Pillbox’s sleaze rock classic from 1993 is on vinyl for the first time. Included in the release are demos long thought lost,   Demos remastered by Rich Jones, and this issue comes in a gatefold jacket with updated original artwork and contains new liner notes from frontman Chris Barry! and not having played this album for many years when I turned the dial I couldn’t understand why it hasn’t been played for a while with those wild Dolls meets the snottiness of Steve Jones courtesy of Ratboy on the geeta. Hacking and slashing like the best of them from the opener of ‘Get Hip’ through the rough and ready beauty of ‘Holly’ it’s a veritable masterclass in sleazy punk n roll.

 

If you’re looking for bedfellows then I’d say the likes of the Sea Hags and maybe a dash of ‘Done With Mirrors’ Aerosmith would be the kinda ballpark Pillbox rolled with but I guess New York also had The Throbs, D Gen, and NY Loose. These band soaked up their surroundings like sponges and poured the spirit into their song like ‘Sister Caroline’ and its dark and brooding vibe,  as it swirls in a cloud of cigarette smoke in a crowded after-hours speakeasy as Barry leads the band through the choppy waters to a triumphant chorus that kicks serious backside and if anything has aged wonderfully well since 93.

 

‘Jimbo’s Clown Room’ was originally released in 1993 on CD via the small NYC imprint Circumstantial, so it’s cool that Yeah Right! has seen fit to resurrect this bad boy on vinyl.

 

I love the mix on this record it really captured the uniqueness of what was happening on the east coast in the early 90s with other hopefuls like The Throbs or the majestic D Generation who were cut from the same cloth.  The big phat bass thumping along in the engine room creating a big sound but not a polished one which is what I loved about it back in the 90s and even more so now.

There is a great ebb and flow to the album and it’s a  shame they only lasted the one record with this lineup but from the cool chords on the opener ‘Get Hip’ to the clattering rush of ‘5000 Miles’ you’d be foolish to pass up owning this record. Live fast and die young like so many other bands they felt the tsunami of grunge yet remained a cool underground classic for Rock n Roll vampires who refused to accept the changing of the guard and knew there would be a resurgence for quality dirty, loud, sleazy Rock n Roll.   It’s cool to hear this record expanded with the four additional tracks that are added, two on the record and two via the Bandcamp app. Long live Pillbox and remember to socially distance when inside Jimbo’s Clown Room.

It’s a limited run so don’t snooze because you wouldn’t want to miss out on this beaut.

 

Buy Here

Author: Dom Daley

Anyone who was in the Rock and Roll trenches in the nineties and naughties looking for a fix of high octane well before Action Rock or Scandi rock or Garage Rock or Punk n Roll were used as descriptive words there were pockets of musicians all over the globe rocking hard from the Humpers, New Bomb Turks and D Generation to Glucifer and The Hellacopters. The Dragons and Electric Frankenstein as well as a whole bunch of others I could list.  Well, there was a whole scene in Canada too knocking out some top quality rock and roll from the likes of The Black Halos and the Parias to the Spitfires.

Well, it would seem there was about a decade of full-tilt life in most of these bands and that old adage of its better to burn out than fade away was certainly accurate. The CDs were fairly difficult to find before Discogs and Amazon and the records even harder to locate.  the one place these bands would excel was live (if you were lucky enough to catch them) but lots of them had the sense to showcase what they were all about with some quality live recordings. This is why we’re gathered here today to celebrate The Spitfires as ‘Live At The Pic’ sees the light of day finally after being recorded almost twenty years ago in Vancouver.

Mixing the attitude of the Pistols and other punks they had the guitar chops of a dirty AC/DC and I’m sure if you were to thumb through their collective record collection they would have owned the Thin Lizzys, Stooges, Alice Cooper, and Damned records you need to consume to get this music.

 

Opening with ‘High Test Sucka’ from their debut was a snotty enough opener that prepares you for the sonic assault of ‘Bringing Me Down’ that’s got a stinkin’ attitude and they really captured the magic here before kicking the shit out of ‘Alone’ lifted from the band’s third album, ‘Three’.  An absolute belter of a song from the gang vocals they really captured the energy and power on this recording and the show just soars from here with blistering renditions of ‘Drop Kick Me Jesus’ and the rock star riff of ‘Over The Edge’. Every inch a match for the likes of Gluecifer who must have been brothers from different mothers and you can tell they had by this point become a well oiled live machine.

 

For a few quid, you can pick up the Bandcamp digital or go the full hog and pick up the record from yeah Right! and I’m sure this record deserves to be heard on vinyl and played loudly it sure as hell was recorded loudly.  Its records like this that are making me pine for a live show. Hell, there’s even enough time to shoehorn in a flawless ‘Muscle Of Love’ that the Coop would be proud of.

Whilst we wait for venues to open back up and bands to get back out there let’s show some love for the bands that killed it night after night and managed to capture that magic with a live recording that has stood the test of time.  The Spitfires ‘Live At The Pic’ is one of those rare nuggets of gold that get found from time to time and maybe with some distance in the rearview mirror more people will appreciate how damn good a band they were.

Buy the record Here

Purchase a digital copy directly from the band Here

Author: Dom Daley

I can’t remember where or when I first heard Red Arms it might well have been one late night when I vanished down a Bandcamp wormhole and just happened across ‘Better Than Nothing’ the second track on ‘Critical State’. Maybe the first thing I noticed was they were Canadian and to be fair they throw up more than their fair share of great records in recent years.  Post punk, Power pop or alt rock  whatever you want to call it  Red Arms dish it up in spades and have made a most excellent long player.

I’ll level with you I don’t know anything about the band when I went looking for details and previous work I struggled to find anything  so it was a real discovery for me .I hear some Husker Du and The Who as well as more modern alternative bands like some Buffalo Tom and Anti Flag as well for good measure so a real melting pot but the production is bright and the songs sound well constructed and worked on. The album kicks off with ‘Post Punk’ which has something of a Stooges riff and rhythm about it and to be fair its more No Means No or Fugazi than anything else.  Its got energy for an opener and it’ll reel you in for sure. As the record unfolds the songs tend to settle down to mid paced efforts but with strong melodies and harmonies take ‘All This Noise’ as an example.

‘Midwinter’ builds around a bass rumble but a bit of an epic as the first minute takes its time to get going but by the second minute things get rockin’.  To be fair the second half of the album only gets stronger for me and I love the groove they get in on  ‘Pathetic Charms’. If you like a thumping bass rumble then ‘Huckster’ is for you before it starts thrashing around it ebbs and flows through some tempo changes.

To be fair I hear different influences on every play but they’ve managed to create a really listenable sound with a bunch of top tunes. Red Arms are another fine string to Canada’s impressive bow of Rock and Roll bands strutting their stuff this being immersed in the alternative underground but full to bursting with excellent melodies and tunes.  Go check em put but don’t hold me responsible for starting you off down that wormhole of discovery but it will be worth it.

Facebook

Buy Critical State Here

Author: Dom Daley