Friday 27/01/23

It’s been a long time coming but it’s good to be back. Some fella used to sing that every night from a stage, somewhere back in time…oh yeah, Mike Peters of The Alarm.

It’s been a tough six months for Mr Peters and his family, after playing the final night of a rigorous and full UK tour back in mid ’22 he became seriously ill and has had the toughest battle with his health in a long line of tough battles, but Mike Peters being Mike Peters he soldiers on with the most incredible PMA you could imagine. Tonight (Friday acoustic in the round) began with a serious personal (Maybe a little too personal) video shown on the big screens of a bedside, fly on the wall, half an hour of the most uncomfortable footage of one of your heroes you could imagine. The most awful cough, tears, lung drains you name it. Not what I was expecting to be played on the big screen before a live show. It was tough for everyone present I’d imagine, watching the very private and personal fight to save Peters’s life. I’m not sure I was ready for the 21st-century – film everything – gets it online tiktokin’ or instagrammin’ – maybe I’m stuck in the old school and not down enough to appreciate this is how it is these days, who knows? it was what it was. The upshot is Mike looks fighting fit and the picture of health as he strides to the stage to an emotional performance that many thought would never take place, but here we were, gathered around the camoed out round stage to witness the return of one of rock musics most battle scared warriors, Don’t say team MPO aren’t inclusive and go the extra mile to let you in to their inner circle because that was it. Sharp intake of breath give your loved one a knowing squeeze and lets go!

I do know it came close to the wire if this weekend would be possible what with Covid putting the kibosh on the last few years and last year’s return to Rhyl acoustic Gathering. playing live is where Mikey boy is most comfortable and the place that makes him feel so alive it was emotional and massively appreciated as the audience sang ‘Walk Forever By My Side’ and a emotional Peters gathers his composure for the next few hours of Gathering 30.

It was a joy and a pleasure to see him in his natural environment looking healthy and raring to go for the next two hours or so as he blitzed through an incredible set of deep cuts from an unbelievably rich back catalogue.

Decked out in his now familiar fighting green Peters gets straight down to business as he whips out sizable chunks of songs from his repertoire playing songs like his life depends on it (it quite possibly does) as he veers from ‘Breed Apart’ and ‘Neutral’ from his more recent past through deep cuts such as the fantastic ‘Heroine’ thru the snotty (even acoustically) ‘Under Control’.

By the time he reached the majestic ‘Rise’ he seemed comfortable with proceedings and whilst there were scuffed chords and rearranged lyrics Peters was winning and the audience was on its best behaviour as you could have heard a surgical needle drop it was so respectfully quiet whilst the songs were being chased out of the speakers like a superhero gaining strength from the music pouring out of the man’s guitar and voice.

Possibly my fondest memories of previous Gatherings came around the time of ‘Rise’ and ‘Feel Free’ of aftershow parties in the Hydro Hotel at 2 AM where we got Clash songs from the ragged house band Peters could assemble but memories come flooding back as ‘Feel Free’ cracks to life leading to a run through ‘All Is Forgiven’ incredible, emotional and as fresh as the first time I heard these songs. It was then thoughts entered my head of that Brixton night as ‘Raw’ followed by ‘Sold Me Down The River’ its been some journey. I’ve been to every Gathering from Rhyl Town Hall to Pontins and its spiritual home o here in Llandudno and whilst I might not intake all they offer on Saturday and Sunday I wouldn’t miss it for the world and some people ask me how can you enjoy one man playing one guitar year after year after year but I would say that its one of the most enjoyable two nights I look forward to year after year and during the pandemic years it was miserable knowing that for a weekend in January, I wouldn’t be freezing my backside off walking down the seafront going to another night of Gathering entertainment if you’ve ever been you’ll know how good a weekend it is and what effort Peters puts into ever show he does under some challenging circumstances, to say the least.

Anyway, back on track, we marched on through some old-school Alarm classics, climaxing with the quite brilliant ‘Howling Wind’ followed by ‘We Are The Light’. As we entered the final furlong the old Alarm cover of ‘Bound For Glory’ was knocked out as Peters explained that during the staycations people would throw cover song challenges at him from the obvious ones to more obscure and quite frankly bizarre choices which lightened the mood and gave many present a raised eyebrow as a minimum. if all I Need Is The Air I Breathe wasn’t left of field enough how about George Michaels ‘Faith’ complete with a wiggle? no, you would have guessed that one well how about a flawless take on ‘Time Warp’! No, I didn’t think I’d hear an encore of covers like that, but hell, people were loving it, and it was another Gathering first. The night was drawn to a close as Peters’s two teenage sons were brought on stage to accompany him on an emotional run through ‘Wonderwall’ and a rousing finale of ‘One Guitar’ before everyone filed out of the venue with the thoughts running through their heads that everything was going to be alright, ok for the Saturday night main course of some more Rock and Roll but with drums and louder guitars – Bring It On!

Saturday 28/01/23

Tonight’s electric performance kicked off with a brand new track ‘Forwards’ more easing in than punching you square on the nose. To most established bands starting your set with a brand new track is terrifying and a big no-no but to Mike Peters its what he does and the fans who’ve been on the journey with him over the last few decades pretty much demand new material anywhere in the set because the history of Saturday nights at the Gathering have been some marathon performances and this one seems rather poignant considering the man’s health issues people (me included) are just glad to see him back on stage in any capacity and for any length.

It is the same stage set up as previous Gatherings pre-pandemic and the tour last year with his wife on keys tucked up on stage right next to Smileys drum kit with James Stevenson on Stage left whilst Peters patrols the main stage between four mics.

His voice sounds strong and the band sound locked in. as recent tunes ‘Fail’ skank in before the hard rock of the epic ‘Superchannel’ fills the either. With such a vast catalogue it’s always a tough call what he plays and what he leaves out. Sure there are staple Alarm songs he would find hard to leave out that pepper the set as it ebbs and flows from recent to vintage. there isn’t much time for talking and the band lets the music yap yap yap its way to another brand new song as ‘Are You Ready?’ hits the spot with its punchy mod rhythm as Peters puts his vocal cords to the test and they sound fine from my spot which must have been a relief not knowing if the punishment they would take over two nights after such a lay off would hold up. They did and some.

After a few more old and new with ‘Warriors’ being the pick of the newer songs blasted out with energy and verve Peters vanished from the main stage to take up his familiar position at the back of the venue to run through acoustic versions of ‘Its Alright’, the poignant ‘Without A Fight’ before ‘Breathe’ lit up the room. Peters then weaved his way through the audience to join the band back on the main stage for a rocked-up version of ‘Walk Forever By My Side’. The band then proceeded to run down memory lane with a superb bunch of picks from the earlier days of the band ‘Declaration’ heavy period of the set with ‘Shout At The Devil’, ‘The Deceiver’ and ‘Third Light’ pouring memories over me as my mind sped through sets from a time I’d almost forgotten where the band had the energy of a small army dropping sound bombs on the New Ocean Club to the Orange Box and every old school concert venue between. Good times then and good times now.

Proceedings were halted during ‘Majority’ as someone needed medical attention minutes later the show was resumed and momentum was regained swiftly. We were now twenty songs plus into the set and it was showing no signs of stopping Peters looked fitter and stronger than I’d seen him for quite some time. The man is a machine and considering what he’s been through to want to get right back into the eye of the hurricane seems like madness but like many, I’m delighted he wants to go on – after all, what else is he supposed to do?

Back to the beginning and ‘Unsafe Building’ kicks off the final furlong and its heads down and go! ‘Knifedge’, ’68 Guns’, ‘Spirit Of 76′, Rescue Me’ all get a good seeing and it’s a swift encore before returning to beat out another five songs before the curtain finally gets dropped on what has been an emotional Gathering 30. With all the trials and tribulations that the Peters have been through over the last few decades let alone the last few years is nothing short of breathtaking and the fact they perform for almost five hours spread over two days and do it with a bazillion selfies, and questions with beaming smiles are heartwarming. When people tell you not to meet your heroes I roll my eyes and tell me bollocks. Mike Peters is a legend and once again turned in a memorable Gathering with a little help from his friends and some. An announcement about next year’s festivities is on hold but you can guarantee if I’m fit and healthy and if he’s fit and healthy then we’ll be doing this all again same time same place. Bring it on!

Website

Love Hope And Strength

Author: Dom Daley

Warsaw Poland is the place the time is now. Moron’s Morons release their second album cho-o-bloc with sharp toe tapping punk n garage rock n Roll schenanigans. From the opening seconds of the rapid ‘Knife At Your Throat’ you betta strap yourself in for a rollacoaster of chops that will load you up on adrenalin fueled noise – just the way we love it. There will be blood! MM pedle the same enthusiasm as Cavemen and it would come as no surprise that these chaps were on NFT, Wanda so you know they have pedigree and quality and the swagger to cut to the chase and deliver the goods.

Twelve pumping – dancing – sweating – frantic slabs of the finest lo-fi garage punk you could wish for. from the swirling organ on ‘Nightvisions’ adeing to the manic riff-a-rama and desperate screams of a demented vocal through the low down dirty punchy ‘Psycosis Diagnosis’ with it messed up rapid twelve bar thrash n roll thats just bordering on out of control.

I wouldn’t be doing my job properly if I didn’t mention the menacing, brooding swampy swirl of ‘I Will Fuck Your Mind’ (Charming I’m sure) – but worry not ‘Pure Love’ is the sound of a teenage sweaty boy rather than some big romantic gesture from a well formed adult mind. Insane – bludgeoning garage punk rock from a well intended punk rocker more like – wonderful tone that slashes and indescriminately stabs out of the speakers especially at great volume.

Fueled By Hate’ borrows a riff off AC/DC and fucks it right up. A wonderful cachophany of noise that gets your dancing feet up and at it. Flip it over to side two and its off like a gatling gun assaulting your ears with the snotty ‘Possessed To Fuck’. It’s like the Dead Boys meets Los Pepe and has a right dust up in some sleazy part of town on the fantastic ‘Nothing For You’ but its taken up a notch or two with the bass pumping ‘She’s My Adrenaline’ that moves with menace mixing up old school Iggy and the Stooges with something all together more dark like prime time Brian James.

The band sign off this sweatfest in style by pressing the nuclear option that is ‘You Make My Nightmares Wet’ leaving them nowhere to go this record is done. I was expecting something good but not quite this good. A fantastic record that had me hitting repeat and diving back in for more. Its a banger – simple as that chaotic and beautiful Moron’s Moron have dropped one of the years best offerings right here right now. Fill yer fucking boots before the men in white coats turn up to cart you off. Buy It!

links:

https://www.facebook.com/moronsmoronspunk

https://www.instagram.com/moron.s_morons

https://moronsmorons.bandcamp.com

‘Chasing Death’ from their forthcoming album ‘Roden House Blues’ – which will be released May 5th, 2023, via The Sign Records.

The song is, say the band “about self-destruction and self-sabotage. A story stuffed with vice and excess. A tale about one person’s journey, after buying a one-way ticket on the train wreck to end all train wrecks. The age-old colourful topics of sex, drugs and rock n roll. Is it autobiographical? Is it celebration or commiseration? Hero or Rock N Roll failure? Chasing death or embracing life? Crank it loud and make your own mind up.”

Since their inception in 2006, The Hip Priests have released a mighty thirty 7” singles, four albums, two compilations and three EPs by various independent labels from all over Europe & the USA. Fiercely independent and tirelessly driven, the ‘Priests have preached their high energy sermon of misanthropy, hate and contempt across numerous tours of the UK, Europe and USA and made countless rapturously received festival appearances.

picture credit is Ralph Barklam

Gaining a richly deserved reputation as a white-hot live band, the last few years have seen the band’s popularity increasing further with them regularly playing alongside kindred spirits such as The Hellacopters, Gluecifer, The Good the Bad and the Zugly, New Bomb Turks, Dwarves and Zeke at both festivals and in clubs. Rave reviews pour in for every release, ranging from ‘a band on top of their game & steps ahead of any of their UK contemporaries’ to ‘if you’re in any doubt about how good these bad boys are then you need locking up’. After 16 years some bands would be taking it easy but in spite of a global pandemic, there was no let-up in their determination and activity. Their fifth, and by far their best full-length album – ‘Roden House Blues’ – was written, rehearsed, and recorded during this period and will be released May 5th, 2023, via The Sign Records.

Today, The Hip Priests blast out a second offering ahead of the album’s release with new single ‘Chasing Death’, a song that is, say the band “about self-destruction and self-sabotage. A story stuffed with vice and excess. A tale about one person’s journey, after buying a one-way ticket on the train wreck to end all train wrecks. The age-old colourful topics of sex, drugs and rock n roll. Is it autobiographical? Is it celebration or commiseration? Hero or Rock N Roll failure? Chasing death or embracing life? Crank it loud and make your own mind up.”

The Hip Priests. Zero fucks n’ less success since 2006. The most prolific band you haven’t heard of. High energy sweaty sermons of misanthropy, disillusion (self) loathing and despair. Get ready to have your ears torn clean off.

FIND THE HIP PRIESTS ONLINE AT:

WEBSITE

FACEBOOK

BANDCAMP

TWITTER

INSTAGRAM

CATCH THE HIP PRIESTS LIVE AT THE FOLLOWING DATES:

February

Monday 27th Dragonfly Rock Cafe, Almeria

Tuesday 28th Sala Plant Baja, Granada

March

Wednesday 1st Fun House, Madrid

Thursday 2nd Salason, Cangas De Morazzo

Saturday 4th Hell Dorado, Vitoria

Sunday 5th El Sotana Rock Pub, Teruel

(With The Dangerfields)

Wednesday 22nd Bennigans, Derry

Thursday 23rd Áras Na Ngael, Galway

Friday 24th Fred Zeppelin’s, Cork

Saturday 25th Venue Tbc, Limerick

Sunday 26th Wild Duck, Dublin

Germany

(With Lucifer Star Machine)

April

Thursday 27th Sonic Ballroom, Cologne

Friday 28th Freakshow, Essen

Saturday 29th Zollkantine, Bremen

Sunday 30th Indra Musikclub, Hamburg

UK (With Bitch Queens)

May

Thursday 25th The Pipeline, Brighton

Friday 26th Hope And Anchor, London

Saturday 27th Nice And Sleazy, Morecambe

official limited edition splatter vinyl and deluxe  CD reissues ‘Nobody’s Fools &The Amazing Kamikaze Syndrome’ released 3rd March.

Pre Order Here

BMG Records continue their new series of limited edition vinyl reissues and deluxe CDs from Slade, with the release ofNobody’s Fools,and The Amazing Kamikaze Syndrome on 3rd March. 

These beautifully presented reissues will see Nobody’s Foolsreleased on limited edition transparent clear & red vinyl and The Amazing Kamikaze Syndrome released on limited edition orange and yellow splatter vinyl. While both CDs are housed in deluxe mediabooks with bonus tracks and each includes an original extended essay.

Prior to the original release of Nobody’s Fools, Slade relocated to New York in 1975 and toured there constantly with the likes of Aerosmith, Black Sabbath and ZZ Top before writing the album. 

Nobody’s Fools,  which when released in March 1976 reached No.14 in the UK, and features the singles; In For A PennyLet’s Call It Quits and Nobody’s Fool.

The new expanded CD version now includes 16 songs, including 5 additional bonus tracks.

The Amazing Kamikaze Syndrome Slade’s eleventh studio album includes two UK Top 10 singles; My Oh My, which reached No.2 and Run Runaway which made No.7. First released on 3rd  December 1983 The Amazing Kamikaze Syndrome led Kerrrang! to write  “Slade have lost none of their old wicked touch.”, while Sounds commented “Slade are still capable of rocking harder and catchier than most bands half their age.”

This new CD features 8 bonus songs,  including two tracks never before available on CD; Run Runaway (7” Version ) and Slam The Hammer Down (Hot Mix).

Slade are without doubt one of the most exciting bands to come out of Great Britain. With their unique blend of perfect pop-rock’n’roll, outrageous flamboyance and pure fun, and no less than 23 Top-20 singles of which 6 were No.1 smash hits…plus multiple hit albums. 

With a chart career that has spanned 3 decades Slade have become a firm favourite in the hearts of pop fans all over the world.

To pre-order  Nobody’s Fools  and The Amazing Kamikaze Syndrome  Hit this link

To order other releases in this series of limited edition vinyl reissues and deluxe CDs, including Sladest’, Slayed?’, Old New Borrowed And Blue’Slade In Flame’ andSlade Alive!’ , head Here

Also, available the ‘All The World Is A Stage’ 5 live CD box: https://slade.lnk.to/alltheworldPR

FELINE

40th ANNIVERSARY EDITON

 REMASTERED LIMITED EDITION GATEFOLD DOUBLE VINYL & DELUXE CD EACH FORMAT FEATURES NINE BONUS TRACKS – Released on BMG – Pre Order Here

On 3rd MarchBMG release The STRANGLERS’ 40th Anniversary Edition of FELINE.

FELINE will be available as a limited double album on remastered 180g Heavyweight transparent pink and red vinylhoused in a newly created inner bagsThe 2CD digipackfeatures exclusive booklet artwork and a new appreciation by the band’s biographer and journalist, Chris Twomey.

Originally released in January 1983, FELINE is The STRANGLERS’ seventh studio LP and was their first for then-new label, Epic.

1982 had proved to be a very good year for the band. The last three singles released for former label EMI had been more gentle and of a mellower-nature than anything their audience had been previously accustomed to. So when FELINE landed, it perhaps shouldn’t have been such a surprise to both fans and critics alike that there was such a perceived musical shift. Hugh & JJ’s acquisition of acoustic guitars from a now world-renowned guitar maker in Bristol helped shape FELINE into becoming possibly the nearest thing to an “unplugged” studio album the band have yet made. Gone were the powerful, sinister, throbbing melodies of their New Wave sound and in came an extraordinary and, at that time, hitherto-unheard mix of acoustic and electronic delights. Having said that, from the black panther on the sleeve to the underlying melodies of the record, underpinned by that unmistakable growling bass, the band still managed to convey their dark, menacing, moody, slightly unsettling and quietly threatening no-nonsense persona.

Much of FELINE was written at Jet’s house – a disused railway station in Gloucestershire – and as soon as the band were free from the shackles of EMI, Epic arranged for them to decamp to ICP Studios in Brussels for all of September, 1982 to record it. It was produced there by the band with Steve Churchyard (Big Country, INXS, Taylor Swift) and mixed by Tony Visconti (Bowie, T-Rex).

The album was preceded by the gloriously-beautiful and breathy JJ-sung EUROPEAN FEMALE, which immediately fired the band back into the UK’s Top 10 Singles Chart.  As the single peaked, the album crashed into the UK charts at number 4 and neither they nor the suits at Epic could have imagined a much better start to life at their new label. In fact it got better, as this new mellow sound struck a chord with European audiences, particularly in France, where FELINE effectively broke them to a much bigger audience; one they still enjoy to this day.

Two further singles were released from FELINE. The mighty album opener, MIDNIGHT SUMMER DREAM, a melody of JJ’s with intoned dead-pan lyrics from Hugh, following a grand symphonic opening from Dave, was released in late February 1983. Both the 7” Edit and the magnificent 10½ minute Special 12” Mix feature amongst the tracks on the bonus LP/CD that comes with this 40th Anniversary release. At the end of July ‘83, PARADISE was released. Again sung by JJ, he wrote it after an uncomfortable holiday he’d hated in the Seychelles because of his discomfort with the poverty that surrounded the luxury in which he was staying. Fact fans: it is the only STRANGLERS’ single that features voices from beyond the band, as backing vocals were provided by JJ’s then-girlfriend Anna von Stern and France L’Hermitte (of Belgian band Polyphonic Size). The 7” Edit that appears on Side 3 is surprisingly scarce and has only once previously appeared on vinyl. It has only otherwise been commercially available on The Hit Men 2CD compilation from 1996.

Both the bonus LP and bonus CD on this 40th Anniversary release feature the same tracks; a mix of B-sides and rarities.

The bonus tracks start by gathering the three 7” single edits and a couple of B-sides from the period. The EUROPEAN FEMALE Radio Edit was a surprising find, in as much as it was only re-discovered in 2018. Other than providing the 7” radio promo serviced from late 1982, the tape had lain gathering dust in Sony’s vaults, overlooked by all previous compilers, until then. PÃWSHĒR and PERMISSION were, respectively, the B-side and the 12” bonus track for the PARADISE single. They are the two tracks within this collection that were recorded outside of the main sessions. The former, a mysterious single-word-repeated song, was recorded in New York in April, 1983; the latter, in London, two months later.  Typically Strangler-esque, it sounds bright and summery, yet in fact chronicles the dark antics of the notorious French CRS riot police…

On Side 4 of the LP and continuing on the bonus CD is SAVAGE BREAST. Originally intended as an album track, it was left off at the last minute only to re-surface before the album’s release as the B-side of EUROPEAN FEMALEHugh’s career-long love of film and theatre combined with his twisting of well-established names and phrases ran overboard on FELINE, with SAVAGE BREASTMIDNIGHT SUMMER DREAM and LET’S TANGO IN PARIS completing his trio of word-play titles for 1983. In fact, so many of the song titles on FELINE are familiar phrases – IT’S A SMALL WORLDSHIPS THAT PASS IN THE NIGHTALL ROADS LEAD TO ROMENEVER SAY GOODBYE – that there was clearly an unconscious pattern developing during the song writing.  Rounding off this collection are a couple of tongue-in-cheek curios that well support the band’s sense of fun. VLADIMIR & OLGA is akin to a modern-day Russian folk song based on a fictional couple in (then) Soviet-era Ukraine. It is the first in what became a quirky and much-loved series of adventures that were to recur over the next decade. The initial pressings of the original LP of FELINE included a free bonus one-sided 7” called AURAL SCULPTURE. It also featured on initial copies of the original FELINE cassette. It was a sarcastic rant against the death of music in general and song-writing in particular. If you got it, it was both barbed and hilarious. Subsequently, the theme was carried on, with the title becoming that of the band’s next album, so the track was from there-on re-titled AURAL SCULPTURE MANIFESTO.

Whilst The STRANGLERS have suffered the recent dreadful losses of both the uniquely-talented Dave GREENFIELD (May 2020) and their founder and driving force, Jet BLACK (December, 2022), they continue to tour. From 3rd to 18th March 2023, they are playing three dates in SPAIN, followed by nine in FRANCE, including PARIS L’Olympia on 11th. Then in April they head Down Under between the 13th and 23rd for three dates in NEW ZEALAND and five in AUSTRALIA.

The line-up is JJ BURNEL (bass and vocals); Baz WARNE (guitar and vocals); Jim MACAULAY (drums, percussion and backing vocals) and Toby HOUNSHAM (keyboards and backing vocals).

To pre-order the 40th Anniversary Edition of FELINE on BMG go to:  https://the-stranglers.lnk.to/feline

LIMITED EDITION GATEFOLD DOUBLE ALBUM on REMASTERED 180g HEAVYWEIGHT  

TRANSPARENT PINK and RED VINYL

ORIGINAL LP

SIDE 1: 1. MIDNIGHT SUMMER DREAM  2. IT’S A SMALL WORLD 3. SHIPS THAT PASS IN THE NIGHT

4. THE EUROPEAN FEMALE (IN CELEBRATION OF)

SIDE 2: 1. LET’S TANGO IN PARIS  2. PARADISE  3. ALL ROADS LEAD TO ROME  4. BLUE SISTER  5. NEVER SAY GOODBYE

BONUS VINYL LP:

SIDE 3: 1. EUROPEAN FEMALE (RADIO EDIT)  2. MIDNIGHT SUMMER DREAM (SPECIAL SINGLE MIX)  3. PARADISE (RADIO EDIT)  4. PÃWSHĒR  5. PERMISSION

SIDE 4: 1. MIDNIGHT SUMMER DREAM (SPECIAL 12” MIX)  2. SAVAGE BREAST  3. VLADIMIR & OLGA  4. AURAL SCULPTURE

LIMITED EDITION 2CD DIGIPACK

ORIGINAL ALBUM 

CD 1:1. MIDNIGHT SUMMER DREAM  2. IT’S A SMALL WORLD 3. SHIPS THAT PASS IN THE NIGHT 4. THE EUROPEAN FEMALE (IN CELEBRATION OF)  5. LET’S TANGO IN PARIS  6. PARADISE  7. ALL ROADS LEAD TO ROME  8. BLUE SISTER  9. NEVER SAY GOODBYE

BONUS 

CD 2: 1. EUROPEAN FEMALE (RADIO EDIT)  2. MIDNIGHT SUMMER DREAM (SPECIAL SINGLE MIX)  3. PARADISE (RADIO EDIT) 4. PÃWSHĒR  5. PERMISSION6. MIDNIGHT SUMMER DREAM (SPECIAL 12” MIX)  7. SAVAGE BREAST  8. VLADIMIR & OLGA  9. AURAL SCULPTURE

EACH FORMAT FEATURES NINE BONUS TRACKS

“I’ve got Heavy Metal music in my blood, And I’d like to give it to you if I could.”

So reads the mission statement of Edinburgh’s finest (and perhaps only) exponents of the NWOBHM scene, Holocaust.

Initially getting together to make music in the late ’70s, the band finally inked a deal with independent label Phoenix Record And Filmworks, who in turn released not only the legendary 1980 single from which the lyrics above were taken but also the rest of the records that come together to form this extensive 6 CD set from Cherry Red imprint H.N.E Recordings

It’s the band’s 1981 debut album ‘The Nightcomers’ that is without doubt their most renowned release (for reasons I’ll come to in a minute), featuring vocalist Gary Lettice, guitarists John Mortimer and Ed Dudley, bassist Robin Begg, along with drummer Nicky Arkles. This 9 track album is a bonafide long lost classic from the NWOBHM age, seamlessly blending the slightly more punky edged vocal delivery of Lettice with the riff and roll metal of his bandmates. It’s no surprise that the soon to be members of some band called Metallica were huge fans, in fact if you listen to the likes of ‘Death or Glory’ or the six minute plus album title track, things almost play out like an early blueprint for ‘Kill ‘Em All’, albeit played at a much less frantic tempo. Yup, those four kookie Californian doods did more than cover Holocaust’s ‘The Small Hours’ for their ‘$5.98 E.P. – Garage Days Re-Revisited’ EP that’s for sure.  

What is surprising reading the excellent, and highly informative, 20 page John Tucker penned booklet that is included within this clamshell box set, is just how widely criticised Holocaust were by the UK music media. You can count the number of positive reviews within the booklet on two fingers, and even then, one of them is for one song, a track on the band’s 1984 released ‘No Man’s Land’ album. This is something I really do struggle to understand, given the fact that ‘Smokin’ Valves’ the opening track from the band’s debut (and their second single) is an absolute cracker of a tune and one that should have seen early 80s Friday youth club discos up and down the country packed full of spotty lads throwing their dandruff into the night air over.

As it was with such apathy to their debut album via the mainstream media, I think I only ever got to hear the album a couple of times through an old mate of mine who bought pretty much anything released under the NWOBHM banner. I certainly recall him having the 1981 released ‘Live From The Raw Loud N’ Live Tour’ EP that featured 4 tracks taken from the band’s long form VHS release that was available through ads in Sounds magazine for the hefty tag of £29.99. Obviously at that price point back in 1981 you’d have to be a very rich (or lucky) teenager to afford a copy, so its great to hear the full 80 minute soundtrack to that video included here as CD 2. Recorded at the Nite Club, Edinburgh on 10th September 1981, it’s a warts ‘n’ all kind of recording, but given that fact that some of their peers (yeah, I’m looking at you Diamond Head and Motorhead) were also releasing supposed live videos that actually saw them miming to album tracks, I doff my hat to the lads for having the stones to release such a raw loud n’ live document.  In fact, it’s a recording the band (or maybe it was their record label) must have had a lot of faith in as it’s included again here in part via the 1983 released ‘Live (Hot Curry & Wine) album.

1983 also saw ex-Holocaust guitarist Ed Dudley emerge with a new band under the Hologram banner (the LP coming complete with a sticker that bore the legend “Holocaust are now Hologram”) for their one and only release, the ‘Steal The Stars’ album. Totally at odds with the backs to the wall rifferama he’d constructed with his former bandmates, ‘Steal The Stars’ ploughs out a more melodic rock furrow. It’s an album that kind of reminds me of Diamond Head’s ‘Canterbury’ album, perhaps being a step too far ahead of the time for its own good, and when he stays away from using the top end of his dog scaring vocal range Gordon Band puts in a top bluesy vocal shift here too.     

It’s the aforementioned 1984 released ‘No Mans Land’ album that not only saw Holocaust finally return, but also get one and a bit positive reviews from the mainstream media. This time around the band was reduced to guitarist John Mortimer playing pretty much everything along with session drummer Steve Cowen, and to be honest it’s a bit of a let-down when played alongside the band’s debut record. It’s okay in places but Howard Johnson was indeed right when he said ‘Satellite City’ is without doubt the best song on the album and the second side of the album is way better than the first. As such it’ll probably be the CD I return to least in this set.

Which is something you won’t find me saying about the sixth and final CD in this set. This 13 track disc brings together the band’s singles from their ‘Heavy Metal Mania’ debut from 1980 through to their 1982 12” ‘Comin Through’ which features the last Lettice fronted new music the band would release.  Every track contained on this disc is designed to give you a dose of headbanger’s neck just like when you were a teenager, so go dig out your junkie juice soaked cut off, clip up your bullet belt (albeit with a fair few additional bullets these days no doubt) and buckle up your studded gauntlets to fully complete the listening experience. 

All together now.

“I love to rock, I love to get down low. I love to rock…rock ‘n’ roll.”

Buy Here

Author: Johnny ‘Heavy Metal’ Hayward

MEMBERS OF THE STRANGLERS, THE DAMNED, RUTS DC AND JOHNNY MOPED ON TOUR RIGHT NOW!

SIGN UP TO WATCH A LIVE STREAM OF THEIR SHOW AT THE BRIGHTON CONCORDE 2 JAN 29TH HERE:

Photo by Tina Korhonen, all rights reserved

Wingmen, the new band formed in pandemic lockdown isolation by Baz Warne (The Stranglers), Paul Gray (The Damned), Leigh Heggarty (Ruts DC), Marty Love (Johnny Moped) and now joined live by Rob Coombes from Supergrass on keyboards, have finally taken flight and are currently roaring across the country in support of their critically acclaimed debut album. The band have been going down a storm and have been thrilling audiences with a set that consists of the new album, some choice cover versions and one or two deep cuts from their respective bands.

“It’s funny how these things turn out,” explains Paul Gray. “We had no idea where this project might take us; an idea born out of frustration became a full band within 24 hours, words and riffs and much tuneage followed, beers and jolly banter ensued when we finally met up to mix the results, a record company said “yes please!” and now we find ourselves taking the results off on tour!”

While the tour still has a few dates to go, those unable to make any of the dates will be able to sign up and watch a live stream of Wingmen’s performance in Brighton at the Concorde 2 this coming January 29th.

The streaming link is HERE and you can follow the link and make a minimum donation of £10. A link will be sent to ticket holders about 30-60 minutes before the gig starts.  Once it’s started people will still be able to buy tickets until 1st March as agreed. 

‘Wingmen’ is out now via Cadiz Music.

Catch Wingmen on tour at the following dates in January 2023:

28th Birmingham 02 Institute

29th Brighton Concorde 2

Follow Wingmen on Facebook HERE:

GRADE 2 SHARE NEW MELODIC PUNK SONG “MIDNIGHT FERRY SELF-TITLED ALBUM OUT FEBRUARY 17th VIA HELLCAT RECORDS

EXTENSIVELY TOURING IN EU AND UK THIS SPRING

Famed for blistering live performances and exceptional musicianship, UK band Grade 2 bring no-frills classic punk to the modern era. Their self-titled album due on February 17th is a bone-crunching 35-minutes that agitates, intoxicates and liberates in equal measure.  Ahead of its release they share their new single “Midnight Ferry” out today, featuring slick guitar riffs and lively shout-along verses that lead into crisp vocal harmonies.

“This song is our story, a tale of a night out and the truth of growing up in a rural town,” the band explains. “Capturing the adventurous spirit, trying to escape any mundane responsibilities, if just for a night. Just know you’ll be brought straight back down to earth on that journey home.”

Listen to Midnight Ferry here.

50 years after the genre turned the music world upside-down, UK based Grade 2 are bringing the raw power of old school punk to a new generation. United by a love of old-school punk, ska and oi, childhood friends Sid Ryan (vocals, bass), Jacob Hull (drums) and Jack Chatfield (guitar, vocals) formed the band at fourteen years old, honing their craft playing Clash and Jam covers before refining their own sound. Melding the near-mythical musical heritage of their native Isle of Wight with the humdrum reality of growing up in a tired seaside town, Grade 2 spit out blistering punk music laced with passion, angst, humor and despair.

After signing to Hellcat Records in 2018 – helmed by Rancid’s Tim Armstrong – they put out their second album ‘Graveyard Island’ in 2019. With the release of ‘Grade 2’ comes their most representative work yet; a thumping fifteen track tour-de-force melding the uncompromising ethos of punk with the howl of contemporary injustice, personal identity, and frustrations of Gen-Z youth, authentically told by three lads with punk coursing through their veins.

Grade 2 will be touring extensively this Spring, starting with a UK & Ireland headlining tour in March, directly followed by headlining European Tour with Death by Stereo and a support tour with Rancid this summer. Please find the full list of dates below.

UK & Ireland Headlining Tour

March 3, 2023 -Wakefield, Vortex Bar and Nightclub     

March 4, 2023 – Newport, The Cab         

March 5, 2023 – Stamford, Mama Liz’s Voodoo Lounge

March 6, 2023 – Norwich, The Waterfront Studio

March 7, 2023 – London, The Lexington

March 8, 2023 – Southampton, The Joiners        

March 9, 2023 – Exeter, Cavern

March 10, 2023 – Bristol, The Louisiana

March 12, 2023 – Derby, The Hairy Dog

March 13, 2023 – Stafford, Redrum        

March 14, 2023 – Newcastle, The Lubber Fiend

March 16, 2023 – Dublin, The Grand Social          

March 17, 2023 – Belfast, Voodoo           

March 18, 2023 – Glasgow’ Classic Grand            

March 19, 2023 – Manchester, Star & Garter     

EU Headlining Tour w/ Death by Stereo

March 23, 2023 – Antwerp, Kavka (Belgium)

March 24, 2023 – Tilburg, Little Devil (The Netherlands)

March 25, 2023 – Vechta, Gulfhaus (Germany)

March 26, 2023 – Drachten, Iduna (The Netherlands)

March 27, 2023 – Hamburg, Hafenklang (Germany)

March 28, 2023 – Berlin, Cassiopea (Germany)

March 29, 2023 – Regensburg, Tiki Beat (Germany)

March 30, 2023 – Dresden, Chemiefabrik (Germany)

March 31, 2023 – Posnan, Pod Minogą (Poland)

April 1, 2023 – Warsaw, VooDoo (Poland)

April 2, 2023 – Budapest, Instant (Hungary)

April 3, 2023 – Vienna, Arena (Austria)

April 4, 2023 – Milan, Barrio’s (Italy)

April 5, 2023 – Lucerne, Sedel (Switzerland)

April 6, 2023 – Dijon, Les Tanneries (France)

April 7, 2023 – Montreuil (Paris), La Pêche (France)

April 8, 2023 – Fontenay-le-compte, Espace Rene Casino (France)

EU/UK Tour Supporting Rancid

June 3, 2023 – Ljubljana, Media Center Cvetlicarna (Slovenia)

June 6, 2023 – Warsaw, Letnia Scena Progresji (Poland)

June 10, 2023 – Stockholm, Annexet (Sweden)

June 12, 2023 – Berlin, Columbiahalle (Germany)

June 13, 2023 – Wiesbaden, Schlachthof  (Germany)

June 20, 2023 – London, Brixton O2 Academy (UK)

June 21, 2023 – Manchester, O2 Victoria Warehouse (UK)

Tickets available via band’s WEBSITE.

“Rock is in many ways our drug of choice, but that doesn’t mean we’re against traditional drugs though!”

That is what the band answer when we ask them what the new single is about. Razorbats release their brand new single ‘(Maybe It’s TimeTo) Break Up The Band’ on Friday February 3rd, through Voices of Wonder/VME. The track is the first single from their upcoming full-length album ‘HitCrazy’, due out in March. ‘(Maybe It’s Time To) Break Up The Band’ both verychildish and grown up at the same time. Musically it’s somewhere between The Hellacopters, Def Leppard and Kiss, with a classic guitar riff, rad solos (yes, multiple solos) and huge singalong chorus that will make the audiences go wild on their upcoming tour. Lyrically the song is about refusing to conform to a normal nine-to-five lifestyle and following your dreams. Even though it can get difficult when you’re not in your twenties anymore and there’s pressure to keep down and steady job and start a family.

Presave on streaming services Here

History lesson Norway’s Razorbats are one of the most entertaining Scandinavian bands in “The New Wave of Classic Rock and got international attention when they released their debut album “Camp Rock” in 2015. The word soon spread about this kick ass band from Europe’s cultural backwaters, mixing influences from classic rock bands like KISS and Cheap Trick with 80s sleaze and 90s pop punk so well that they could not possibly be ignored. Their reputation was solidified with their 2020 full length album ‘Mainline Rock ’N’ Roll’ with more than 250 radio stations across Europe and USA playing the singles. The stage is set and Razorbats are poised to go stratospheric with their fourth album ‘Hit Crazy’ which will be out March 3rd.

Razorbats have toured Scandinavia and the UK several times. In addition to headline gigs, the band has shared thestage with bands like The Offspring, Danko Jones, The Wildhearts and Michael Monroe at festivals and clubs both domestically and abroad. Razorbats have developed into a ferocious live band ,who love to entertain audiences with their catchy sing-a-long anthems, lots of casual humour and an energetic rock show that always leaves the audience wanting more.

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NEW UK + EUROPEAN DATES ANNOUNCED IN MAY/JUNE

INCLUDING LONDON’S WIDE AWAKE FESTIVAL ON 27 MAY

After a very busy 2022, which saw the release of their critically acclaimed new album ‘See Through You’, as well as the re-release of their expanded and remastered seminal album ‘Exploding Head’, NYC-noise rock iconic band A Place To Bury Strangers announce the second leg of their Destroy Into The Future European Tour, which starts today in Germany. 

They will bring their legendary live shows – a shamanistic experience that bathes listeners in glorious sound, crazed left turns, transcendent vibrations, real-time experiments, and brilliant breakthroughs – to the UK and Europe in May and June 2023. See dates below:

DESTROY INTO THE FUTURE TOUR – TICKETS

27 Jan – Northern Winter Beat Festival • Aalborg, Denmark

28 Jan – Plan B • Malmö, Sweden +

30 Jan – Blá • Oslo, Norway =

31 Jan – Hus 7 • Stockholm, Sweden =

2 Feb – Kuudes Linja • Helsinki, Finland =

3 Feb – Sveta • Tallinn, Estonia %

4 Feb – Vagonu Hall • Riga, Latvia %

5 Feb – Sodas2123 • Vilnius, Lithuania %

6 Feb – Voodoo • Warsaw, Poland %

7 Feb – Pod Minoga • Poznan, Poland %

8 Feb – So36 • Berlin, Germany ^

9 Feb – Gebaude 9 • Cologne, Germany +

10 Feb – Grauzone Festival • Den Haag, Netherlands

11 Feb – Wilde Westen • Kortrijk, Belgium &

20 May – Patterns – Brighton, UK *

21 May – The Lanes – Bristol, UK *

22 May – Furure Yard – Birkenhead, UK *

23 May – The White Hotel – Manchester, UK *

24 May – Belgrave Music Hall – Leeds, UK *

25 May – Broadcast – Glasgow, UK *

26 May – The Star and Shadow – Newcastle, UK *

27 May – Wide Awake Festival – London, UK

29 May – Wave Gotik Treffen – Leipzig, Germany

30 May – Futurum Music Bar – Prague, Czech

31 May – Fluc – Wien, Austria

01 Jun – Storm – Munich, Germany

02 Jun – Vinile – Bassano del Grappa, Italy

03 Jun – Freakout – Bologna, Italy

04 Jun – Grabenhalle – St. Gallen, Switzerland *

05 Jun – L’Usine – Geneva, Switzerland *

06 Jun – La Marché Gare – Lyon, France *

07 Jun – Rockschool Barbey – Bourdeaux, France

09 Jun – La Laiterie – Strasbourg, France

10 Jun – Reklektor – Liege, Belgium

* with Camilla Sparksss

+ with Clamm

= with Super Besse

% with Mvtant

^ with Plattenbau, Data Animal, Jealous

& with Maze

HEAR/BUY ‘EXPLODING HEAD (2022 REMASTER) HERE

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