Danko Jones play stripped-down rock & roll. A tightly locked rhythm section perfectly placed guitar and a ton of breathing space is all held together with a vocal line that oozes personality.

 

If you like Danko Jones, you’ll love “A Rock Supreme” and if you’ve never heard the band before, your in for a treat…

 

“I’m In A Band” is a fist in the air declaration of intent. It had my 9-year-old air guitaring right out of the blocks and is guaranteed to have the same effect on you. Stripped down to perfection, with a chorus that kills.

 

So let’s make some comparisons – in my humble opinion there’s a bit of Dan Reed Network in there, along with a bit of Kings X, Wolfsbane, Van Halen and a whole chunk of Misfits attitude

 

“I Love Love” hits  Dan Reed Network territory, while “We’re Crazy” pushes it a little harder. Both boast hooks that kill, with enough space for Danko’s personality to rip through the well-placed guitar lines.

 

“Dance, Dance, Dance” gets way funky in a Dan Reed kind of way, while “Lip Stick City” wouldn’t be out of place on the last Turbonegro album.

 

“Fists Up High” is pure Wolfsbane, real “Live Fast Die Fast” stuff. “Party” keeps the good time rock & roll theme going, again the Blaize Bailey upper register cutting through to perfection.

 

“You Got Today” has a naughty “Hot For Teacher” flavour, while “That Girl” is pure Phil Lynott.

 

“Burn In Hell” takes us full tilt into stripped down Hetfield territory, taking you places Metallica wished they could have taken you in the “Load” era.

 

The album closes where it began, with another fist in the air anthem. “You Can’t Keep Us Down” is a final reminder of how good “A Rock Supreme” is, imploring you to hit that play button again.

 

I’ll finish with the wise words of my 9-year old rock chick daughter… “I think I love this band!”

Author: Fraser Munro

Buy A Rock Supreme Here

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‘What Would I Do If I Were Me’ – Steve Conte NYC – From The Steve Conte NYC Album.

Filmed entirely in Morocco by Jacoba Cornelisse & Salah Ait Oukdim. NYC still photos by Grayson Dantzic. Morocco still photos by Steve Conte. Edited by Toni Tikkanen in Helsinki, Finland.

with an all star band – Steve Conte Vocals/Main Guitar (+ 3rd Solo) – Steve Conte Bass – Keith Christopher, Rhythm Guitar (+ 1st solo) – Dregen Guitar (2nd solo) – Ginger Wildheart Drums – Rich Pagano Accordion – Kenny Margolis Washboard – Boris Kinberg.

The Mission’s Wayne Hussey announces ‘Salad Daze’ UK tour with dark ethereal wonder Evi Vine

The ‘Salad Daze’ Tour with Evi Vine kicks off in Nuneaton on August 26 and runs until November 8 at Stockholm’s Nalen Klubb. His final UK date is November 10, when Wayne appears at the Louder Than Words book festival in Manchester. Hussey will also be embarking on a full European solo tour this year in promotion of this book.

TOUR DATES (all dates with Evi Vine, except where indicated *)
Aug 26 Nuneaton – Queens Hall
Aug 27  Winchester – Discovery Centre
Aug 28  Bristol – Hen & Chicken Club (H & C Club)
Aug 29  Worcester – Marr’s Bar
Aug 30  Cardiff – The Fuel Rock Club
Aug 31  Oxford – The Bullingdon
Sept 1  Hastings – Black Market VIP
Oct 22  Southend-On-Sea – Chinnery’s
Oct 23  Bedford – Esquires
Oct 24  Manchester – Night People
Oct 25  Blackpool – Bootleg Social
Oct 26  Newcastle – Cluny
Oct 27  Glasgow – The Audio
Nov 2   Whitby Pavillion – Tomorrow’s Ghosts Festival * (with The Divine)
Nov 5  London – Nambucca
Nov 6   Bath – Komedia
Nov 8   Stockholm – Nalen Klubb
Nov 10  Manchester – Louder Than Words book festival *

Order tour tickets: Here
Order ‘Salad Daze’ book: Here 
Wayne Hussey ‘Wither on the Vine’: Here
Wayne Hussey with Evi Vine ‘Black Mountain Mist’: Here
Evi Vine ‘Black Light White Dark’ LP: Here
Evi Vine ‘My Only Son’: Here
Evi Vine ‘Sabbath’ feat. Simon Gallup: Here

Thursday night must witness performances might come in various guises but one we’re excited to see and moving onto the Empress stage is The Barstool Preachers so here’s one they might play…

 

After threatening to turn up and perform Maybe this year is the year that we get to see Poison Idea and just to wet the appetite here’s PI with ‘Calling All Ghosts’

To finish off this Rebellion Thursday preview why not enjoy this rather rare performance from The Alarm Guitarists classic ‘One Step Closer’.  See you down the front

 

So another record of new(ish) music from Mike Peters and his new version of the Alarm hits the shops this week with a little help from a few of the people in his very impressive address book.  The album is connected to last years album that came out in two parts.  Confused you will be.  If you think you’ve heard some of these before then you’d be right as they’ve been around for a while and avid Alarm disciples will have heard a lot of these over the last few years.

Life isn’t as simple as a band writing enough songs for a record. They can write and record quickly and release music almost straight away through the many available platforms that now exist.  The MPO has always (since the original Alarm ceased to exist post Brixton) been ahead of the curve as far as independent cottage industries go. A personal touch that was different and exciting and it certainly helped keep in touch with the fan base, that hardcore that was always loyal to team Peters.  Today the MPO is a different beast altogether they’ve certainly grown and become a well-oiled machine and through sheer hard work have grown the Alarm name and managed to keep it relevant in an ever-changing industry.

Influenced by his well documented off-field tribulations Peters is a force of nature and his pursuit of making music is enduring and endearing – his passion for his art is second to none and has evolved as a writer, kept a few musicians close and having such talented players like Smiley and James Stevenson by his side Peters is still able to pen some really impressive Rock and Roll (although I do think the sound lack that punch that Craig Adams always brought to proceedings live and on record).

I’m glad Peters still writes new material but have to admit to not always being keen on his latter work I do own every single release he’s ever put out so I always find it difficult to write a review for an Alarm record, a band I’ve seen in many guises (well into triple numbers over the years). Call me a fanboy (I’m not bothered but can a guy in his 50s be a fanboy?) I can also admit when I find some of his lyric wordy and a bit cliched whilst at other times I find his lyrics uplifting and beautiful –  warm and sincere. At the end of the day he’s human and it would be a little odd if I liked everything he ever wrote and he got it right every time.

Well, ‘Sigma’ kicks off in fine fashion with ‘Blood Red Viral Black’ which features fellow coloursound comrade Billy Duffy (of the Cult parish) The song is a good opener and certainly benefits from Duffy’s fretwork  (I wish he’d write more song in this vein) I loved Coloursound and it worked really well.

Always dogged by the poundshop U2 tag something that really used to bug me, but, as I’ve got older there are certainly elements of Peters songwriting where their paths do cross. maybe ‘Brighter Than The Sun’ would be one such tune. ‘Time’ is classic modern Alarm and uses the familiar bass line that he got a lot of success with on songs like ‘Rain In The SummerTime’.  ‘Psalms’ begins with a simple ‘Stand By Me’ guitar strum on the acoustic and builds gently.

‘Equals’ has a guest spot from original Alarm member Dave Sharp that will please some. Then ‘Love and Understanding’ which sound familiar like ‘Strength’ for the Jet Age.  Is self-plagiarism a thing?  I do like ‘Prisoners’ and first impressions are it’s a little different.

As far as love songs go ‘Heroine’ is Peters hitting paydirt with some of his better lyrics and the way the song builds is excellent and its a song I’ve always liked. It sounds sincere and is one of the records shining lights.

Before the album signs off with ‘Two Rivers’, ‘Armageddon In The Morning’ is a bit of a throwback to Peters and his Poets days its a seven-minute journey that builds well and the acoustic and harmonica works really well with smileys rhythm. Again Peters touches on moments throughout his history (intentional or not but you can deffo sing ‘Blaze Of Glory’ over parts) and this one works really well and makes for a great song as it passes quickly.

‘Two Rivers’ is stripped back to piano-driven reprise, fans who’ve seen the band live will be familiar with this set closer but not in this form an excellent way to sign off ‘Sigma’.

I’m not sure how many new fans will buy into ‘Sigma’ and being so familiar with a lot of the songs I find it hard to call as a whole new new record (if you know what I mean) I guess ‘Sigma’ is the final part of a several year journey for The Peters family and something they found themselves working through.

I still believe and still wish all the best for The Alarm and would love them to grab some headlines for their music and work their way into a larger audiences heart, they still have the talent and that unwavering belief in what they do and I fully support that they’re not some nostalgia trip – they’re not one of those has been bands who can’t let go.  They make new music and by and large deliver time after time after time.  Doing things their way against the odds in the face of adversity that would have sunk most mortals.

Buy ‘Sigma’ and start a voyage of discovery and don’t be put off by the size of the back catalogue because there is so much on offer that is right up there with the best of em.  Go the Alarm

Buy Sigma Here

Author: Dom Daley

Floridian Freeloaders like to rock.  Make no mistake in that their twin-guitar attack is 70s centric and a celebration of who they are and what it is that made them pick up instruments and rock the fuck out!

They do things old school and have an old school touring schedule that’s had them frequenting the roadhouses, truck stops and Waffle Houses of the South. They’ve earned their stripes and have done it the hard way they pride themselves on their irresistible attraction (allegedly), and can’t pass a woman sitting alone at the bar without trying their luck…(so their biog says)

Sadly, all bullshit. Freeloader is four old-timers from the Boston music scene who have recombined in endless band permutations. Nat Freedberg is the singer, songwriter and guitarist. Jim Janota is the drummer (Nat and Jim played together in the Upper Crust), Charles Hansen is the lead guitar player, and Jim Haggerty plays bass. Damn, they had me sold.

Freedberg released a solo album last February called ‘Better Late Than Never’. It shows how prolific he is and with this coming out hot on its heels he is overflowing with tunes. But this Freeloader is more “Rock” with capital R Nat felt he needed a vehicle for these harder tunes so hence we have this band and this record.

There are two covers on the record, ‘Rag Doll’  A Four Seasons number, and Billy Preston’s funk classic “Will It Go Round In Circles,” which the band took and Rocked the shit out of. That leaves eight originals…  Nat only had seven. So its believed he wrote ‘Ten Songs Make an Album’  the day before it was due to be recorded.

Of the Ten songs, its strictly in Bon era DC territory with a clean overdriven guitar played loudly with a melodic tone its sharp and very clean distortion if you know what I mean there’s no way you could say this was swampy muddy sounding rock and roll that’s for sure.

‘Nobody Gives A Fuck’ is melodic in a Thin Lizzy ballpark as it stomps through the verse towards the chorus it’s timeless in a PAt Todd kinda way and I like that. Man, ‘Rag Doll’ sounds good they’ve really taken ownership of this one and given it a real bad boy boogie.  It might have the worst title on the record (hell the worst title I’ve seen all year but) ‘Chick A Boom Boom’ has a great riff and the solo would make Angus blush.  the only tune I’m not so sure of is the Scottishness of ‘The Highland Fling’ its almost piraty and the lyrics aren’t for me.

Thank God for ‘Round In Circles’ and we’re back on track with a neat groove the band are rocking again which only leaves the Jags or Cars kinda skank on ‘Ten Songs Make An Album’.  Now where is the party because I’ve got the tunes. Bloody Freeloaders.

Buy The Path Of Least Resistance Here

Author: Dom Daley

Where do I start? First time I came across Riskee and the Ridicule was when a link to a video appeared in my inbox, interesting Hmm, then an email from a cracking PR company we deal with and a simple do you fancy reviewing the LP? “Absolutely”! Said lp duly arrived in my inbox. But being a stream you lose a little bit. I’m sure most of us that review are a bit old school and streams in fairness have nowhere the power and intensity of a CD let alone the vinyl offering which opens the sound right up.

 

So after dragging in the different format and putting the  CD into the machine the first thing that hits me is the power and intensity of “Accelerate” what a fckin tune, fusing punk, hip hop and just a little bit of a grime edge, at times reminding me of  The Dead Formats, listen to the guitar sound wow!!

 

Next up the rant overlaying” KABOOM” is everything you look for in punk music the message ripping out from the speakers, like Akala on Crystal Meth!!! All the time, that intense guitar noise hitting you full on, you can’t help but smile. You can just see the venues exploding and the temperature rising and rising, this is as hot and sweaty as it gets!!

 

Nothing can maintain the intensity and we go all Wonk Unit like with Our time before the bars spit out and you’re up and bouncing around again, Christ this is a tasty LP. Then before we have time to breathe we’re into Body Bag your Scene pretty apt because this is crossing genres all over the place, tearing Hip Hop and Punk a new sound, Body bagging the scene indeed, killing it stone fckin dead in reality. This is probably my fave on the LP, there’s a little bit of Ice T’s Body- Count sitting within this one.

 

Next up Black White and Grey, has a hell of an act to follow and it just doesn’t bother it changes the feel there and then, picking at you, all the time that intensity holding back constantly threatening to explode not as in your face as its predecessor. In the dark we dwell again hints at something just a little bit different, putting drug use into perspective the story ripping out of the speakers, painting an inner city picture we all know too well.

 

Sellout really belongs on every body’s stereo, again painting a vivid picture of the state of the nation, and by now you need a rest, I can’t wait to catch these guys live promoting this LP.

 

Millwall Brick/Glasgow Kiss takes you right back in time to a time when proper geezers looked after their own, a terrace anthem in its own right.

 

Burning through Sex. Cut your teeth (another top tune) and for old times sake there really is no let up this is a blinding lp and before we know it we’re into D.I.Y closing the LP down

 

This is rapidly growing into one of my favourite new releases of the year!! A top tip for LP of the year, music just doesn’t get better.

Buy Body Bag Your Scene Here

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author: Nev Brooks

Two venues? Two gigs? at the same time! No I didn’t split myself in two it’s the thing I love about Womanby Street in Cardiff, now the pressures off and developers have been sent packing it really has become a vibrant hub of the Underground music scene, catering for all musical tastes and the atmosphere. Sense of belonging and camaraderie in the crowds lurking outside three venues, all within 50 feet of each other, on both sides of the road, shows what happens when you get things right.

Walking towards Clwb Ifor Bach for another superb offering from our friends at Pity my Brain (you really should keep up to speed with their offerings, they never disappoint and always put on gigs with integrity) I picked up the sound of a band starting up in the Moon Club, I know that voice! So took a quick detour to be confronted with Red Light Syndrome, now you might well ask who? But take it from me these guys are a band that are really coming together. I’ve caught them twice over the last month and what is starting to come together is a sound grounded in Husker Du, tipping a nod towards Jawbreaker but all the time showing a Lemonheads grasp on pop sensibilities. Craigy Rees is starting to build in confidence as a front-man and Dean on Guitar is bringing the noise with a gorgeous punk rock edge to the sound. The too short set to an ever-increasing crowd drawn in from the outside is met with a more than appreciative response.

 

 

Nipping back across the road to Clwb Ifor Bach and we catch the start of Tribeless , its always a pleasure to catch a young band on the up but bringing their own sound into what could be classed as classic rock, with a leaning towards the alternative. (Listening to the single post the night there’s a definite hint towards prime time Evanescence) and in front-woman Lydia McDonald they have a genuine star in the making.

 

Next up we have Bottlekids and a band I’ve been looking to check out for a while Joe Grogan, front -man of the mighty Graveyard Johnnys side project and right from the start that un-mistakable vocal hits you and your off that punk rock underpinned sound drags you out of your seat and draws you right in to the moment. With a new EP due, available to pre-order on the nite, or here (https://bottlekids.bigcartel.com) and a touring schedule that is rapidly filling up they’re in the exchange in Bristol alongside Riskee and the ridicule and the Mighty King Prawn, (what a triple header) October 18th. I would suggest you jump on board pretty quickly! These guys aren’t hanging around.

 

Time is absolutely flying by tonight, and with an early curfew, we’re into the headliners Hands off Gretel before we fully have time to cool down from Bottlekids onslaught.

The music-press I have to say are for once right in tune with a band and a rapidly growing following and everything is in place for Hands off Gretel to explode out of the alternative underground and hit those bigger arena’s. They have the image and with the addition of Becky Baldwin on Bass we have a twin focus a counterpoint to frontwoman Lauren Tate, people in the know might have caught her with Triaxis? If not why not?

 

From the opening chords the crowd are up for it and worth noting tonight, in what is usually a heavy male-oriented audience I would have put the ratio at almost 50/50 great to see and with none of the behaviors that have crept into some of the larger venues and audiences. With Hands off Gretel, you can’t help but make comparisons to some of the bands that exploded out of Seattle at the peak of grunge, but it’s tighter, been brought up to date and not just sung but presented by Lauren and the band. I think the image, the attention to detail, the sound and most importantly the potential for crossover into the mainstream is huge. I’d love to see them on a stage with the likes of Garbage.

 

As the set moved on you could feel the band picking up on the crowd’s energy and shifting through the gears, in turn driving the crowd on, the Mosh pit got bigger and bigger and by three tracks from the end had spilled onto the stage!!

Tracks like SASS, My Toy, Kiss me Girl and Punk Rock leveled the place and again way too quickly they were gone. But on finishing the set the band joined the crowd, taking photo’s, chatting and spending time with the fans, nothing was too much trouble, remember this was a sell out crowd too!!

 

Now the last time I though a band was on the verge of hitting the big time was a band called Estrons, and they blwdi split up. So this time I’ll hold my thoughts, but catch Hands off Gretel now, before they move from the smaller more intimate surroundings, everything’s in place for world domination.

Author: Nev Brooks

The Empty Page returns with a powerful new single, “He’s Very Good At Swimming”
A song that Kel (singer, bassist and lyricist) tells us is written about the injustice of victim blaming.
To write something so challenging… and tough and vulnerable and honest… is truly courageous. I love The Empty Page’s refusal to turn their back on darkness… crafting it into something that can be shared and dealt with. Something so beautiful and scathing makes people feel less alone.
That, I believe, can be so important.
The song is as close to art soundscape yet direct confrontation, dissonance and pure- purpose-gorgeous melody as I have ever heard in my life.
Taking something harrowing and brutal and meeting it head on fearlessly like that… it’s stunning work.
That whole band winds together down a path where most would find themselves lost.
I’m gonna say it. The word. Important. We are lucky artists like this exist.
Yes, as I said, it’s a challenging piece. But if you play this blaring through your speakers and then don’t feel like you are two inches taller and stronger… your mind clearer… then I’m not sure we can hang out.
Crystalline arpeggiated guitars that stand right up to scream along with powerful melodies and some of the best play-in-the-moment drums. What a special band this is.
Manchester has given us another great band. Support ‘em. They aren’t gonna let you down.
Author: Rich Ragany

Kevin Michael “GG” Allin was born Jesus Christ Allin on August 29, 1956. One of the most divisive members of the punk rock community he courted controversy wherever and whenever he could.  Love him or loathe him he certainly left an impression on the punk rock scene in the 80s and early ’90s.  Passing away on this day back in 93 is possibly one of the least surprising things to have happened in punk rock.  Let’s face it GG was never going to grow old and after promising to take his own life on stage as part of his act many times he sort of quietly slid off his mortal coil in tragic circumstances. Playing his last ever show in NYC the club turned off the power after a couple of songs which caused Allin to trash what wasn’t already trashed and then roaming the street almost naked covered in blood and shit the performer ended up partying at a friends house where he took a lethal Heroin overdose and never woke up being pronounced the morning after by paramedics exactly where he laid down the night before.

I guess whilst it wasn’t a surprise to hear the news it’s still a shame to hear about anyone passing away under such tragic circumstances.  Allin was fairly prolific throughout his career and moving from his early more glam roots he passed through punk, hardcore and country as well as spoken words performances Allin was no slouch when it came to what he considered art.

Even in death, the Allin circus continued when he was laid to rest his open casket was videotaped and he can be seen wearing a jock strap accompanied by a bottle of booze whilst friends posed with his corpse, placing drugs and whiskey into his mouth. As the funeral ended, his brother Merle put a pair of headphones on Allin.  plugged them into a cassette player which had a copy of The Suicide Sessions on it.

The film ‘Hated’ features the footage of that final performance and chaos that went on after.  Sadly GG’s grave was frequently vandalised urinated on, cigarette butts left as well as feces and alcohol left by so-called fans, an act that was greatly discouraged by his mother Arleta. His tombstone has since been removed because of this.

Musically he was a Beatles fan and that was reflected in his early songs other bands that greatly influenced him were the likes of Alice Cooper, the Stooges and Kiss.  when he put the Jabbers together.

Allin became popular when ROIR released a cassette-only ‘Hated in the Nation’  containing tracks from the Jabbers, the Scumfucs and Cedar Street Sluts. All unavailable elsewhere.  The tape also featured recordings with the likes of J Mascis of Dinosaur Jr. on lead guitar and  Mark Kramer on bass. The most famous person to work with GG would have to be none other than Dee Dee Ramone who toured with the band as part of the Murder Junkies.

It wasn’t until the mid ’80s that he began to spiral out of control as his commercial career failed to take off he took full advantage of his underground personal and the myths began to appear (remember kids this is pre-internet) Allin was already making record designed to offend and provoke and he certainly achieved that with titles and collaborations to cause outrage (which they certainly did) the subject matter was attacking gay people, promoting drug use and his fascination with serial killers like Gacy led him to go visit the guy in prison. Live he couldn’t finish a set either because the fans stopped it or the police and/or venue interrupted him for his behavior. 

There was nothing big or clever about his behavior from the mid-’80s as he tried to stir up a hornet’s nest at every opportunity by saying repulsive comments about women, children, and boasting of his antics.  The music had long since stopped being relevant and instead he’d turned into a parody of himself and covered in ones own blood and poop began to fade into history and be a figure of fun that people would poke fun at and goad on to carry out his threat of killing himself on stage. In 91 he recorded with Antiseen what he described as his best album that most closely connected with himself.

If you’ve never heard him or fancy seeing what all the fuss was about then I suggest you check out ‘Hated’ it sure is an extreme ride and one you won’t forget in a hurry. I hope finally after such a chaotic life GG found his peace and afterlife and he can finally rest in peace.

you can pick up his records on the net but this company Aggronautix make a whole bunch of GG related collectibles as well as other bands and iconic figures in punk you really should check them out.

 

Also passing on this day back in ’81 a guy named Robert “Bob” Davis better known as Chuck Wagon from the punk band the Dickies. Chuck was a talented multi-instrumentalist who played Drums, Bass, Rhythm Guitars, keyboards and Saxophone. He will be best remembered for their iconic debut record  ‘The Incredible Shrinking Dickies’.  He also returned to the band to record its follow up ‘Dawn Of The Dickies’ as well as playing a few tracks on the third album which came out after his untimely suicide. suffering from depression after the breakup of his relationship Wagon returned after a show with the band and shot himself with a rifle this was 1981 and he was only twenty Five years young.  Rest in peace Bob.

 

Finally today former Gun Club guitarist Rob Graves also known as Rob Ritter.  Rob died of a Heroin Overdose on this day in ’90.  Rob played with the Gun Club, 45 Grave as well as a bunch of other lesser known bands like The Bags and. Graves played on Gun Clubs early 80s ‘Fires Of Love’ and ‘Miami’ as well as 45 Grave ‘Sleep In Safety’. Gun Club will always be remembered as the vehicle used by Jeffrey Lee Pierce but 45 Graves were part of the art Goth Rock scene with their striking images and this outlandish video for ‘Party Time’.  Its believed that Hole and Courtney Love dedicated ‘Pretty On The Inside’ to Rob when it came out.