Originally released via Zero Records in Japan back in 1995 ‘Walk On Water’ marked the reunification of what many fans refer to as the “classic” UFO line up of singer Phil Mogg, bassist Pete Way, drummer Andy Parker, keyboardist/guitarist Paul Raymond along with the mercurial talents of guitarist Michael Schenker.

Bringing back producer Ron Nevison to the fold (he had worked with the line up on their influential ‘Lights Out’ and ‘Obsession’ albums) to help re-capture the magic of the band is perhaps the secret behind why ‘Walk On Water’ worked so well and the two Mike Varney produced albums that followed it perhaps didn’t. 

There’s a real vibrancy to Schenker’s playing throughout ‘Walk On Water’s’ eight new studio tracks the guitarist dishing out some fine crunchy riffage over which Mogg’s vocals truly soar, especially on songs like ‘Venus’ and ‘Pushed To the Limit’ both of which would figure in the resulting tour in support of the record (sadly though not the splendid Way/Mogg penned rocker ‘Knock Knock’).

A tour which is captured on ‘Werewolves Of London’, a semi-official 2CD set originally released via Zoom Club Records in 2008, and according to the original sleeve notes, sourced via Pete Way, probably for a couple of Special Brews and a curry, knowing the man. Recorded at Wolverhampton Civic Hall on February 10^th 1996 (jeez I was 31 the day before) whilst the band at this point had replaced Andy Parker with Simon Wright (as the former found it impossible to tour due to family commitments) they still sound bang on the button across the 15 track set list. A set list that would feature the usual crowd pleasers such as ‘Natural Thing’, ‘Love To Love’, ‘Only You Can Rock Me’ and ‘Rock Bottom’ alongside three ‘Walk On Water’ tunes (‘A Self Made Man’ in addition to the two I’ve already mentioned), whilst for the UFO purists out there there’s a sublime ‘Electric Phase’ along with a stunning ‘One More For The Rodeo’ to really get excited about.

For what is essentially a straight from the mixing desk recording (something Paul Raymond confirmed within the original CD’s sleeve notes) this a fantastic (albeit slightly flawed) live recording, in fact it’s one that I would rank up there alongside ‘Strangers In The Night’ just because it isn’t as perfect as that record. Once again Schenker sounds absolutely spellbinding in his six string delivery with the finely tuned Mogg as always as cryptic/succinct with his between song banter. Then again, we surely wouldn’t want it any other way, would we?

Listening to both releases once again all these years on, and whilst its great to hear the guys back together and writing some cracking new material on ‘Walk On Water’, I can’t help but think there’s a little something missing from the record when compared to those  aforementioned late 70s UFO albums, and the fact the original CD came with two bonus re-recorded versions of ‘Doctor Doctor’ and ‘Lights Out’ (along with a spoken word track ‘Message For Japan’ not included in this reissue), probably spoke volumes for what would happen over the next couple of years as the band once again struggled to function as a working unit. Something you can just sense is already happening within the grooves of ‘Werewolves of London’.

With both title’s having been out of print for some years it’s now Cleopatra’s turn to give both titles an all-new audience both on CD, and now for the first time ever on glorious looking (and eye wateringly expensive) coloured vinyl pressings. ‘Walk On Water’s’ eight track album complemented by the re-recorded bonus tracks as an additional 7” EP, complete with all new cover art, whilst ‘Werewolves Of London’ gets a kind of ‘Strangers In The Night’ cover art makeover and comes complete with a 17″ x 22″ poster of the band!

The flame of the ’Walk On Water’ era of UFO certainly burned brightly, and yeah, oh so briefly it looked like the five guys might finally attain the levels of success they so justly deserved for all their hard work and stellar back catalogue, but UFO being UFO it just wasn’t to be, as once again the band started to slowly unravel, in some cases in truly spectacular fashion. Relive the magic (and not the misadventures) of those years via these quality reissues.

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Author: Johnny Werewolf Of Newport’ Hayward