Paul Gray Interview Exclusive

Paul Gray Interview Exclusive

Check out this interview with The Damneds Bass maestro Paul Gray. Starting his career back in the 70s Paul first crossed paths with his current bandmates in The Damned when his band’s picture was printed on the flip side of the debut Damned album (good luck finding a copy) since then Paul has thumped his Rickenbacker in Eddie And The Hot Rods, Played with Motorheads Larry Wallis, Johnny Thunders around the time of his classic ‘So Alone’ sessions. He then followed Algy Ward into the Damned lineup and recorded two hugely impressive studio albums ‘The Black Album and ‘Strawberries’ as well as the iconic ‘Live At Shepperton’ record that captured the often chaotic but always exciting sound of The Damned live.

After quitting The Damned he had a stint with hard rockers UFO followed by stints with Andrew Ridgely as well as stints with the musicians union and tutoring Gray then returned to public prominence with Damned bandmate Captain Sensible as one-third of the wonderful Sensible Gray Cells.

Gray was also diagnosed with Throat Cancer before returning to the live stage he played with another Damned bandmate this time Rat Scabies in Professor and the Madman in 2017 before stepping back into the Damned following the departure of Stu West where he’s been an ever-present as the band have raised their profile and delivered several studio albums bringing you up to date with the impressive ‘Darkadelic’. He’s also found the time to record and tour with Wingmen alongside a Moped, Strangler and a Ruts DC. Without further fanfare let me introduce Martin Chamarette our intrepid interviewer and the one and only Paul Gray who it was once said if he was paid by the notes he hit he’d be a millionaire.

Tesla – ‘Five Man London Jam’ (UMC)

Tesla – ‘Five Man London Jam’ (UMC)

Three decades after almost single-handedly taking the hard rock goes acoustic format mainstream Sacramento’s finest sons Tesla recently returned to the now well worn set-up for an intimate invitation only show at London’s Abbey Road Studios to record a set of songs in homage to the original ‘Five Man Acoustical Jam’.

Captured in 4K High-Definition both sonically and visually ‘Five Man London Jam’ is more than just a re-run of that Platinum selling 1990 opus though, with only five tracks common across both releases, although granted the more pedantic fan might argue its six if you want to include opener ‘Comin’ Atcha Live/Truckin‘ as two songs rather than one.

Once past the common ground of the introductory track what follows is a mixture of tracks from Tesla’s 2019 album ‘Shock’ (‘Tied To The Tracks’ getting a cowboy booted foot in early doors with ‘California Summer Song’ and ‘Forever Loving You’ forming the mid-set spine) all lined up alongside some of their perhaps lesser known tracks from their back catalogue such as ‘Miles Away’ and ‘Into The Now’ from the band’s 2004 by the same name. There are also three cuts from 1991’s much overlooked ‘Psychotic Supper’ album in the shape of ‘What You Give’, ‘Call It What You Want’ and ‘Stir It Up’ to look forward to. Whilst of the remaining five original ‘Acoustic’ tracks the re-visiting of The Beatles ‘We Can Work It Out’, recorded in the very studio it was first recorded in, plus the whole seven and half minutes of ‘Love Song’, which brings this set to a close, are both in equal measures enthralling and magical.

If I were to be slightly critical of the thirteen (look I’m counting the opener as one track okay) song set is that reviewing it as I am here without the visuals it does get a tad one paced towards the middle of the set, and it takes a fantastic version of ‘Into The Now’ to truly get me back in the groove, also though on a more positive note it’s great to hear the ‘Shock’ tracks live and devoid of the overproduction which I personally felt marred their last studio record.

Look, I once stayed up until 4 am in a freezing cold Centre Stage at Minehead Butlins to watch Tesla deliver a show stealing set of songs to an audience that by that time in the morning largely resembled how I would imagine a war zone might look. So me, I’ll take that rough memory with the smoothness of ‘Five Man London Jam’ any day of the week just for the pleasure of being able to hear the awesome vocals of Jeff Keith.

What I will never be able to get my head around though is how Tesla have never really become the arena rocking behemoths they so rightly deserved to be, a bit like their heroes UFO I guess.

Buy ‘Five Man London Jam’ Here

Facebook

Author: Johnny Hayward

Timeless Concert Images – 40 Years Of Rock Concert Experiences

Timeless Concert Images – 40 Years Of Rock Concert Experiences
Rock photographer Bill O’Leary has a book Featuring over 175 full color concert images from the ’70s through ’90s of icons like Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Zappa, and more Available Here
During his career, photographer Bill O’Leary took pictures of some of rock’s biggest names at the peak of their powers – Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Frank Zappa, etc. And now, he has opened his archives for the first time ever – assembling a collection of not only his best images, but also, offering stories and recollections behind concerts he shot over the years. Indeed, this book is comprised of over 175 full color, live concert images photographed primarily from the late 1970’s through the 1990’s.

Artists include…AC/DC, Albert King, The Allman Brothers Band, Anthrax, Blues Traveler, Bob Seger, Cheap Trick, Def Leppard, Dixie Dregs, Foreigner, Frank Zappa, Grateful Dead, Hot Tuna, Jeff Beck, Jethro Tull, Joan Jett, Judas Priest, Kiss, Marillion, Mercyful Fate, Michael Schenker Group, Molly Hatchet, Mötley Crüe, Motörhead, Outlaws, Overkill, Ozzy Osbourne, Pat Travers, Phish, Pink Floyd (The Wall), The Police, Queen, Rainbow, Reo Speedwagon, The Romantics, Rossington Collins Band, Rush, Scorpions, Slayer, Styx, Ted Nugent, Todd Rundgren’s Utopia, Triumph, UFO, Van Halen, White Zombie, XTC, Yes, Yngwie Malmsteen with Alcatrazz, and ZZ Top.

O’Leary says:
“Hard to believe that I have been shooting concerts for 4 decades now, beginning in the mid 70’s when I went to my first concert at the world famous Madison Square Garden in New York City. I felt at home among the walls of speakers and the towering lighting rigs, I also immediately knew that leaving the show with a ticket stub, program and maybe a t-shirt would not be enough, so I had to capture the memory permanently. Within’ weeks I had traded my Sony home stereo system for a black leather jacket and my first Minolta SLR camera. After a brief learning period experimenting with the constantly changing lighting and vast array of colors, film speeds and the quick movements of the artists, I was told by many people that I was a “natural”. I have always felt that “knowing” the music deeply and being passionate about it as well, really was the “secret” to capturing the “moment”. With that confidence, I was soon shooting many concerts, 46 in 1980 alone. By then I was also being published in many major magazines as well. In the early days, I practiced “gorilla type tactics” to get my equipment into the venue’s. Later, I was forced to play the game of securing credentials in order to shoot shows. All too soon, promoter and band management rules and demands on photographers began to take the excitement out of shooting shows. Then the ” first 3 song” rule became common, NO more pictures after the third song. Pro concert photographers know that the “best” part of a shows production comes later in the event. In the end, I’m glad to have been a part of the glory days of concert photography.”

FOREWARD by Freddie Salem of The Outlaws:
“Bill O’Leary has played an extremely important part in the rock n’ roll world, as the consummate live performance photographer for over 40 years. As a professional musician, rock photographers are a part of the music scene – whether it be shooting promotional shoots, live concerts, or simply capturing life on tour. Bill first photographed us back in 1979 – a couple years after I joined the Outlaws, at Madison Square Garden in New York City. We were touring in support of our latest album, In the Eye of the Storm. Madison Square Garden is a big show for any touring band – as well as me personally, as a musician. A landmark venue. The following year, 1980, Bill again photographed me onstage – twice. Once at a Pat Travers Band show at the Palladium in Lower Manhattan in April, then again later that fall in November, as the Outlaws were touring in support of our latest album, Ghost Riders. This time, we were playing a smaller venue in Passaic, New Jersey, called the Capitol Theatre. Hundreds upon hundreds of marquis performers from all over the world have been captured on film by Bill – with the help of his trusty camera. I am surely anticipating the release of Bill O’Leary’s book, featuring his life’s passion and his iconic photography work. Looking at the thousands of live photos Bill has shot over the years one thing is very clear – he knows when to “pull the trigger.”

PROFESSOR AND THE MADMAN’S – ‘ONE NIGHT ONLY’ available to buy after pledge

PROFESSOR AND THE MADMAN’S – ‘ONE NIGHT ONLY’ available to buy after pledge

FOLLOWING THE DEMISE OF PLEDGEMUSIC, PROFESSOR AND THE MADMAN FULFILL ALL EXISTING PRE-ORDERS FOR THE GROUP’S LIVE AT THE 100 CLUB ALBUM

 

PROFESSOR AND THE MADMAN’S LINEUP FOR THIS ‘ONE NIGHT ONLY’ CONCERT FEATURED ALFIE AGNEW (Adolescents, D.I.), SEAN ELLIOTT (D.I., Mind Over Four), RAT SCABIES (The Damned), AND PAUL GRAY (The Damned, Eddie & the Hot Rods, UFO)

Live at the 100 Club is available now on red vinyl, CD, and download

Professor and the Madman announce that they have personally fulfilled all orders for their Live at the 100 Club album. Recorded in August 2018, Live at the 100 Club was initially offered for pre-order exclusively through the crowdfunding website PledgeMusic. However, after months of delays, the campaign was temporarily derailed when PledgeMusic operations shuttered in May.

“Pledge was such a great conduit between the artists and the fans and it should have been bulletproof,” says the band’s Sean Elliott. “I’m sad to see it gone.”

Picking up where PledgeMusic left off, Live at the 100 Club is now available exclusively on red vinyl LP and CD Here. It is also available digitally at all retail platforms.

The album features a dozen tracks which span PATM’s trio of studio albums alongside two new entries to the band’s discography. “Nuclear Boy” is a cover of the 1981 power pop entry by Hollywood-based 20/20, while “Quit This Town” was first released in 1977 by UK rock act Eddie and the Hot Rods. The live version of the latter track features a guest appearance by former Hot Rods songwriter/guitarist Graeme Douglas.

Live at the 100 Club was recorded at the famed London hotspot on August 10, 2018. In existence since 1942, the venue located at 100 Oxford Street began as a jazz and swing music nightclub but is now best known for its role in the evolution of Britain’s punk rock movement. In September 1976, the 100 Club hosted an international punk festival which included performances by the Sex Pistols, The Damned, The Clash, Buzzcocks, The Jam, The Stranglers, and Siouxsie and the Banshees, among others.

With its rich punk history, the 100 Club was the ideal venue for Professor and the Madman’s UK debut. The group’s lineup is comprised of members with deep roots in the scene: singer/guitarist Alfie Agnew (Adolescents, D.I.), singer/guitarist Sean Elliott (D.I., Mind Over Four), Rat Scabies (The Damned), and Paul Gray (The Damned, Eddie & the Hot Rods, UFO).

Billed as a ‘One Night Only’ event, the 100 Club show provided a rare chance to see this version of the band. Due to the distance between Agnew and Elliott in Southern California, and Scabies and Gray in the UK, logistics make it difficult for the quartet to convene for live performances. For the majority of PATM’s live dates in America, Agnew and Elliott are joined by fellow musicians from Orange County, CA.

Professor and the Madman released their third studio album, ‘Disintegrate Me’, in February 2018. Choosing the group as one of its “Bands to Watch in 2018,” Classic Rock Magazine declared “Disintegrate Me is an infectious cocktail of power-pop/rock, ‘60s British Invasion and melodic psychedelia. It’s rich, quality stuff.”

Agnew, Elliott, Scabies, and Gray are currently at work on a new album for release next year.

 

CONNECT WITH PROFESSOR AND THE MADMAN: 

Rock The Coast Festival – stage times finalised

Rock The Coast Festival – stage times finalised
Rock The Coast Festival, which is set to take place in Fuengirola, Málaga, Spain on 14th and 15th June, 2019 at the spectacular site of Mare Nostrum have revealed the stage times for this year’s event.
 
The line-up is a healthy mix of metal, classic rock and prog featuring the likes of Ritchie Blackmore’s Rainbow, Magnum, The Darkness, UFO, Opeth, Carcass, Mayhem, Aborted, Wardruna, Tribulation, Wintersun, Von Hertzen Brothers, Jinjer as well as RPM favourites Michael Monroe.

The final price for 2-days tickets is 130€ (+ expenses) and the single day ticket price is 80€ (+ expenses, each one, same price for Friday and Saturday).
 
A very special opening party takes place the night before the festival on Thursday 13th June which will feature an exclusive show from Norwegian music group Wardruna who will perform inside the stunning Sohail Castle. Capacity is limited for this separately ticketed event.
 
Tickets are on sale now – https://www.rockthecoastfestival.es/19/en/tickets/
 

Fuengirola’s municipal area is one of the smallest in the Málaga province and it is virtually reduced to a coastal strip that the city and the district of Santa Fe de los Boliches take up. It extends along seven kilometres of coastline with plenty of excellent beaches. Fuengirola is also only a 20 minute drive from Malaga airport.

 
https://www.rockthecoastfestival.es