Having just completed Doug Brod’s excellent ‘They Just Seem A Little Weird’ book, this third album for Rum Bar Records from Boston based rockers Watts couldn’t have dropped in my review stack at any more appropriate moment.
Why?
Well just like Brod’s book took me back to the magical days of discovering the likes of Cheap Trick, Starz, Aerosmith and KISS for the first time and making me go all gooey eyed in the process, this all new ten tracker celebrates that same glorious era of musical creativity whilst giving it an adrenalin booster shot just right for the 2020s.
‘Loud & Fast’ kicks things off in fine style conjuring up a kind of Blackhearts meets Motorhead vibe with vocalist/guitarist Dan Kopko’s instantly recognisable gravelly roar front and centre hammering home the song’s huge hook. ‘Queens’ is where the band’s underlying KISS influence really does get turned up to eleven, and it’s better than anything the New York glam veterans have written in the last four decades, plus it’s delivered with a Judas Priest lyrical nod that has me grinning from ear to ear every time I hear it. This is how I want MY rock ‘n’ roll that’s for sure.
The other great thing about Watts is that three of the four members can sing lead, so when bassist Tim McCoy takes the microphone for ‘Breaking Glass’ this leaves Kopko to deliver some soaring Lizzy-esque duel harmony guitar with his counterpart John Blout, plus when drummer John Lynch delivers ‘The Night The Lights Went Down’ his cleaner vocal delivery lends this Black Crowesy roots rocker a more power-poppy sheen and band in the process offers up a potential breakthrough radio hit.
Elsewhere ‘Shady’ would not sound out of place on a post-Bowie intervention Mott The Hoople album, whilst ‘Heavy Metal Kids’ has an instant “in his prime” (as in prior to 1985) Bryan Adams charm to it, that if this world has any justice to it will see it being sung in karaoke bars worldwide for decades to come, and I really do not mean that as a put down. Then there’s the incredible ‘Shocking Pink’, a song Blout/Kopko (who write seven of the ten tunes here) surely must have written whilst listening to Jellyfish, albeit here the glorious vocal hooks are all played out by a band who really are hooked on a Heartbreakers (Tom Petty version) trip rather than Supertramp and Wings.
And talking of breaking hearts, the sleazy Thunders/Dolls vibe of ‘Seventeen’ is a hellraising, fag in the corner of the mouth kind of rocker driven along by some brass stabs that will have you straight up and stomping your creepers, and if you’re looking for the perfect morning after soundtrack to counter that then ‘When the Party Ends’ is just what the doctor ordered for your hangover from hell (even if to my ears at least it’s got a bit of Stereophonics thing going on). Which just leaves the only track on here that has been previously available, the prophetic and Cars-like ‘All Done With Rock & Roll’, which kind of takes us full circle, ensuring as the final chords chime out you just have to press play again.
The world needs ‘Shady Rock & Rollers’ like Watts right now, and believe me when I say you need this record in your life. It’s out now via Rum Bar Records and really is essential listening!!!!!
In these strange times you can always rely on the RPM singles club to come up with a full basket of tasty Easter treats from the 7″ department of some of the best independent labels (and some major ones too) We have a slimmed download this month for obvious reasons but a pandemic won’t stop the rock, no sir. Let me introduce some of our picks from recent releases and ones about to come out from New York to Europe and everywhere in between check out these pretty pieces of plastic that came our way…
Watts – ‘Seventeen’ (Rum Bar Records) You want Rock and Roll in these tough times? sure you do what about FREE Rock and Roll? Hell Yeah! Well, hit up the link and download yourself some stonking foot-stomping bullshit-free Rock and Roll courtesy of those dudes Watts and rum Bar Records. It’s got keif Richards riff-a-rama on the guitar and those rasping hard-living vocals wrapped around a shitgrinning rocker get on it already. ‘When The Party Ends’ is a more ‘morning after’ feel but it’s an absolute belter oozing Rock n Roll. Hit the link and grab it now and let the good times enter your life Here Record of the week? Hell Yeah! not because it’s free but because it’s so damn good. Watts and Rum Bar are a match made in heaven and this is as good as it gets, timeless and class.
Sin City – Hold On (self Release) Holed up in Alicante Spain Two Cavemen recorded a couple of bluesy American classics in the shape of ‘Hold On’ and ‘Broken Hearted Man’ obviously being quarantined has seen them open their beat-up soul. Recorded with one mic, an acoustic guitar, an electric piano, a tambourine and whatever else they could find lying around the house. So plug it in, turn it up and let Sin City and their Mojo Machine get to work on ya! hit the link for the Bandcamp page Here Hell they’ve even worked out how to press record on their phone to shoot a video. It’s taken from a download album that’s rather tasty to be fair showing their not just drunken marauding animals who like fast n loose they can chill out and plonk da blues. Check it out Here
The Dollyrots – ‘Make Me Hot’ (Wicked Cool Records) With a cracking chorus The Dollyrots have got themselves a banger of a seven inch single. ‘Make Me Hot’ is a blast of power pop that should be heard across the globe this summer blazing from radios everywhere. flip it over for a rip ride cover of Lisa Loeb ‘Stay (I Miss You)’ in all its unashamed glory pop music rocked up. This will sell out no doubt as the band go from strength to strength with a hugely confident single. Buy Here
Mickey Leigh – ‘It Felt Like Love’ (Wicked Cool Records) If you want a distraction from the global pandemic it seems Wicked Cool has happened upon one antidote for the self-isolation blues and that’s by releasing a bunch of wicked cool singles. Mickey Leigh being one such 45. If your wondering who is he well, let me introduce you to Joey Ramones brother who has a wonderful slice of rock and roll with the A-side that reminds me of Stiv Bators solo era. A wonderful track that has a great hook on the chorus as the song just chugs along effortlessly. Keep digging though because the B Side is a real vibrant cracker ‘Trouble Man’ motors along. His brother would be proud of these tunes and the playing is fitting and really impressive, I like this a lot. Buy Here
Primo! – ‘Machine’ (Anti-Fade & Upset The Rhythm) Jangly Power Pop courtesy of Melbournes Primo! lifted off their album ‘Songi’ which will be released later this month. Check out their hotrod video now
Electric Frankenstein / Scumbag Millionaire (Ghost Highway Records) If ever there were two bands best suited to do a split single then these two would certainly be contenders. USA v Europe yet bonded by a love of loud guitars and some Garage Punk Rock n Roll attitude. EF contribute the riff-a-rama of ‘One Step Away’ with its bruising riff its classic EF then on the flipside you have the brutal and rapid riffs of Scumbag Millionaire ‘Strike Me Down’ its reminiscent of when Hellacopters broke onto the scene with the same vocal style and crash bang wallop of the verses colliding with the chorus and then smash – we’re into the soaring solo. Winner by a country mile!
Twisted Wheel – ‘I Am Immune’ (The Orchard Music (on behalf of Independent) Taken from their brand new album ‘Satisfying The Ritual’ Your left in no doubt that this is a right banger folks. Check it out and pre-order the album Here why don’t you?
Bloodshot Bill – ‘Its The Out Of This World Sounds Of…Vol 2’ (Ghost Highway Records) 1950 rockabilly inspired rock and roll just like The Cramps used to mess with your brain and some. ‘It’s A..Aa,a.Aaaggghhh!’ B Movie rock n roll from Bloodshot Bill its certainly out there from another planet ‘Moon Rocketing’ then ’50 Megaton’ sparse and authentic but totally fucked up and wonderful. Then you have the acoustic ‘Be My Satellite’ sounds like it was recorded on moonshine round an old wireless in the woods. Its got whistling n all so whats not to like. this is what makes the wonderful world of Rock and Roll so entertaining. Facebook
The Dahlmanns / Tommy & The Rockets – ‘Scandinavian Affair’ (Beluga Records/Ghost Highway Records) Yes through times of adversity you can always rely on some people to keep the spirits high. Another great team up in splitsville as One side is the Dahlmanns with the power-pop piano lead of ‘Part Girl’ it’s like an early ray of sunshine on a cloudy day. Music that should be on the radio playlists everywhere but isn’t but don’t let that get you down just let this ray of sunshine into your life. Then you have Tommy & his rockts turning the amps up for another slice of power pop but from another angle. ‘you Don’t Know What You Do’ again like The Dahlmanns they just ooze classy power pop and if you ever had a hankering for something pop but with guitars then Tommy & the gang are for you. Pick it up from Beluga or Ghost Highway before they’re all gone. Buy Here
The Cocktail Slippers – Nighttrain (Wicked Cool Records) Oslo Norway isn’t the place I thought would throw up some cool street power pop not a million miles from Blondie rockin out had you said Queens then I’d have assumed it present and correct. Its got the swagger of the lower east side These ladies have got themselves a catchy glam rockin slice of power pop.Buy the track Here / Facebook
Aborted Tortoise – Scale Model Subsistence Vendor (Goodbye Boozy Records)
Their new EP, ‘Scale Model Subsistence Vendor’, is one that backs this up once again. Arriving via cult-adored Italian punk label Goodbye Boozy Records, the EP brings together another four tunes bursting with energy. Moulding rock with heavy punk It’s sharp and succinct, ‘Making A Mint’ is frantic and will get yer blood pumping then ‘Factory’ is more laid back (really? Laid back?) ok, its not so rapid on the verse and sounds like its hanging on by a thread as the guitars chop away its got Pavement meets the Dead Kennedys running through its blood stream but so much more going on besides. Perth Australia has never sounded so inviting. Flip it over for the frantic ‘Violent Consumer’ before ‘Plastic Orgasm’ takes this EP home with its sharp romp to the finish line. Aborted Tortoise make it sound easy but being this good isn’t easy. Cracking EP from the artwork to the noise in the grooves buy it! . Bandcamp
Wyldlife -‘Automatic’ (Wicked Cool Records) I’ve not had the pleasure yet of hearing the new long player but have had a couple of glimpses through the window so to speak and of course I’ve loved what I’ve heard, why wouldn’t I? I’ve always loved Wyldlife and on hearing the new single ‘Automatic’ I can fanboy swoon once again and tell everybody I know that the album is coming. With the loud guitars and understated melody, it’s exactly what I wanted to hear in these dark times. A band who are nailing it every time and this new Wicked Cool Record is going to blow away the opposition – great tune – simple buy it! Inspired by a mutual love of Jesus And Mary Chain with a friend this is Rock and Roll Year of the snake be damned it’s the year of Wyldlife get on it pop pickers it’ll brighten up your social isolation Facebook
The BD3 – ‘Snowfake’ (Dischordia Records) Bradford ner do wells The BD3s have a double-sided single out and with the understated menace ‘Snowfake’ cruises along with a lovely slice of post-punk edge with a rasping buzzsaw guitar and spoken/chanted vocal jarring away its got some of the Fall happening its the audio equivalent of being poked in the chest and told whats what. Much like Greater Manchesters Cabbage The BD3 have carved out their own niche and they sit comfortably in there or should that be uncomfortable? the other tune on offer is the raging ‘Sypharus’ with a wicked riff and jarring lyrics its post punk for the 21st century and on this introduction, it sounds bloody good. Facebook
SHVPES – Lions Den (Spinefarm) Ahead of a decent UK tour and new record these rockers knock out another interesting video for ‘Lions Den’ Keep up to date Here
Tyla’s Dogs D’Amour – ‘Lightnin’ Bar Blues’ (King Outlaw Records) Tough times currently can be made easier by some sweet tunes and Tyla and his Dogs D’Amour have covered the classic Hanoi Rocks ‘Lightnin’ Bar Blues’ Tyla style.
Its all for a good cause don’t you know. Get on over to the Bandcamp page and drop a virtual quid in the box and own this most wonderful take of a wonderful song. Originally Hanoi put the track on their ‘Oriental Beat’ album but this take on a classic is very different but totally Tyla (if you know what I mean). Pour yourself some ripple wine and turn it up. You know it makes sense now what are you waiting for? Fark Orf if you’d be so kind and click Here
L.A. Guns – ‘Crawl’ (Golden Robot Records) Having recently signed to Golden Robot Records part of the Golden Robot Global Entertainment Group, the legendary L.A. Guns are set to release their new single ‘Crawl’ on April 20th. ‘Crawl’Pre-Order / pre-save: https://smarturl.it/LAGuns-Crawl Not to be confused with the other band called L.A. Guns of course. Not really having a clue where I stand on this name game but as far as songs go this one is alright and sounds like you’d expect L.A. Guns to sound but don’t think its the Phil Lewis vocals because it’s not this one is Kurt Frohlich on vocals. With a very 80s sounding track ‘Crawl’ is turning back the clock for all you cock rockers. Facebook / Instagram / Label link
Johny Skullknuckles – This City (Self Release) Free music? Johny Skullknuckles is giving away a tune? Today just got a lot better. We love free music and we love Johny Skullknuckles and we love ‘This City’ as it drifts in on an acoustic strum and meanders toward the chorus with just a bass drum and occasional snare and acoustic (and a voice or two) Skullknuckles opens his heart about his town and how time moves on and places change and not always for the better. Cheer up Johny you’ve still got yer memories and the ability to write proper rock and roll tunes keep it up and we look forward to your next offering already. Get it Here kids you know it makes sense.
Brassick – ‘They Say’ (TNS Records)Brassick seem to have been around for an age and when they used to turn up and play Slugfest they always turned in a thoroughly convincing and passionate set and when I’ve seen them at Rebellion the same. I did wonder what they would be like on record and don’t quite know how I managed to avoid it thus far and to be fair this is a belter. You get taken on a roller coaster of a journey from the bass rumble that will loosen any fillings to the soaring chorus. To the Buy the track Here ahead of the album release later this month.
Always nice to get a Monday morning off to a good start well it won’t get any better than this slab of punk rock from Norway. Wet Dreams indeed get these bad boys on your radar asap.
Wow is it really 30 years? Seems like a great time to watch this great song and video again and hope the reissue delivers some great bonus material. ‘Love Junk’
Finally with a new song up on Bandcamp but no video we thought it only fair to show this bad boy which guarantees to kiss any Monday morning right between the eyes take it home boys and turn up the speakers because its Watts with enough Kiss references to satisfy Gene and his payola machine. take it away gents
Another year begins and so we embark on other singles roundup. With January barely alive and the songs begin to trickle into RPM HQ not so much an avalanche but a gentle stroll through the door. But that’s not to say the quality drops because we can assure you that’s not the case at all and we start as we mean to go on with the first banger out of the traps in 2019 we give you…
Watts – Breaking Glass (RumBar Records) Never let us down before so no reason to doubt their impeccable taste in Rock n Roll and from previous reviews, Watts is a band not to be ignored or passed over and ‘Breaking Glass’ is a wonderful way to begin the year. IT got big loud guitars and is the sound of a band with its head held high and chest puffed out because it knows how fuckin’ good it is. From the intro of breaking glass and the throbbing bass guitar you know this is happening as we riff towards the chorus this is a breath of fresh air not because it’s original or groundbreaking but because its bloody good. They know it – Rum Bar knows it – Boston knows it and RPM knows it and now you know it. Amps turned up Riff – n – Roll and Rock solid. Watts are winning every day of the week with songs as cool as this watts not to like and for $1 how can you refuse? Bandcamp
Tad Overbaugh & The Late Arrivals – Demons In The Dust (Rum Bar Records) Well Rum Bar are setting the bar high in 2019 as the label gets off to a blazing start with some quality releases and the second this month is Tad Overbaugh’s whose songs fall somewhere between the twang of Steve Earle and Ryan Hamilton with a little dash of the countrified Supersuckers and the songwriting of Tom Petty. No question this collectives five songs veer from the big open roads of the southern states and barroom saloons and smokey bars and late nights. the excellent ‘Lethal Charm’ is a soft song for tough guys taken from ‘Beauty And Barbed Wire’ but its opener ‘Hey Lonely’ that sets off this EP. Sounding like Mellencamp when he rocked it up its a beautiful thing and superbly played and arranged. For a change of pace check this out via Bandcamp
The Lurkers – Electrical Guitar (Damaged Goods Records) with Pete Stride and guest vocalist Danie Centric sharing lead vocal duties, the first fruits of which being this brand new 7”, limited to 750 copies on split black/clear vinyl Damaged Goods Records release this two-track slab of noise. In typical Stride fashion its a blunt to the point slab of punk rock. Like the lyrics say its simply a direct statement of belief in the essence of rock ‘n’ roll – 4 beats to a bar, electrical guitar, sometimes that’s all you need! its as simple as that folks and the B side is a darker riff but a bludgeoning riff all the same with lead vocals going to Danie. This will wake you up of a morning no doubt about that – banging! return to form. Buy Here
The Mistakes – Walk Tall (NBQ Records) Taken from the new LP “Upstarts and Heretics”, Walk Tall is no-nonsense street punk rock – Ave it!
Bad Sons – Kick Rocks (Self Release) Chicago punks Bad Sons are back with their second release and it’s more of the same sleazy punk rock n roll played with a tonne of swashbuckling gusto and just the thing that RPM HQ loves. The second track ‘Hammers’ pounds away and lives up to the band’s mantra of only having two rules – Loud and Fast and we say a big fat Amen to that brothers and sisters and you know what? They don’t let you down either as they kick the shit out of my speakers. The only downside I can see is there are only two tracks on this single whereas ‘Cry Tough’ had four tracks. My only hope is there’s an album on the way because I’ll have some of that if there is What an excellent debut on RPM this is go check em out – you won’t be disappointed we guarantee it! Facebook
Glitter Piss – Demo (Self Release) Garage punk rock n rollers Glitter Piss hail from Brighton and peddle a noisy trashy garage punk that Iggy and the Stooges used to do many many moons ago ‘Life Is Deadly’ is fast and fucked up just like Those Hip Priests but more fucked up and..well…Glittery and trashy but the DNA is in there. Not afraid t work with the feedback or the odd out of tune string it matters not a fuckin’ jot. what does matter is the fact they can kick up a shit storm with their instruments and we like that and will always have time for a band who have passion and as they succinctly put it a stench of piss. There is no big budget studio finery on display here just guts and great ideas and tunes aplenty and we’ll take that any day of the week. Oh, and Iggy would love ‘Party Town’ I’m sure of it. Bandcamp
Weird Omen – A Place I Want To Know ( Dirty Water Records) Primitive garage trash brass, reverb, and fuzzzzz”, Mixing ‘60s pop and psychedelic garage This French three-piece are carving a genre of their own and whilst there are aspects of bands like The Cramps and early Stones along with some of the more trippy psychedelic bands there is a shade of riotous punk beating away in there along with a big bold saxophone. VU has an influence on the lead track for sure and the second song is a trip as well ‘Girls Are Dancing On The Highway’ wins this month’s oddest title and I’m sure these cats will take that. It’ll draw you in and put your brain in a blender but one thing you’ll know is you like it and you will be back for more. Warning highly addictive!
Happy to squeeze in a quick video. This offering is from Ditchbanger and it sounds like they’re in league with the big red feller down there as they release a video from ‘Pure Hell’. click the link in satan red and let em know RPM sent you they might have mercy on our souls then.
So there you have it. Welcome to 2019 and a bunch of singles that require your attention in our humble opinion. Half a dozen good reasons to be in love with music and discovering something old and new. Until next month enjoy and if you hear anythign you think we would like or should like then give us a shout at rpmonlinetcb@yahoo.com you know it makes sense.
With enough singles to keep any jukebox fully stocked with the latest and greatest RPM brings you a mixed bunch of Rock n Roll, Punk, Garage, and God knows what for your dereliction this month. As we move into November and the Christmas shopping there are more than a few stocking fillers on display here for the discernable hipster to shave off the beard put some socks on and get into some real rock and roll before it’s too late and your old and wondering what you’ve done with your life. So read – watch and listen the 45 RPM roundup is in session…
Scumbag Millionaire -Under The Spell (Suburban Records)
Gothenburg scumbags release the third single of the most excellent album ‘Speed’ (Reviewed Here) As it thunders along this is as good as fucked up rock and fucking roll gets. It sounds huge! and the seven inch also has non-album track ‘Get Out’ on the flip side of this slab of orange wax. Get involved folks these boys are blowing up and offering a thrilling mix of garage rock n roll and punk attitude and making some of the best music this year.
So Beluga in Sweden knows a thing or two about putting out fine Garage Rock n Roll singles and The Hijackers just joined the family with a high energy slab of sleazy garage rock and roll. Having been a part of the scene back in the 80’s its only taken the band some thirty-two years between releases that’s either some writers block or Axl Rose style recording process, either way, it’s here and Beluga has it and by the sounds of it, it’s well worth the wait. The lead track ‘I Don’t Like You’ is like the Hives sludging it out with the Mc5’s and the guitar solo is howling feedback that Brian James would be proud of. Cramming four tracks on to this seven inch makes it a record worth owning and real value for money. ‘Day and Night’ is a real toe-tapper with its feet firmly planted in the late 60’s as they really have this down to a fine art. Side two is off like a rocket as ‘My Little Girl’ is barely in tune but that doesn’t matter because this is flying by the seat of its pants hi-energy rock and roll and we totally endorse that. Let’s hope its not another thirty years for the next release
The Briefs – Kids Laugh At You (Taken By Surprise Records)
It’s the Briefs and after their show-stopping performance at this year’s Rebellion festival, This was always going to get a rave review from RPM because we love the likes of The Briefs. The lead track is off like a hurricane as it devastates with its pace and melody. sure you know what to expect and you aren’t about to be disappointed either because Nix and the gang deliver again and again and its a most welcome entrant into the singles club love the Damned-esk breakdown and then the chanting gang vocals that take this home. the Briefs are back kids and their laughing as well. the B Side of ‘She’s The Rat’ is another top-notch belter go on fill yer boots and click the link Buy Here
Demons – Was Here…(Ghost Highway Records)
Demons have sure been busy these past few months what with their new mini album with punk rock legend Jeff Dahl (RPM review shortly) and this here single on Ghost Highway Records. This chunk of good old Rock and Roll is just about hitting the bullseye of our heart as ‘Street Corner Of No Return’ is the lead track that just oozes class, it’s no frills yob rock with a bruising tempo and sing along chorus that you and your gang can join in on as the organ lends the harmony a helping hand. The B Side is a more laid back rocker in the shape of ‘Satellite Town’ by the end you’ll be singing along and dropping the needle back at the start to go back for some more and the solo just burns! Great single.
He’s got a Fezzbox and he’s not afraid to use it. Like the bastard sibling of Jon Spenser, These four tracks deliver a sonic fuzzed out slab of Garage rock and roll. You know what you’re going to get the second the music kicks in its a needle in the red and plenty of swing on those drum licks. The heat gets turned up as the EP plays out. I love ‘Ladyland Batswingers’ whatever that means or wherever it is I want in. It’s getting hot in here and as the solo wails on ‘You Do Not Belong’ its like a trip on the tongue of someone else as the melody and sha-la-las shouldn’t fit but they bloody well do. after you’ve shaken off the tinnitus the police sirens howl as the tempo raises through the roof ‘Rhesus Christ’ kicks over the speakers and sets fire to the console as they leave the room. quality!
Can they ever make a bad song? Nah didn’t think so either. After releasing a brand new album they left these two songs off the LP to release as a single quite why they’d leave these two off God only knows. With ‘Dog Collar’ coming on like the bastard child of a Clash song its a slab of coll as fuck punk rock and what every office party should have on at the Christmas do whilst you’re spiking the punch. But they saved the best til last as the B side ‘Talk To Us’ is a stone cold could only be The Parkinsons classic. From the laid-back gang vocals on the chorus and the funky rhythm that jars your head while the organ tickles your fancy if you don’t like this then as Alfonso says “You ain’t got no soul” and the best bongo playing since T Rex! Buy it Now!
Brad Marino – Four Track Attack (Beluga Records)
FOUR TRACK ATTACK is the debut solo release from veteran rocker Brad Marino, best known as the singer/songwriter/guitarist for The CONNECTION. Brad has to be credited for been named as “Coolest Song in the World” on Sirius XM’s Little Steven’s Underground Garage on more than the once. On its own, that merits a huge amount of Kudos in my book Well taking time away from The Connection Brad had decided to really show off by playing everything on his new EP and singing. the first couple are solid power pop then Brad turns up the tempo and starts cooking some cool licks on the six string. ‘On The Brink’ rips and just oozes rock n roll. the final track ‘Special Friend’ was written especially for this project by New Trocaderos’ songwriter, Michael Chaney. Check out Brad and then check out his band you won’t be dissapointed.
St.Jimi Sebastian Cricket Club –I Still Get The Calls (Beluga Records)
The first single out of three from St. Jimi Sebastian Cricket Club and Beluga Records. I Still Get the Calls and the b-side A Smile Within is recorded and mixed at Vibe Studios Manchester (the Stone Roses, Happy Mondays, Badly Drawn boy etc) and mastered by Pete Maher, London (U2, Jack White, The Rolling Stones etc ).
A bit of a slow burner especially the B Side but ‘I Still Get The Calls’ has something of a nod to 80’s Britpop With a good old sing-a-long on the chorus this is good stuff. Good old storytelling rock n roll.
Tommy And The Rockets / Bikini Wipeouts (Kotj Records & Rocktopus Tea Party Records)
“Split The Waves” sees Tommy And The Rockets and Bikini Wipeouts knock out Two songs each, one original and one cover. Tommy And The Rockets did a cover of “Summer Means Fun” by The Fantastic Baggies, and Bikini Wipeouts did a cover of “Hawaii” by Brian Wilson and as winter comes rushing in why not pour one last cocktail and get the grass skirts out for one last party hey why not hold a party and play some tunes and why not play this slice of pop n roll .
How these Northern Europeans aren’t really from more tropical shores God only knows and Los Bikini Wipeouts aren’t too shabby either. Give it blast if you want to know what summer sounds like.
Quite simply Watts kick ass that should be all I really need to say on this one. I tip the hat once again to Rum Bar for flying the flag of good honest rock and roll music and its bands like Watts that are like moths to a flame as they converge on the label and then they feed off each other ‘Queens’ is a no-nonsense rocker with a solid beat and great full production to drive the song on. this single is backed by the balsy ‘The Night The Lights Went Down’ which is from the same gene pool as Bon era DC and that’s always going to be a good thing Right? Right! The good news doesn’t end there because there’s a long player coming early next year again on Rum Bar records these guys just keep giving.
V8 Wankers – the Last Rock ‘N’ Rollah (Ghost Highway Records)
It got one big biker boot firmly stuck in the Four Horsemen camp and the other on the monitor wedge. This bad boy has some bottleneck and is fairly generic in style and the flip side sees the band turn in a fairly honest take on the classic ‘Travellin’ Band’ they speed it up (of course they do) and thus loses some of the spark and lacking in some muscle which would have made this more of a bruising cover.
Puppy & The Handjob – I Eat Abortions (Slovenly Records)
of course, they do. They also play catchy punk rock that’s recorded in the blink of an eye and on a budget. It’s fair to say these cats aren’t from the Bob Rock school of big sound and they’ve never taken a leaf out of Def Leppard’s book (thankfully). So they do have a melody and a guitar solo but you should look away now if you don’t appreciate a wicked solo played from the heart (yeah right) good tune though to be fair. Spread out over five songs it gets a bit tired after a while must be that Arizona heat.
I love The Ramones and so does The Dirtiest and why wouldn’t they – why wouldn’t anybody. The Dirtiest play buzzsaw punk rock and roll just like Johnny and Joey used to and I love it. The first tune is like the second and funnily enough the third is much like the second and the first but the fourth is like the first second and third. 1-2-3-4 hey ho, let’s go.
Jake Starr & The Delicious Fullness (Ghost Highway Records)
Former Adam West frontman releases this spooky three-track single through Ghost Highway in Spain with its wicked cover artwork and blood red wax how could we not cover this bad boy. With three stomping rock and roll tracks ‘A Ghoul Like You’ is outstanding with that spoooooky keyboard rattling round behind the curtains and some great scooby doo effects we give this a howling thumbs up. The horns on ‘Torso Song’ are fantastic and playing these would go down a storm with the likes of the Urban Voodoo Machine and their blues bop n stroll – honkingly good single.
Following on from their last EP, More To Life, which got attention from the likes of Kerrang! Radio, Pure Grain Audio, and Alt Corner. after eighteen months in the long grass, EIGHT DAYS are back with new members. The newly invigorated quartet have released their new single, Stray, in October; they plan to tour as well so keep an eye on their pages to find out when and where.
Having just completed Doug Brod’s excellent ‘They Just Seem A Little Weird’ book, this third album for Rum Bar Records from Boston based rockers Watts couldn’t have dropped in my review stack at any more appropriate moment.
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