The Urban Voodoo Machine – Friends And Family (Gypsy Hotel Records)

The Urban Voodoo Machine – Friends And Family (Gypsy Hotel Records)

 

Seventeen songs in an hour reworked with a bunch of their friends guesting on a song each what a genius idea.  It features over eighty musicians from around the globe making it one hell of a logistical project calling in Friends from as diverse projects as Vic from The Slackers through Jim Jones (not quite a stretch granted) the son of Dave a Crash Test Dummy and previous work colleagues such as Wilco Johnson.  A truly epic and exciting undertaking but something I expect to truly show off the songwriting talents of Paul- Ronny and his band of ne’erdowells and zombie drummers.

The album gets underway with The Great Malarky tackling ‘Orphans Lament’ and putting a twist on the tune but keeping it totally Gypsy like so were eased in gently. whereas Jim Jones takes ‘Killer Sound’ in an altogether dark place with that piano sounding truly terrifying in its sparse run but as you might expect Jim puts in a stellar performance and incidentally he plays everything on his version which deserves a mention and a tip of the hat to him – exceptional stuff and someone that clearly gets what UVM are all about.  What a brilliant performance of a menacing song.  The Future Sound Of London asked Jesus for help and knocked out a wonderful ‘Help Me Jesus’.

One of my Favourite UVM songs (certainly live) would have to be ‘High Jeopardy Thing’ and Dr Will & The Wizards drag it through the swamp then shine it up not as good as the original for sure but it’s all about the interpretation and its good.  Whilst the delta blues thang gets turned up with ‘Bucket Of Blood’ from Son Of Dave for what is a truly bourbon-soaked bop n stroll for sure. the last couple of tracks have embraced the UVM mantra and run with it even if they’ve both headed off down to that crossroads and traded their souls for a shot at these tunes.

As for my favourite Urban Voodoo Machine song that can change depending on what time of day it is but I guess there are some I gravitate towards no matter when what or where and hearing these interpretations has twisted my melon man and put a new spin on the songs for sure. Tigre Blanco take ‘rusty Water’ somewhere I wasn’t expecting it to go.  Whilst Ledfoot takes ‘Emptiness’ into the void and in a strange way makes it warm and comforting.

To be fair none of these artists or songs they’ve chosen was ever going to make synth pop out of what they had to work with and for the most part, its around the mantra of Bourbon soaked Gypsy Blues Bop ‘n’ Stroll and what a creative and inspirational bunch of people have come together around the Gypsy Hotel and from the original germ what a community that now exists making wonderful sounds in all directions The Broadway Twisters smash it up on one of my favourite tunes and play a pretty straight rock n roll ‘Cheers For The Tears’ which goes to show you don’t have to dissect and reconstruct a tune sometimes just rip it up baby!

I particularly like TV Smiths take on the classic ‘Goodbye To Another Year’ and his cheeky inclusion of an extra verse well done that man – he clearly gets it. Then back to back that full-fat version with the beautiful and touching  ‘Loretta’s Lament’ performed by Katherine Blake to send a shiver down your spine.  Wait, Los Plantronics turning up the disco surf for ‘The Theme for The Urban Voodoo Machine’ oh look if you know you know.  Los Plantronics should be the music played over every tannoy in every supermarket the world over it would certainly make the experience more enjoyable (pitch that to the supermarkets)

To finish off we have the single ‘Heroin (Put My Brothers In The Ground) where Wilco does his thing all over this very different version than the one that was cut on the ‘In Black ‘n’ Red’ album and showing the versatility in the songwriting because its quite different to the other version included on this very album. which only leaves ‘Dirty Water’ to close off the album in fine style with The Inmates kicking up a shit storm as they sign off this love letter to old London town and all who sail in her.  Well done whoever pulled this together, its a testament to those who know and a better late than never to those just jumping on board.  ‘Friends & Family’ is an absolute blast from the first to the last it’s bursting with passion and talent and if you ever had a doubt then forget that just get out there and get it and whilst your waiting – get a bottle of plonk and a shot of bourbon and get ready to bop n stroll! majestic stuff indeed.

 

 

Buy ‘Friends And Family’ Here

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Author:Dom Daley

Sulo – Nightshift /Beautiful Outsiders (Cargo Records)

Sulo – Nightshift /Beautiful Outsiders (Cargo Records)

Considering his epic catalogue of releases I don’t think I can recall sulo ever making a “Bad” record luckily this very ambitious release can also be added to the ever impressive list.  Diamond Dogs, The Crunch or Solo he has his distinct vocal and can easily flip-flop between styles sure they’re all Rock and Roll but this is a far gentler side of his work.  Especially the ‘Nightshift’ side as it might suggest. Piano acoustic guitars duets its fairly standard arrangments for sure but the quality of the songs shines through. ‘Time To Alight’ is a wonderful and simple piano and guitar song with sparse backing vocals. I think its fair to say that if Sulo wanted to create a soundtrack to the dead of night then he has achieved that with some to spare. It’s gentle and soft in places and its personified in the albums title track with some beautiful piano rolls that sort of put a full stop on proceedings.

Sulo has always had great musicians working with him to compliment his writing and this is no exception.  I love the swirling organ that stabs through the bleakness like on ‘I Swear To God I Don’t Believe’ I love the grandness of the backing vocals.   Considering this collection has twenty seven songs it ebbs and flows wonderfully I know it won’t please everyone but if you want the guys gentler balladeering side then it’s here and if you want the Rock and Roll that’s present too the only thing missing is the punkier side but that’s why he does the Crunch I guess.   Sure I think its fair to say you will be drawn to one CD over the other be it the darker melancholy side or the more uptempo and light side, me I’m somewhere in between as I think the best songs are on ‘Nightshift’ I do love it when he delves into that whole Faces groove but here its not quite that simple as ‘Brilliant Outsiders’ has got its country honk going on.  If you ever liked someone like Chuck Prophet then you need to check this out – lap steel, duets, country honk Sulo has arranged for a whole record of players to duet with him from Stockholm to Florida and Nashville to London and everywhere between have lent a helping hand. He’s even managed to rope in the UK finest Country Band Los Pacaminos to back him up.  So it would seem you can also add this style to his ever-bulging portfolio.  It’s not quite the stretch you might think but the songs are authentic and sound like they’ve been brought from a good place and a happiness and Joie de vivre captured within.

‘Bring Down The Angels’ is fantastic and the band lives it up on ‘God Damned Jesus’ did somebody mention Mellencamp meets Waits meets Waylon?  Oh, it was me.  Well, that’s the ballpark we’re playing in here.  I think its no good thinking you’re going to hear the Diamond Dogs or Crunch because that’s not going to happen you have to keep an open mind and just let the music flow.  whilst it might have been an experiment too far for a lot of people for many others I’m sure an appreciation for the guy’s songwriting talent will win them over.  Me – I’m happy to hear whatever Sulo throws my way I think he’s a talent we should champion no matter what style he delivers next.  If you don’t raise a smile by the end of ‘A Song For Every Train’ then I feel sorry for you.

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Author : Dom Daley