What’s the prerequisite for a great record then? Catchy hooks, killer riffs, meaningful lyrics and some snazzy cover art are high on my wants, needs and hopefuls list. Well, ‘Just Another Regular Summer’ by The Speedways ticks all the boxes, as it has all those things and more.

We like this album so much we have reviewed it twice! Well, sort of. Released last year, ‘Just Another Regular Summer’ is a concept album of sorts, about a summer romance, written and recorded by one dude called Matt Julian. Matt used to be in Nottingham band The Breakdowns, until they broke down. With his new project The Speedways, he took that same pop suss and magnified it tenfold, recording all instruments by himself and made an album that sounds like it was recorded live in the studio in just one take.

This new re-mastered edition is presented for the first time on CD for the US market with 5 additional tracks to savour and very cool artwork, again by the uber talented Josh Clark.

 

So let’s cover the album for those who are yet to catch up. Someone recently told me ‘Just Another Regular Summer’ is the best album Elvis Costello never made, and that’s as good a place to begin as any. But if I bandy about names such as The Replacements, Ramones and Tom Petty, and if I drop in gone but not forgotten gems like The Soho Roses and The Exploding Hearts, then you get an idea of the record sleeves Matt Julian has been fingering for inspiration. Yeah, we are talking low-slung, guitar driven power pop of the highest order.

The thing about The Speedways is that they have potential hit singles in their arsenal… massive hits. ‘Seen Better Days’ is the perfect 3 minute pop single, full of a youthful innocence that takes you back to summer daze creating mixtapes to send to the girl of your dreams. ‘In Common With You’ hits you right in the feels, as dampened chords lead to an emotive and yearning chorus. The sort of tune Tuk Smith was smashing out of the ball park before his Biters signed with a major label.

On the title track, Matt Julian takes us on a tube train ride to Holloway Road to reminisce about the girl with glitter in her hair. The pop-tastic melody is as familiar as the tale of heartbreak we have all experienced at some point in our life. Matt has the ability to draw the listener in with his descriptive storytelling, as we clench hands and eat ice cream on the bench with the couple and hope their love will last…at least until the record stops spinning!

Elsewhere ‘That’ll Be The Day The Earth Stood Still’ is an upbeat and glorious slice of Spector-lite pop and The 50’s guitar twang of ‘One Kiss Can Lead To Another’ has an instant familiarity, as does the warming vocal harmonies.

 

Included on this US version are both tracks from their recent 7” single release. The single mix of ‘Seen Better Days’ hardly differs from the album version to these ears, but the flipside is worth the entry fee alone. Pop fact: Kirsty MacColl’s ‘They Don’t Know’ was made popular by Tracy Ullman in 1983 and was only kept off the number one spot by Culture Club’s ‘Karma Chameleon’. That’s the version I know best and so do you, just admit it! They tackle the track to great effect; a perfectly crafted pop song about teenage love that fits the album concept like a crushed velvet glove.

The addition of rough acoustic demos of ‘Just Another Regular Summer’, ‘Reunion In The Rain’, and ‘Seen Better Days’ present the songs in their rawest form, all dirt under the fingernails goodness, proving a good song is a good song even in its unpolished form.

 

Choc-a-bloc with bubblegum induced choruses ‘Just Another Regular Summer’ is a tale of love and heartbreak, set to a soundtrack of youth.

The Speedways were intended as a one-album project, done and dusted. And that would’ve been a crying shame, as these songs are too good to go unnoticed. I’m happy to report the project has grown to a fully-fledged band since the initial release. So, joining Matt are Mauro Venegas on guitar, Adrian Alfonaso on bass and Los Pepes tub-thumper Kris Hood. They have been sporadically gigging and are currently recording The Speedways album number 2. We await the follow up with baited breath, but for now, this expanded edition CD is well worth seeking out to tide you over.

Buy the Deluxe Edition Here

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Author: Ben Hughes

 

 

 

 

Keyboard player and howler John Wesley Myers, aka Rev James Leg, (Black Diamond Heavies, The Immortal Lee County Killers ) travels around the world preaching the punk blues.

The son of a Texas preacher raised in The South on Gospel music, James Leg distils his particular brew of traditional roots and urban feedback.  the result is as explosive as it is pure Rock and Roll!

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EAST EUROPE TOUR DATES
November 18 @ Chelsea — Vienna, AT
November 21 @ Hard Place — Zagreb, HR
November 22 @ Štedna — Virovitica, HR
November 23 @ Caffe Bar King — Ðakovo, HR
November 24 @ Dorcol Platz w/ Detroit Cobras — Beograd, RS
November 25 @ Dorćol Platz w/ Guitar Wolf — Beograd, RS
November 26 @ Bar Amok — Sofia, BG
November 27 @ Aigli — Serres, GR
November 29 @ Bizzarnica — Ljubljana, SI
November 30 @ Kino Ebensee — Ebensee, AT
December 10 @ Cafe Glocksee — Hannover, DE
December 12 @ TIEF — Berlin, DE
December 14 @ Zum Faulen August — Cottbus, DE

 

Finally, Friends of RPM ONLINE The Hip Priests get added to the bill for 2020 along with some other heavyweight bands we love.  No doubt all roads lead North West for the Spasm Gang along with Bouncing Souls and T.S.O.L these additions have excited us here at RPM HQ that’s for sure.

If you’ve never heard of the Hip Priests then you should have a word with yourself but before you do check out their epic call to arms –

 

Here is the list of today’s announcements to accompany what has already been announced.  2020 is already shaping up to one hell of a Rebellion

BOUNCING SOULS
T.S.O.L.
DYS
D.I.
ADRENALIN O.D.
999
THE MEN THEY COULDN’T HANG
AUTHORITY ZERO
NEWTOWN NEUROTICS
ALTERNATIVE TV
MENACE
GOLDBLADE
SPLOGENESSABOUNDS
LOS FASTIDIOS
CHAOTIC DISCHORD
CRIM
GIMPFIST
HOBO JONES & THE JUNKYARD DOGS
FUNERAL DRESS
CONTROL
RISKEE AND THE RIDICULE
CALL ME MALCOLM
CRASHED OUT
EXTERNAL MENACE
ROUND EYE ( CHINA)
HEADSTICKS
LIINES
CRACKED ACTORS
LA INQUISICION
VIRUS
THE LONG GAME
DANGEROUS DAVE & THE SIDE EFFECTS
ALCOHOL LICKS
TERMINAL RAGE
AMBITION DEMOLITION
WHITE RIBBONS
CHAOS 8
HIP PRIESTS
SLOW FACTION
DESENSITISED
COMPLETE DYSFUNCTION

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“Junk Planet” is the third single from Michael Monroe’s dirty and dangerous new album “One Man Gang” available to buy NOW on CD, Coloured Vinyl and Digital formats: Here and as special D2C bundles: Here

 

Recorded and mixed by Petri Majuri at E-Studio in Sipoo, Finland over three weeks in March 2018, the 12-song record was mixed that following Autumn with Monroe and band-mates Rich Jones and Steve Conte on production duties. With stunning presence, Monroe’s vocals blaze their unique trail across catchy, low-slung guitars mixing with saxophones, harmonicas and trumpets, plus a smorgasbord of exciting hooks and melodies. One Man Gang is old-skool strut with rudely fresh vigour.

 

2019 TOUR DATES

Oct 24 Fryshuset Klubben Stockholm, Sweden

Oct 25 High Voltage Rock Club Copenhagen, Denmark

Oct 26 HeadCRASH Hamburg, Germany

Oct 27 FRANNZ Club Berlin, Germany

Oct 29 La Maroquinerie Paris, France

Oct 30 02 Academy Islington London, United Kingdom

Nov 01 Brudenell Social Club Leeds, United Kingdom

Nov 02 The Craufurd Arms Wolverton, United Kingdom

Nov 03 Engine Rooms Southhampton, United Kingdom

Nov 04 The Mill, Digbeth Birmingham, United Kingdom

Nov 05 The Garage Glasgow, United Kingdom

Nov 06 Manchester Club Academy Manchester, United Kingdom

Nov 07 The Fleece Bristol, United Kingdom

Nov 08 The Sugarmill Stoke-on-trent, United Kingdom

Nov 09 Hard Rock Hell Chapter XIII Vauxhall Holiday Park, Great Yarmouth, United Kingdom

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Michael Monroe’s Official YouTube Channel, featuring official videos and music, behind the scenes footage, documentaries, tour diaries and much more! A genuine rock star since birth, Michael Monroe’ place in history was sealed with Hanoi Rocks, but he has never been one to rest on his laurels! Michael Monroe innately knows exactly how to sing, swagger and walk the most glamorous and colourful of walks. Together with Sami Yaffa, Rich Jones, Steve Conte and Karl Rockfist, Monroe takes you on a journey which is all about the fun of Friday nights, seven days a week, letting your hair down (or up!) for a dirty, dangerous, damn good time, and embracing a total escape into the rock ‘n’ roll dream!

Legendary Northern Irish punk rock act Stiff Little Fingers are delighted to announce a full UK tour in March 2020 – The 2020 Tour.

The tour will see the band play their29th consecutive Glasgow Barrowland Ballroom St. Patrick’s Day show as part of their traditional March tour. The band also headline London’s Roundhouse to end the 13-date run.

All the dates will feature support from The Professionals and TV Smith. The Roundhouse show only will also feature a very special guest slot from the Neville Staple Band. With an iconic career of over 40 years, Stiff Little Fingers remain as vital as ever.

The full tour dates are as follows:
Thursday 12thMarch 2020                               Bristol, O2 Academy
Friday 13thMarch 2020                                     Cardiff, Great Hall
Saturday 14thMarch 2020                               Birmingham, O2 Academy
Monday 16thMarch 2020                                Norwich, UEA
Tuesday 17thMarch 2020                                 Glasgow, Barrowland Ballroom
Thursday 19thMarch 2020                               Troon, Concert Hall
Friday 20thMarch 2020                                     Newcastle, O2 Academy
Saturday 21stMarch 2020                                Leeds, O2 Academy
Monday 23rdMarch 2020                                Northampton, Roadmenders
Tuesday 24thMarch 2020                                 Nottingham, Rock City
Thursday 26thMarch 2020                               Portsmouth, Pyramids   
Friday 27thMarch 2020                                     Manchester, Academy
Saturday 28thMarch 2020                               London, Roundhouse

Tickets are available from www.slf.rocks

In addition to the dates announcement Stiff Little Fingershave just put out two special ‘Virtual Reality’ videos filmed with a 360 degree camera attached to the drum kit, from this years “Putting the Fast In Belfast 3” show in August. This gives the user, via their mobile viewing device or computer, the option to view whatever part of the stage and or band member they so wish via movement of the viewing device or via a mouse or pointing tool. The two tracks are their iconic punk anthems “Alternative Ulster” and “Tin Soldiers” available via the links below and on the bands own YouTube Page.

 

Stiff Little Fingers have been incredibly active in recent years, playing some prestigious live shows, including: three years of headline sold-out hometown performance in Belfast’s Custom House Square; London’s Hyde Park British Summer Time concert with Green Day; the 28th traditional St. Patrick’s Day sold-out show at Glasgow iconic venue Barrowland Ballroom.

In addition to the live performances, the past five years saw Stiff Little Fingers release two records: their tenth studio album “No Going Back” in 2014, which showcases a band at the height of their powers, still able to capture the heart of the listeners with relevant topics and honest sound, reaching #1 in the UK charts; and a live album “Best Served Loud – Live At The Barrowlands” in 2017, which immortalises Stiff Little Fingers’ epic performance at their annual St. Patrick’s Day show.

Formed in 1977 in Belfast Stiff Little Fingers were among the pioneers of punk rock. Joining ranks with the likes of The Clash, Sex Pistols, The Damned, Buzzcocks, and Undertones they brought in a new era of music and they’re still keeping that spirit alive 42 years on!

www.slf.rocks  / www.facebook.com/StiffLittleFingers  / www.twitter.com/RigidDigits

Band picture credit to :  Bernie Mcallister

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Blues is the teacher. Punk is the preacher. It’s all about emotion and energy, experience and raw talent, spirit and intellect. Exciting things happen when these things collide.

Bob Vennum and Lisa Kekaula made the BellRays happen in 1991 in East LA but they weren’t really thinking about any of this then. They wanted to play music and they wanted it to feel good. They wanted people to WANT to get up, to NEED to get up and check out what was going on. Form an opinion. React.

So they took everything they knew about; the Beatles, Stevie Wonder, the Who, the Ramones, Billie Holiday, Lou Rawls, Hank Williams, the DB’s, Jimmy Reed, Led Zeppelin, to name a very few and pressed it into service.

It was never about coming up with a ‘sound’, or fitting in with a scene. It was about the energy that made all that music so irresistible. It was the history BEFORE Led Zeppelin that led them to that point. The Beatles thought they were playing R&B. It just came out like ‘Rubber Soul’. The Ramones were trying to be Del Shannon or Neil Sedaka and out came ‘Rocket to Russia’.

With the BellRays there was no conscious effort to ‘combine’ rock and soul because they didn’t see them as divided in the first place. Blues was teaching. Punk was preaching. The BellRays were always listening.

www.thebellrays.com

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We’re always open to a first here on RPM Online and we’re a broad church and we welcome a first for sure and that’s some immaculate power poppin rock and roll all the way from Beijing in the shape of the Ramones meets The Boys power pop of The Sino Hearts and a whole bunch of other influential pop tarts thrown in for good measure.  It’s primarily the work of Zhong who used to play in Dee Cracks so there is pedigree here.  Its got a sprightly production and the tunes are sharp as the smiles on the band’s faces as they hammer out their snotty tunes.

Twelve tunes all with a hefty helping of love from the bottom of their hearts but it’s not all Ramones by numbers (although their influence weighs heavily) I’d say there’s a more modern Green Day feel to the happy go lucky  sounds like ‘Vienna’ with a cool verse that flows nicely into the chorus and gang vocals that breakout – its an infectious sound and what it lacks in originality it makes up in quality.  The more laid back ‘Long Vacation’ has a great pre-chorus and those sort of riffs are timeless and if you love yourself some power pop punk rock then this is always a no brainer and ticks all the right boxes.

The tracks only break the three-minute barrier a few times which is spot on and they never overstay their welcome (how could they?) ‘Bittersweet’ has a weird ‘Sweet Child Of Mine’ (if it were power pop) then off we go with a great melody and riff,  wahey! lets rock and roll some more before ‘Juan’  fires up the T rex side of power pop songwriting with some beach boy bv’s then to close off the record they break out with their native tongue which is great and something we totally approve of round here showing how rock and roll is indeed the global language and translates no matter where you are from if you get it then you just get it! even though the English version makes more sense to me ‘Long Vacation’ is a great track no matter how its sung.

The Sino Hearts have swagger and style and play power pop-punk rock n roll and do it perfectly well. Let’s all leave the world behind and just fuckin’ dance! Maestro 1-2-3-4 let’s go!

 

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Author: Dom Daley

The Mission’s Wayne Hussey launches 2nd half of ‘Salad Daze’ UK tour with Evi Vine

After a successful tour of mainland Europe and earlier UK dates, Wayne Hussey of UK alternative rock legends The Mission will be playing a new wave of UK dates with London-based dark ethereal artist Evi Vine. Hussey is touring in support of his recently released autobiography ‘Salad Daze’. Evi Vine is supporting her new album ‘Black Light White Dark’.

Evi Vine contributed backing vocals on The Mission’s 2016 album ‘Another Fall From Grace’, which hit the UK top-40 album chart. In 2016-17, she toured with Wayne Hussey and The Mission as featured vocalist for their 30th Anniversary Tour.

Wayne Hussey’s book ‘Salad Daze’ was published on May 23 by Omnibus Press, chronicling Wayne’s life from childhood to his days with The Mission. A confessional, engaging and explicit account of life in the eye of rock’s storm conveyed with warmth, humour and laugh-out-loud moments, each chapter is accompanied by a specially curated playlist (via YouTube and Spotify) featuring artists as diverse as Elvis, Radiohead, Suicide, Frank Sinatra, Led Zeppelin, The Beatles, David Bowie, Television, T-Rex, Cigarettes After Sex, Iggy Pop, and Telly Savalas.

“My autobiography was recently published and, to celebrate, I’m going out on a mammoth tour of Europe. Having been in solitary confinement and chained to a desk for the last year or so I thought it was time to go and make some music and be a little sociable with the world. Hence, I’m playing 50 plus shows in just over two months visiting the UK, Germany, Poland, Czech Republic, Holland, Belgium, France, Spain, Portugal, Italy, Austria, Hungary, Slovenia, Greece, & Sweden,” says Wayne Hussey.

“It’ll either kill me or make a man of a me at last. For the UK shows I am delighted to have Evi Vine as my very special guest. Evi, who recently released a third solo album ‘Black White Light Dark’, sang onstage with The Mission in 2016-17 on our ‘Another Fall From Grace’ tour. I am also hoping to persuade Evi to maybe join me onstage each night to sing a few songs together. It was always one of the highlights of the Mission show for me when Evi and I got to perform one acoustic song, I always looked forward to that moment.”

Born in Bristol and raised as a Mormon, Wayne had his epiphany as a young boy while watching Marc Bolan and T-Rex on Top Of The Pops. Seeing his destiny in a blinding flash of glitter, mascara and dark curls, he decided he was going to be a rock star. After moving to Liverpool, Wayne eventually gained recognition and notoriety as lead singer and principal songwriter in The Mission after putting in time as a guitarist with Sisters Of Mercy, Dead Or Alive, and Pauline Murray’s Invisible Girls.

Most recently, both Wayne Hussey and Evi Vine have been collaborating with LA-based supergroup Beauty in Chaos, spearheaded by Michael Ciravolo and also involving members of The Cure, Ministry, Cheap Trick, King’s X, The Offspring, Van Halen, Marilyn Manson and Bauhaus, as well as Ice T, Tim Palmer and Rolan Bolan, among others.

The ‘Salad Daze’ Tour with Evi Vine runs until November 8 at Stockholm’s Nalen Klubb. His final UK date is November 10, when Wayne appears at the Louder Than Words book festival in Manchester.

TOUR DATES (all dates with Evi Vine, except where indicated *)
Oct 22  Southend-On-Sea – Chinnery’s
Oct 23  Bedford – Esquires
Oct 24  Manchester – Night People
Oct 25  Blackpool – Bootleg Social
Oct 26  Newcastle – Cluny
Oct 27  Glasgow – The Audio
Nov 2   Whitby Pavillion – Tomorrow’s Ghosts Festival * (with The Divine)
Nov 5  London – Nambucca
Nov 6   Bath – Komedia
Nov 8   Stockholm – Nalen Klubb
Nov 10  Manchester – Louder Than Words book festival *

UK tour tickets https://www.ticketsource.co.uk/songsofpreysgigs
Europe tour tickets https://tinyurl.com/yy732xqz
Order ‘Salad Daze’ book https://themission.bigcartel. com
Wayne Hussey ‘Wither on the Vine’ https://youtu.be/6gfsdPPoxYM
Wayne Hussy ‘Marian’ https://youtu.be/HSwIMEAiiFE
Wayne Hussey with Evi Vine ‘Black Mountain Mist’ https://youtu.be/aQ4FGubGjQ8
Evi Vine ‘Black Light White Dark’ LP https://evivine.bandcamp.com/album/black-light-white-dark
Evi Vine ‘My Only Son’ https://youtu.be/v-DXpbrnsdA
Evi Vine ‘Sabbath’ feat. Simon Gallup https://youtu.be/oSKQb33ZwC0

“He is one of a kind, and whether he likes it or not, he’s an absolute legend, and I can’t think of anyone on planet Earth who has a better story to tell” – Gary Numan

“I toured a lot with The Mission and Wayne was much too bright and nice a guy to be in the rock business. He always had a sense of humour” – Iggy Pop

“After years and years of living with repression and religious guilt, I had finally shaken off those shackles to become the clichéd licentious, degenerate, promiscuous rock star – everything that my mother feared I’d become” – Wayne Hussey

 

* Photography for ‘Salad Daze’ poster by Jill Furmonovsky

* Wayne Hussey photo by James Bacon of Sheffield Lens

Keep up with Wayne Hussey / The Mission UK
Website | Facebook | Twitter | Instagram | iTunes | Spotify | Book order |

Keep up with Evi Vine
Website | Facebook | Bandcamp | Big Cartel | Instagram | YouTube | Twitter | iTunes | Spotify

 

Imagine a record that manages to capture the sounds of prime time Pulp and some alt bands from yesteryear like XTC and that hard to pigeon hole post-punk and you pretty much have cornered yourself some Slumb Party. The songs pretty mu7ch all feature a throbbing bass some angular jarring guitars  and some coooool synth licks and to round it all of there are also some really jazzy saxophone stabs like the fantastic ‘Shingles Bells’ I’d imagine these guys n gal have in the past (or present) been influenced by The Fall and the likes of XTC and the X-Ray Spex and bands like Buzzcocks and magazine.  It’s fair to say at times they have a splash of colour like the Briefs.  I love the vigour and runaway train that is ‘Time To Stop’ that rumble of the bass with the rapid snare beats is fantastic against that vacant synth lick but the vocals are shaking away like they’re trying to shake themselves off the record.  In contrast, the next track is a vacant bored slice of desperation entitled ‘~Existance’ that throws up comparisons of the likes of Cabbage.

‘Back Stabber’ is like an indie Stooges and the saxophone is majestic as is that funhouse bass pinch n slap. this would give Julian Cope a run for his money and in a tight club, I can imagine the walls would be sweating along to the screams of this jazzy little number. Who would have thought Nottingham would throw up one of the alternative albums of the year with the East midlands turning up trumps again with the likes of RPM favs The hip Priests and TV Crime hailing from this neck of the woods or should that be forest?

I was wracking my brain to think who it was who the vocals and some of the tunes reminded me of and when ‘Sound Off’ sped through my speakers The name Richard Hell sprang to mind and sure on the more punky end of the scale there is certainly an element caught up in the tunes. Even though it’s quite the eclectic album there is a cohesive thread throughout the album and the quality is high and the songs are engaging throughout without ever getting too experimental or jazzy.

Right down to the last number – the title track with that saxophone howling I’m impressed and the B52’s chanting of the vocals is really appealing. Slumb Party deliver a really excellent album of alternative music songs like the one in the video below made me dig out my International Noise conspiracy albums because I love that garage keyboard sound theres more to this than greets the ears.  check em out!

Author: Dom Daley

 

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