Well, whatever your tastes, 2023 was chock full of great albums. So much so, that this year I’ll be reviewing some that slipped through the net. In terms of scope, vision and melody, ‘Sanity Fare’ by The Blood Rush Hour is up there with the best of them. Essentially the project of Robert DeStefano, this is their fourth long player, for fans of smart, beautifully arranged pop. If you love Sparks, XTC, Supertramp or The Dowling Poole, this will definitely float your boat.

And, yes, that is the deft touch of Mr Dowling at the mixing desk. This makes perfect sense, as it’s clear that he and Robert share some musical DNA. ‘No One’s There (At All)’ has much in common with The Dowling Poole; intelligent, radio-friendly, with a gorgeous melody that requires repeated listening. This is partly why this review is so late; it’s an album that you can immerse yourself in.

It works equally well in the car. ‘Watching You Make Love’ will get your hips moving, with its samba rhythms. You can enjoy the tunes or pay attention to the lyrics. ‘Fashioned Footsteps’ initially reminds me of ‘Everybody’s Got To Learn Sometimes’ by The Korgis. The similarity is that it’s quality pop music that won’t date.

‘Billy Boy’ is almost like Cardiacs at half-speed. I don’t know who’s playing bass, but it’s fabulous throughout. ‘Tunnel’s End’ hooks you like The Feeling are capable of doing at their best. The backing/harmony vocals really are outstanding, worthy of prime era Queen.

‘Song For My Father’ is brief but touching, while ‘(No More) Happy Ending’ marries a joyous tune to darker lyrics. There is much more here, 14 songs that you will want to keep coming back to. Don’t take my word for it, listen on Bandcamp then place your order. Class never goes out of fashion.

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Author: Martin Chamarette