The Darts – ‘Love Tsunami’ (Dirty Water Records) Formed way back in 2016 to make some Garage Rock all girl noise they’ve toured with The Living End and The Longshots which in itself is impressive they had their last album released on Alternative Tentacles so why wouldn’t this three track 7″ blow you away? The lead track has that opening stab of organ mixed up with some groovy spooky backbeat and punchy bass it’s cool as fuck and that’ll do for us. The second offering is more of the same as ‘Shit Show’ is a swirling laid-back groove on the verse but when it hits the chorus it wigs out and that’s champion that is. Only leaving ‘Underground’ to pick up the tempo and fire up the engine as we head towards oblivion but with a jukebox full of top tunes. Pick this banger up Here

Wild Zeros – ‘Diggin It’ (Heavy Medication Records) France’s kings of fun, frantic rock’n’roll are back!
It’s been almost three years since we’ve heard from Wild Zeros with their 2019 singles compilation “Well Cooked!” (also released by Heavy Medication). Now, the gruesome threesome from Bordeaux celebrates 15 years of three-chord bashing with a KBD-styled three-song 7-incher titled “Diggin’ It”. Roaring guitars, galloping bass and heavy pounding skins join forces to deliver loud, trashy rock & roll that’ll please all fans of Devil Dogs, Teengenerate, and Infections as well as die-hard disciples of Crypt and Rip Off Records. ‘Dig The Dirt’ ticks all the right boxes as do the other two tracks with ‘Tough Job’ being more of a straight old school slice of punk rock with heads down and play that guitar until your fingers bleed. My fav on the single is ‘Did You Dig It?’ taking no prisoners with a dirty slab of garage punk rock. Nice! Buy Here

JOHNNY THUNDERS – ‘These Boots Are Made For Walkin’ (Golden Robot Records) One of my favourite artists ever gets dug up for the umpteenth time and this live recording of the Nancy Sinatra tune that Johnny performed numerous times. Howling feedback and nothing more than a soundboard recording or a pretty decent bootleg. It’s lifted from a forthcoming Golden Robot live album it’s classic Thunders. It’s sloppy, cocky, howling with feedback just as I remember him. Often imitated but never bettered Rest In Peace Johnny you crazy fucker. Top tune from a top musician and performer.

Pre-order/add/save linkhttps://bfan.link/johnny-thunders-these-boots-are-made-for-walkin

Pat Todd & The Rank Outsiders – ‘Down On 7Th Avenue’ (Heavy Medication Records) ‘Down on 7th Avenue’ is a classic balls-out rocker that Pat Todd has made his trademark. On top of that, he never drops in quality with his ever-present attitude it mixes up some country, punk n roll but always a good time. “I Will Give Up” is a slice of New Orleans-styled R&B about picking up the pieces and movin’ on that accompanies another cold beer and tough guys shedding a tear in the corner with the best bar band dishing out the soundtrack. Another day another quality Heavy Medication release but this one is a Co-release with Dangerhouse Skylab (France) Yee-Haw!

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DAVID BIERMAN OVERDRIVE ‘She Don’t Love You’ (i94 Recordings) David’s band in the 80- 90s The Junk Monkeys were known for their straightforward rock and roll.  No metal overtones, no industrial edge, no rap hybrids.  Just straight-up rock n roll ala The Rolling Stones, The Replacements and Cheap Trick.

 The band toured relentlessly but David decided to leave the music business until now. After five years ‘She Don’t Love You’ shakes off any cobwebs and just Rocks and fuckin rolls period! It’s not reinvented punk n roll or any fad tune its just a subtle slow burner with a cool Westerberg vibe building into a cool chorus. The flip side is more of the same maybe coming in more on a Green on red rockin out tip mixed in with more of that cool Replacements vibe. Excellent offering check it out Here

Ming City Rockers Jill Was An Anarchist’ (Self Release) The first single from their upcoming album ‘LIME’ which will see the light of day on Jan 26th. It’s classic Ming City Rockers. A rattling garage indie masterclass it’ll burrow down into your ear and lodge inside your head and before you know it you’ll be shouting at randoms that Jill was An Anarchist. Great to have them back

Bob Vylan – ”The Delicate Nature’ ft Laurie Vincent of Slaves (Self Release) Another cracking slow burner from Vylan until the final furlong when he picks up the pace. OF the success of the first two albums Vylan shows no sign of letting up with this new track. Easily one of the UKs most exciting artists does it again.

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Black Aces – ‘Show You How To Rock’ (Off yer rocka records) Whats that you say there hasn’t been a great DC-infatuated band kicking it for quite a while. Well, get an ear full of these boys. Aussie pub rockers Black Aces are also set to celebrate the five-year anniversary of their highly praised sophomore album release, ‘Anywhere But Here’. In honour of the occasion, album opener Show You How to Rock N Roll has been given a brand-new lyric video release featuring behind the scenes and previously un-released footage of the band from over the years. In the middle of a UK tour we recommend you turn it up and check em out! Buy it Here / Connect with Black Aces: Website / Facebook

DEADWOLFF ‘Heavy Rock N’ Roll’ (Golden Robot Records) Hold on a second, We’ve covered these hard rockin gods before and if you’re looking for a second opinion then ‘Heavy Rock and Roll’ is it. It’s a studded gauntlet double thumbs up from HQ Deadwolff take no prisoners and run on whisky fumes and a heavy dose of Witchery. If you don’t dig this bad boy then you clearly aren’t friends of ours. Absolute stone cold class. Old school motorhead meets warfare, meets Dianno, Girlschool and some grubby punk rock for attitude. Bring on the next release and make it an album packed full of the same just more! Love it!

There is an album on the way from this classic three-piece Canadian outfit in the can and we can’t wait. Get em over to the UK with Wolfspade so we can all windmill and headbang like possessed mother fuckers! Now!

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Black Star Riders – ‘Crazy Horses’ (Earache Records) An audacious cover version of a 70s classic sees Black Star Riders’ cover of The Osmonds’ “Crazy Horses” deliver the goods – the vocals are pretty spot on, an eyebrow-raising impressive and energetic take for sure. Lifted from the new album ‘Wrong Side of Paradise’, out 20th January 2023. Pre-order now on signed CD, limited edition coloured vinyl, special collector’s sets and more at https://www.earache.com/blackstarriders

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As part of one of my son’s activities at school, I was recently in a theater filled with elementary school age children and parents watching the new kids’ movie ‘Ugly Dolls.’ It obviously would not be a movie I would be watching if my wife and I didn’t have children, but the time as a family is priceless. I am sometimes amazed by how much I know about Peppa the Pig, the Mickey Mouse Clubhouse, and the like. I have seen Thomas the Train and the Cat in the Hat get eclipsed over time with these other shows and movie characters.

 

I have lamented the lack of importance and value of music in today’s world. There seem to be fewer and fewer well-known bands and artists creating a legacy and leaving an imprint than in previous generations. Over the years, music has been a powerful tool for people from a personal level to a societal level. It has provided comfort to us when needed to help us in our times of need as well as been a soundtrack for great moments. It has courted the ire of the powers that be due to its ability to unite people behind a common goal   It has been condemned as a tool of a devil and the inspiration for teenage debauchery. I love going back through time and discovering old music. Time machines do not exist, but there is something magical about losing myself in old songs and imagining life at that time, whether it is Louis Armstrong and the Hot Five, Chuck Berry, Janis Joplin, or another artist. I love knowing what was happening at the time, what inspired the songs, and information about the artists. Those artists have also transcended time and continue to be widely known.

 

I do not see music resonating with as many people the same way today though. Music has become an inessential afterthought to the mainstream in many ways. With the internet, we have lost some of the iconic moments such as what it meant to be on the cover of Rolling Stone, being the musical artist on Saturday Night Live, having a video world premier on MTV, etc. These were significant things in our culture in the past. Musical genre did not matter as there were stars in seemingly every genre who would cross lines in terms of popularity. For example, I did not listen to country but knew who the artists were. In the 80’s, I was mainly a metal head, but my seeds of listening to everything were also planted at that time. I was listening to oldies as well as bands like Jesus and Mary Chain, INXS, and NWA. I didn’t realize at the time just how costly this form of salvation would cost me in the years to come. I even got an electric guitar around the age of 14 and had to come to grips with a hard truth- I have not one ounce of musical talent anywhere in my body. It did not stop me though from creating my own rock band in my head, writing songs (lyrics), and imagining giving interviews. After all, I had read that was what Joe Elliot of Def Leppard had done when he was younger.

I wasn’t thinking about any of this when the movie started the other night. I was wondering how loud all the kids would be during the movie, how bad the storm was outside, which way to go if one of my kids needed to go to the bathroom, and a hundred other thoughts. We sat through what seemed like 20 previews before ‘Ugly Dolls’ finally started. Almost immediately, we had the main character starting to sing a song and then other characters were contributing lines to the song. While I will say the poppy genre didn’t do it for me, I appreciated that it began with a song. Pretty soon, we had another song and then another.

 

Each song propelled the narrative in a way to engage the kids’ attention. My mind began to go down other avenues now where I thought about so many of the other animated movies and the songs that are attached to them. I have never been unfortunate enough to sit through ‘Frozen,’ but I know the hook from ‘Let It Go’ like it has been cut into my brain with a rusty nail. I can still hear the ‘Thomas the Train’ theme in my head. Just think of all the music in ‘Shrek,’ it is one of the reasons I really liked the movie. When ‘Trolls’ was recently released, both of my kids loved the music and wanted the soundtrack so they could sing along. If they hear any of the songs from the movie, they are dancing, singing, and letting me know it is from ‘Trolls.’ With all this flooding my mind, I started wondering where we are losing our passion for music and our willingness to support the artists. Kids obviously still love music. On a side note, one of my favorite scenes from ‘The Hangover’ is when Stu sings his short song while the tiger passes out from the roofies.

 

Twice per week, my son has a music class where he is exposed to different musical instruments and songs. They learn to sing songs, and some of them perform for us during the school year. I remember doing the same thing when I was in elementary school and thinking ‘Silver Bells’ was the best Christmas song in the world. I can’t tell you why; there was just something about it at that time. Band was important, even at that age to many students as they were already playing instruments, even if it wasn’t always what they wanted to be doing. Now, we have education budgets under fire with the arts being one of the first to always be on the cutting board. Perhaps, that was the same in the ’80s, and it just wasn’t part of my world at the time as I was too busy in sports to think about trying to play music. I can’t help but think though that it is part of where music as a cultural phenomena is struggling. It is being minimized, and that message is making it down to the kids.

Another possible factor is truly ironic to me. We have too much music which truly spreads popularity across so many artists that there are fewer and fewer icons. For those of us that love music, we are constantly discovering new bands and artists from all over the world. Within a day, I may discover several bands that I love such as the Dead Furies from Estonia or the Fadeaways from Japan. I might not have ever heard of these bands though back before the Internet. I am incredibly happy to have found them because I love the music. It can start to spread us thin though because there are only so many hours in a day. This month I find myself extremely excited that there are four new releases released I have been anticipating- the Darts, the Wildhearts, the Sweet Things, and the Glam Skanks. I imagine there will be someone else that suddenly appears which will also connect with me. How do I find the time to listen to all of them? Seriously, I am open to ideas on this one as the Darts and Wildhearts are already on constant rotation.

 

As the final song in ‘Ugly Dolls’ set up the final scene where the doll’s dream of being with a child is realized, I was pulled out of my thoughts and back to the hustle and bustle of getting out of the theater. I ultimately have hope that kids today will help us rediscover music and get it back to where it belongs in society. There is something to be said about people being able to remember more through the power of music such as recent studies of patients diagnosed with Alzheimer’s have revealed.

 

I don’t think the platform to truly demonstrate the power of music has found itself again yet. Print magazines have sadly continued to disappear with the decline of book stores making that even more prevalent. We have wonderful music sites like this one, but we need to be in front of more people. We can be an excellent conduit for new music to the people who try and say there is no great music being made. It is being made, and it can be found all around the globe. It just takes a little more digging because it is not in heavy rotation on MTV or all over magazines at the check stands. People also do not have the record stores to lose themselves in and discover a hidden gem. The music is out there though. Let’s each make sure that we remember to tell others what music means to us, what music moves us, and why we need it in our lives.

 

Author: Gerald Stansbury

 

The Darts simply don’t live in this world. Their world is this magical place where the nuggets of the 60’s took over the world in every way, shape, and form. Walls are seemingly made of red velvet, and gold accents adorn everything. When you get closer though, you start to see and feel the grit. On their third album, the Darts further their garage rocking sound with some new shades and colors that at times have me thinking of Bratmobile and, at other times, have me thinking back to Nicole Laurenne (vocals, organ) and Christina Nunez’ (bass, vocals) old band the Love Me Nots. If you have enjoyed the Darts so far, this album is a must buy, and, if you don’t know the Darts, start your education here. Rikki Styxx continues to pound the drums while Meliza Jackson makes her studio debut on guitar with both of them also providing backing vocals.

‘Breakup Makeup’ starts things with a frantic beat and Nicole’s vocals getting plenty of room in the mix in the verses. The vocal pattern in the chorus and music remind me of ‘Time Warp’ from ‘The Rocky Horror Picture Show’ if it had been played by the Dwarves. The shouted backing vocals recall the bands that all seemed to be signed to Estrus Records back in the day. The pogo beat of ‘My Way’ demonstrates another of Laurenne’s vocal strengths as she sounds like she has been doing this since she came into the world. This at times has an almost hip hop feel through the verses with Jackson’s guitar cutting through the mix perfectly as Nunez and Styxx are perfectly in unison together. The band slow the tempo with the groovy mid paced ‘Don’t Hold My Hand’ sounding like it should have been a hit from 50 plus years ago, except it brings in some additional noise and power. The backing vocals under the fuzz come straight from the school of the Ronettes. This is superb, timeless songwriting by all involved.

With the title track inspired by a back and forth with a person who messaged the band more than a time or two, the rhythm section lays down a beat that still catches me off guard with every listen.  The music takes on a suitable creepiness feel with the spoken word type vocals adding even more texture to the album.  The chorus features a mix of seductive and disgusted vocals which really creates a cool back and forth. This would be the scene where this person gets thrown back out of the Darts world because he simply couldn’t handle it. A riff by Jackson opens up ‘Break Your Mind’ which actually reminds me of the Love Me Nots’ debut from back in the day. The organ sounds great here as it overlays with the rhythm section.  Something that should be noted is you cannot sit still when this album is playing. Even as I sit typing, my feet are moving with the beat, and I keep wanting to air guitar the riff here. Wrapping up the first half of the album is the slower ‘Love You to Death’ where Nunez’ bass is from another dimension. The beginning of the song actually makes me think of grunge legends Green River. The drums carry some additional power in the mix, and the vocal effects create a very different sound.  Coming in at close to 5 minutes, this is an epic in the world of the Darts.

Side 2 finds the band continuing their sonic mastery. ‘New Boy’ gets us back to bouncing off the world with the organ and guitar cutting back and forth over the rhythm section. They waste no time here as they plant an infectious chorus in our heads. The guitar and organ each get their own moments to shine before they throw the chorus at us again for good measure. ‘Thin Line’ starts with Styxx laying down the gauntlet as the band barrels through a nuggets rocker with another sticky chorus that demands replays. The break for the organ here works perfectly. Turning down the dark street you know you should have avoided brings us to the cool ‘Phantom.’ I love Laurenne’s vocals here as her voice sits just under the top of the mix. It rises in the mix at the chorus but so does everything else which just makes it even more powerful. In an album of favorites, this one currently holds the title for me. It has a groove that stirs the soul and makes us feel alive.

The defiant ‘I Ain’t Crying’ punches us in the face with the beat threatening to explode right out of the speakers. Nunez’ bass adds a lot of oomph here with the breakdown in the song giving everyone a second to shine even further. ‘Japan’ opens up with a classic nod to the Far East in terms of the beat, and this song simply needs to be on the radio at maximum volume. In that world of the Darts I mentioned, this is the kind of radio they get every day instead of the manufactured crap we get peddled at us on a daily basis that has no heart and soul. This chorus might as well be an immediate transfer to your long-term memory. Closing the album with ‘Where’s the Rain,’ the band follow a similar pattern to the first half with a slower number that rumbles through the speaker, but this song has an entirely separate feel  in every other way.

No runts in this litter, no weak links… This is a high-quality album that takes doses of the Nuggets era and yanks them forward with bits and pieces from what has come before to create another great album in the discography of the Darts. This world should belong to them. We would all be better off if it did. Check back in December to see just how I rate this one, but it stands tall as an album of the year contender for me.

Buy I Like You But Not Like That Here

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Author: Gerald Stansbury