Episode 35 sees banger after banger from all corners of the Rock n ROll world ripping out of the speakers – so turn it up peeps and get down to the likes of openers Thr Drips who kick things off with the opening track of their album ‘Broken’.

After playing the A side last week it seems only fair to play the catchy ‘You Got Me Hummin’ from the wonderful Head Hunters. you need to get over to Bandcamp and pick this up before they’re all gone.

Quickly followed by a track off Californian punks Bloodstains who are singing about ‘Public Hangings’. This four-piece include Brothers David and Nick Espinoza. you should check em out.

Coming thick and fast we bring you a song off the brand new His Lordship live album ‘Live At The Lexington’ and it’s the opening track ‘I Live In The City’ turn it up and play it loud and look forward to their next jaunt around the country but until then this will do very nicely thank you very much. They very much take a traditional approach to Loud 50 and 60s rock n roll and turn it up and kick out the jams I’m sure JErry Lee and Little Richard would be down with these cats.

One of my favourite power pop bands over the last decade has to be Wyldlife and its great to have new music from them in 2024 so after last week’s track it would be rude to not play ‘You Don’t Know How It Feels’ and it’s an instantly satisfying rocker.

One of the best exports over the last 30 years from the UK has to be the mighty Dogs D’Amour and this new box set that’s on the horizon from Cherry Red Records that pulls together the bands entire China catalogue including B-sides and live tracks its eight discs of ragged Rock n Roll. I love this version of ‘I Don’t Want You To Go’ the band were peerless and have a catalogue of albums and singles that were a head and shoulders from Tylas unmistakable husky poetic lyrics and vocals to Jo Dogs distinct style and licks that elevated each and every track perfectly and when Jo left Darrell did a sterling job right through to Steves punchy Bass lines and excellent backing vocals to Bams flamboyant style that pulled it all together. It’s a magnificent song from a magnificent band that should have been absolutely huge.

Next on the playlist is a project from Chain Whip frontman Pack Rat who release the album on Drunken Sailor Records in a couple of weeks this is another fantastic slice of Power Poppin Punk rock. ‘Sleepless’ is the song played and I’m excited to hear the rest of the album. The artwork is magnificent and at Drunken Sailor Prices you’d be mad to pass this by.

Following that new song is a classic live cut from the Bob Mould compendium of solo or post Husker Du work that came out over several awesome box sets and this is a live cut from Distortion Live ‘New Day Rising’.

UK Subs have a new EP out with Dead Boys the EP is called ‘Carnaby Street’ and the track played is a cover of the Stones classic ‘Paint It Black’. Another new album on the way in August and some UK tour action is none other than Swami John Reis and his latest project Swami & The Bed Of Nails so its a no brainer we were going to play one of the new songs entitled ‘Privacy’.

Its no coincidence that Chain Whip feature this week as well seeing as Pack Rat is on the way and Chain Whip just put out their new album and to be fair Patrick McEachnie is on fire as ‘Call Of The Knife’ smashes out of your speakers. I delved back a decade next and played a track from the eclectic Brandy Row & The Troubadours who play the fantastic Thunders esk ‘Dirty Street’ Not enough music came from the former Gaggers guitar slinger but we live in hope.

Sonny Vincent has been around the block and back again with a wonderful catalogue from his Testors days through his solo releases and the collaboration called The Limit released also on Svart Records. The track is lifted from his last studio album ‘Snake Pit Therapy‘ and this is ‘Messed Up In Blue’. It seems right to play a track from someone who came out of the same scene as Sonny – none other than the legend Stiv Bator with ‘Circumstantial Evidence’ taken from his LA sessions.

As we head into the home straight how about some classic London power pop punk rock from Los Pepes who never ever let you down with their bright and breezy take of melodic buzzsaw punk rock. They’ve released an impressive catalogue and here’s ‘Still Belong To Me’.

As we head into the past three songs its our first band from Austria in the shape of Tours with their new single ‘Language School’ injecting yet more power pop goodness into proceedings.

Smokers is another new band with a new track called ‘Irish Tenor’ These Oakland punks released their debut LP, The Rat That Gnawed the Ropeand is a really excellent album that we’ll review over the next week. Finally, we reach the end with a cut from the brand new Torme box set released by Cherry Red Records it features predominantly the Phil Lewis era of his work with Back To Babylon and Die Pretty and the live Bootleg album which we’ve got the track ‘Star’ to play out Episode 35 and I hope another show where we’ve brought you a whole bunch of top tunes. Let us know what else we should be playing or what you want to hear. Like – Share and Follow

This will let a little sunshine into your Monday morning blues.

Second up we have got this blast from the past.  Firstly to wish Bernie a speedy full recovery from his recent hospitalization and also because Mr. Philip Lewis released a brand new album last Friday with LA Guns on their 30th year as a band but we delve further back when he was singing about being a star!

Finally to finish off this fanciful three here’s one from Black Bombers whos new EP is reviewed later this week. happy Monday folks!

 

The La Guns are in the house and this time they look and sound happy as pigs in shit and that my friends is reflected in the music.  Now I won’t ever shy away from letting people know how much I love hearing Phil Lewis sing and that goes way back when he was in Girl right through the mighty Torme and into LA Guns who for me were never really part of the heart of cock rock or hair metal although they’ve picked up the flag and ran with it through their career no doubt about it.  The La Guns have always been a bit more than that.  they always had a certain spirit about them for me that’s a flame that burns bright inside Mr. Lewis’ heart always has always will no doubt.

I wouldn’t want to speak for the band but when they did the cuts CD way back they opened up their heart and having Queen alongside Generation X and Hanoi Rocks confirmed for me that my judgment was right.  I’ve not always loved everything they’ve done not at all but I’ve always been drawn back and like an old friend hoping that they still have that spark and can deliver and feeling smug when I can nod my head that the LA Guns are in the house and they’re as good as they ever were and that’s also better than most of their competition and pretty much all the so-called hair metal or cock rock bands.  There was always something about seeing that logo that gets the blood pumping and with this being their 30th year together it feels like they have their mojo intact and are chomping at the bit playing constantly and honing their tunes to reach this point so as the metaphorical needle drops I get ready to dive head first into the new long player ‘ The Devil You Know’.

Kicking off with the lead track ‘Rage’ is everything you want to hear a great big dirty stinking riff that’s biting and snarling and sounds like a band that’s hungry as fuck!  great vocal too. Woohoo! LA Guns are in the house boy! They weren’t joking when they said they were going to capture Zepplin and The Hellacopters in a bottle and shake it up.

The next few tracks are upbeat and varied just like LA Guns of old sure Tracii is playing like his life depends on it but it does sound like he’s playing off the rest of the band and the rhythm is solid and tight and on the grinding title track they have groove for sure.  ‘Needle To The Bone’ has a great ‘guns melody and I’m a sucker for those gang vocals. ‘Going High’ is certainly in that Zepplin riff ballpark it sounds huge.  ‘Gone Honey’ clocks in just under six minutes but takes the listener on an epic journey and I’m all ears as Lewis tells his story on top of some really cool riff-a-rama. More than a touch of old Alice Cooper here.

As we are flying through the albums eleven tracks I have to say that whilst it’s no bullshit Rock n Roll  I’m loving it and it sounds fresh and there is a tonne of energy captured throughout the record. This album is coming out swinging and this is up there with their best – I kid you not.  Without a ballad in sight, we reach the penultimate cut for something even remotely slow or balladlike although the title might give you a glimpse into how this is heading ‘Another Season In Hell’ is pissed off and spitting feathers along the same lines as ‘Over The Edge’ if you’re looking for a pointer, Lewis delivers a magnificent vocal and turns the clock back and shows his peers how to belt out a passionate vocal and then for Guns to set fire to his fretboard – was that really over six minutes long? an epic slice of driving hard rock n roll to end the album proper but wait they turn up the amps one more time and let rip with ‘Boom’.

To be fair I enjoyed that more than I thought I was going to and without the slightest hesitation I’d recommend it to anyone who ever bought an LA Guns record and thought their best was long behind them because this is right up there with the first couple.  If this is Cock Rock then I’m fuckin’ having me some because maybe it is better ‘The Devil You Know’ if the devil you know is this good. Turn it up!

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