Hey Wildhearts fans, are you feeling lucky right now?  With a critically acclaimed album in the bag, half their discography remastered and available on vinyl, and more live action than a Pornhub subscription can give you, The Wildhearts are giving their fans everything they desire and more. Did I mention the excellent solo album Ginger just dropped in the middle of all this action? It’s called ‘Headzapoppin’, you should buy it right now.

Well, if your bank account has recovered, even just a little bit, do you think you can handle splashing out a bit more? Because Ginger and co seem to think you can!  How about a six track mini album with 5 brand new songs to back up lead track ‘Diagnosis’, one of the most well received songs from the recent ‘Renaissance Men’ long player. You can even purchase this beast on 10” splatter vinyl if you are that way inclined. Are you salivating yet?

 

If you are reading this then you have probably heard ‘Diagnosis’ more times than you’ve had hot dinners already, it’s a keeper! The building AC/DC riffage that blasts into a gargantuan diatribe, aimed at a system that has fucked so many over. Totally relatable to those who struggle, from the heart of a writer who is struggling more than most of us can imagine. With the anthemic “You’re not an animal” refrain, it has already become a live favourite and it just had to be a single.

 

But let’s concentrate on the new songs shall we.

 

‘God Damn’ sees CJ take lead vocals for a power pop-tastic three and a half minute earworm that wouldn’t sound out of place on one of his own solo albums. Chugging guitars and sneering vocals lead the way. With a signature slow/fast  rifforama section, and enough time signature changes than most metal bands manage on a whole album, it’s an epic burst of sleazy noise, something The Wildhearts do so well. Guaranteed to hit the spot, is there a song more aptly titled right now?

With magnificent, urgent drums from Rich Battersby and killer hooks aplenty, ‘A Song About Drinking’ is a 2 minute incendiary burst of noise. Anthemic gang vocalisin’, fist pumping “woah-woahs” and punky melodies aplenty, all the boxes are ticked. What’s not to like here?

‘Could It Be Just Like The First Time’ starts with the chorus refrain. I feel like I’ve heard it before, and you will too, but Ginger always has that knack right? This is the one out of the five that will imbed itself in your subconscious, grab on tight and refuse to leave.

I wonder if bassist Danny McCormack had a hand in ‘That’s My Girl’? It sure has a rumbling Yo-Yo’s feel to it. Distorted power chords rule with a catchy chorus to boot. It’s all leather jackets, greased back hair and attitude.

Uneasy on the ears and not for the fainthearted, closing song ‘LOCAC’ is a wall of distortion and disjointed riffage that would not sound out of place on ‘Endless Nameless’ or even a Mutation album come to think of it. Brutal heaviness that could possibly make your ears bleed at the right sound level.

 

It’s well known in certain circles that The Wildhearts are the kings of the b sides. How many bands have (or even could) release an album of non-album tracks that can stand tall against their best albums? Oasis have one, anyone else? Well, The Wildhearts could release 3, that is the quality I’m talking about.

And that same quality overflows on this mini album that clocks in at just over 20 minutes. Short, sharp and no fucking about. That seems to be Ginger’s outlook for The Wildhearts in 2019 and who are we to argue? As he has just released the perfect companion to ‘Renaissance Men’ and given his fan base yet another essential release before the year draws to a close.

Buy Diagnosis Here 

Author: Ben Hughes