I’ll tell you one thing, Cherry Red Records always do a bloody good job when releasing these here box sets of material from bands generally no longer performing or looking back on long lost careers, but for a fair sum of money you can delve deep into the vaults of a band’s catalogue and none more worthy than the mighty Tokyo Blade. Hailing from Wiltshire and formed in 1982, Tokyo Blade were initially considered part of the NWOBHM scene but quickly outgrew the tag, enduring over the course of 14 studio albums and 5 EPs. Several vocalists from the early formative years of Alan Marsh through the more Glam and American-inspired Vikki Wright’s ‘Black Hearts’ Era.

Spread over four discs, this comp features classics from all corners of the band’s career on discs one and two, as well as obligatory “Bootleg quality”, oh sorry I mean raw and rough around the edges live recordings and an inspired disc of unreleased material for the deep divers.

For me, I loved the first album and the artwork that accompanied it. It was fast, rough and ready. There was the obvious NWOBHM aesthetic, but these guys had something else going on, and they wrote memorable tunes. Hell, was it really 1982 when ‘Powergame’, the outrageous ‘Mean Streak’ with its mental drum break and breakneck borderline punk riffage. The acoustic intro of ‘If Heaven Is Hell’ and the bonkers cliché lyrics and power stabs nostalgia can be a wonderful thing. My God, I haven’t played some of these songs in decades, and although the production can often be a little thin and dated, the songs rage and that warmth I get around my heart is immeasurable. Of Course, the Mighty ‘Night Of The Blade’ with its thumping double Bass drum bonk signalled another era of the band and one I wholeheartedly got on board with. The addition of Wright on vocals added a little something that gave the band the edge over the Chariots of the world, and at the time, they were my go-to metal band, no doubt about it.

‘Love Struck’, ‘Warrior Of The Rising Sun’ and ‘Lightning Strikes’ still sound magnificent. They should have been fucking huge. Disc one is a stone-cold classic! Once Vicki James Wright went stateside and The Blade disappeared off my radar for a while, it was time for a reset and a new singer. Disc two is a more polished sound, less rough and ready and a better production if I might be so bold. These songs are taking a bit of getting used to. I’m hearing the slower, more Shy keyboard layered tunes of ‘Chains Of Love’, but there was still the heavy rock of ‘Friend In Need’ punching through. A lot of this disc gives the Dokken and Ratts of this world a run for their money, no doubt about it. George Lynch and Warren DiMartini, and Steve Vai should have looked over their shoulders because the Blade could hold its own.

The Accompanying booklet gives a great snapshot fag packet summary of the history of Tokyo Blade, or as some would have you believe, the curse of the blade. Their legacy is some awesome Hard Rockin’ albums, a lifetime of live shows and memories most mortals don’t ever get to have. You, however, can relive the halcyon days of one of the finest bands to come out of the 80s metal scene in the UK and a band who never got their dues and who, in my humble opinion, should have headlined festivals and sold a ton of platinum records.

Let’s not get carried away because disc three harks back to a moment in time with a live recording from Europe, the Earthquake Festival, Holland to be precise. Anyone who was into music then would have frequented record fairs and picked up bootlegs from their favourite bands, and this is of that quality. Not soundboard and certainly not polished and studio enhanced, but raw as fuck and loud as fuck, just how they should have been remembered from 1984. It would have been nice to hear some live material from the Black HEarts period and line up but hey ho, you can’t have everything.

Onto the final disc, and the one that will be the go-to for most Blade fans, the unreleased material. A whole album’s worth and a full throttle hard rockin assault it is too, from the wholesome thud of ‘Lie In The Sand’ to the riff-a-rama of ‘This Dying Light’ via the keyboard trip of ‘Shout At The Dark’.

A band that didn’t stand still and was ever revolving and evolving, which might have been their strength and their cryptonite. This Box Set does, however, shine a light on an awesome band, whatever era tickles your fancy, and I’m willing to state here and now that if they ever did a show in the UK with Vicki on vocals, then I’m there. Don your studded belt, stripey trousers and sweat bands and get your fist in the air for the Mighty Blade! Not that I want to be disrespectful to Andy Boulton who put this together and has always been true to the Blade throughout its 14 albums (And still going to this day), it would be a buzz revisiting such a glorious time for this writer, but ‘Black Hearts’ was and still is a banger. Buy It! All this music for less than £30 is an absolute bargain.

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Author: Dom Daley

Earlier this year Tokyo Blade released their 14th studio album, ‘Time Is The Fire’ via Dissonance, to rave reviews.