The Dogs are the Oslo-based band in which only one member is actually from Oslo but hey why not Garage punk rock n roll is universal we’re not defined by borders thats for the pearl clutching right wingers, no way baby were as free as the birds or the wild dogs that run free in the hills or in this case somewhere in Europe. These dogs show their teeth and not just their bark, although that’s pretty fuckin decent judging by the sound of this album. A total of 12 albums (13 if you include this bad boy), countless Norwegian tours, unusual one-off events such as opening for Bruce Springsteen, which is a pretty big fuckin deal in anyone’s money, so here we are as 2026 is beginning to fade away as winter kicks in, and we need something red hot to keep us warm inside, so why not this garage-rockin ‘ piece of plastic.

Norway has a rich heritage for kicking out the jams, and The Dogs have been a big part of that, along with the mighty Gluecifer, so when we kick off with ‘Back To Fucking’ it’s like the mighty Turbonegro have found their spirit animal and the woo-woos are just the beginning. Full throttle, boundless energy it’s coming out swinging, and I highly approve. Imagine Turbonegro covering Cock Sparrer’s ‘Because You’re Young’ on a downer, you’re in the right ballpark. The one thing you can guarantee with ‘Trauma Junkie is it’s a zero fucks given ram raid ride through some Mad Max end-of-days landscape, with this being the soundtrack to another day in hell. The atmospheric, moody and rather chillin ‘Close IS Just Another Word For Nothing’ is a bleak, cold and bold, brooding beast. The song starts like a living nightmare before building into something epic and rather special. If Cave was still on the gear and delving into his worst nightmares, then he might come close to this rotting corpse of a track, and I love it from the distant, sparse intro to the soaring guitar solo, clocking in at a shade under six minutes; it’s a momentous song to throw in early doors.

If you’re looking to get over the last track, then step away from any sharp objects; ‘Fuck Em’ is a pissed-off kick to the temple. Taking no prisoners and pulling no punches, this rages from the opening note to the final crescendo. Imagine Jesus Lizard on speed and being told their house had burned down with everything in it. Yeah, almost close to how this song sounds, but anyway Fuck em, eh? We’re living on borrowed time anyway.

The middle half of the album ranges from epic to superb, coming on like prime-time Godfathers on ‘7-25’ before ‘Another Child Of The Cross’ takes us on another of those frantic widescreen trips, with the bass rumbling in your ear like a hornet or two, and then the chorus melody seems to take you somewhere else in a soothing way, like someone’s running their fingers through your hair before pulling it, jolting you back to reality in the blink of an eye.

I’ll be fair: when I saw the album being drip-fed, I was looking forward to hearing what was on offer in 2026 and if they still had the chops, but on repeated plays in its entirety, I can’t step away from it and love the darkness and helplessness of it, but juxtaposed with the melodies and twisted choruses, I love it. Kristopher Schaus’s vocals are captivating, and I don’t know whether to put my fists up to fight him or grab him for a big hug. His delivery is excellent, and songs like ‘Do You Miss Me At All’ sound bursting with emotion that elevates the music. His vocals sit on top of the production and are sympathetic to the songs and the lyrics, giving them a welcome shine and polish. Hell, you could even dance like a bitch to ‘Come On’ ok so you might need to consume a few shots and maybe a pill or two, but there is still the superb ‘Becoming God Of Nothing’ to close the album with a soaring, upbeat track that just makes me want to punch the air with a triumphant hell yeah! I highly recommend you buy this record because you will come to love it in an instant, and you will embrace the abrasive side and fill up with the melodic side. The Dogs have created a career high with ‘Trauma Junkie’ and I’m delighted to add it to my already pretty awesome collection of albums. Just buy it, or I’m sending the boys round.

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Author: Dom Daley

Released on vinyl through Heavy Medication The Dogs second full length record originally only go treleased on CD so its been a long time coming but finally, its here in all its Motorcity glory. Loud loose and hocked up on gasolene ‘Hypersensitive’ is a killer record. Sure the opening salvo and salute to the forefathers of the Garage proto punks is one hell of a signal as the flag is raised with a middle digit in the air as we all get our freak on.

The 2012 release was the Los Angeles-by-way-of Detroit punks tribute and Features material going back to the band’s late ‘60s/early ‘70s origins, plus a cover of The Pagans’ “Her Name Was Jane.”

‘You Can’t Catch Me’ is thunderous as it hurtles along like a runaway express train from that ultra bassy riff hypnotising the listener to the gang vocals on the chorus and ripping solo. You can just imagine this live tearing the roof off the venue with ease from the low flying blades of that wah as it goes through the gears and back into the verse via some howling feedback – exhilerating stuff.


‘Slash Your Face’ is a heaving hypnotic rolling thunder of a track filled with menace and darkness before pulling away through the gears. Originally featured on the ‘Killed By Death’ comps. As for that Pagans cover ‘Her Name Was Jane’ is a mighty fine tribute.

Formed in 1968 and consisting of guitarist/vocalist Loren Molinare, bassist Mary Kay, and drummer Ron Wood, The Dogs played shows with their idols The Stooges and MC5 before moving to Detroit in 1973. By the following year, they’d moved briefly to NYC (where they shared stages with KISS, Television, and The Dictators) but ultimately set up base in L.A. and recorded two now-legendary singles.

They even took up residency in London briefly but soon returned to LA playing with a wide range of bands from AC/DC to Van Halen as well as the Stooges. As a part of the LA punk scene, however, their Detroit roots were a mixed blessing. Their sound bridged the gap between hard rock and punk, which probably explains how Loren joined Little Caesar.

Fast-forward to the 2000’s. The Dogs’ inclusion on cult compilations KBD and “Bloodstains Across California” has revived interest in the band. In addition the band recruited Tony Matteucci who replaced Wood on the drums.

‘Hypersensitive’ is a fantastic collection of songs with the title track being one hell of a song as it motors on. Songs like ‘Good Time Girl’ lean heavily on the likes of The Dictators with its familiar riff its got a ton of energy.

‘Beatin’ The Floor’ is the first song they ever wrote and its a banger filled with timeless riff-o-la and makes you want to see them live where these tunes would truly shine. Good on Heavy Medication for pulling all this together and releasing a sonically excellent and coherent record that ebbs and flows nicely.


Get an earful of this Dogs bark, it’s terrifying and wonderful at the same time seems you can teach an old dog new tricks after all. Besides you should buy it on the strength of the cover art alone. Now kick out those jams mother fuckers!

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Author: Dom Daley

Wow just wow.  As far as tribute albums go there have been plenty of duds and a few decent ones but when I saw the track list for this one I couldn’t believe how amazing this compilation is and how in times of need the Rock and Roll world can pull together and help out a brother when hard times come a knocking.

IF you don’t know the background to this one then you simply have to click on the links to read Sonny’s story and then you can see just why we need to pick up a copy of this and if you can’t buy one then why not share this review and post it on your facebook page or other social media so it gets maximum exposure and maybe your friends will pick up a copy because this compilation is three discs deep and choc-o-bloc with amazing bands offering up songs to help Sonny and his family.  Coming from the UK I can’t quite get my head around a country that doesn’t want to help its people when they most need it but like I said I’m not here to give my view I’m here to play this CD and give a convincing load of words as to why you should invest in your copy.

Seventy-Six songs over three CD’s Yup I did say 76 you’ve not misread that and all for the price of a few drinks or corporate coffees it might go a long way to help Sonny out. There are a bunch of no brainers going on here like the Amazing Jeff Dahl, James Williamson, Flaming Groovies, The Boys, Corpse Grinders, Pagans, Streetwalkin Cheetahs, RFTC and a whole load more besides.  These legends are pitted next to lesser known bands and singers but not lesser in quality there are plenty of bands I’ve obviously heard of whilst there were more than a few I’m hearing for the first time and I’m blown away by the sheer quality of it all.

Rough Kids ‘Lights Out’ bookends the fantastic The Dogs Riff-a-rama of ‘Call My Name’ with the other side being Richard Duguay with the sublime ‘Fuck You Fame Whore’.  Damn The Viletones ‘Screaming Fist’ makes way for The Candy Snatchers for god’s sake how good do you want this to be? If it was just the one CD it would be mightily impressive but three CD’s is almost overwhelming.  I’m almost embarrassed handing over my $35 and that includes shipping Europe folk seriously!

 

This could go down as the longest review in history if I were too big up everyone who contributed and I’m still looking for my favourite songs that I wasn’t already familiar with. Some much kudos to the bands from across the globe who’ve given up tracks for this it must be humbling to know that so many want to support Cayden and his continued recovery.  Sonny, you should get a cut off each new sale these bands pick up my discogs finger is getting twitchy. The B Girls ‘Mystery’ is such a cool song and its great to hear bands like the Kopek Millionaires next to the Carbonas next to the Testors next to the Barracudas  I love it all!  there are exclusives and some from long since deleted records or not available on CD its a breathtaking project and done to such an amazing standard.

I can’t stress enough why you should support this CD release lets give a family a break and to get something in return is super cool.  Let’s do this for one courageous kid and his family do it because it’s the right thing to do.

Author: Dom Daley

To order the Digital version send $15 via PayPal to –
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76 amazing bands support Sonny to help support Cayden’s recovery. Including James Williamson (Stooges), Refused, Black Lips, The Dogs, Flamin’ Groovies and many more.  Please share

* Important note- When sending through pay pal please send as “gift for family/friend” and include your email and postal address in the ‘note’!
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To order the 3xCD pack send $25 for USA.

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