20 date  May / June UK tour 

with special guests 

Bow Wow Wow 

Legendary 2-Tone group The bEAT led by vocalist Dave Wakeling have announced a 20 date UK tour.

Starting on 26th May at the De La Warr Pavilion in Bexhill, the tour includes a hometown show on 12th June at the Town Hall in Birmingham, the London Roundhouse on 16th June, before concluding at the Great Hall in Cardiff on 30th June. Special guest on the tour will be Bow Wow Wow with Annabella.

Really looking forward to our UK tour, after last years sold out run. It was great to see so many friends again after the pandemic, and to dance some of that good old Two Tone Love and Unity together! These are testing times, connection and community are a great comfort, and so it will be great to see you this summer.

A special bonus to be touring with Annabella and Bow Wow Wow; quite by accident, we will be celebrating a US tour we did together 40 years ago, and she still sounds great nowadays

A chance to thrill in the moment while also taking a stroll down memory lane, you can even dance like a teenager if you want to, till your knees remind you in the morning!   See you there, Love, Dave x” 

– Dave Wakeling.

The bEAT formed in 1979 and released their debut single, an infectious cover of the Smokey Robinson classic ‘Tears of A Clown’ on 2-Tone Records, which went straight into the UK national charts at #6. Along with their contemporaries The Specials, Madness and The Selecter, The bEAT became an overnight sensation. Over the course of the next five years The bEAT released three studio albums ‘I Just Can’t Stop It’, ‘Wha’appen’ and ‘Special Beat Service’ and enjoyed a series of classic hit singles between 1979-1983 such as ‘Mirror in the Bathroom’, ‘Best Friend’, ‘Can’t Get Used to Losing You’, ‘Hands Off…She’s Mine’, ‘Too Nice To Talk To’, ‘Drowning’, ‘Doors of your Heart’, ‘Save it for Later’, ‘I Confess’, ‘Stand Down Margaret’ and ‘Twist and Crawl’. 

The bEAT have toured the world alongside artists such as The Clash, The Police, The Specials, The Pretenders, REM, Talking Heads and David Bowie, and they continue to do so today selling out their last UK tour in 2022.

The bEAT UK 2023 shows in full 

May 

Fri    26th Del La Warr Pavillion Bexhill 

Sat 27th The Great Wall  Gillingham 

Tue 30th Hanger 34 Liverpool 

June

The  1st  Engine Shed  Lincoln

Fri 2nd Becket University  Leeds

Sat  3rd O2 Ritz Manchester

Sun  4th Epic Studios  Norwich 

Wed 7th Queens Hall Edinburgh 

Thu 8th Boiler Shop  Newcastle 

Fri 9th Barrowlands Glasgow

Mon 12th Town Hall  Birmingham 

Wed 14th O2 Academy  Bournemouth 

Fri 16th Roundhouse London

Mon 19th Roadmender Northampton

Wed 21th Junction  Cambridge 

Thu  22ndHMV Empire  Coventry 

Fri  23rd Rock City  Nottingham 

Wed 28th G Live Guilford 

Thu 29th The Forum  Bath 

Fri 30th The Great Hall  Cardiff 

Get tickets for the 2023 UK Tour here for one of the most popular and influential bands of the 2-Tone Ska movement – https://www.seetickets.com/tour/the-beat-bow-wow-wow

Music? It’s a shit business, as someone nearly famous once said. Were there any justice, the likes of Jonny Cola and Jez Leather would be household names. After the demise of the A-Grades, you’d forgive them for giving in. But, regardless of the grind of holding down day jobs, they continue to make glorious music. Which, without a record label, is nigh on impossible to release in a physical format. It’s a shame, because this album of 20 songs is, at turns, beautiful, catchy, melancholy and joyous.

With the average song length of 3 minutes, there’s no time to get bored, or stuck in a rut. There’s echoes of the A-Grades, obviously, but also Pulp, Cockney Rebel, Erasure, Pet Shop Boys and ABBA.

And with ‘A Song For Europe’, they have perhaps unwittingly written a potential Eurovision winner, complete with castanets. Once heard, never forgotten.

‘My Couchette’, with its bouncing bass line, is 2 minutes of salacious pop, ‘Breakfast In Trieste’ manages to be Ken Bruce friendly and sad in equal measure; “don’t be the last chip in the casino”.

‘He Bled’ would make Vince Clark proud, while ‘Split Personality’ has those backing vocals that Mauro was/is so good at.

‘Bristol’ is an ear worm with dark undertones; “I tried to talk to God last night, but it went to answer phone”, ‘Statues’ reminds me a little of when Blur were actually good, with a chorus from 1974, and ‘Night Train To Istanbul’ brings a bit of funk to the proceedings. Jonny continues to make seemingly innocent phrases sound ominous and seedy, thankfully.

‘Delta Blues’ is a slice of wonderful pop, a duet with Caz from Desperate Journalist, the Christmas song you didn’t know you needed. Check out the video. ‘Goodnight Vienna’ made me laugh out loud, while ‘Dunroamin’ is the perfect end to what should be a double album on vinyl/CD, bleak but beautiful. There’s much more here, obviously, but just trust me. Go over to Bandcamp, listen and then click ‘buy’. All musicians should aim this high, and I’m equally delighted that they’ve created this album and disappointed that so few people will hear it. Be one of the few.

Buy Here

Author: Martin Chamarette

new album
LP  |  CD  |  digital
out 14.04.23
(Frontiers)

pre-order/save
(LP format out 04.08.23)

includes the single
YOU BETRAY

L.A. Guns will release a new studio album entitled ‘Black Diamonds’ on 14th April via Frontiers. Produced by founding member and guitarist Tracii Guns, ‘Black Diamonds’ is another tour-de-force by the long-running hard rockers that is guaranteed to please their legion of followers. The song ‘You Betray’ is available from today as the first single from the record.

Written and recorded during 2022, ‘Black Diamonds’ sees Guns, vocalist Phil Lewis and co. continuing on the same inspiring and successful musical journey that has already reaped the recent albums ‘The Missing Peace’ (2017), ‘The Devil You Know’ (2019) and ‘Checkered Past’ (2021). While not shying away from flexing their hard rock muscles, the Gunners have also incorporated introspective acoustic songs reflective of their ‘70s classic rock influences on what is a highly varied set.



From their self-titled 1988 debut right up to the aforementioned and widely praised comeback records, Guns and Lewis have always delivered solid rock ’n’ roll to their fans. Ever since reuniting as L.A. Guns in 2017, a rekindling of creative energy has continued unabated, with ‘Black Diamonds’ showing no sign of this renaissance slowing any time soon.

Unlike many of their peers, L.A. Guns were never pretty poster boys, but more the sort of outfit you would be terrified to bump into in a dark alley. However, despite having the songs to back up that streetwise image, they have also written numerous moving, powerful numbers such as ‘The Ballad Of Jayne’, proving that there have always been serious songwriting chops on display.

From their powerful early years to the prolific activity since Guns and Lewis reunited, the history of L.A, Guns has been well documented, but suffice to say that the duo have been the driving force behind their classic songs. As excited and inspired today as when they started out, but with years of experience and wisdom behind them (not to mention a renewed, stronger creative and personal relationship), they have just hit a new peak.

Phil Lewis – vocals
Tracii Guns – electric & acoustic guitars, Mellotron
Ace Von Johnson – electric guitars
Johnny Martin – bass, electric guitars
Shawn Duncan – drums (live)
Adam Hamilton – drums (studio), string arrangements

official website  |  Facebook  |  Twitter  |  Instagram

London glamsters Rachel Stamp have announced a one-off London show in celebration of the reissue of their classic debut album.

The androgynous four-piece had become darlings of the London rock scene during the late 90s, sharing stages with acts as diverse as No Doubt, Cheap Trick and Korn.

Following a string of indie hits, Hymns For Strange Children was recorded and mixed in a week with Nine Inch Nails producer John Fryer.  It emerged in early 2000 to waves of ecstatic reviews and magazine covers, leading to a sell-out UK tour culminating in a show at  the 2,000 capacity London Astoria.

“We paved the way for a whole generation of fans to be themselves and not to blindly conform to what someone else told them they should be,” says singer/bassist David Ryder Prangley today. “It was really tough to walk around looking the way we did back then. There was a lot of verbal and physical abuse directed towards us and I’m sure it was the same for our fans, but we all lived through it and came out the other side for the better.

“I meet a lot of musicians who used to come and see us play when they were teenagers and were inspired by us,” he adds. “But I don’t think there has really been a band since Rachel Stamp that mixed heavy, distorted guitars with synths and melodic vocals like we did. We’re still unique in that way and I’m very excited that Hymns For Strange Children is being re-released and hopefully reaching a whole new audience.”

Now fully digitally remastered and repackaged, the album is being released on vinyl for the first time ever through Easy Action Records on 14 April, in a limited edition of 700 pink vinyl copies. There’ll also be new CD edition with bonus tracks, plus a digital edition available from all the usual platforms.

To celebrate Rachel Stamp will be playing a special show at London’s O2 Academy Islington on the album’s release date. Tickets are on sale to O2 priority customers now and go on general sale on Wednesday 8 February at 10.00 am.

Tickets https://www.ticketmaster.co.uk/event/1F005E2DE27235FF

I Get Knocked DownThe untold story of Leeds-based anarcho-pop band Chumbawamba.

IN CINEMAS FEBRUARY/MARCH 2023LIVE Q&A FROM DUNSTAN BRUCE

I Get Knocked Down is the untold story of Leeds-based anarcho-pop band Chumbawamba. Founding band-member Dunstan Bruce is 59, and he is struggling with the fact that the world seems to be going to hell in a handcart. Twenty years after his fall from grace, Bruce is angry and frustrated, but how does a retired middle-aged radical get back up again? In this punk version of Charles Dickens’ A Christmas Carol, Dunstan is visited by the antagonistic ghost of his anarchist past – his alter ego, ‘Babyhead’ – who forces him to question his own life, sending him on a search for his long-lost anarchist mojo. Following Bruce’s personal voyage of rediscovery, redemption, and reawakening, I Get Knocked Down acts as a call to arms to those who think activism is best undertaken by someone else.

IN CINEMAS FEBRUARY/MARCH 2023

(** SCREENING ACCOMPANIED BY A LIVE Q&A WITH Dunstan Bruce)

  • SAT 04 FEB: FILM FACTORY, LEIGH. TICKETS
  • SUN 05 FEB: TOWER ARTS CENTRE, HELENSBURGH. TICKETS
  • TUE 07 FEB: HACKNEY PICTUREHOUSE, LONDON (**WITH Q&A) TICKETS
  • WED 15 FEB: SHOWROOM, SHEFFIELD (**WITH Q&A). TICKETS
  • THU 16 FEB: BRITISH MUSIC EXPERIENCE, LIVERPOOL (**WITH Q&A). TICKETS
  • FRI 17 FEB: BREWERY ARTS CENTRE, KENDAL (**WITH Q&A). TICKETS

February 2, 2023 — Take a deep breath. Everything’s okay – and it’s about to take a stratospheric upturn with former Cinderella frontman Tom Keifer #keiferband’s “A Different Light.”

Penned a decade ago by Tom and Savannah Keifer, the song truly gives meaning to the saying, “Good music has no expiration date.” The lyric etches a timeless message that’s as relevant, if not more so, today than it was ten years ago. A fan favorite upon the release of Keifer’s 2013 critically acclaimed THE WAY LIFE GOES, “A Different Light,” now with a brand new music video, is being released to commemorate the ten year anniversary of #keiferband and Keifer’s debut solo release.

The new video, produced and edited by Joshua Smith, features fan-shot live footage of the band from the first year on tour (2013) through the most recent tour in 2022. Opening in somber black-and-white profiles of suffering souls, Keifer’s sultry vocals reflect the troubles of those in despair as shimmering instrumental vibrations build into an iconic key change. Within the first minute, the viewer is graced with an exalted perspective, and a fully technicolor, changed world. The anthem and video wind between contemplative compassion and explosive enthusiasm, ultimately landing on a perspective of hope and array of smiles where “everybody shines.” 

 Courtesy of Tom Keifer

Keifer says, “‘A Different Light’’s lyric really struck a chord with people and we’ve had countless requests since its release for a music video. The fans have been right there with us over this ten-year journey capturing show after show on their phones. Including the live videos they shot in the video is our way of expressing gratitude and making them part of the ten year anniversary.”  

Tom Keifer remains a resilient, relevant figure in the rock world through constant reimagination and renewal. His story begins as the singer-songwriter, guitarist, and front man of hard rock heavyweights Cinderella. His signature voice and guitar, and bluesy, no-BS arena-shaking songwriting, were integral in moving 15 million records worldwide. Over the past decade, Keifer transitioned his talents to a solo career, enjoying continued success recording and touring with #keiferband. #keiferband is Tom Keifer, Savannah Keifer, Tony Higbee, Billy Mercer, Jarred Pope, Kory Myers, Tanya Davis. Two critically-acclaimed albums have been released to date: THE WAY LIFE GOES (2013) and RISE (2019). THE WAY LIFE GOES was praised by industry publications upon its release: Rolling Stone described the album as “14 blues howlers… [it] calls to mind Cinderella but with an even more rootsy undercurrent”; Guitar Player said, “Keifer flat-out knows how to play vibey guitar parts with ungodly tone…. this guy is singing better than ever to complement his great 6-string parts”; Vintage Guitar praised the album’s “killer blues-rock playing and tones, hooks galore, and strong songwriting”; and the Los Angeles Daily News commended that Keifer has “an amazing, raspy voice and a knack for writing songs that lodge themselves on the brain and refuse to leave for days.”

With the release of #keiferband’s “A Different Light” video, 2023 will commemorate ten years of incredible memories with their fans. The band will be celebrating the milestone this year on their “LIVE LOUD TOUR.” Plenty of high energy, eardrum-shattering shows are in the works for 2023. Tour dates will be announced in the coming weeks.

As the second video for our two for tuesday we visit Keifers ‘Rise’ video from a few years ago as a tribute to lip syncing from a man unfairly lumped in with the hair metal because Keifer was so much more than that’ Enjoy

www.TomKeifer.com

www.facebook.com/TomKeiferOfficial

www.twitter.com/TomKeiferMusic

www.instagram.com/TomKeiferofficial

www.youtube.com/user/TomKeifermusic

There was one album in particular that got me through the first Covid lockdown here in the UK, and that was ‘Graveyard Island’ the superb third album from Isle of Wight punk rocking skinheads Grade 2. Released at the tail end of 2019, it was a record that had initially passed me by, but once I discovered it (via a good friend who also resides on Graveyard Island) it was like a true beacon of punk rock hope shining through those darkest of days.

Fast forward to Rebellion 2022 and playing to a packed Pavilion audience Grade 2 then went and delivered one of the performances of the weekend, giving us an immediate sneak peak of the new album they already had up their sleeves (more of which in a second) to help kickstart a blistering set of older tunes that instantly had the audience in singalong punk rock heaven. They then turn up on the “hush hush” Pirates Press released Cock Sparrer tribute album, that snook out around Christmas time, and here the lads managed to take a Sparrer deep cut and truly make it sound like one of their own, which is no mean feat I’m sure you’ll agree. Reviewing that album for RPM (something you can read here)  I declared that 2023 really could be Grade 2’s year, so with their fourth album now cued up on my system and ready to play, what would the next 35 minutes have in store for me, and would the album actually live up to my high expectations?

Just like during their aforementioned Rebellion slot ‘Judgement Day’ gets things off and running in fast and furious style, the bass of Sid Ryan rattling the speakers with its punchy bottom end and drummer Jacob Hull attacks his kit like the IOW’s very own Joey Castillo whilst it’s the almost Dick Dale like guitar work of Jack Chatfield that truly propels this 1 minute 32 second ball of sonic fury, and before you know it we’re into one of the album’s (many) highlights, the cowbell (yup punk rockers use cowbells too) tonking beauty that is ‘Fast Pace’. It’s on tunes like this where Grade 2 really stand out from the punk rock pack, ditching the speed for a more intense melody packed approach, in many ways they remind me of Newport’s very own 60 Foot Dolls. This is music meant to be danced to, and there’s even a Hammond organ solo that crops up mid song to seal the deal. Fantastic stuff!

Up next, ‘Under The Streetlight’ takes us back to ‘Murder Town’ complete with a doff of a cap to the band’s label masters Rancid, whilst ‘Doesn’t Matter Much Now’ is another bootboy terrace anthem in the making, very much like latter day Argy Bargy. Then there’s the early days Jam anger of ‘Midnight Ferry’ which switches the perils of missing the last tube home for the last boat home, and oh the delights of living on an island eh!  I must give a special mention here to the band’s ear for a melody, as this tune could very easily have been a contender back in the days when singles sold, instead of TikTok views, actually lead to artists becoming household names.

Having been one of the lead videos from the album ‘Brassic’ is the song that initially got me truly excited about this record, its jagged riff and instantly memorable chorus (complete with female backing vocals) knocking the tune well and truly out the park.

As the album reaches its midway point the tracks that fall either side, the Matt Freeman like 58 second blast of ‘Gaslight’ and the anthemic ‘Don’t Stand Alone’ complete with its (once again) glorious backing vocals, really are the perfect example of the two sides of the Grade 2 songwriting coin, and it’s at this almost perfect point I’m going to dip out and let you discover the rest of the album for yourselves, because you really do have to hear it.

I said it at the top of the review that I thought 2023 could very well be Grade 2’s year, and with a proper multi-date UK tour kicking off in just a few weeks’ time, along with dates with Rancid and The Bronx (now that is a one hell of line up) later in the year, it very well could be, it just needs you to get off your arses, buy those gig tickets and most importantly snap up copies of this 15-track Grade-A punk rock record. It’ll never be off your turntable, or out your CD player (you might even be constantly streaming this) come its February 17th release date.

What the hell are you waiting for?

Hit the links below to make it all happen!!!!

Buy Here

https://www.facebook.com/grade2iow

https://grade2official.co.uk/

Author: Johnny Hayward

Blag’s CONTRABAND video is here.  Thrill to the wild trucker exploits of Ralph Champagne and the whole crew! This is the best video you will see this year! Animated by the Mad Twins, artistic sisters working out of war torn Ukraine!

Its the perfect way to start any week – go Ralph!

Next up is this new video courtesy of The Dogmatics. This raucous slice of Boston Garage Punk 101 spent 3 weeks at #1 on the Radio Indie Alliance overall Top Chart. Its the lead track from the bands new EP out on the awesome Rum Bar Records.

Friday 27/01/23

It’s been a long time coming but it’s good to be back. Some fella used to sing that every night from a stage, somewhere back in time…oh yeah, Mike Peters of The Alarm.

It’s been a tough six months for Mr Peters and his family, after playing the final night of a rigorous and full UK tour back in mid ’22 he became seriously ill and has had the toughest battle with his health in a long line of tough battles, but Mike Peters being Mike Peters he soldiers on with the most incredible PMA you could imagine. Tonight (Friday acoustic in the round) began with a serious personal (Maybe a little too personal) video shown on the big screens of a bedside, fly on the wall, half an hour of the most uncomfortable footage of one of your heroes you could imagine. The most awful cough, tears, lung drains you name it. Not what I was expecting to be played on the big screen before a live show. It was tough for everyone present I’d imagine, watching the very private and personal fight to save Peters’s life. I’m not sure I was ready for the 21st-century – film everything – gets it online tiktokin’ or instagrammin’ – maybe I’m stuck in the old school and not down enough to appreciate this is how it is these days, who knows? it was what it was. The upshot is Mike looks fighting fit and the picture of health as he strides to the stage to an emotional performance that many thought would never take place, but here we were, gathered around the camoed out round stage to witness the return of one of rock musics most battle scared warriors, Don’t say team MPO aren’t inclusive and go the extra mile to let you in to their inner circle because that was it. Sharp intake of breath give your loved one a knowing squeeze and lets go!

I do know it came close to the wire if this weekend would be possible what with Covid putting the kibosh on the last few years and last year’s return to Rhyl acoustic Gathering. playing live is where Mikey boy is most comfortable and the place that makes him feel so alive it was emotional and massively appreciated as the audience sang ‘Walk Forever By My Side’ and a emotional Peters gathers his composure for the next few hours of Gathering 30.

It was a joy and a pleasure to see him in his natural environment looking healthy and raring to go for the next two hours or so as he blitzed through an incredible set of deep cuts from an unbelievably rich back catalogue.

Decked out in his now familiar fighting green Peters gets straight down to business as he whips out sizable chunks of songs from his repertoire playing songs like his life depends on it (it quite possibly does) as he veers from ‘Breed Apart’ and ‘Neutral’ from his more recent past through deep cuts such as the fantastic ‘Heroine’ thru the snotty (even acoustically) ‘Under Control’.

By the time he reached the majestic ‘Rise’ he seemed comfortable with proceedings and whilst there were scuffed chords and rearranged lyrics Peters was winning and the audience was on its best behaviour as you could have heard a surgical needle drop it was so respectfully quiet whilst the songs were being chased out of the speakers like a superhero gaining strength from the music pouring out of the man’s guitar and voice.

Possibly my fondest memories of previous Gatherings came around the time of ‘Rise’ and ‘Feel Free’ of aftershow parties in the Hydro Hotel at 2 AM where we got Clash songs from the ragged house band Peters could assemble but memories come flooding back as ‘Feel Free’ cracks to life leading to a run through ‘All Is Forgiven’ incredible, emotional and as fresh as the first time I heard these songs. It was then thoughts entered my head of that Brixton night as ‘Raw’ followed by ‘Sold Me Down The River’ its been some journey. I’ve been to every Gathering from Rhyl Town Hall to Pontins and its spiritual home o here in Llandudno and whilst I might not intake all they offer on Saturday and Sunday I wouldn’t miss it for the world and some people ask me how can you enjoy one man playing one guitar year after year after year but I would say that its one of the most enjoyable two nights I look forward to year after year and during the pandemic years it was miserable knowing that for a weekend in January, I wouldn’t be freezing my backside off walking down the seafront going to another night of Gathering entertainment if you’ve ever been you’ll know how good a weekend it is and what effort Peters puts into ever show he does under some challenging circumstances, to say the least.

Anyway, back on track, we marched on through some old-school Alarm classics, climaxing with the quite brilliant ‘Howling Wind’ followed by ‘We Are The Light’. As we entered the final furlong the old Alarm cover of ‘Bound For Glory’ was knocked out as Peters explained that during the staycations people would throw cover song challenges at him from the obvious ones to more obscure and quite frankly bizarre choices which lightened the mood and gave many present a raised eyebrow as a minimum. if all I Need Is The Air I Breathe wasn’t left of field enough how about George Michaels ‘Faith’ complete with a wiggle? no, you would have guessed that one well how about a flawless take on ‘Time Warp’! No, I didn’t think I’d hear an encore of covers like that, but hell, people were loving it, and it was another Gathering first. The night was drawn to a close as Peters’s two teenage sons were brought on stage to accompany him on an emotional run through ‘Wonderwall’ and a rousing finale of ‘One Guitar’ before everyone filed out of the venue with the thoughts running through their heads that everything was going to be alright, ok for the Saturday night main course of some more Rock and Roll but with drums and louder guitars – Bring It On!

Saturday 28/01/23

Tonight’s electric performance kicked off with a brand new track ‘Forwards’ more easing in than punching you square on the nose. To most established bands starting your set with a brand new track is terrifying and a big no-no but to Mike Peters its what he does and the fans who’ve been on the journey with him over the last few decades pretty much demand new material anywhere in the set because the history of Saturday nights at the Gathering have been some marathon performances and this one seems rather poignant considering the man’s health issues people (me included) are just glad to see him back on stage in any capacity and for any length.

It is the same stage set up as previous Gatherings pre-pandemic and the tour last year with his wife on keys tucked up on stage right next to Smileys drum kit with James Stevenson on Stage left whilst Peters patrols the main stage between four mics.

His voice sounds strong and the band sound locked in. as recent tunes ‘Fail’ skank in before the hard rock of the epic ‘Superchannel’ fills the either. With such a vast catalogue it’s always a tough call what he plays and what he leaves out. Sure there are staple Alarm songs he would find hard to leave out that pepper the set as it ebbs and flows from recent to vintage. there isn’t much time for talking and the band lets the music yap yap yap its way to another brand new song as ‘Are You Ready?’ hits the spot with its punchy mod rhythm as Peters puts his vocal cords to the test and they sound fine from my spot which must have been a relief not knowing if the punishment they would take over two nights after such a lay off would hold up. They did and some.

After a few more old and new with ‘Warriors’ being the pick of the newer songs blasted out with energy and verve Peters vanished from the main stage to take up his familiar position at the back of the venue to run through acoustic versions of ‘Its Alright’, the poignant ‘Without A Fight’ before ‘Breathe’ lit up the room. Peters then weaved his way through the audience to join the band back on the main stage for a rocked-up version of ‘Walk Forever By My Side’. The band then proceeded to run down memory lane with a superb bunch of picks from the earlier days of the band ‘Declaration’ heavy period of the set with ‘Shout At The Devil’, ‘The Deceiver’ and ‘Third Light’ pouring memories over me as my mind sped through sets from a time I’d almost forgotten where the band had the energy of a small army dropping sound bombs on the New Ocean Club to the Orange Box and every old school concert venue between. Good times then and good times now.

Proceedings were halted during ‘Majority’ as someone needed medical attention minutes later the show was resumed and momentum was regained swiftly. We were now twenty songs plus into the set and it was showing no signs of stopping Peters looked fitter and stronger than I’d seen him for quite some time. The man is a machine and considering what he’s been through to want to get right back into the eye of the hurricane seems like madness but like many, I’m delighted he wants to go on – after all, what else is he supposed to do?

Back to the beginning and ‘Unsafe Building’ kicks off the final furlong and its heads down and go! ‘Knifedge’, ’68 Guns’, ‘Spirit Of 76′, Rescue Me’ all get a good seeing and it’s a swift encore before returning to beat out another five songs before the curtain finally gets dropped on what has been an emotional Gathering 30. With all the trials and tribulations that the Peters have been through over the last few decades let alone the last few years is nothing short of breathtaking and the fact they perform for almost five hours spread over two days and do it with a bazillion selfies, and questions with beaming smiles are heartwarming. When people tell you not to meet your heroes I roll my eyes and tell me bollocks. Mike Peters is a legend and once again turned in a memorable Gathering with a little help from his friends and some. An announcement about next year’s festivities is on hold but you can guarantee if I’m fit and healthy and if he’s fit and healthy then we’ll be doing this all again same time same place. Bring it on!

Website

Love Hope And Strength

Author: Dom Daley

Warsaw Poland is the place the time is now. Moron’s Morons release their second album cho-o-bloc with sharp toe tapping punk n garage rock n Roll schenanigans. From the opening seconds of the rapid ‘Knife At Your Throat’ you betta strap yourself in for a rollacoaster of chops that will load you up on adrenalin fueled noise – just the way we love it. There will be blood! MM pedle the same enthusiasm as Cavemen and it would come as no surprise that these chaps were on NFT, Wanda so you know they have pedigree and quality and the swagger to cut to the chase and deliver the goods.

Twelve pumping – dancing – sweating – frantic slabs of the finest lo-fi garage punk you could wish for. from the swirling organ on ‘Nightvisions’ adeing to the manic riff-a-rama and desperate screams of a demented vocal through the low down dirty punchy ‘Psycosis Diagnosis’ with it messed up rapid twelve bar thrash n roll thats just bordering on out of control.

I wouldn’t be doing my job properly if I didn’t mention the menacing, brooding swampy swirl of ‘I Will Fuck Your Mind’ (Charming I’m sure) – but worry not ‘Pure Love’ is the sound of a teenage sweaty boy rather than some big romantic gesture from a well formed adult mind. Insane – bludgeoning garage punk rock from a well intended punk rocker more like – wonderful tone that slashes and indescriminately stabs out of the speakers especially at great volume.

Fueled By Hate’ borrows a riff off AC/DC and fucks it right up. A wonderful cachophany of noise that gets your dancing feet up and at it. Flip it over to side two and its off like a gatling gun assaulting your ears with the snotty ‘Possessed To Fuck’. It’s like the Dead Boys meets Los Pepe and has a right dust up in some sleazy part of town on the fantastic ‘Nothing For You’ but its taken up a notch or two with the bass pumping ‘She’s My Adrenaline’ that moves with menace mixing up old school Iggy and the Stooges with something all together more dark like prime time Brian James.

The band sign off this sweatfest in style by pressing the nuclear option that is ‘You Make My Nightmares Wet’ leaving them nowhere to go this record is done. I was expecting something good but not quite this good. A fantastic record that had me hitting repeat and diving back in for more. Its a banger – simple as that chaotic and beautiful Moron’s Moron have dropped one of the years best offerings right here right now. Fill yer fucking boots before the men in white coats turn up to cart you off. Buy It!

links:

https://www.facebook.com/moronsmoronspunk

https://www.instagram.com/moron.s_morons

https://moronsmorons.bandcamp.com