Snake, rattle and roll campers, Frank is back with album number four and it is as tasty as its title suggests. Short and sweet, ‘Sticky’ comes hot on the tails of its predecessor ‘End Of Suffering’. This album was written during lockdown and as such, is less about metal health and anxiety, but more of a social commentary full of pent-up anger and small-town survival in Covid Britain.

“We all lost a year to the doldrums” Frank sings during ‘Rat Race’, the penultimate track on ‘Sticky’. Elsewhere in killer single “Go Get A Tattoo” he proclaims to “never want a lockdown again”. These are perfect examples of the relatability of Frank Carter’s lyricism and one of the reasons The Rattlesnakes have become one of the best live bands in the UK.

With each album release songwriters Frank Carter and guitarist Dean Richardson have pushed the bar higher and ‘Sticky’ is no different. Taking inspiration from pop and electronic music and collaborating with rock diva Cassyette, Rapper Lynks and Idles main man Joe Talbot, the band move further from the hardcore punk roots and dig deeper into commercial rock territory, yet always keeping it diverse and interesting at every turn and twist.

The fuzzy bass, processed beats and frenetic guitars of the opening title track bode well. The social commentary is rife from the start and Frank’s message, as ever, is never subtle. A wicked tale of late-night drunken antics “what the fuck is wrong with me? kicking around at half past 3” he yells. Musically it continues where ‘Kitty Sucker’ left us on the last album, yet lyrically it spirals out of a lockdown hell. 2 minutes and 34 seconds of introspection, self-loathing and punk rock power. Just what’s needed right now, yeah?

We then take a one-two trip following our man on an all-night bender. The dumb-ass punk feel of ‘Bang Bang’ fits the bill and the barking dogs and sonic boom bass of ‘Take It To The Brink’ are either designed to confuse or make the listener uneasy, and they both succeed. It’s hyper cool and well, when Frank is inciting you to bang your head off the wall and take another drink, what is a man to do?

Aided and abetted by Idles man Joe Talbot, the single ‘My Town’ is a social sidewinder that highlights the struggles of mental health many have experienced during lockdown. It’s an anthemic blast of punk noise straight from the street that could be just like the one where you live.

The tongue-in-cheek ‘Get A Tattoo’ could be the greatest single of the year. Bouncy bass and gritty lyrics lead to a frantic, killer chorus that most bands would die to have written. The inclusion of rapper Lynks adds cool street cred for the kids and makes it one of the standout rock tracks of the year, let alone of this album. If you aren’t singing that chorus over and over by the time you read this, or you seriously don’t get the urge to go out and get inked immediately, then you must be dead inside.

Again, collaborating with an edgy, current artist is a master stroke. The helium induced vocalisin’ of Cassyette adds a new dimension to the signature Rattlesnakes sound. The juxtaposition of the male/female lead vocals works well and adds intensity to an already electrifying tune.

They even drag in Primal Scream legend Bobby Gillespie to add his dulcet tones to album closer ‘Original Sin’.

‘Sticky’ is a release for all the pent-up anger, aggression and forced confinement of recent times. It may be relatable if you felt like smashing a bottle against a wall just to feel the release, it may be relatable if you feel the urge to get a tattoo just to feel the pain, it may even be relatable if you just wanna see Frank Carter and The Rattlesnakes live again and lose your shit like never before.

Many releases this year have been given the title ‘an album of the times’ and it’s no real surprise that Frank Carter and The Rattlesnakes have given us another with ‘Sticky’.

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Author: Ben Hughes