Jon Spencer & The Hitmakers – ‘Spencer Gets It Lit’ (Bronzerat)

Jon Spencer & The Hitmakers – ‘Spencer Gets It Lit’ (Bronzerat)

The indelible Jon Spencer (Blues Explosion, Boss Hog, Pussy Galore, Heavy Trash, etc) is back in the room and this time he’s brought The Hit Makers whilst the Blues Explosion takes a break.

Well, What does it sound like man? Is it a departure for Jon has he gone pop? First off you get plenty of bang for your buck as this bad boy contains Thirteen phat beating, fuzzed up, Groovy Rock n Roll baby, and that right where you want to be. Hell, it’s Jon Spencer god damn it. ‘Junk Man’ is like the beastie boys got transported into Spencer’s head and he poured out that hustling groovy vibe with a paper thin synth lick on top of a big beat with added howling from your main man, Perfick innit!

Spencer sure does get things lit as he delivers his fucked up sounds and if you’re not on board by the time ‘Get It Right Now’ is in full flight your head is rumbling to the backbeat and Spencer’s whack vocals and lyrics. Gets It Lit delivers in spades, it’s exciting, Fucked up, depraved, and all in his inimitable gonzo style. It sure is a head fuck and ‘Death Ray’ is only the third track on offer. As the guitar flickers to life via a paper thin lick its a shuffle and some tweaking blinking synths as Spencer dishes out his sermon about God knows what (a second inside his head would terrify 99.9% of the population Who knows how he manages to get that shit out and onto tape at the best of times but I can’t help but feel that he’s got a cheeky grin in the booth when recording this record. It’s messed up for sure it’s a melting pot like no other but damn it’s good. fuzz guitar, fat synths, rhapsodises, Wild guitar breaks, and lyrics intended to mess with the most stable mind. Spencer Gets It Lit for sure. Whilst there is a lot going down it sounds like the best of times and a lot of fun melted into the plastic on this disc.

I’m loving ‘Primary Baby’ for its solid groove and great vocals. Playing this on jaw vibrating volumes takes it to the next level and is a lot of fun, even the neighbours would agree. I’d love to hear Jon do a collaboration with Bobby Gillespie I think they could make some sweet sweet music and ‘Bruise’ is what made me think of that musical marriage. “All I Want Is Everything” he shouts out but I think he’s already got everything, well, except the kitchen sink – This I know because I’ve been playing this record for days and to be fair it’s probably got the kitchen sink in here somewhere.

By the time we get to ‘Push Comes To Shove’ I need a time out and to sit in a field to gather myself before I dive back in for the rest of this beautiful noise. ‘My Hit Parade’ is about the straightest song on here just a twisted pop song with some twang on that guitar.

‘Strike 3’ is a stonker with a sharp guitar lick and some garage beats for good measure. The record signs off with ‘Get Up And Do It’ which is like he’s brought up the ghost of Lux and walks off into the sunset with a touch of Cramp. I hope the next offering isn’t too far off because this was a blast! Now lets all go get Lit!

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Author: Dom Daley

DESPERATE MEASURES – TOUR AND ALBUM NEWS!

DESPERATE MEASURES – TOUR AND ALBUM NEWS!

NEW SINGLE LAUNCH SHOW LONDON WATER RATS MAY 20TH

It’s shaping up to be another busy year for New Zealand born, London based rockers Desperate Measures. Following their mini album ‘Rinsed’ on Easy Action Records and a full UK tour with Paul Cook’s post-Pistols rockers The Professionals at the end of last year, Desperate Measures have started recording their debut full length album, due early 2023. Working once again with Andy Brook (who has produced, engineered, and toured with the like of Status Quo, Ginger Wildheart, Wonk Unit, Hayseed Dixie…) at The Brook Studios in Wallington, Surrey, Desperate Measures have completed work on a new single titled ‘Thinking Of England’ that lyrically captures the yearning to escape from a place or a situation you might not want to be.

The single will be released in time for the Queens Jubilee on June 3rd. Desperate Measures will play a single launch show at London’s Water Rats Theatre on May 20th to coincide. Says Eugene Butcher, “we’ll be showcasing a few songs from our forthcoming album, plus the new single which has just happened to coincide with the Queens Jubilee. And we’ve got The Duel and Seven Days and Doesn’t Die along for the ride so expect a right Royal knees up!”

Tickets for Water Rats May 20th available HERE:

See Desperate Measures in 2022!

April 30                 Angel Weekender, Coalville

May 13                 London Powerhaus (*with Nashville Pussy)

May 14                 Westworld Weekender, Wolverhampton

May 20                 London, Water Rats

June 3                   Strummercamp Fest, Oldham

July 1                     229 Club, London (*with UltraBomb)

July 8                     Bedford Esquires (* with The Rose Of Avalanche)

July 9                     Manchester, Night People (* with The Rose Of Avalanche)

July 22                   Hope & Anchor, London (* with Sick On A Bus)

August 4              Blackpool, Rebellion Festival

August 20            Unity Festival, Corby

September 3      Banfest Festival, Banstead

Find Desperate Measures online at:

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BANDCAMP

The Snivelling Shits – ‘Shits Alive!’ (Damaged Goods Records)

The Snivelling Shits – ‘Shits Alive!’ (Damaged Goods Records)

The Shits resumed live duties pre-pandemic when original member Pete Makowski decided to have another crack at playing with the Shits and they managed a few choice performances like Rebellion and support to Johnny Moped for Damaged Goods birthday bash. They managed one original album ‘I Can’t Come’ which was put out by Damaged Goods way back at the tail end of the eighties. but every band deserves a live album don’t they? Well, maybe not but the shits have a number two in them and here it is! ‘Shits Alive!’

Tom Crossley was persuaded to join the band on vocals who happened to be in Giovanni’s second band Famous Monsters after The Shits burned out the first time around. Pete roped in his mate James on the drums and Snivelling Shits mark two is all systems go. This record you could be lucky enough to hold in your sticky mitts was recorded when Damaged Goods got the tape machine rolling at their 30th Anniversary show at the Lexington and The Snivelling Shits were duly roped in to play. After playing a wonderfully chaotic show at Rebellion in 2019 the bloody pandemic stepped in to derail what was blossoming into something quite beautiful until sadly Pete passed away late on in 2021.

With all that’s gone on and circumstances conspiring against this record hitting the shelves what with Brexshit, vinyl shortage, pandemic and death etc. This record is a fitting tribute to Pete who oversaw the artwork and tape recordings, as well as all original members its a small peek into what a great band they were/are. Also it brings two demos from the original lineup that was briefly available at that Rebellion show (long gone now sorry) (on Brown Vinyl). It was also a fact that Pete wanted this recording also pressed on Brown Vinyl but with all, that’s going on Brown wasn’t available so all the colours of the rainbow would be the fitting alternative I’m sure Pete would approve. The record kicks off with ‘Terminal Stupid’ which is a punchy romp Buzzcocks style and Tom’s vocals are the perfect fit. The mid-song banter from Tom is quality as the band launch into ‘Only 13’ with that Steve Jones snarling riff it’s toe-tap-tastic. ‘Bring Me The Head Of Yokio Mishima’ is a belter of a tune be it live or the demo mix that’s included here on this record a real highlight. I did have a giggle at ‘Crossroads’ and I’m sure Benny would approve with its Lower East Side sleaze and snarl and that Lou Reid chug.

It’s not all fun and games they also ponder serious questions like ‘Isgodaman’ with its loose riff being punched down the line by James Sherry’s solid beat it happens to be a thumping good tune. The live songs are brought to a crushing end with the ode to pens everywhere with ‘I Wanna Be Your Byro’.

This only leaves room for the demos ‘Bring Me The Head’ and ‘Et Mo, Et Moi, Et Moi’ which is a fitting way to put a full stop on the magnificent Snivelling Shits. So if you want to join the cool kids then what are you waiting for? ‘Shits Alive!’ is a blast, a lot of fun and some top tunes, no seriously these tunes are where it’s at in 2022 and God bless Damaged Goods for getting to release it for our listening pleasure. If only they were flushed with success

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Snivelling Shits Facebook

Author: Dom Daley

Michael Monroe Can’t Stop Falling Apart

Michael Monroe Can’t Stop Falling Apart

You can pre-order the new album ‘I Live Too Fast To Die Young’ and assorted goodies from Here. The album comes out on June 10th and is the first new music from the band since 2019 ‘One Man Gang’.

“It’s an ode to our wives and loved ones who have stuck by our sides through years of playing music and touring the world,” offers Monroe on the new single. “But this can also apply to any person working hard, away from home a lot of the time, who is lucky enough to have a loved one sticking by their side through thick and thin. So, it’s a celebratory song to our nearest and dearest who are always there for us.”

“It’s a big, 1970’s Slade-inspired glam stomper,” adds Rich Jones, “It celebrates our loved ones who support us through the ups and downs of being a touring musician”.

Throughout his latest (and greatest) venture I Live Too Fast To Die Young, Monroe tells tales of glory and observed stories, some pretty, some shitty, but all through a lens of eventual optimism, hope and a sense of dirty, cheeky late-night fun. Monroe’s lens has always been directed towards the upside, even after the greatest downs a man can suffer, and the sheer power of his positive energy infuses everything he comes into contact with.

The eleven lean, mean, raw power rock ‘n’ roll songs which make up I Live Too Fast To Die Young see Monroe swagger the streets like a rock-punk poet, a storyteller who’s seen it all from the hellholes of Helsinki to the late-nights in London’s St. Moritz with some trashy times in Tokyo to boot. Warm, funny, occasionally sad but ultimately upbeat, I Live Too Fast To Die Young brings the listener into the heart and soul of its creator.

The title track, ‘I Live Too Fast To Die Young’, is quintessential Monroe, playing with words and concepts in a playfully irreverent way and wrapping it all up in some proper ‘fuck you’ rock ‘n’ roll. A close friend of Monroe’s, Slash from Guns N’ Roses, throws down some lead guitar on the track.

Recorded at Inkfish Studios in Helsinki, Finland between November and December 2021 and produced by the band with engineer Erno Laitinen, the album features Monroe on lead vocals and harmonica, Steve Conte (guitars and vocals), Rich Jones (guitar, vocals), Karl Rockfist (drums) and Sami Yaffa (bass/vocals/guitar). With I Live Too Fast To Die Young, it is clear Michael Monroe is striding into the summer with a triumphant -and perhaps most importantly, defiant- roar to offer you a chance to let your hair down (or up!) and to once again enjoy the freedom of joyous celebration and expression.

The band is due to appear at a string of summer festival shows and will be touring in support of the album on the following dates:

04 Jun – ROCK HARD FESTIVAL, Gelsenkirchen (DE)

06 Jun – K.B. Hallen, Copenhagen (DK)*

9-11 Jun – SAARISTO OPEN AIR, Kaarina (FI)

10 Jun – ROCK IN THE CITY, Kuopio (FI)

11 Jun – SWEDEN ROCK, Sölvesborg (SE)

15 Jun – Dolina Charlotty, Charlotta (PL)*

17 Jun – Stadthalle, Zwickau (DE) *

18 Jun – AZKENA FESTIVAL, Vitoria-Gasteiz (ES)

21 Jun – Mitsubishi Electric Halle, Dusseldorf (DE)*

22 Jun – Jahrhunderthalle, Frankfurt (DE)*

25 Jun – HELLFEST, Clisson (FR)

29 Jun – Ippodromo San Siro, Milan (IT)*

07 Jul – SAUNA OPEN AIR, Tampere (FI)

08 Jul – ROCK IN THE CITY, Oulu (FI)

15 Jul – VAUHTIAJOT, Seinäjoki (FI)

16 Jul – ROCK IN THE CITY, Rovaniemi (FI)

30 Jul – SKOGSROJET FESTIVAL, Rejmyre (SE)

03 Aug – WACKEN OPEN AIR, Wacken (DE)

06 Aug – VAASA FESTIVAL, Vaasa (FI)

27 Aug – HRH Sleaze, Sheffield (UK)

*Supporting Alice Cooper For tickets and more information please visit: http://www.michaelmonroe.com/

Ginger Wildheart & Jon Poole / Carol Hodge – Clwb Ifor Bach 20/04/22

Ginger Wildheart & Jon Poole / Carol Hodge – Clwb Ifor Bach 20/04/22

Tonight sees the return to Clwb Ifor Bach of Ginger Wildheart, tonight he is flanked by the very talented Jon Poole on guitar and in tune backing vocals and the wonderful Carol Hodge on the keyboards and equally in tune backing vocals and beaming smiles.

Carol has put together a full live band on the back of her last album, ‘The Crippling Space Between’, tonight though it was just her and her piano with added fairy lights for that bit of glam razmatazz. I guess if its just avoice and a piano its tough to mix it up but Carol has a great on stage personality and spirit and when she introduces songs in South Wales entitled ‘The Witch is Dead’ about she who cannot be named around here who snatched milk from kids amongst other far more evil things, written on the day she died, was always going to be a crowd pleaser and to be fair those who turned up early enough were treated to some wonderful songs stripped bare and with respect you could hear a pin drop which was very nice. There was crowd interaction al-a- Mercury at live aid (only joking) maybe she could invest in a keytar and really take it to the audience – next level shit right there. Anyway, I digress. It was a great warm up tern and an artist who deserves investigating.

In a very casual fashion our acoustic warriors moved through the audience (who by now had filled out the venue on a school night), Carol now situated to the stage left Jon Poole on the stage right looking very dapper in his red Docs (only a 9 holer not your Cronos 666 holers) white jeans and fred perryand pop star shades whilst Ginger took the centre and wasted no time in getting on with the job at hand. It was Taxi/ Cheers opener to loosen up with. Then it was a brief introduction before launching into a deep cuts set that was most welcome.

It was a relaxed evening and the audience were very respectful with heckling and shouting for their favourite Wildhearts song and once the flavour of the night was locked in people just got into it and went with the spirit to just enjoy the evenings turn. Much like when Ginger played just down the road in a church with the sinners it was a spectacular evening with a different strand of Gingers music weavings tonight was yet another side and clearly the rehersals had paid off (even with Gingers cold) Jon is an excellent foil keeping the mood light hearted but never going amature and with Carol Hodge adding piano it was a really impressive sound.

I guess it was originally planned as a tour to promote (and flog) ‘The Pessimist’s Companion’ but sadly copies were delayed from the States but Ginger didn’t let that put a dampner on proceedings it was superb to hear songs like ‘Why Aye’, ‘Paying It Forward’ it was also great to hear songs from ‘Yoni’, ‘Gass’ in the shape of the suprisingly good acoustic working of ‘Punk Wars’. There was also supershit 666 and a Silver Ginger Five song thrown in for good measure.

When Jon took the mic for a punk rock workout and give Ginger a break from singing, by the way Gingers voice sounded rested and on point throughout reaching the high notes without it breaking due to his fever. All around were people singing along and beaming smiles it was just good times to be having a good time. We were out of the house and rocking out on a school night and being royally entertained by the trio of talented individuals before us and the Wildhearts fans even go tto sing along to ‘Geordie in wonderland’ but even that was overshadowed by the playing of the Linderfarm hit and according to Ginger the national anthem of Newcastle ‘Running Man’. It wasn’t the end of the covers tonight because there was still time for a wonderful moment as Ginger was joined on stage by his son for a run through ‘Cover Of The Rolling Stone’ by Dr Hook – I kid you not but boy it bloody worked!

After a big thank you for supporting live music and turning up it left just one song that was sung back loud and proud ’29 x The Pain’ and we were done. Always a pleasure never a chore and if these three rolls into your neck of the woods then don’t hesitate it’ll be a rewarding and life-affirming night out with some top tunes from a real genuine talent.

Nights like this where genuine enjoyment is physical and can be shared from the stage to the dance floor aren’t always the case and when Ginger commented how much he enjoyed certain songs when they finished, it was the same for us watching now when can we do this again I enjoyed that.

Carol Hodge Facebook

Ginger Wildheart Facebook

Mudfight – Baby! Hey!

Mudfight – Baby! Hey!

“Baby! Hey! Won’t you give me another chance?”
With these words and the first single, Mudfight start the journey towards the release of their debut album. ‘Infant! Hey!’ While setting the tone to be expected on ‘Time For Revolution’, it also provides an antidote to remorse and lovesickness – all in the form of a high-energy punk anthem.

The young artists tell a story from the perspective of a person who apologizes for their behavior in a romantic relationship and asks for a second chance. Whether that person deserved it remains to be seen… but what is certain is Mudfighthave come to really shake up the punk scene! During the video for Baby! Hey! Inspired by classics like Sex Pistols’ ‘God Save The Queen’ or Green Day ‘s ‘Father Of All‘ , they are also concerned with getting the younger generation more enthusiastic about punk. This time, the newcomers from Upper Austria have specifically chosen a performance video to introduce themselves as a band and to show what they enjoy the most: namely being on stage and giving everything!

The video was created in cooperation with Klaus Winkler (Loprosh.tv). Fun Fact: It was filmed in a church!

Photo credit: Michael Wittig

Killing Joke – ‘Lord Of Chaos EP’ (Spinefarm Records)

Killing Joke – ‘Lord Of Chaos EP’ (Spinefarm Records)

After witnessing Killing Joke in all their live magnificence just a few hours earlier I couldn’t wait to pick up ‘Lord Of Chaos’, the track that makes up the centrepiece of the band’s current live set, and heralds the arrival of the band’s first new material since 2015’s provocative yet still excellent ‘Pylon’ album.

 ‘Lord Of Chaos’ is the first of four songs contained on this EP and it is a masterclass in melancholic heaviness. As brutal in the studio as it was live, largely thanks to a razor-sharp mix from Tom Dalgety (Opeth, Ghost and Pixies), ‘Lord Of Chaos’ is perhaps the perfect soundtrack for our troubled times, soaring on a trademark Jaz Coleman vocal line that hooks you in and then spits you out bloodied and bruised in a little under four minutes.  This is the sound of classic Killing Joke.

As is ‘Total’, which is actually my favourite of the two new tracks showcased here, largely because whilst thundering along like some gothic destroyer it also hints at the slightly more melodic undertones of the band’s ‘Night Time’. If this is something that the band have also continued into their yet-to-be-released sixteenth studio album, then it’s going to make for some very interesting listening indeed.

The two tracks that make up the rest of this EP are reworkings of tracks from the aforementioned ‘Pylon’ album with ‘Big Buzz’ getting a dancefloor remix from Dalgety and Nick Evans whilst Killing Joke’s very own in-house production king Youth gets to dub-deconstruct ‘Delete’ as only he can.

Going back to the gig the night before in Cardiff what struck me most was about the night was the fact that 40 odd years into their career there’s still no-one out there like Killing Joke, others have tried certainly, but I take my hat off to Jaz, Youth, Geordie and Paul for being the original and true Lords Of Chaos. Cherish them while you still can!

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Author: Johnny Hayward

The Alarm / Dave Sharp – Bristol O2 – 17/04/22

The Alarm / Dave Sharp – Bristol O2 – 17/04/22

After not being able to go to see The Alarm on their 40th Anniversary UK Tour apart from the recent Gathering weekend in Rhyl it was Bristol that got canceled after the band was caught in a police incident on the M4 on the way to the venue that led to a last-minute rearrangement and then the date was arranged for the final night of the tour on Easter Sunday – Hooray! a date I can go to never mind eating chocolate fire up the batmobile and all roads lead to Bristol.

On arrival at the O2 Mr sharp was already on stage running through his fine selection of warm honest folk songs with the odd Alarm classic thrown in for good measure. When the final knockings of the original lineup (many moons ago) were being played out Mr. Sharp released an exceptional album in the shape of ‘Hard Travellin’ (surely its time this classic got a release on wax Mr. Sharp? Pretty Please. He followed it up with 1996’s ‘Downtown America’ which also could do with a rerelease on vinyl, thanks. In a venue like the O2 a minstrel and his weapon of choice alone on the stage maybe needs a band to shift some gears rather than a balladeer set but that’s just my observation tonight. I do always enjoy hearing his raspy voice on these songs but maybe next time it’ll be electric with a band.

As for the Alarm 2022 it’s an altogether different beast to the older traditional setup with Peters patrolling the stage moving between three mics at the stage front flanked by Mrs. Peters on keys to one side and the very talented Mr. James Stevenson on guitar to the other flank. I do find his skills on the six-string a much better form on the songs of The Alarm both older and new rather than on previous tours when he switched between the bass and a bit of guitar. Also in the engine room, the ever-beaming Smiley hits the drums with vigour and purpose that really drives the songs.

It takes me a wee bit to get my head around the using of bass tracks rather than a bass player but to be fair it doesn’t take anything away from the music other than another body on stage I guess. It is what it is and we move on no doubt something for the faithful to debate because the Alarm family likes nothing more than a good old lineup debate.

As for tonight’s setlist, I must admit I’m a sucker for deep cuts setlists, having seen the band (cough cough) play well into three figures its fair to say I like the music old, new borrowed and blue. Tonight Bristol being the final night of the tour began with a sprightly ‘Protect And Survive’ it was Peter on a mission with little crowd interaction but a hell of a lot of music to throw our way. ‘Absolute Reality’ sounded fresh and then it was ’45 RPM’ to lift the energy levels one last time over the last twenty-plus dates before we got the first new song ‘Fail’ from the summer’s new records that is done and dusted. It was a bruising ‘Superchannel’ before we got ‘Wars’ Cover ‘Safe From Harm’ minus the Benji Webb vocal.

Peters found himself center stage for ‘Coming Home’ and a bluesy ‘Sold Me Down The River’. The band returns for a sort of medley of ‘In The Poppyfield’ that saw the band blitz through songs from all corners of the band’s catalogue from the ‘Stand’ through Everythings Beautiful via the much underrated ‘Shout To The Devil’, ‘For Freedom’ and ‘where Were You Hiding’ it was also peppered with Peters solo music in the shape of the rousing ‘Closer’ and a modern classic of ‘My Town’ it was a breathless and pulsating set with no time for messing about or end of tour dismantling equipment or goofing around it was crowd-pleasing singles ’68 Guns’, ‘Spirit of 76’, ‘Rescue Me’ and ‘Blaze Of Glory’ before dropping back into ‘Poppyfield’ and the main set was brought to a sweaty close.

There was still time for a deserved encore of ‘Breathe’ and for the first time, Peters spoke offering up the song ‘Psalms’ for the people of Ukraine and an end to the Russian invasion which was heartfelt and touching. There was still time for one more track to wrap up the tour and this evening’s epic performance as new song ‘Frontline Warriors’ saw the curtain brought down on this leg of their 40th-anniversary tour but there is more to come for the good people of the UK when they see the return of the Gathering 2023 when there will be another addition to the Alarm catalogue oh and the much rearranged St Davids Hall show still to come.

What a Brucie bonus of an evening out with The Alarm, when can we do it again?

Author: Dom Daley

Beach Rats(Ft. Members of Bouncing Souls, Bad Religion and Lifetime) Announce Debut Album ‘Rat Beat’

Beach Rats(Ft. Members of Bouncing Souls, Bad Religion and Lifetime) Announce Debut Album ‘Rat Beat’

Beach Rats announce their debut album Rat Beat, out on July 29th via Epitaph Records. An impressive lineup of punk rock lifers, the band is comprised of vocalist Ari Katz (Lifetime), guitarist Pete Steinkopf (Bouncing Souls,) bassist Bryan Keinlen (Bouncing Souls,) guitarist Brian Baker (Bad Religion, Minor Threat) & Danny Windas (Let It Burn) on drums. They also share the music video for the album’s title track “Rat Beat” which embodies the nature of punk in its purest form; hard, fast and loud.

Pre Order Here

Beach Rats came to be as each member found themselves settled in the beach community of Asbury Park, New Jersey. After releasing an EP in 2018 and performing a slew of high-energy shows, the global pandemic gave the band a reason to get back to recording. The majority of the songs on Rat Beat were conceptualized and rehearsed in the basement of Brian Baker’s home and then tracked by Eric Bennett at Lakehouse Studios in only one day.

Baker recalls, “We’d go down in the basement, put on masks, open the windows and we could play – within CDC guidelines! We couldn’t go to dinner at each other’s houses but we could practice.” 

The DIY spirit of punk music is very much alive in Beach Rats. With the fervor to create something new, yet nostalgic, the band intentionally wrote the 12 tracks on Rat Beat how they used to back when they were teenagers. Or as Baker puts it, “like we did before we knew how to write songs.“

Not wanting to take themselves too seriously, the band formed merely over a love of the genre. These are veterans of punk rock just having fun and trying replicate that feeling and sound of what it was like to make punk music in the 80’s.

“You’re gonna get authentic punk and hardcore from BEACH RATS because we are all from the 80’s,” Bryan Kienlen comments. “It’s literally taking it back to some of our biggest influences like Negative Approach and Poison Idea, And of course, Minor Threat.”

FOR MORE INFORMATION ON BEACH RATS, VISIT: 
INSTAGRAM

The Boys are back in town RSD releases

The Boys are back in town RSD releases

Radiation Records released Special Limited Edition copies of The Boys “To Hell With The Boys” (Red vinyl) & “Boys Only” (Orange vinyl) for Record Store Day on 23 April. 

Both albums also come with gatefold sleeves and were remastered directly from the original Safari Masters (as used by the recent Safari CD Box Set release)

The albums, which have been in Record Stores since Saturday, will also be available to buy online from Radiation Records from April 26th ‘Boys only’: Here ‘To Hell With The Boys’ Here


To help promote the two albums Cherry Red will give a digital release to The Boys 1980 single “Weekend” on Friday 29 April – Spotify


Mike Read has been playing “Weekend” on his Breakfast Show for the past two weeks and it has entered the UK Heritage Chart at Number 44.  You can vote for “Weekend” here