David Lee Roth – Many Happy Returns

David Lee Roth – Many Happy Returns

David Lee Roth (October 10, 1954) If you don’t know then where’ve you been hiding? He is, of course, the frontman (I wouldn’t dare call him the singer) of Hall Of Fame members Van Halen and solo artist in his own right. Lee Roth is also a published author, Radio Presenter, Actor and multi-platinum recording artist to boot now how about that? Most famed for his stints in Van Halen (or rather the first stint in Van Halen) and his incredibly succesful solo run where he had an EP ‘Crazy From The Heat’ in ’85 that was an MTV smash as well as a couple of massively successful records ‘Eat Em And Smile’ in ’86 and ‘Skyscraper’ in ’88 that saw him assemble an iconic band around him that rivaled anything he did in Van Halen or it certainly seemed like it on this side of the pond (possibly due to his touring here in the UK) something his previous employers didn’t do to the same extent thats for sure.

 

He managed to release six solo albums between ’86 and ’03 which was the same amount he recorded with Van Halen between ’78 and ’84 however its fair to say the quality of the Van Halen albums far outshines his solo efforts.

Roth was born in Indiana to art teacher Sibyl Roth and ophthalmologist Nathan Roth.  Roth moved to Pasadena in his teens. He “bounced around” a number of schools and eventually saw a psychiatrist for several years, when he attended a ranch for troubled teens he cared for a horse to build a sense of responsibility something they obviously thought he was lacking. It was in Pasadena, at the Pasadena City College (he did not graduate either) where he met the Van Halen brothers, Eddie and Alex. and his life would change forever.

His first band was called Mammoth and along with the two Van Halen brothers they mostly played covers and it when they found out there was another band with the same name it was changed to Van Halen.  It was when playing a residency at the Starwood that the band was discovered by none other than Gene Simmonds in ’76.  It is believed he took note originally as he wanted Eddie for his own band Kiss however he did record the band’s first demos.  The demos went on to form the basis of the band’s debut album which Warner Brothers’ Ted Templeton had them signed after also seeing them perform at The Starwood club. That debut album has since gone on to sell a staggering 12 million copies.

As a frontman, Roth was perfect for the time and perfect for the band.  he was considered the ultimate party frontman and reveled in his role. they were described as  “a nonstop booze-and-babes party train.” by Rolling Stone and a lot of that was down to Roth’s flamboyant style.

Fast forward to the MTV age of 1984 and Roth certainly knew how to make a video and he was always under the spotlight of every party damn there was no party unless he was there.  His first foray into a solo career came just after the huge success of ‘Hot For Teacher’ and ‘Jump’ and it was something of a sidestep and a touch of genius that set him up as a crooner to record ‘Just A Gigalo’ and ‘California Girls’ which suited his style and persona to a tee. The videos were humorous (at the time) and indulged his womanizing party-going lifestyle.  It’s fair to say it was perfect for the star and he was indeed the larger than life character that people came to know and love. Let’s be fair lots of boys wanted to be him and girls wanted to be with him – life must have been peachy for Roth throughout the ’80s no doubt about it.

Going from the Van Halen brothers seemed like madness at the time but as soon as ‘Eat Em And Smile’ hit the shelves and people saw what was on offer via the video for ‘Yankee Rose’ it was like Van Who?   I bet Warner Brothers couldn’t believe their luck when they heard what he was creating with Vai, Bissonette and Billy Sheehan and then the lycra of ‘Yankee Rose’ hit the TV sets and Roth was top of the class again.  The debut solo album reached number four in the Billboard charts whilst the singles just licked the top ten. The second solo record ‘Skyscraper’ also featured Vai and Sheehan reaching number six in the Billboard charts selling over two million which isn’t something you can sniff at. The single ‘Just Like Paradise’ also got to number six and featured Roth carrying out his love of rock climbing.

His third solo record saw a change in guitar player with Vai leaving to be replaced by Jason Becker and after MTV banned the video for the title track ‘A Little Ain’t Enough’ the record only managed Gold. Becker was diagnosed with amyotrophic lateral sclerosis a form of Motor Neurons disease which meant he struggled to finish recording the record and couldn’t tour which was a major set back. Roth struggled under the emergence of Grunge and his decline was rapid with more than half the albums tour getting canceled due to poor ticket sales.

Roth did go on to make a further three albums with the last being 2003s ‘Diamond Dave’ which in fairness was mostly covers two of them were almost ten years old that had never been used.  Roth was seemingly on the scrap heap – losing his locks and with music moving on so quickly he was in danger of being left behind. IT was in 2007 when news broke of an original Van Halen reunion but this time there was to be no Anthony in the lineup and due to Eddie’s illness he didn’t attend the induction into the Hall Of Fame and it was turning into a bit of a shower.

Roth did not attend the ceremony and the event was considered yet another public shit shower for the band. It was rumored to be based on the choice of songs to be played Roth wanted to perform ‘Jump’,   but Velvet Revolver would only agree to play “Ain’t Talkin’ ‘Bout Love” or “You Really Got Me.” When it was finally agreed upon that Paul Shaffer would perform “Jump,” Roth claimed there was no longer enough time to rehearse and opted not to attend the ceremony. Leaving Anthony and Sammy Hagar to acknowledge Roth’s contribution to the iconic band. Later that year Roth and Eddie Van Halen held a press conference to announce, finally, things were on the up for the band’s reunion.  In 2012 the band finally released ‘A Different Kind of Truth’.  In a different time, things might have been so different however this album charted at number two on the Billboard charts but only sold 400,000 copies compared to earlier sales of early albums its dwarfed.

In that same year Roth began broadcasting a  video webcast on his YouTube channel, and also on iTunes, called ‘The Roth Show’.  Roth has lived in Tokyo since May 2012 but maintains homes in New York City and California. Today Diamond Dave is 65 years young. Happy Birthday David Lee Roth!

Timeless Concert Images – 40 Years Of Rock Concert Experiences

Timeless Concert Images – 40 Years Of Rock Concert Experiences
Rock photographer Bill O’Leary has a book Featuring over 175 full color concert images from the ’70s through ’90s of icons like Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Zappa, and more Available Here
During his career, photographer Bill O’Leary took pictures of some of rock’s biggest names at the peak of their powers – Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Frank Zappa, etc. And now, he has opened his archives for the first time ever – assembling a collection of not only his best images, but also, offering stories and recollections behind concerts he shot over the years. Indeed, this book is comprised of over 175 full color, live concert images photographed primarily from the late 1970’s through the 1990’s.

Artists include…AC/DC, Albert King, The Allman Brothers Band, Anthrax, Blues Traveler, Bob Seger, Cheap Trick, Def Leppard, Dixie Dregs, Foreigner, Frank Zappa, Grateful Dead, Hot Tuna, Jeff Beck, Jethro Tull, Joan Jett, Judas Priest, Kiss, Marillion, Mercyful Fate, Michael Schenker Group, Molly Hatchet, Mötley Crüe, Motörhead, Outlaws, Overkill, Ozzy Osbourne, Pat Travers, Phish, Pink Floyd (The Wall), The Police, Queen, Rainbow, Reo Speedwagon, The Romantics, Rossington Collins Band, Rush, Scorpions, Slayer, Styx, Ted Nugent, Todd Rundgren’s Utopia, Triumph, UFO, Van Halen, White Zombie, XTC, Yes, Yngwie Malmsteen with Alcatrazz, and ZZ Top.

O’Leary says:
“Hard to believe that I have been shooting concerts for 4 decades now, beginning in the mid 70’s when I went to my first concert at the world famous Madison Square Garden in New York City. I felt at home among the walls of speakers and the towering lighting rigs, I also immediately knew that leaving the show with a ticket stub, program and maybe a t-shirt would not be enough, so I had to capture the memory permanently. Within’ weeks I had traded my Sony home stereo system for a black leather jacket and my first Minolta SLR camera. After a brief learning period experimenting with the constantly changing lighting and vast array of colors, film speeds and the quick movements of the artists, I was told by many people that I was a “natural”. I have always felt that “knowing” the music deeply and being passionate about it as well, really was the “secret” to capturing the “moment”. With that confidence, I was soon shooting many concerts, 46 in 1980 alone. By then I was also being published in many major magazines as well. In the early days, I practiced “gorilla type tactics” to get my equipment into the venue’s. Later, I was forced to play the game of securing credentials in order to shoot shows. All too soon, promoter and band management rules and demands on photographers began to take the excitement out of shooting shows. Then the ” first 3 song” rule became common, NO more pictures after the third song. Pro concert photographers know that the “best” part of a shows production comes later in the event. In the end, I’m glad to have been a part of the glory days of concert photography.”

FOREWARD by Freddie Salem of The Outlaws:
“Bill O’Leary has played an extremely important part in the rock n’ roll world, as the consummate live performance photographer for over 40 years. As a professional musician, rock photographers are a part of the music scene – whether it be shooting promotional shoots, live concerts, or simply capturing life on tour. Bill first photographed us back in 1979 – a couple years after I joined the Outlaws, at Madison Square Garden in New York City. We were touring in support of our latest album, In the Eye of the Storm. Madison Square Garden is a big show for any touring band – as well as me personally, as a musician. A landmark venue. The following year, 1980, Bill again photographed me onstage – twice. Once at a Pat Travers Band show at the Palladium in Lower Manhattan in April, then again later that fall in November, as the Outlaws were touring in support of our latest album, Ghost Riders. This time, we were playing a smaller venue in Passaic, New Jersey, called the Capitol Theatre. Hundreds upon hundreds of marquis performers from all over the world have been captured on film by Bill – with the help of his trusty camera. I am surely anticipating the release of Bill O’Leary’s book, featuring his life’s passion and his iconic photography work. Looking at the thousands of live photos Bill has shot over the years one thing is very clear – he knows when to “pull the trigger.”

Gone But Not Forgotten

Gone But Not Forgotten

On this day in 1979 Simon John Ritchie otherwise known as Sid Vicious passed away On the evening of 1 February 1979, a small group of friends, including Jerry Only and Howie Pyro, gathered to celebrate Vicious having made bail at a friend’s Manhattan apartment.

Sid was clean, having been on a  methadone program during his time at Rikers Island, but at the dinner gathering,  photographer Peter Kodick, deliver him heroin. He had apparently spent hours during the party looking toward the future, planning an album he would record to get his life and career back on track should he be acquitted. Sid played Max’s along with a stellar line up including Mick Jones, Steve Dior, Matlock (who he replaced in the Pistols) Jerry Nolan to name a few who he played with or made plans to help him record this solo album he had planned. Sadly none of those pans would come to fruition as Sid overdosed at midnight, but everyone present worked together to get him up and walking around to revive him.  Sid died in the night and was discovered dead by his mother, Anne Beverley, early the next morning. Aged just 21.  still to this day its such a sad story to tell and a waste.  RIP Sid.

Sid Vicious died of a heroin overdose in New York City. There had been a party to celebrate Vicious’ release on $50,000 (£29,412) bail pending his trial for the murder of his former girlfriend, Nancy Spungen, the previous October. Party guests, said that Vicious had taken heroin at midnight. An autopsy confirmed that Vicious died from an accumulation of fluid in the lungs that was consistent with heroin overdose. A syringe, spoon and heroin residue were discovered near the body.

The Specials were at No.1 on the UK singles chart with ‘The Special A.K.A. Live E.P’. The lead track ‘Too Much Too Young’ was the shortest song to reach No.1 on the UK singles chart in the 1980s that also happened on this very day in 1980.

On this very day in 1978 Van Halen signed a record deal with Warner Brothers.  Seems as good a time as any to play this then…

 

Oh and it was on February 2nd 1949 that the first ever 45 RPM record was released.  How about that for a fact?

 

California Dreamin’ – A Rock ‘n’ Roll Road Trip – October 2017 (Part Four)

California Dreamin’ – A Rock ‘n’ Roll Road Trip – October 2017 (Part Four)

Day 7 October 4th – GTA flashbacks, rock ‘n’ roll haunts and unexpected discoveries

Up early, we head for Santa Monica Pier. That iconic Ferris wheel is clearly visible in the early morning sun as we stroll across the deserted beach. Exploring the pier brings back GTA flashbacks again, they got it so right in San Andreas. The number of times I have walked down this pier in the game shot a bunch of innocent bystanders found a car and drove off into the hills being frantically chased by police cars and helicopters.

Back to reality, we grab a coffee and sit to do some people watching. Homeless people and drunks lay asleep, slumped over tables in the sun as Mexicans sell art and a Chinese guy plays hypnotic music on some exotic looking instrument. An Asian woman, older than her body suggests, dances continuously to the music blaring from the cafe speakers, she wears a tiny black bikini and with a constant smile on her face, seems oblivious to the world around her. This seems to be the general theme in LA. Everyone is in their own little bubble; interaction seems unlikely unless there is a transaction to be made. Take the restaurants, the beautiful people greet you with a smile and call you “sir”. They will do whatever they think you want for that extra dollar tip, the lower classes bring your food and I wonder who takes the tips.

 

We hire bikes and take the cycle path, a long stretch to Venice Beach. It’s still early morning for most LA residents and Jamaicans with t-shirt stalls and hippies with guitars are still setting up whatever it is they do for the day to make money. As we ride onwards, the fragrant smell of marijuana fills the air, now it’s legal over here, you see (or smell) it everywhere. We cycle past all sorts of strange looking characters from all walks of life.

We stop at a skate park and watch teenagers do their thing for a while, we dodge Jamaican street sellers, trying their hardest to sell you a CD of their latest ‘music’.

After lunch, we take the car out for a bit of sightseeing.  Driving in LA takes time and in hindsight, maybe taking a taxi or an Uber is the best way. One of the places on my list was the Hollywood Forever Cemetery, one of many cemeteries in LA where the rich and famous are laid to rest.

In this idyllic, reclusive escape from the craziness of LA, you can find the likes of Jayne Mansfield and Mickey Rooney amongst the graves laid out across the beautiful gardens, but the reason for my visit is Johnny Ramone and Chris Cornell, who are funnily enough laid right next to each other. My brother was a massive Cornell fan, I remember Dan playing ‘Seasons’ to me when he worked it out, that moment always stays with me and it was essential for me to just take a moment with my thoughts here.

 

Back when I originally booked this holiday, I presumed nearer to the time that we would have a whole host of bands to go check out at the various clubs on the strip. Turns out, sod’s law, that its slim pickings for a rock ‘n’ roll junkie the nights we have chosen to be in town. But we do find that Shooter Jennings is playing at The Whiskey A Go Go, so that will do nicely.

In a bizarre twist of fate, we cross paths with my gig-going buddy and ace photographer Marc McGarraghy, who is over here doing a similar road trip with his wife.

The venue is forever iconic in my mind from my teenage years. All my heroes played here, Van Halen, Motley Crue and Guns n’ Roses, it’s the stuff of legends. It is smaller than I imagined but very cool. With a 500 capacity it’s just the size venue I love, and after grabbing a beer, we turn to the stage and imagine what has gone down there over the years.

But that’s all history now and tonight we have four bands to watch. Openers Shelby Texas are a boy/girl duo with just a guitar, who play instantly infectious countrified tunes, Their voices are great together and their Cash/Carter influences even more evident with the inclusion of a cover of Cash’s ‘Jackson’.

I don’t know who Keith Jacob is and I have no desire to find out after tonight’s performance. The guy plays the cheesy sort of country-pop I hate, like Billy Ray Cyrus. Songs that go nowhere and lyrically mean nothing. His voice isn’t great and his stage presence at the same level. The guitar tech is a dwarf, no joke! And things get even more bizarre as the set goes on. He keeps bringing out stunning looking dancing girls who perform perfectly synchronised dance routines that do nothing to improve the fact that his songs suck! Why? Maybe one is his daughter or the guitar player’s girlfriend, or maybe they are just strippers. The mind boggles, but they are by far the best thing about his set.

The climax involves the girls onstage with flying v guitars, doing an ‘Addicted To Love’ style dance routine as two male dwarfs, complete with miniature flying v guitars jump about too! The most tripped out and bizarre performance I have ever seen and probably the worst. I’m still not convinced it actually happened.

 

Hellbound Glory is like a breath of fresh air after that performance. Fronted by the instantly likable Leroy Virgil, who looks like a Bee Gee in a bomber jacket, yet sings like a rock ‘n’ roll star in his prime. His band is tight, the rhythm section especially a well-oiled machine. Turns out they are actually Shooter Jennings’ band and this is the album release show for Virgil’s comeback album ‘Pinball’. An album produced by Jennings himself and featuring his own band, backing the Reno-based singer/songwriter. It seems Jennings has taken Virgil under his wing and got him back into the business of doing music.

The upbeat title track and the likes of ‘Another Bender Might Break Me’ are whiskey and cocaine-fuelled tales that showcase a quality songwriter on the edge of a few benders himself.

As his set ends he takes the front of the stage and pours his drink over his head, in a sort of ‘don’t give a fuck’ act of defiance. Take me as I am, he seems to be saying and we certainly will.

Hellbound Glory impressed and are an unexpected highlight of the evening that will have us talking long after this trip has ended. ‘Pinball’ is a must-have album for us right now.

 

Porn legend Ron Jeremy is in the room tonight, should I go up and tell him I’ve seen all his greatest movies?…probably not!  He takes the stage to introduce Shooter Jennings. What a band! The same players who backed Leroy Virgil, all the same apart from fiddle player Aubrey Richmond, who has changed from all black leather to a hippified, blue one piece for the headline set.

Shooter, dressed in a purple suit, shades ever present, stands behind a keyboard stage front for most of the set. Sometimes on keys, sometimes a guitar, it’s the bassist and fiddle player that the eyes are drawn to watch as the set unfolds.

The sound of Shooter Jennings is more in line with what the two of us have been listening to in recent times. A sort of Alabama 3 meets Nick Cave vibe with a touch of Johnny Cash. The band is tight, the songs flow and the packed room love it. The likes of ‘Electric Rodeo’ are soaked in Black Crowes vibes, catchy standout track ‘Outlaw You’, definite country but with added fiddle giving a folk edge to it.

We came to this show last minute, on a whim. Not familiar with the music of Shooter Jennings, we leave after a great night needing to check out the back catalogue, but it’s the support band Hellbound Glory who really leave a lasting impression long after the trip has ended.

 

Day 8 – Universal Studios, bucket list bars and future stars

 

Day 2 in Los Angeles is spent mostly at Universal Studios. The tour is essential, the themed rides vary in awesomeness, Sedd has been before and recommends we upgrade to fast-track entry to save time queuing good move. We get there as it opens and leave by 3 pm having done pretty much every ride. Most are 3D interactive rides, with 3D glasses, Harry Potter and Transformers offering the most thrills, a larger than life replica of Springfield is very trippy and a detailed replica of Hogwarts is not to be missed.

We then take a trip over to Laurel Canyon to find the house where Jim Morrison lived, check out the hippy country store next door and just take in the atmosphere. Cruise through the likes of Rodeo Drive, the chaotic traffic, the palm trees and the characters that you would only see in LA.

The evening brings a trip down Hollywood Boulevard to check out the bucket list rock ‘n’ roll bars. We find The Viper Room, intending to grab a quick beer and move on. We follow the black-walled corridors to the main room, a small room that is packed, everyone seemingly waiting for a band to take the stage. There’s a cool vibe in here, we soak it in, like The Whiskey last night and imagine the bands that have taken to that stage in the past.

Tonight is the album release show for a band called Disciples Of Babylon. Premiering tracks from the newly released ‘The Rise And Fall Of Babylon’. The guys have an epic, almost proggy sound. Rousing gang vocals on the likes of ‘Liberty’ and ‘Karma’ bring to mind 30 Seconds To Mars at their best. Frontman Eric Knight incites crowd participation time and again and does what’s needed to keep the packed in crowd ignited as guitarist Ramon Blanco pulls off stadium-sized licks to his side. They even throw in a choice Zep cover in the form of ‘Immigrant Song’.

Lyrically, a socially aware band who are in touch with the state their country is in, musically and sonically tight and professional, they seem to have the songs that matter. Worth checking out methinks.

We then head onto the Rainbow Bar & Grill. Again, it’s tiny and very cool. I don’t really know what I was expecting, glitz and glamour, maybe a rock star sighting or two? Truth is, these clubs are exactly the same as the clubs I frequent in the UK, small, great drinking bars that have the same atmosphere as Fibbers, as The Brudenell, as whatever club I go to watch bands in, the only difference is the location and then maybe the less famous clientele.

I would have liked more time in LA, but it’s just so freakin’ big! A lot bigger than I expected.  There is still so much we did not see, so the Hollywood sign, the Walk of Fame and the rest will have to wait until next time, as Vegas is calling.

 

 

Author : Ben Hughes