Eddie Garritys Slaughter opens the show with ‘Hell In New York’ which is a fitting tribute to a very popular singer. Taken from the ‘Bite Back’ LP Ed will be missed by family and friends and it’s a privilege to play the song Rest In Peace Ed.

Starting Early outta Arlington USA offers some Alternative rock action with their new single ‘Do As I Do’. One of the best bands currently hitting the stages in the UK has to be Split Dogs who have a new album due for release next month and a brand new single ahead of their Venn Records release so here’s ‘Lafayette’.

We’re going in early with our cover this week and the Ratchets do a rather interesting take on Depeche Modes ‘Policy Of Truth’ from the ‘Under The Covers’ album (pirates Press) which is a rather diverse bunch of covers to say the least with Tom Robinson, Cock Sparrer being just a few of the songs to tickle your fancy.

Dharma Guns are back with a new single. This time they’ve brought ‘The Vipers’ with them with its excellent guitar lick and addictive tune.

The second instalment of our three-from-one connections this week is three of the four members of The Heartbreakers starting with a Johnny Thunders Demo of ‘Subway Train’ that came out a few years ago on Remarkable records which features The Damneds Paul Gray. Then it is the turn of Jerry Nolan & The Profilers and a track from his 1990s recordings with Greg Allen alongside Jerry and ”Chicago Vin” Earnshaw of the Delinquents. The recording were curtailed by the passing of Jerry. Then the final offering is a classic Walter Lure song from The Waldos album ‘Rent Party’ and my favourite track ‘Sorry’ sadly Walter has also passed away over four years ago. such a talented band who deserved so much more but a massive influence individually and collectively on so many.

Lords Of The New Church are up next but two very different incarnations of the band. Firstly ‘Young Don’t Cry’ which was previously unreleased until it appeared on a compilation album and more recently another USA comp on gutterwail Records. Always a pleasure to play some Lords. Then we follow it up with a track off the ‘Hang On’ album that was sold on the band’s 2003 tour dates under the name The Lords. Let’s not argue over the name but revel in the majestic tone of Brian’s guitar as he slashes out ‘Heaven Stepped Down’.

How about an exclusive track off the brand new Evil EP we air ‘Romulan Death Stomp’ from the EP which also has a rather tasty cover of ‘Cough/Cool’ by the Misfits details are scarce at the moment but there will be a sales page but until then go bug Nathan and he’ll send you the details to purchase a copy on Cassette for just your £7.50 in UK money plus postage but don’t sleep on it or they’ll be gone.

Mike Peters has a new single out which we think is under The Alarm banner (no arguing please) called ‘Chimera’ as he tackles Cancer at the Christie in Manchester. We dedicated three songs last week to Mike and his family and want to reiterate our admiration for the guy and send him all the PMA we have at this pivotal time and look forward to his recovery and posting the best news possible. We’d also like to extend our warmest wishes to his family at this tough time for them as well he’s got this Cancer didn’t see Mike Peters coming either.

Another new track this week is that from Ricky Warwick and ‘The Crickets Stayed In Clovis’ taken from his forthcoming album ‘Bloodties’ due soon on earache Records.

Guitar Wolf announced a tour of Australia so what better than to blast out a track from the legends so ‘Can Nana’.

We turn it up a bit with sludgy alt-rockers Pigs, pigs, pigs, pigs, pigs, pigs pigs and their Sabbath-heavy riff-a-rama that is ‘Death Hilarious’. The Phantom Chords featured three members of The Damned and had one class album that got a reissue a few years back and also recorded another LP that didn’t see the light of day so why not spin ‘Someone Up There’.

A fantastic UK band The Speedways recently opened for Billie Joe Armstrong and his Cover Ups on their whistle-stop show in London. I might be correct in saying it was also the bands new guitarist’s introduction as well which would be super cool. what a debut that is. The band did a digital-only live album ‘Sunday Will Never Be The Same – Live Radio Broadcast WFMU – “The Todd O Phonic Todd Show”‘ and on it was the fantastic ‘Just Another Regular Summer’.

Another UK power pop punk rock beat combo that we absolutely love here at RPM is Cyanide Pills. The band have a split EP coming out to coincide with their European tour. It’s on Damaged Goods Records and will be a very limited run so don’t hesitate to order a copy because it won’t be available digitally.  ‘Falling For You’ which is a leftover unreleased track recorded for their debut album back in 2010 Plus ‘I Don’t Wanna Dance’ which was recorded at the same time as their most recent album ‘Soundtrack To The New Cold War‘. Snooze and you’ll lose and to whet your appetite we play ‘Falling For You’.

Wrapping up another action-packed show we bring you the fantastic Trash Bags and their track ‘Trash’. Such a great debut from these New York punk n rollers seems like a great way to end the show.

After 44 years of hearing only outtakes, remixes and mud … NOW IT REALLY SOUNDS LIKE A M.F.

FOUND IN AN ATTIC – a copy master of the original tape, without ‘mud’! This classic punk album, made in London by New York Dolls Johnny Thunders and Jerry Nolan’s new band the Heartbreakers, was always controversial – and not just for the acronym. Upon release on Track Records in 1977, it was universally condemned in the music press for having a ‘muddy mix’ – later found to be a mastering fault. When Track went bust the following year, manager Leee Black Childers managed to burgle the Track Records’ Carnaby Street office and liberated the tapes that belonged to him and the band – but he found everything except the master-tape.

Subsequent releases were remixed from the multi-tracks (‘Revisted’, 1984) or compiled from outtake mixes – the ‘lost ’77 mixes’ (1994) being the version most known since. A tweaked needle lift from vinyl for a ‘definitive’ box set removed a lot of the ‘mud’ but still didn’t achieve full clarity. Meanwhile, fans found that the 1977 cassette version didn’t have that infamous ‘mud’, nor did certain European vinyl matrixes.

 

Unexpectedly, in 2020 a chance meeting led Jungle to Daniel Secunda’s archives. Danny was an old-school music biz pioneer who became a Track Records director – and the Heartbreakers ‘L.A.M.F.’ co-producer. In amongst his archives stored in his attic were numerous tape boxes, including two with no artist name, marked: ‘Copy Master 12.7.77’. They turned out to be a crystal-clear ‘L.A.M.F.’, just as the band and producers intended it. Sadly, in August 2020 the Heartbreakers co-lead vocalist, guitarist and songwriter Walter passed away. He was the last of the Heartbreakers ‘L.A.M.F.’ line-up – Johnny Thunders died in 1991, Jerry Nolan in 1992, and Billy Rath in 2014. Walter’s punk memoir autobiography is published in paperback in June 2021, and his band The Waldos also get their album ‘Rent Party’ reissued on blue vinyl for Record Store Day’s RSD Drop2, followed by a CD reissue.

 

‘L.A.M.F. – the found ’77 masters’ was released on vinyl for Record Store Day 2021 RSD Drop2 on July 17 as a limited edition in transparent purple vinyl. It has an inner bag with new notes by Simon Wright, plus a 12″ poster of a Roberta Bayley cover outtake pic. A CD version will be released at the end of October.

 

An example: ‘It’s Not Enough’ – when choosing tracks for ‘the Lost mixes’ from the attempts at assorted studios, there were only two versions to choose from. One had vocals mixed far too high; the other very low. We went with the low vocals version – they almost fade away at one point. Now, we can hear the correctly balanced mix.

Tracks: Born To Lose, Baby Talk, All By Myself, I Wanna Be Loved, It’s Not Enough, Chinese Rocks, Get Off The Phone, Pirate Love, One Track Mind, I Love You, Goin’ Steady, Let Go, Can’t Keep My Eyes On You*, Do You Love Me*. Cat. no: TRACKLP77. *Includes two tracks originally released as single b-sides. Direct Metal Mastered from 24-bit transfers from analogue tape.

 

WHERE TO BUY? The vinyl has SOLD OUT so it’ll be difficult to find. Don’t pay stupid prices; there’ll be another pressing in summer 2022.

The CD edition – with a bonus disc of four demo sessions 1976-77 and a 32-page booklet in a hardback book – will be available to preorder our Direct Webstore around a month prior to the release date of November 5th 2021

 

Upon release in 1977, Johnny Thunders & the Heartbreakers’ L.A.M.F. had a mastering fault, widely condemned as a ‘muddy mix’. Track Records went bust and the master was lost – so subsequent releases were compiled from outtakes or re-mixes. Forty-four years later, the master has been found in the attic of producer Daniel Secunda, a crystal-clear 1977 ‘Copy Master’.

Now L.A.M.F. can at last be heard as the band and producers intended!

“Previously buried clarity enables the astounding live chemistry sparking between band-members to rear unfettered at full power … Nobody in love with this definitive NYC classic should hesitate to splash out” – Kris Needs, Classic Rock, 9/10 review.

First released as a much sought-after vinyl LP for RSD in July 2021, this CD version comes together with a bonus CD – ‘the L.A.M.F. demos, plus’; a 19-track collection of four demo sessions from 1976 – 77 and three tracks from Track singles.  They are packaged in a hardcover 32-page book, with notes by Simon Wright and a 2012 interview with Walter Lure (the last of the LAMF Heartbreakers who sadly passed away in 2020), together with rarely-seen photos.

More info:  http://www.jungle-records.net/index.php/156-heartbreakers-l-a-m-f-the-found-77-masters

 

www.jungle-records.com ~ ~ ~ www.facebook.com/JungleRecords

Your waking up to the sad news that Walter Lure, who was guitarist in iconic NYC punk band The Heartbreakers, has died after battle with lung cancer and liver cancer. He was 71.  Walter was diagnosed with liver and lung cancer in July 2020, which spread rapidly and he died from complications related to cancer at the age of 71, peacefully in the hospital, surrounded by family. He was very much loved and respected for all he contributed to the world of music. He will be dearly missed.  He last played Rebellion festival here in the UK last Summer and continued to perform songs from the classic L.A.M.F. as well as his solo material.  We’d like to send our best wishes to his family and close friends for their loss.  Rest easy Walter.

Lure was the last surviving member of The Heartbreakers  Walter leaves behind a lean but incredible musical legacy and will be missed by many. The perfect foil to Thunders onstage, Walter leaves behind the L.A.M.F album that spawned and influenced several generations of Rock and Rollers as well as a couple of classic solo records with the Waldos.  I was lucky enough to interview him many years ago and he was engaging, charming, humble and funny and it was great to meet one of your heroes who deserved to be on the pedestal you put them on. Rest In Peace Walter Lure – Rock and Roll Legend.

 

John William Cummings (October 8, 1948 – September 15, 2004), Professionally known as The Legend – Johnny Ramone. Right-wing Regan supporting Legend, Not something I find myself saying every day.  He always or most of the time on TV he came across as a bit of a miserable git to be fair always moaning always complaining but fuck me he was Johnny Ramones and that was the currency for all the above and some in my book.  Not the most gifted guitar player by a long chalk but none of that mattered because it was his downstroke genius that fueled the band as much as Joey’s voice or Dee Dees 1-2-3-4. He was a founding member of the band, and remained a member throughout their entire career I’m sure he would have threatened to walk on more than one occasion but he didn’t and from the first chord til the last, he was the man.

He was born in Queens on October 8, 1948, the only child of a construction worker and first met future bandmate Douglas Colvin, (Dee Dee Ramone), while working a job delivering dry cleaning. They would do lunch together and discuss their love of the Stooges and MC5. Together the two went to Manny’s Music in New York City in January 1974, where Johnny famously bought a used blue Mosrite Ventures II guitar for just over $54 his weapon of choice throughout the bands career Mosrite Guitars were cheap and nasty but it seemed like the perfect weapon of choice for the budding musician he remained loyal to the Mosrite throughout his playing days.  His arsenal of effects was made up of a tuner and the overdrive of a Marshall head and that’s it, you could say he traveled light but that would be an understatement.

Throughout the bands tenure, there were plenty of disagreements and fallings out which is hardly surprising considering the time spent in each others company whilst on the road but Johnny was responsible for initiating one of the major sources of animosity within the band when he began seeing Linda Daniele (who he later married), she dated Joey before swapping him for the guitarist. Allegedly, this prompted Joey to write songs like “The KKK Took My Baby Away” and “She Belongs To Me”, Though the band remained together for years after this, relations between Johnny and Joey remained strained often hostile and they spent days touring and not even speaking. Years later, when Joey was in the hospital dying of cancer, Johnny refused to telephone him. He later candidly discussed this incident in the film ‘End of the Century: The Story of the Ramones’, saying an attempt at such a reunion would have been futile. He did add that he was depressed for a week after Joey’s death. When pressed, he acknowledged that this was because of the bond forged by the band. In their road manager Monte Melnick’s book about his time with the Ramones, Johnny is quoted saying, “I’m not doing anything without him. I felt that was it. He was my partner. Me and him. I miss that.” a rare moment of tenderness and brotherhood from Johnny.

Johnny was known within the punk rock community as one of its few conservatives and was a staunch supporter of the Republican Party. He made his political affiliation known to the world in 2002 when the Ramones were inducted into the Rock and Roll Hall of Fame. After thanking all who made the honor possible—clad in his trademark T-shirt, ripped blue jeans and leather jacket—he said: “God bless President Bush, and God bless America”,  “I think Ronald Reagan was the best President of my lifetime.” there must have been plenty of discussions within the band around the time they released  “Bonzo Goes to Bitburg” in ’85; With Johnny insisting on a name change, finding the title insulting to Reagan, the others in the band compromised and changed it to “My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg)” for the American market. Such band politics seem hilarious now looking back because everybody knew it as the UK release title.

His limitations in the six-string department was a closely guarded secret (not) with the likes of Daniel Rey and Walter Lure claiming to have laid plenty of guitar parts down over the years as well as bandmate Tommy.  I might be wrong in saying but the only guitar solo he played was on ‘I Can’t Make It on Time’. Johnnys style has been copied by many over the years and was a huge influence on many players who tried to copy his downstroke style.

Before he died Johnny lived in Los Angeles where he spent his dying days and he’s laid to rest in Hollywood Forever Cemetry with an incredible statue to mark his grave.  Johnny was diagnosed with prostate cancer and passed at the young age of 55. johnny loved baseball and Elvis

His legacy is being immortalised in The Simpsons. Having a flunko pop character made of you, dozens of books about you and your music, being part of one of musics coolest most iconic images, having one of the best back catalogues by any band ever and even if you think they haven’t The Ramones have had an impact on your life if you ever liked a loud fast rock and roll song chances are there is a tiny piece of the Ramones in it somewhere down the line I guarantee it. Forever being associated with the look the logo the sound and the City of New York.

Rest in peace Johnny Ramone we love you!

“Slow down Cunthead!”

I get to hear this profanity being hollered by a rather worse for wear Blackpool local just after 10am on a glorious Saturday morning and actually take it that its aimed at me as I admit I feel like death warmed up after our Fan-dabi-Friday spent in the unprecedented heat of the Winter Gardens with The Stranglers in The Empress last night possibly setting the record for the hottest gig I’d ever been in. It’s not though, the comment, it’s actually aimed at a local taxi driver who dared to pass the unhappy chappy on a pedestrianised area, but still I find it a life lesson worth taking on board as with the prospect of another full day spent in the punk rock pleasuredome ahead the last thing I really want to do is crash and burn with so many great bands still to check out.

To counter this I feel a bit of retail therapy is in order to restore some balance as I plough through the local second hand record shops looking for that ever illusive vinyl copy of Alistair Terry’s ‘Yonge At Heart’, which of course I never manage to find, but instead I come away with 10 cock rock albums that would make any grown man blush if they were ever caught in the possession of them.  Let’s hope then that I don’t happen to bump into The Bar Stool Preachers on the way back to the hotel and become the brunt of some brutal ribbing for actually buying an album by a band called Dirty Blonde… oops!

With my sanity partially restored I head back into The Empress for my first band of the day at the still ungodly hour of 12:35 to catch the return of South Californian hardcore outfit Spider to Rebellion. Featuring former and current members of bands such as Channel 3, Walk Proud, Total Massacre and Bullet Treatment Spider provide a thunderous wake up call for those brave enough to leave their pits early doors.  There’s a cover of Black Flag’s ‘Depression’ slotted in somewhere within their energetic blur and it’s a song which also features on the band’s new ‘Energy Gone Wrong’ EP. ‘Barcode Baby’ and ‘Metal Detector’ help them deliver some killer blows too. You know I’d pay good money to see a double denim rocker actually turn up at a show played by this lot thinking it was the 80s UK boogie band who went by the same name and get the shock of their baldy longhaired lives, I really would.

Taking a trip up to the Rebellion Punk Art show is always on my list of “must-dos” if not just to see my old mate Colin Creamcrop Scott who as always is entertaining the masses with his tales of 80s Polish hardcore bands as well as wowing them with his use of reclaimed items to deliver his stunning visuals. There’s always something that catches my eye here not least this year the ever-growing mixture of media being used but I must admit what I do miss having witnessed some right corkers over the years are the old John Robb curated literary interviews that used to take place throughout the weekend in this very venue. Still this year there’s Micky Geggus and Jordan popping up for some Q&As and signing sessions so all is not yet lost.

Heading back to the Arena just in time to catch kung fu kicking Swedish garage punks Zero Zero this bunch of mentalists leaves a lasting impression me both on and off stage with their intoxicated antics. There’s no nudity to write about this time around but bassist Felix later revealing to me and Dom that The Sick Livers are one of his all-time favourite bands was indeed a weekend defining moment.

Quickly shuffling over to the Opera House ready to catch The DeRellas playing what has become their Rebellion second home (and duly rechristened The DeRellaDome by yours truly) the immediate thing that hits me – other than the rather welcoming air conditioning – is just how packed it is down the front ready for Joe, Timmy, Luca and Billy to make their appearance, and this alone really restores my faith in the UK music scene right now as it’s great to see the guy’s continuous hard work making such a noticeable impact.  Of course, delivering a set packed full of glam pop goodies like ‘Don’t Go’, ‘Rip It Up’ (where Luca channels his inner Spaceman) and the simply fantastic ‘High Rise Supersize’ is only going to help the fan devotion grow even further and a year on with Billy Chaos holding down the backbeat The DeRellas really are sounding like the band I think they’ve always dreamed of being. I once saw The Only Ones play the Opera House and they weren’t anywhere as good as The DeRellas were today. You better believe it brothers and sisters.

It’s at this point in our Rebellion Saturday that me and Dom normally find a local boozer and enjoy the first weekend of the football season unfold on a TV screen but this year Dom’s interviewing Mr Spunk Volcano for a soon to be published RPM exclusive interview so instead I tag along to listen to possibly one of the most in-depth discussions the masked man has ever given and trust me when I say this one is certainly going to make for some interesting reading.

Returning to the Winter Gardens with every intention of watching my old mate, ex- Glitterati and current Rich Ragany & The Digressions guitar dude Gaff, playing with Desperate Measures I arrive at the Arena for their allotted slot only to find the place in band changeover mode so I assume they are running a little late and get myself a drink. Then when Blitzkrieg finally do make it onto the Arena stage the penny drops and I realise I should have been in the Pavilion all along and even with a quick sprint to the correct venue I literally turn up just as the final chord is echoing out around the horseshoe. Bollocks! Sorry lads, that’s gotta be a first for me, but at least I’m man enough to admit it and hopefully raise a smile or two in the process.

Angry with myself at this band faux pas I make sure I’m in The Opera House well in advance of Alvin Gibbs and The Disobedient Servants taking to the stage and yes I do triple check my planner this time, because having see this band deliver one of my gigs of the year so far I was not about to miss out. Especially when today the core trio of Alvin, Leigh and Jamie that I saw just a few months back are being joined by the master of guitar crunch Steve Crittall and for just a couple of songs birthday boy Gizz Butt who looks positively delighted to get to shred his way through the solos on the raw power of ‘Clumsy Fingers’ and the Iggy tribute ‘Down On The Streets’ . The setlist is pretty much the same as the one I’d seen previously but with the added bite of Crittall on guitar, I can’t help but wish I’d seen this line up play these songs in a small club. Still here’s hoping for the future as with the band sounding this great the ‘Your Disobedient Servant’ album surely can’t be the end of the solo adventure for Alvin.

Moving back to the Empress Ballroom just as Italian boot boys Giuda are about to take the stage with an uproarious version of ‘Overdrive’ from their excellent if somewhat sonically different ‘E.V.A’ LP it’s the intensity of the slightly rejigged line up that immediately hits me. I admit I was half expecting them to have turned into Giuran Giuran (thanks to Jim Rowland at Uber Rock for that one) given the use of synths on the new record, but no, as they rattle through the likes of ‘Back Home’, ‘Number 10’ and ‘Get It Over’ they actually sound tougher than ever before, which with no between-song banter and this time around no cover versions makes for the almost complete version of Giuda yet. Leaving the stage with ‘Cosmic Love’ from ‘E.V.A’ blasting out of the PA was certainly a bit odd though.

At this point, I admit I could have just stayed in the Empress for the veritable smorgasbord of tasty Oi! bands that were about to follow but with the lure of Duncan Reid playing the Opera House and that venue’s rather splendid sound and air-con I decided to play it cool ahead of Cock Sparrer and catch the 1-2 of The Big Heads and then later Walter Lure before sweating out half my body weight back in the Empress.

Opting to catch Duncan Reid And The Big Heads proves very quickly to be an inspired choice of band as the quartet rattle through some of their very best songs including a poptastic ‘Baby Doll’, a huge sounding ‘Bombs Away’, along with the uplifting ‘Just Because You’re Paranoid’. It’s also guitarist/keyboardist Sophie K Powers’ birthday and that seems to add an extra bounce to the whole band tonight and as guitarist Nick Hughes takes to the microphone for a run through ‘Brickfield Nights’ and the whole band join in on ‘First Time’ (a song Duncan dedicates to the songwriting genius of Honest John Plain) the whole party atmosphere seems to engulf the front rows right through to the last chord.

Picking up a quick bag of chips to keep me going I’m soon back in the Opera House in time to catch the only remaining Heartbreaker Walter Lure and his all-star LAMF band that also features Mick Rossi on guitar, Mark Laff on drums and Nigel Mead on bass. Now the cynics out there might be thinking this has car crash written all over it, but I’d actually say after watching these guys live it felt a hell of a lot more like a real band than the last time Lure played Rebellion back in 2013 with a few (admittedly excellent) hired guns. In particular, Laff and Mead are a watertight rhythm section and Rossi has always been something of a Johnny Thunders disciple can barely hide his excitement tearing off the riffs to the likes of ‘Pirate Love’, ‘Chinese Rocks’ and ‘Born To Lose’. Lure again adds in a few Waldos numbers along the way plus this time there’s also a couple of Slaughter & The Dogs tunes sung by Rossi. What we have here ladies and gents is a highly entertaining set that once again treats the Heartbreakers legacy with the respect it deserves.

Saturday night at Rebellion 2019 is all about the return of the mighty Cock Sparrer to the Empress Ballroom, and trying to get a good vantage point from which to watch their set is proving an almost impossible task even a good 15 minutes out from the scheduled start time. Having previously watched them from the pit, from half way back by the sound desk and from when the stage was side on almost from the side, tonight I choose a balcony view from behind side stage which means I not only get to watch the band without obstruction but I also get to watch the huge crowd too. As the lights dim and the ‘Overture’ intro tape booms out the PA I can feel the beads of sweat already running down my head, heaven only knows how hot it must be onstage under those lights or down the front, as once again the opening trio of ‘Riot Squad’, ‘Watch Your Back’ and ‘Working’ send the (shock) troops into a veritable frenzy. I’ve seen Sparrer live a good few times now and tonight really is one of the very best performances I’ve seen to date (even right up there with that show stealing Hellfest slot a good few years back now) and its perhaps made all the more significant and special when mid set Colin asks Andy (the husband of Kathy Rocker) to join them onstage for a truly heart wrenching rendition of ‘Gonna Be Alright’.  Elsewhere from the 2017 album ‘Forever’ we get the awesome ‘One By One’ along with the tongue twisting ‘Nothing Like You’ whilst the rest of the set is packed full of classics like ‘AU’, ‘Runnin’ Riot’ and ‘Where Are They Now?’ and never mind how many times I hear these songs live I never grow tired of them. That Sparrer play for 80 minutes and it feels like 10 minutes also shows what an immersive experience seeing them live really is, and yes, I’ll be doing it all over again when they hit the UK club circuit for one last time in 2020 along with support from Spunk Volcano & The Eruptions.

Joining back up with Dom at the Opera House for the end of The Godfathers set (and in fact as it turns out the end of that band) we ponder for a minute about going to watch another band before the night is out, but me, I need to go back to the hotel to wring out my T-Shirt as that really was the kind of day Saturday was at Rebellion 2019. (JH)

Whilst Johnny went off to lace his Doc Martins up and iron his Fred Perry I stayed in the Opera House, took five and waited for The Godfathers to take to the stage. Starting the set with ‘Birth, School, Work, Death’ seemed like a great idea as the band sounded thunderous and little did we know what was brewing. ‘This Is War’ had Steve Crittalls guitar slashing like a samurai sword through the super locked in and tight rhythm section. It was a ‘Big Bad Beautiful Noise’ and it was, a Beautiful noise that is.  It was commented that the band was ripping it up and I think it’s fair to say that this was shaping up to be one of the performances of the weekend. ‘If I Only Had Time’ had never sounded so good and following that up with the flip flop of ‘Til My Heart Stops Beating’ throughout the fifteen or so songs the band played they were on fire and ending the set with ‘Defribulator’ seemed apt under the circumstances.

The band returned briefly for a romp through the Ramones ‘Blitzkrieg Bop’ and then they were gone.  Little did we know that some days later Peter was making the public removal of the whole band on Facebook! 

Sure it’s his baby and his prerogative to shake the lineup and hire and fire but Facebook?  From a fan of the music and the legacy of The Band I’m gutted – shit happens, I get that but this line up was channeling some incredible MC5, Stooges,  Detroit sounds which makes it all the more sad to see it unfold so publicly and after such an electrifying performance.

Alex, Steve, Tim, and Darren’s contribution should be recognised because they seriously rocked, it’s a real shame that the legacy of The Godfathers might very well be damaged  (I hope not) because I was buzzing after the set and that was largely down to the band who just played, Peter included. Who said Rock and Roll was boring? (DD)

Now over to Mr. Sutton to fill in the blanks of what else went on elsewhere in The winter gardens…

Saturday is something of a tactical battle as alcohol intake has to be tempered by an impending midnight gig to be played. As a result, many intended viewings fall by the wayside. ut there’s no way I could miss the Cockney Rejects and there’s also no way you can miss the full-blown Wonk Unit set after last night’s masterclass and it’s good to see a totally packed Club Casbah agree wholeheartedly. Two blinding sets in 24 hours?  Wonk Unit shit them!!!  The early day logistics meant that one of the bands I missed was Informal Society but that aforementioned midnight set we had to play at a fringe gig also happened to have Informal Society playing the 2am slot, so actually catching them was a real bonus, as the LA troupe really ripped out a high energy set for their second stint of the waking day.

Authors (JH) Johnny Hayward additional words from (DD) Dom Daley and Mr. Darrel Sutton.

Pictures of Alvin Gibbs, Gizz Butt, Cock Sparrer, Cockney Rejects courtesy of Dod Morrison Photography

All others from the shakey Dark Fruit sponsored phones of Hayward & Daley

Saturday has always felt like the most popular day over the Rebellion weekend and this year is certainly no exception with day tickets selling out a full four weeks before the event (at the time of writing day tickets for the other three days along with full weekend tickets are still available here).

The main draw this year is without doubt the return of the legendary Cock Sparrer to a UK stage following their back to basics club tour of 2017 which they undertook to promote their awesome ‘Forever’ album, and looking at the quality undercard that is also on offer this is definitely the day to get your cherry reds out of the cupboard and buffed up ready for.

When the Saturday was first announced I did detect an excited squeal originating from within RPM towers as Editor In Chief Dom Daley saw that a band called Spider are opening the Empress Ballroom at 12:35 without first realising this four-piece are gothic-tinged punk rockers from Long Beach California and not Sniffa’s straight edge boogie metallers from the eighties. This is something of a get out of jail free card for yours truly so I’ll be raising my first Dark Fruits of the day to this Spider safe in the knowledge that they don’t sound fuck all like Status Quo. Result!

With the Introducing Stage once again showcasing a further thirteen bands over the course of the Saturday our old chums and graduates of the rock ‘n’ roll high school Brocker make a very welcome early appearance at 13:15. So if high octane rock ‘n’ roll music delivered with plenty of punk rock attitude is your bag then I suggest you add this one in your laminated gig planner too.

Returning to their second home of the lavish Opera House stage glam punkers The DeRellas are next up for me at 14:20. Last year Joey, Luca, Timmy and Billy took the capacity crowd on a non-stop Rock n RollerCoaster Ride, without even playing the song by the same name that first got me into them.  This year I expect more of the same insanity with the new boys now fully gigged in across sold out European shows.

After a weekend of full force punk rock (whatever your choice of sub-genre) if you are looking for a place to chill out on a Saturday afternoon then Club Casbah from 4:20 onwards is going to be your ting as Rebellion celebrates the influence dub, reggae and ska has had on punk rock via a four hour four band line-up that kicks off with The Rhythm-ites and also includes sets by RDF, Citizen Fish and HR from Bad Brains.

The lure of Alvin Gibbs and The Disobedient Servants in The Opera House (kicking off at 5:15) where the core trio of Alvin, Leigh Heggarty and Jamie Oliver are no doubt going to be joined by a huge array of guest guitarists is always going to be enough to tempt me away from an afternoon of skanking plus when you also add the return of the mighty Giuda to the Empress Ballroom stage at 17:50 its safe to safe I’ll be doing the ‘Space Walk’ down the front ready for some ‘Ravers Rock’.

With Club Casbah celebrating all things reggae the Empress Ballroom meanwhile takes a trip down the skinhead/Oi! route with Lions Law kicking things off at 4:45 with sets following from the likes of Giuda (who I’ve already mentioned), Evil Conduct and Cockney Rejects along with a special set from The Business celebrating the life of Micky Fitz set to feature special guest vocalists (with Al Barr (Dropkick Murphys) and Roi Pearce (Last Resort) are already confirmed) all singing the songs of their fallen brother. There won’t be a dry eye in the house that’s for sure, and all of this is before Cock Sparrer hit the stage at 11pm to deliver what has become THE definitive Rebellion set of punk rock music, delivering classic tune after classic tune into the wee small hours.

Of course, if Oi! isn’t your thing then there’s still plenty to see elsewhere with Duncan Reid & The Big Heads delivering the powerpop goodies in spades over in the Opera House from 7:25 and then in the very same venue from 10pm onwards there’s the back to back awesomeness of Walter Lure’s LAMF and The Godfathers to revel in. Proper low-slung guitar punk rock ‘n’ roll just how RPM loves it, and I must admit this stage clash is one of the biggest of the weekend even extending to a third stage for me as I’d love to also be catching Wonk Unit over at Club Casbah from 21:50….and then there’s The Exploited at 11pm back to headline the Club Casbah after Wattie’s umpteenth bout of fisticuffs with the Grim Reaper, surely that alone is reason enough to raise a pint and celebrate the band’s back catalogue?

I’ll openly admit I’m really not sure how I’m going to fit all of this in folks but I’m certainly going to give it a try…ahhh you know fuck it I might just spend all day watching new bands over on the Introducing stage and say “what the hell.”

One things for sure though and that is Rebellion Festival is the place to be from the 1st to the 4th of August 2019 and you can get your tickets RIGHT HERE!!!!

 

 

Birmingham proto-punks BLACK BOMBERS have announced a new mini-album and a handful of dates to go with it.

The six-track 10” vinyl Vol 4 is due for release on Easy Action Records on 29th March and follows on from their three previous releases, their self-titled full-length debut and two 7”singles, ‘Crazy’ and ‘Rush’.

Black Bombers comprise guitarist and singer Alan Byron, bassist Darren ‘Birchy’ Birch and drummer Dave Twist. Between them, they have done time with the likes of The Prefects, Gunfire Dance, Brian James, Walter Lure, The Godfathers and seminal Birmingham garage band, TV Eye, and been compared to The Stooges, Third World War, Pink Fairies and early Motörhead

The trio laid down the tracks in the band’s lock up with engineer Simon Bishop and his Dragon Electric mobile studio. Vol 4 serves up five band originals, plus a striking cover of Paisley Underground band Green On Red’s ‘Hair Of The Dog’ from their classic 1985 album Gas Food Lodging.

“Al and I are fans of Green on Red and thought that ‘Hair of the Dog’ would sound great with a heavier treatment,” says Birch. “We imagined a cross between Crazy Horse and Blue Cheer…”

Vol 4 is preceded by the single/video ‘Relentless’…

“We’d had ‘Relentless for a while and recorded it for the debut album,” explains Twist. “But it didn’t feel right somehow, so we left it off. We got it right this time – cutting out anything that didn’t propel the thing forward.”

The band has a handful of shows lined up in April. Catch them live at…

4 April – Hare & Hounds, Birmingham (w/ The Folk Devils)

7 April – Westgarth Social Club, Middlesbrough (w/ Eight Rounds Rapid)

14 April – Hare & Hounds, Birmingham (w/ Jim Jones & The Righteous Mind)

18 April – Hope & Anchor, London (w/ Last Great Dreamers)

Pre-order Vol 4 from iTunes at Here

Black Bombers are on Facebook

Well, we certainly didn’t stand still in the last seven days as we brought you reviews from a range of artist old and new with The Lemonheads starting things off with the second studio album of cover versions entitled ‘Varshons 2‘.  As Evan Dando and Co, head out on a UK tour this week to promote the record RPM gave it the thumbs up as Dando led the band through some pretty diverse waters.  Westerberg, Cave and the Eagles all made it onto the record which as an aside came out in a scented banana yellow version as well.

 

 

It was also a week that saw two live albums hit the death decks at RPM with Metallica lending a ‘Helping Hand’ Where they released a double album with proceeds going to a most admirable cause and helping the most vulnerable in society a real genuine act of kindness that doesn’t get the exposure it truly deserves as the rock stars are often castigated for their excesses but seldom praised when they do reach out with a simple yet effective act of kindness.  So a huge well done from us at RPM as Johnny H gets stuck into the double slice of vinyl trouble.

 

 

The second of our live reviews came when Martin gave The Godfather a good seeing to with their fantastic ‘This Is War’ the once over. describing it as, “Loud Sharp and Beautiful”, is about as close a summery as you can get.  It’s fair to say that it damn near captures the current line up right at the top of their game.  It’s certainly raw it’s certainly loud and no question it has the Godfathers roaring on all cylinders and has you wondering why all live albums can’t sound this good.  Essential listening no doubt about it.

We also brought you a summary of this years Gathering from North Wales as Mike Peters and the Alarm romped through a huge chunk of their back catalogue over two nights with plenty of special guests that included original Alarm Guitar player Dave Sharp, from Texas Ryan Hamilton and 80’s pop rockers Mark Shaws then Jerico. This year’s festivities weren’t without incident as the PA went down twice but it didn’t deter PEters who climbed into the audience with his acoustic guitar and un mic’d got the audience singing along and making the most out of a potentially bad situation and making it a memorable evening no doubt about it.  Gathering twenty-Seven was again a privilege to attend and I can’t wait for 2020 and number twenty Eight.

We also brought you The Spangles album launch show from way up North otherwise known as Harrogate as Ben Hughes had an equally splendid evening with an immensely talented band playing one hell of a debut album.  I for one hope there is a lot more to come from these three guys because their album was easily one of 2018 best releases.

As far as news goes we joined the rock world in wishing Bernie Torme a speedy recovery from his hospitalization from double Pneumonia and hope he’s back to full health as soon as possible. The same for our Australian friend Hayden McGoogan from The Black Heart Breakers who also found himself in Hospital this past week – Get yourselves fit and health please gents and I’m sure I speak for all the writers at RPM in wishing you both speedy full recoveries.

There was also some superb festival news as The Dead Boys were announced as headliners for this year’s Rebellion Festival in Blackpool along with Walter Lure who will be playing L.A.M.F. at the festival and across the channel in Belgium Sjock Festival announced a raft of superb bands added to this years festival including RPM favourites The Hip Priests and Barstool Preachers who play alongside The Hives, Hellacopters, Electric Frankenstein, the Briefs  and Gluecifer. To be fair news wise last week was a bumper week for great rock n roll news.

 

Anyway, that was last week on RPM and as we are always looking forward here’s what you can expect this coming week on the website. We’ve got a couple of bumper interviews with the likes of Slyder from Last Great Dreamers as they announce a lot of dates for 2019 in what appears to be a hugely busy year for the band.  Also, we have a monster interview with “Demons” Matheus Carlsson which should see your Friday seem a lot more enjoyable as we spoke about the past present and future of the band in what also looks like a great year for the band.

As for album reviews we’re once again scouring the globe for great bands and we’ve certainly got those coming at you with the debut long player from ‘Wet Dreams’ reviewed today by Johnny H and there is also the long-awaited long player from Jim Jones & the Righteous Mind’ coming later this week as ‘CollectiV’ has certainly been entertaining RPM HQ and what will be one of the years top albums no question about that. We also look back on some significant happenings this coming week in punk, rock and pop music history so keep it RPM folks for all your turbocharged Rock n Roll!

Stay Sick,

L-U-V RPM

 

This Rebellion Festival news announcement gave RPM HQ heart aflutter as the already strong line up just got a little stronger with the inclusion of Walter Lure putting together a pretty decent line up for Something very special for the OPERA HOUSE. Like we weren’t going to be all over this one. 

Walter Lure’s LAMF featuring
Mick Rossi of Slaughter & the Dogs with
Mark Laff of Gen X
Nigel Mead of The Duellists
They will be playing tracks from The Heartbreakers iconic L.A.M.F. album on Saturday night in the Opera House.
TICKETS: www.rebellionfestivals.com/shop