Couto (Drums), have decided to unleash the first track from their forthcoming album, ‘Tropical Fuzz’ considering its just the rhythm section they manage to make a hell of a din I’m sure you’ll agree? claiming to not play by the rules would be about right to be fair and the Black & White video makes perfect sense as the track is bleak and cold and wintery. For fans of Therapy? and Placebo would be just about right on this evidence. Interesting stuff indeed. check em out Here / Bandcamp – https://yurmum.bandcamp
The Last International – ‘Modern Man’ (SME, The Orchard Music) Taken From New Live Record ‘Live At Arda. Vocalist Delia Paz, comments: “We live in a time where “Girl Power” has been reduced to a hashtag, used by countless celebrities and companies to sell products. The #metoo movement continues to welcome leaders that directly carry out heinous violence against women and children throughout the world, via drone strikes and crippling economic policies. These victims have been completely ignored by mainstream feminists. Anyone, including myself, who tries to expose this hypocrisy is immediately silenced and shamed. “Modern Man” is a song that gives a voice to the overlooked and disenfranchised women all over the world. I hope it encourages everyone, not just women, to think critically and speak up against all injustices and oppression. We will not be silenced!”
One of the finest purveyors of Garage Rock n Roll are The Cavemen, that’s not even up for debate – No sir. Here they are with the title track of their brand new EP out now on Slovenly Recordings. Bandcamp
If you’re after something a little less in yer face we bring the brand new video from the excellent Posies from their forthcoming album ladies & Gents ‘Sideways’
Finally, after Johnny reviewed his latest album in the week we wanted to bring you the new video from Henrik Palm.
One of our favourite bands at RPM HQ needs some help.
The Cavemen left their jobs & their homes in London in order to do this tour, so they clearly do not have the money to fly themselves to Cuba without any financial assistance. So we’ve decided to start taking up a collection for them. There will be a JAR that people can drop small contributions into during their USA tour in Dec/Jan… and people around the world can also contribute here.
If we collect more than we need to get the guys to Cuba, we will ask our musician friends in Cuba to make us a list of gear they need, and then we’ll use the extra money to buy it and send it to Cuba with the Cavemen!
If you can’t make any of the shows but would like to make a donation, get in touch and we’ll tell you how!
JAN 14 – Oakridge – Club Fungus
JAN 15 – Charlotte – The Milestone Club
JAN 16 – Atlanta – 529
JAN 17 – Jacksonville – Jack Rabbits
JAN 20 – Ft Lauderdale / West Palm – TBC
JAN 21 – Miami – Churchill’s
JAN 22 – Miami Beach – Kill Your Idol’s
24-26 ENERO – MEXICO CDMX
27-30 ENERO – CUBA?!?
31 ENERO – 2 FEBRERO – CANCUN / MERIDA
Probably the sleaziest band on the planet right now taking on all comers and turning up the fuzz and writing essential Rock and Roll at every turn. These cats are the alpha males of dirty garage rock and roll and I’m saying right here from the off that had this bad boy not been released so late in the year it would have steamed into the top ten with ease.
They’ve been causing trouble since 2015 and now reside in the seedy underbelly of London Town after escaping their native New Zealand to reach a wider audience. If you’re asking me what do they sound like well, they play dirty filthy punk rock ‘n’ garage real old school fuzzed-up garage Rock n roll like Iggy ‘n’ Ron used to play with some Brain James licks thrown into the mix They’re wild and reckless like Ron ‘n’ Wayne played in the MC5. They stole from Lux and Ivy and they took it all and consumed the lot and became The Cavemen. When ‘Snakeskin’ bursts through the speaker I can sit back and take it all in as the fearless foursome just kick the living shit out of their Rock and Roll and sling in some well-timed cliched guitar licks for good measure. But wait, ‘Boyfriend’ even with its fuzzed guitar-slinging and bad boy lyrics its got rhythm and handclaps it’s like the Ramones badly-behaved cousins who just drink beer and fight have turned up and this time they’re getting serious.
Man, I thought it was impossible for these cats to get any better then they turn up with an acoustic guitar and throw out ‘I Don’t Know Why’. Its a bit soppy maybe it’s their age or they’ve run out of spite and bile and its time to settle down. what a tune but wait, agh! normal service is resumed as ‘Can’t Resist’ is spat out like only a bunch of angry young men can do.
The title track is like a dirty filthy power-pop ditty with great backing vocals it would seem the Cavemen have stolen Los Pepes crown for penning rapid chunks of garage power pop. ‘Night After Night’ is a banger from its Jam like chord changes and bass thump to the melodic chorus and Bv’s and uptempo pace these guys are on fire!
They take it back down and dial back into the acoustic-electric Ramones theft of ‘Belgian Holiday’ because this could have fallen off the back of ‘End Of The Century’ easily. (Minus the Spector wall of sound obviously) “oooh, I wanna Be Your Boyfriend” who cares anyway The Ramones stole it anyway.
‘Slave’ sounds like Jim Jones having a blast on some 70s glitter but the trashy glitter that the Dolls peddled. But there’s so much going on within this record, the variety of tunes and the change of gears is a masterstroke. Of course, the songs pretty much hover around the two-minute mark so they’re never going to get boring that’s a given.
the two singles that they’ve made videos for show how varied they get and how strong the melodies are. ‘Knife fight’ is rapid and a lot of fun whilst ‘Are You Lonely?’ delves further back into the 60s for their inspiration before blasting off toward the album’s conclusion and the penultimate track sounds exactly how you’d imagine someone like The Dead Boys would sound if they were just starting out in 2019 – exciting – energetic – confident and essential. Which leaves their stab at slide filled cowboy rock and roll ‘Death Will Never Change’ which just about wraps up a stunning record. A headfuck of an album that will leave you reeling – one that kicks you then gives you a hug and shares its beer with you but only if you’re 100% in. Me I’m there. Someone get me a beer I’m going back in, ‘Night After Night’ is a crazy roller coaster ride of Rock and Roll unoriginal as shit but fuck me it sounds so damn good!
Happy Monday folks. who cares if it’s raining or not it doesn’t matter a toss when the rock and roll videos are from bands as good as the Cavemen, Backstreet Girls and the Wildhearts. All three bands have recently released records and are on tour or going on tour. So check out these bad boys starting with the awesome Cavemen who would go down really well as the house of commons house band none the less. they’d get the likes of Boris and his cronies behaving themselves or else.
With a brand new album full to burstin’ with Bad Boy Boogie out on the shelves, how about the new video from Oslo’s finest Backstreet Girls as they pose the question of the day…
Finally with another round of tour dates done and dusted and a new EP to celebrate and a review just up on rpm have yourself some wildhearts to round off this Rainy Days & Mondays videos
Everybody loves a compilation album, don’t they? Even if its a taster that’ll put you on notice to never buy a Ted Nugent record ever after hearing Axe Attack as a kid.
When you hear some band from a far off land pre-internet and then have to go on a ten-year hunt to find that record that was only released in Australia we’ve all been there haven’t we? Well in 2019 and with all the playlists under the sun I find myself getting quite excited with the release of a couple of compilation albums and The Last Testament is one of those records that has some bands I’m familiar with and some I’m not which has me intrigued and rather like my ten-year-old self quite excited at the prospect of maybe discovering my new favourite band.
I did chuckle to myself when I read the press sheet and it asked the questions are you fed up of wimpy kids with effects pedals? Uh, Yes! Do you like hard drugs and cannibalism? Um, not really but I’m listening. and then do you want to punch a cop in the face? Fuckin’ Hell yeah! How about six bands two songs each spread out over roughly twenty-five minute? Not going to tax even the most easily distracted hipster. If I were to inform you that the six bands were Black Mambas, the Cavemen, The Scaners, The Fadeaways, Les Lullies and Nave Nodriza. Now you’re interested!
Those Black Mambas are ‘Up All Night’ shaking their shit like its the last night on earth and they’re the house band. Catchy and punchy as fuck Man I love Black Mambas. The Cavemen play fast live faster and get to the end of the tune fastest. Its garage punk it’s lightning fast and it’s a fuckin’ banger if you know the band you know what to expect its a chaotic one and a half minutes that’s barely hanging on to reality let alone any sanity ‘My Baby Knows’ is a killer! the Scaners start off like a cold vintage car before igniting the jet engine and away we go.
The Fadeaways do slow it down on ‘I’m Useless’ with a groovy slice of garage rock n roll before Les Lullies turn the amps right up and slam out some rapid rock and roll like a cross between Sonny Vincent and Chuck Berry there are some awesome guitar licks in there and one of the best tracks on offer on this collection. I’ve been blown away by Les Lullies and what I’ve heard so far. Side one is closed with Nava Nodriza with ‘Destruyete’ that’s like Captin sensible joined Motorhead and just Destroyed it. That’s side one shut down then now to flip it and see what’s cooking on the dark side.
Well, more of the same from the same bands (no surprise there then) What you do get is another six excellent tunes. If I were to pick a winner it might go to Black Mambas for their Cramps meets Quo meets Stray Cats amped up rock n roll ‘Baby I’ll Give It To You’ which is just superb. Dirty Water has released some fantastic records over the years and introduced some awesome bands that have lightened up a special corner of my life and no doubt countless others. Compilation albums like this can only be a good thing no make that a great thing. Check it out then check out the individual bands and we’re all winners. Brilliant – loud – wild rock and roll just how I like it!
Its that time of week again and we got to see some cool bands live last week and got some cool bands coming live this week so we thought we’d share a few with you good folks out there whilst you get ready for the working week. why not get it off to a good start with us and beginning with this beauty from our favourite Japanese 80’s rockers Electric Eel Shock
Second up why not have this from LA Guns new album that was released last Friday and reviewed on these very pages only a few weeks ago. Heres ‘The Devil You Know’ brand new and hot off the press –
If all that Rock is too much for you how about taking things easy with this video courtesy of The Cavemen? That’ll put you on the right track for the week ahead if it doesn’t try going back to bed or growing a hipster beard because you’re failing miserably. we know and now you do that the Cavemen rule! Stay sick!
Welcome, welcome, welcome step inside the 45’s club and see what delightful singles and videos get pushed through our virtual and physical letterbox. a right mixed bag arrive for this update and there is only one place we could possibly start and that’s with HeWhoCannotBeNamed and his brilliant video for ‘Good Fuck’ taken from his new album ‘The Good, The Bad, and The Brutal’. Spin the black circles and keep it 45…
Jake Starr & The the Delicious fullness ‘All The Mess I’m In’ (Beluga Records) This Singles comes in four delicious coloured sleeves and fours different coloured records, Blue, Red, White, Black.
After fronting Washington DC garage rockers Adam West for nearly 17 years, soft-spoken, introverted, and mild-mannered Jake Starr took a few years off to recharge his batteries. Now he’s back with a band of brothers (and sister) alongside him to deliver the best in high-octane, garage rock-n-roll. With Sean Crowley (Hall Monitors) on guitar and backing vox, Louie Newmyer (tons of bands) on bass, and Nathaniel Osgood (ex-Phobes) on drums, this swinging combo is the perfect mix of the Small Faces, Chocolate Watchband, Easybeats, Music Machine, and everything nice in 1966. The A-side is a rock solid retro rocker but the gem here is ‘Biff Bang Pow’ a cover of the Creation number and with its fuzzed up lead guitar its a real hoot and sure to fly off the shelves – our advice if you want the colours you better get a move on and shake your shit over to Beluga.
Lags – ‘Knives And Wounds’ (Casu Marzu Records/To Lose La Track/Fuzzy Cluster Records) Next up is the new single from Lags.a post-hardcore band out of Rome, Italy, They’re gearing up to release their second album, SOON, on March 29th, and they’ve teamed up with Heavy Consequence to premiere the video for the new song “Knives and Wounds”. The song is an anthemic track with a sound reminiscent of bands like Hot Water Music, BoySetsFire, and Sparta, as singer Antonio Canestri delivers the lyrics with a powerful rasp.
As mentioned, the album SOON will arrive on March 29th. Pre-orders for the disc are available here and here.
Powersolo“Transfixing Motherfucker” EP (Slovenly) If it’s on Slovenly then we want to know about it. Wear it like a badge of honour because Slovenly don’t put out rubbish and when we got this pottymouthed single we virtual high fived Powersolo for having the cheek to knock out a garage dripping rock n rolling old school it’s like Bo Diddley and the Cramps going shot for shot and having some instruments thrown in for good measure. These Danish rock n rollers kick out the jams for sure and even manage a tune in their native tongue which is always cool with RPM.
The Cavemen “Lowlife” EP (Slovenly) Always happy to review a Caveman record that for sure and Lowlife doesn’t disappoint. The Lead track sounds like The New York Dolls in full peacock swagger and that guitar solo fuckin’ rules! ‘Baby I’d Do It For You’ is like a rocket, all speed and fuck you fury straight out of the traps and it doesn’t relent until it crashes and burns. To close off this monster is a dark brooding Cavemen progbustin four-minute classic. Like they’ve been down to the crossroads and old Nick has thought fuck this do your worst I’m off. the Cavemen rip it up like hooch when you’ve run out of moonshine. Single of the month? I can’t see anything else even coming close. Get these dirty rock n rollers on tour with Brother Jim Jones and his righteous mind that would be perfect. Facebook
Priors “Call For You” EP (Slovenly Recordings) Hailing from Montreal this five-piece wall of garage rock n roll fills me with joy due to their understanding that garage punk rock comes in many forms and they hit you right in the kisser with their guitar driven rock n roll and the lead track ‘Call For You’ is a force of nature, a wall of guitars, unrelenting and unforgiving yet the tune has melody and makes me feel warm and fuzzy. ‘Destroyer’ is more of the same to be fair maybe a little more uncompromising but equally enjoyable. Which just leaves ‘Swelter’ to shake its shit with its awkward rhythm to pulverise you with. A most excellent record and available through their bandcamp in very limited quantities so don’t sleep on this one. Bandcamp
Crows – Chain Of Being (Balley Records) London post punk noisemakers sign to Joe Talbot of Idles Balley Records and ‘Chain Of Being’ is the first song released off their debut album “Silver Tongues” released on March 22nd Pre-order Here. They head out on tour with Idles in March to coincide with the album check em out Facebook
The Anomalys “Trooper” EP:(slovenly Recordings) Straight out of the Garage in Amsterdamned these rock n rollers kick up a veritable shit storm with their fairly traditional reverb dripping rock n fucking roll. ‘Fire In The Hole’ is the second song in and flys by in less that one and a half minutes of rowdy rock n roll just as we like it. To be fair that’s pretty much a done deal for the band as its only the fourth track that the tempo drops below boiling, ‘Anomolyphant’ is an instrumental but doesn’t really go anywhere but three out of four isn’t bad at all. Keep an eye on these noisemakers. Facebook
Erica Drive – All We Are – Emo alternative rockers Erica Drive are about to drop their second album and have released ‘All We Are’ to pave the way. South coast five-piece worked with Mike White (wolf Culture) and had the tracks mastered by My Chemical Romance engineer John Naclerio With heavy riffs and crisp production I’m sure the band will pick up more than the last albums 10,000 Spotify plays. Full-length album to come in early April.TwitterFacebook
The Empty Page – ‘When The Cloud Explodes’ (Punk Fox Records) the Empty Page has grown up as a band in public and that journey has landed them here at this junction with a new single on offer this coming Feb the 22nd to be precise. Its a confident slab of alt-rock shaped using the inspiration of their idols it’s got a great hook and feel to it as lyrically it celebrates their roots and obsession with the wet northern weather with a huge wall of sound. Stirring stuff indeed and if this is the strength of the new material it won’t be long before bands are citing the Empty Page as an influence alongside your Sonic Youths and Pixies. Great stuff!
Vain vipers – Kissy Doll (Volcano Records) I couldn’t resist throwing this bad boy up here just because I could. Can you believe outside the parody shite that is Steel Panther there are still heavy on the ride fretboard tappers out there strutting their shit like its cock rock o’clock and people really want to hear this. Like anyone dances on their bed wearing some Vain Viper grits who hasn’t been paid to. I also love that the axeman (that’s what cock rockers call their six stringers right?) has got a replica Slash tattoo on his right gun. Absolute comedy gold can’t wait for the follow up its like 1987 never ever happened.
It seemed normal service had resumed and the UK was no longer under thread or code red because of the weather and the armed forces were asked to stand down from the impending doom that was heading our way if the week-long snow caused the country to slide into the Atlantic. April would see the customary Record Store Day madness that had clogged up pressing plants and caused delays right across the board as the majors jumped the queue with their plethora of reissues and one direction picture discs ready for the record buying public readily camping out on high streets across America and the UK hoping to get their hand on the Bowie seven inch that would only set them back £20 but hey if we didn’t buy into this it wouldn’t happen.
I digress. April was to be the month The Damned would finally get around to unleashing their new long player on the public after something like a decade since their last long player but this time they’ve gone all out to impress with Tony Visconti taking care of the production and in my humble opinion making it more about him and his knob twiddling duties than The Damned and as a result, an album that promised so much, in reality, delivered so little and won’t feature as anyone’s album of the year even though its not without merit as there are good songs on board but where is Paul Grays signature sound thumping its way through the songs? Did I not mention Gray was back in the fold? Oh sorry, how rude of me. yup Paul Gray was back in the fold and ‘Evil Spirits’ expectations hit the roof. It is certainly one of those albums you so desperately wanted to love but couldn’t quite convince yourself it was up there with some of their back catalogue but hey ho onwards and upwards and any Damned record however bad is still better than most other bands good albums. Fact. And the live dates were as expected – superb.
As far as other records to come out in April well, there’s always the ever-reliable Wonk Unit and this time out they’re unleashing ‘Terror’ upon us all. Once again it was recorded at the Brook and producer Andy Brook brought the best out of Alex and all who sail or should that be ride on the back of this thoroughbred stallion. it featured some classic Wonk none more so than this festive banger ‘Christmas In A Crackhouse’ but remember this is April. Nice one Alex.
On the 7″ front there were a few notable entries with the top of the pile being The DeRellas with the fantastic ‘High Rise Supersize’ seeing the recording debut of their new frontman and excellent fit Joey DeRella former frontman of the excellent Breakdowns.also on the singles front The Hip Priests released an excellent split with Demons and young upstarts The Kenneths put out a really excellent single in the shape of ‘Favourite Ex’ from the E.P ‘EX’ and hopefully 2019 will see RPM hear more from this most excellent of noise makers.
Onto the live front and a few notable entries would have to be when the country went RSD nuts – south Wales upstarts and ne’re do wells otherwise answering to the name Deathtraps played at what was a marathon of live shows all over Newport which began with Mike Peters of The Alarm playing the towns best venue the rather splendid Le Pub on the Friday night. It then spread to other venues throughout the day keeping live independent music alive and well in this corner of the world.
Also on tour in April was the splendid reformation of Thee Hypnotics who impressed Ben so much he went out and picked up a copy of their box set and Dom and Johnny also parted with some folding money for copies of their documentary when they rolled through Newport south Wales to play Le Pub (once Again). April was really hotting up as some mighty fine new bands rolled into town as part of tours to promote their new records two notable bands were Cabbage who were promoting the excellent ‘Nihilistic Glamour Shots’ and Trampolene who also played Clwb Ifor Bach and both shows were sellouts and both ended in hot sweaty messes just like the best club gigs should.
The only death to report in April would be that of Jesus Christ but that for another website and not here. Keep it RPM as we roll into May…
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