English rock’n’roll band The Quireboys will make a triumphant and welcome return to the States to finish what they started back in 2020. 

Here are the first ticket links to be announced:

05.04.22    BROOKLYN MONARCH    BROOKLYN,NY   https://bit.ly/3HYmLhL
05.05.22    ANGEL CITY MUSIC HALL    MANCHESTER, NH    https://bit.ly/366y7C6
05.06.22    VAULT MUSIC HALL    NEW BEDFORD, MA    https://bit.ly/3JCLzMm
05.07.22    ARTIE’S    FRENCHTOWN, NJ    https://bit.ly/3hYdDy2
05.08.22    M3 ROCK FESTIVAL    COLUMBIA, MD  https://bit.ly/3JEmzEP
05.10.22    DIAMOND MUSIC HALL    ST.PETERS MO    https://bit.ly/3MEnAPr
05.11.22    BILLIARDS CLUB    LOUISVILLE, KY    https://bit.ly/3t1kJsa
05.13.22    THE VENUE    DENVER, CO   https://bit.ly/3v32QKZ
05.14.22    LEATHERHEADS    DRAPER, UT   https://bit.ly/3LJJ64E
05.15.22    DIVE BAR   LAS VEGAS, NV    TBC
05.18.22    WHISKY A GO GO    W.HOLLYWOOD, CA   https://bit.ly/3oUvee4

Meet N Greet packages Here

The lads were in the throws of a stunning country-wide tour when the pandemic hit – and have been itching to get back ever since.  That time is now, and May 2022 sees the band – most famous for their hit album “A Bit Of What You Fancy” – embark on a fresh tour of the USA taking in New York, Denver, Las Vegas and many more cities across the country including a stop at the prestigious M3 Festival in Baltimore. The tour will reach a triumphant conclusion at the world-famous Whisky a Go Go in West Hollywood – and for the tour The Quireboys are joined by the amazing Midnight Devils and Steve Ramone.

In addition to tickets which will be available shortly, the band are available at most venues for meet and greets – follow the link below to reserve your spot!

Following the band’s inception in London, UK in 1984 – originally as The Choirboys, then The Queerboys, before settling on the less controversial name of The Quireboys – there followed 6 years of hard graft and personnel changes before the inevitable happened – a UK number 2 album.

Spike and Guy have been the backbone of THE quintessential British rock’n’roll band ever since – a journey that has seen them play to 72,000 at 1990’s Monsters of Rock at Donington with the likes of Whitesnake, Aerosmith and Poison – supporting The Rolling Stones that same year, and joining Guns N’ Roses again a couple of years later on their “Use Your Illusion” tour.

AEG Presents announce that, following a much-postponed but largely sold-out tour of 2021, The Nightingales will again tour the UK in Spring 2022.  Described by John Robb as “The misfits’ misfits”, The Nightingales are the subject of the documentary feature film, “King Rocker” – written and presented by comedian Stewart Lee, directed by Michael Cumming (‘Brass Eye’, ‘Toast Of London’). The reviews were amazing: “One of my all-time favourite rock-Docs” said Mark Kermode, “The new Gold standard for rockumentaries” agreed The Scotsman. This is a band that matters.

there will be a Special edition King Rocker Bookback DVD/CD and  Vinyl Soundtrack Out 18th March 2022. The   
DVD/CD features full-length film with over 90 mins of extras, soundtrack cd & liner notes from Stewart Lee & Michael Cumming.

Comedian Stewart Lee and director Michael Cumming (Brass Eye, Toast Of London) investigate a missing piece of punk history. Robert Lloyd, best known for fronting cult Birmingham band’s The Prefects and The Nightingales, has survived under the radar for over four decades. But how, if at all, does Robert want to be remembered? The anti-rockumentary ‘King Rocker’ weaves the story of Birmingham’s undervalued underdog autodidact into that of the city’s forgotten public sculpture of King Kong, eschewing the celebrity interview and archive-raid approach for a free-associating bricolage of Indian food, bewildered chefs, vegetable gardening, prescription medicines, pop stardom and pop art.

All of the highlights from the film are here, along with rarities which won’t appear on any of the deluxe reissues of the Nightingales’ catalogue, among them 7″ versions of “Use Your Loaf”, the Bob Luman hit “Let’s Think About Living” and “Black Country”, a glam remix of crowd favourite “Thick And Thin” and a version of Christy & Emily’s “Ghost” which rivals the Nightingales’ take on TLC’s “Unpretty” for sheer beauty.

The only act with roots in the punk era that have gone on to make records more captivating, cutting and entertaining today than at any point in their past; 2022 will be a busy year for the Nightingales, with months of live dates planned, a limited edition remix 12″, deluxe reissues of both ‘Hysterics’ and ‘In The Good Old Country Way’, and a hardcover book collecting Robert’s lyrics.

Tickets for the bands UK tour can be found on sale: Here


 
Birmingham’s original punk group The Prefects had been part of The Clash’s ‘White Riot Tour’, recorded Peel sessions, released a 45 on Rough Trade and, years after splitting had a retrospective released by Fire Records offshoot label Call Of The Void to glowing reviews.  The Nightingales was formed by a few members of The Prefects following that band’s demise in 1979. Comprising an ever-fluctuating lineup, based around lyricist/singer Robert Lloyd, they enjoyed cult status in the early ’80s and were championed by John Peel, who said, “Their performances will serve to confirm their excellence when we are far enough distanced from the 1980s to look at the period rationally and other, infinitely better known, bands stand revealed as charlatans”.


 
In the late Eighties, the Nightingales stopped working but, following the occasional gig between times, they re-grouped in 2004, arriving at the current (and now long-standing) line up, which features Lloyd, Andreas Schmid from Faust on bass, ex Violet Violet wonder drummer Fliss Kitson and on guitar James Smith, who Lloyd had spotted playing with Damo Suzuki. The latest album ‘Four Against Fate’ is out now on Tiny Global Productions.


 
The band’s career-spanning soundtrack to ‘King Rocker’ will be released by Fire Records, alongside a bizarro 12″ remix EP ‘The New Nonsense’, and these will be followed by deluxe expanded versions of the band’s ‘Hysterics’ and ‘In The Good Old Country Way’ albums, and a bookback DVD of ‘King Rocker’. This activity is all capped off with the autumn release of their stunning new album, recorded in Spain, as well as a subsequent support tour and rescheduled shows in Europe and America.

announce brand new single ‘Sister Sandinista’ taken for their forthcoming new album ‘GO GO SAPIENS’ released on 1st April

first new album since 1995 & four intimate launch shows

Sister Sandinista is a “nod to all the women out there who are fighting for what they believe in, sometimes against overwhelming odds, and making the world a better place “ – EMFThe single, includes a radio mix and an extended remix by their “good friends the NYC duo Vladimir Komarov and Atsuo Matsumoto”. Also James put his techno hat on (you know the one) and produced a remix to get the dance floors bouncing.
Order Sister Sandista here: https://emf-theband.com/merch-shop

The video is a mash up of the icons used in the GO GO SAPIENS art work and footage that James had collected during lockdown when he was making the videos for the series of special performances EMF did remotely from various parts of the world. Ian is playing the guitar on a sunny day on an old railway track in Spain and James is singing on a rainy day in the Yorkshire Dales.The fresh and frantic GO GO SAPIENS marks a fresh new era of EMF. Funded entirely by and created for the fans of the band, the new album reinvents the classic EMF sound. GO GO SAPIENS will be available on CD and limited edition vinyl. GO GO SAPIENS  features 11 catchy punk rock songs with funky beats; including the first single Sister Sandinista and finds the band delivering some of the best songs of their career.


After a great 30th anniversary year, the band was in a really good place and we just felt ready to make another album’”– James Atkins.


Making GO GO SAPIENS without a record label breathing down our necks was liberating. As Derry always says ‘we have nothing to prove’ so we did it for the fans and cause this is who we are and what we love to do. 100% EMF from the cradle to the rave” – Ian Dench


To celebrate the release of ‘GO GO SAPIENS’, EMF play four shows in April including the 229 in London on Saturday 9th, plus intimate performances at Esquires in Bedford on Sunday 10th, the Fleece in Bristol on Monday 11th and the Parish in Huddersfield on Tuesday 12th.

With a very successful 2021 behind them, celebrating their 30th anniversary with several sold out gigs and a sold out vinyl box set, they are excited to continue with that refreshed energy and momentum into 2022.
EMF originally formed in Cinderford, England in October 1989.; All five original members were veterans of the local music scene before founding EMF, whose name supposedly stood for “Epsom Mad Funkers” (although it was widely speculated that the initials instead represented “Ecstasy Mother Fuckers”). Within two months of formation, the group played its first gig; after unearthing a Casio sampler and sequencer in a local thrift shop, a light techno element was added to their rock-oriented sound.


Their debut album, ‘SCHUBERT DIP’, was released in May 1991. It was certified platinum (over a million copies sold) in the US in September 1991. It had reached a peak chart position of #3 in the UK and #12 in the US, as well as finishing the year at #57 overall.


By the end of 1991, their infectious debut single “Unbelievable” had conquered the charts on both sides of the Atlantic, hitting #1 on the Billboard Hot 100 and #3 in the UK. The single was certified gold (over 500,000 copies sold) in the US in May 1991. The song was in such heavy rotation for most of the year in America, that it finished as the #6 single overall for the year. 


Further hit singles that succeeded “Unbelievable” included “I Believe,” “Children” and “Lies.” In 1992, EMF returned with the Unexplained EP and the much darker full-length effort STIGMA; STIGMA peaked at #19 on the UK charts, and the band toured extensively to promote it. It produced hit singles and EMF live set favourites, “They’re Here” and “It’s You.” 
The band released their final full-length album of new material in 1995 with CHA CHA CHA. After a successful European tour, they teamed up with comics Vic Reeves and Bob Mortimer on a cover of the Monkees’ “I’m a Believer,” which reached number 2 on the UK charts. 


The band reunited in the summer of 2001 and released a Greatest Hits CD that coincided with a mini European festival and UK tour. 


Primed to write new material and tour more extensively, the band were hit with the sudden passing of bassist Zac Foley on January 2, 2002.  So shocked by the loss of Zac, the band fell silent.The band reunited in 2007 and have been steadily doing festivals and live shows in the years since. In 2020, the band released a career-spanning vinyl box set and spent most of 2020 and 2021celebrating 30 years of EMF. 


To pre order / pre stream GO GO SAPIENS go Here

EMF -Socials –

http://www.emf-theband.com

https://www.facebook.com/EMFTheBand

https://www.instagram.com/emftheband/

https://twitter.com/EMFTheBand

Ferocious Dog announce new line up
& March / April UK headline shows

plus The Bearded Theory, Bloodstock and Rebellion festivals.

Ferocious Dog with a new line up, play twelve UK headline shows in March and April. “We’re super excited to get back on the road and do the 2nd half of “The Hope” tour and play in some brand new (to FD) venues. Finishing the tour at our hometown Rock City is going to be one of the best things we’ve ever done” exclaims Dan Booth. Ferocious Dog welcome back Kyle Peters on guitar; Kyle played on their debut album, which includes Pocket of Madness, which he wrote and sang on. The band will be playing fan favourite Pocket of Madness throughout the whole tour. Ferocious Dog also has a new rhythm section with new members Nick Wragg (bass) and Luke Grainger (drums) joining Ken Bonsall, Dan Booth and Sam Wood, to complete the sextet.


Following these shows, the band plays The Bearded Theory in May, with further festival appearances to follow including the Bloodstock and Rebellion festivals in August. More shows will be announced soon.
Ferocious Dog’s latest album The Hope, includes the title track, released as a single to coincide with World Mental Health day and the previous singles: ‘Broken Soldier’ and ‘Pentrich Rising’.
The Hope debuted at Number One on the Official UK & Ireland Folk Album Charts and entered the National Album charts at Number 31. While the vinyl version of The Hope entered the Top 20 Vinyl Album Chart.
The Hope flows irresistibly through tales of historical observations, to biting commentary on the plights facing the world today.  The songs follow a rollercoaster of pace and sentiment which will have you wanting to mosh one moment before having a moment to contemplate.
The Hope carries on in the strong tradition of Ferocious Dog albums, with thought-provoking and politically charged lyrics, seamlessly combining with dynamic and eclectic music. A great follow-up to the album Fake News & Propaganda – Ferocious Dog seems to have the knack of evolving their sound enough to pique your interest, without losing any of the sound or attitude that made you fall in love with them in the first place. 
To order / stream The Hope go tohttps://ffm.to/thehope

UK 2021 tour dates:March Fri 4th The Junction  CambridgeSat  5th Roadmender  Northampton Fri 11thThe Parish  Huddersfield Sat 12th 1865 Southampton Fri 18th Victoria Hall Settle  SOLD OUT Sat  19th Victoria Hall Settle  SOLD OUTThu 24th The Garage  LondonFri  25th The Fleece BristolSat 26th Old Bakery Studios  TruroApril Fri 1st The Garage Glasgow Sat 2nd The Georgian Theatre Stockton-On-TeesSat   23rd Arlington Arts Centre NewburySat 30th Rock City Nottingham MaySun  1st  Nothern Kin FestivalFri  20th Keswick Mountain  FestivalSat  28th Bearded Theory Festival Derby  JulyFri  15th The Live Rooms  Chester
Sat  16th Kubix Festival SunderlandFri  22nd Chagstock Festival DartmoorSat 23rd O2 Academy  Leeds  A unique performance with 2 sets (acoustic then electric)Fri 29th Y Not Festval  Pikehall August Thu 4th Rebellion Festival Blackpool  Sat  6th  Wickham FestivalSat 13th Bloodstock Festival Walton-on-Trent November Sun  6th  The Tivoli Buckley
Tickets available from https://ferociousdog.co.uk/tickets-and-tours/


Ferocious Dog are: Ken Bonsall – Lead singer & acoustic guitar. Dan Booth – Violin & lead vocals on some songs.Sam Wood – Multi-instrumentalist.Kyle Peters – GuitarNick Wragg- BassLuke Grainger- Drums

‘Dig What You Need’ is the brand new Best of compilation from Derry’s finest The Undertones. Lifted from their two reformation albums, 2003’s “Get What You Need” and 2007’s “Dig Yourself Deep”. The first time on vinyl and They’ve got Paul Tipler to remix and remaster the tracks as well.

To be fair I think I speak for quite a few and admit to not really having paid much attention to Derry’s favourite sons and their output post Fergal. Much to my embarrassment, it would seem. You see, I loved the original band they were a big fixture on my record player as a young man growing up in West Wales and when Fergal and the band broke up I guess we all moved on. I wasn’t keen on Fergals direction and That Petrol Emotion just wasn’t what I wanted either so another great band was filed in the drawer…Remember them or whatever happened to?

Now I knew they reformed with a new frontman but I’d moved on. it was a chance viewing many years later of a documentary about the band that my love for them was reignited. Now I knew they released a few albums but never got involved and seeing as the best tracks off the noughties albums are here, reissued on vinyl for the first time, I must admit to being gutted I didn’t dive in earlier and wholeheartedly regret not trusting my instincts.

Back in the day when I first heard that debut album, I like many was totally blown away by their pop-rock melodies and Ramones-like relentless wall of sound. We all know how they were championed by BBC DJ John Peel. With disco and youth club classics like ‘Teenage Kicks’, ‘Get Over You’ and ‘My Perfect Cousin’ But this is about the reformed Undertones who in 1999 with new singer Paul McLoone got back amongst it releasing two really strong albums.

Now you’ll never please all the people all the time but with releases like this its to try and catch old fans (like Me) or tempt in new ones maybe too young to remember the bands heyday. you know what? this release does an excellent job in just that showcasing just what the band has to offer and giving a great cross-section of those Two naughties albums. Damian O’Neill said of this bunch of tunes, they are all firm favourites on an Undertones set list these days, all songs penned by John O¹Neill and Michael Bradley. 

So it’s a no brainer really that there is a best-of compilation taken from the two albums with Paul McLoone. O’Neill even spoke of his excitement that producer and mixing maestro Paul Tipler was on board with the songs providing a fresh pair of ears to make them sound even better than they originally did. What you have here is a bunch of songs that flow really well and as a “new” record it sounds impressive and current. So dig this compilation people both old and new for ‘Dig What You Need’ has some most excellent tunes.

The thirteen chosen songs kick off with a straight down-the-line rocker with a great hook and melody ‘Thrill Me’. To be fair McLoone has a belting voice and knocks this one right out of the park on what I would consider to be a bread and butter sound of The Undertones. That wall of overdriven guitar – a banging melody that sounds like it’s played with huge grins all around. The album doesn’t roll out in sequence as on the original records but jumps around which helps. ‘I Need Your Love’ is Rock and Rolling along with a great air of Joie de vivre much like a lot of the band’s songs. Its power pop with a smile and an offer of a great time.

It’s not all one-dimensional though ‘Joyride’ is more pop less power and they do add keyboards to proceedings along the way which adds another texture. The chosen songs from ‘Dig Yourself Deep’ sound fresh, the title track is a great song with a big chorus and a smart mid-tempo groove. to be fair there isn’t much between the best songs on offer they all shine and it’s great to hear them for the first time. Maybe the only question I have would be why a best of and not just a re-release of both records on vinyl? I guess a taster is a good place to start before you Dig into this proper and maybe if this does well both records on vinyl will come. Until then this will more than do. Never mind dig – This is what you need – Buy It!

Bandcamp ‘Dig What You Need’ Pre-Order: https://theundertones.bandcamp.com  

Digital ‘Dig What You Need’ Pre-order: https://orcd.co/undertonesdig

Author: Dom Daley


The Undertones dates in full
:

March

10 – Sheffield, UK @ Leadmill *

11 – Northampton, UK @Roadmender ^

12 – London, UK @ Electric Ballroom ^

17 – Brighton, UK @ Chalk ^

18 – Frome, UK @ Cheese & Grain ^

19 – Cardiff, UK @ Cardiff SU Great Hall ^

31- Newcastle, UK @ Boiler Shop ^

April

01 – Manchester, UK @Academy – ^

02 – Liverpool, UK @ O2 Academy ^

09 – Munich, Germany @ Feierwerk

10 – Weinheim, Germany @ Cafe Central

22 – Dublin, Ireland @ Academy

May13 – Bremen, Germany @ Kulturzentrum Lagerhaus

14 – Düsseldorf, Germany @ Zakk

15 – Hamburg, Germany @ Markethalle

17 – Malmo, Sweden @ Plan B

18 – Oslo, Norway @ Vulkan Arena

20 – Göteborg, Sweden @ Pustervik

21 – Stockholm, Sweden @Slaktkykan

22 – Copenhagen, Denmark @ Pumpenhuset

*Special guest Neville Staple Band

^Special guest Hugh Cornwell Electric

Tickets available from https://www.bandsintown.com/a/17292-the-undertones

What with the shitty news going on on our televisions how about we get lost in some great new videos for new releases covered here on RPM Online? lets do it. First up is one from the brand new compilation album from The Undertones reviewed this week.

 The band unveil a brand new video for ‘Thrill Me’ made by Vinny Cunningham its the opening track on ‘Dig What You Need’,The Best Of The “Reformation Years 1999 – Present” released next week on Dimple Discs. The band are out there touring this record and tickets can be had Here

Next up is a track off the new Ravagers album ‘Badlands’ which has its vinyl release the same day as The Undertones but these street punk n rollers are a different breed and one that will satisfy those searching for the new breed of Dead Boys, Dictators influenced punks to challenge for the underground pack leaders. Don’t snooze on this bad boy.

Finally, this has just dropped from Bob Vylan, the new video for the single ‘Health Is Wealth’. Get Vylan’s album and merch here

Fried Cheese & Pivo, the first time on vinyl, was originally recorded in Czech Republic in 1992 and was only released on CD in 1993 and for Czech market.

The Pleasure Fuckers were formed in 1988 in Madrid (Spain) and were led by legendary Kike Turmix there is no doubt they were an absolute tour de force of Garage punk rock and did it with style and played it hard.

During their ten years, they put in the hard yards on the touring circuit extensively across the toilets clubs of Europe and the USA.

From the opening roar of ‘Solid Steel Automobile’ they take no prisoners. I think that’s fair to say and the relentless barrage continues at pace throughout these four sides of wax.

If you’ve never experienced The Pleasure Fuckers then I guess it’s Bored!CavemenAsteroid B-612Turbonegro, The Ramones, Motorhead at their rowdiest, and then some Stooges (obviously), ‘Oh Yeah!’ has easy lyrics to remember but the solos that slice through the solid wall of Rock and trust me they are blissful. the sonic six-stringery of Norah Findlay and Mike Sobieski is off the scale at times, as for the rhythm section they were tight as two rizzlas and had style and swagger.

You know the drill it’s pretty much two to three minutes of all-out sonic assault with Marshall stacks turned up to 11 and away you go. ‘Away’ is supper snotty to the max and it’s followed by the 100 miles per hour blitzkrieg of ‘No Naggin Hag’.

They did pause for breath but it’s literally just that a pause. It’s not the best quality recording but that only adds to the charm of songs like ‘Haven’t Got Time’. ‘Destination Uranus’ is like a punk n roll hand jive if I might be so bold with its strip club pole grinding rhythm and sleazy attitude.

They’d slip in some extraordinary covers like the Dead Boys classic ‘What Love Is’ that truly gives Stiv and the gang a run for their money. I guess it’s fair to say These guys couldn’t give a fuck who they offended either (then again you aren’t hoping to reach TOTP with a name like The Pleasure Fuckers are you?). With albums like the charmingly titled ‘First Abortion’ they are truly underrated but this live album might go some way to bring them to a new generation of fans as it leans heavily on the ‘Supper Star’ album that was released the same year. Tracks like The Ramonesish ‘The Gimp’ is the band showing how tight they are and that they indeed had their tongue in their cheek as well.

Great to see bands like The Pleasure Fuckers getting some love from Bang! Records and hopefully we might see the studio albums get a similar treatment that would be the icing on the cake. Signing off with their tip of the hat to The Ramones is perfectly acceptable as is their slog through ‘1970’ it seems about right.

We need timely reminders that the 90’s weren’t all bad and bands like this didn’t give a shiny shit about what was fashionable because good honest loud Rock and Fuckin’ Roll has always been Hip and in fashion to those who knew it and they certainly did. The Pleasure Fuckers walked the walk and talked the talk. My advice would be to Just buy this its a start and better late than never right? It’s almost twenty years since the man-mountain and formidable force that was Kike Turmix passed away so time to catch up me thinks.

Buy Here

Author: Dom Daley

The last time I crossed paths with Ryan Hamilton was November 2019 at his annual Holiday Hoedown in Nottingham. He had short hair, hell, I had short hair! It seems a lifetime ago now, a time when Corona was just a beer and wearing a mask in a bank would’ve got you arrested.

These are trying times for us all, including our favourite Texan troubadour, but things are getting better right? Recording and releasing the ‘1221’ album over a 12-month period in lockdown has kept him sane and kept his fanbase interested, and now a return to the UK for his first live dates since the world changed appears to excite him as much as his fans.

3 dates billed as a co-headline tour with London singer/songwriter Emily Capell will see the singer play The Hyde Park Book Club in Leeds, bookended by sold out shows in Newcastle and London.

It’s my first visit to the Hyde Park Book Club, and it’s a great little venue. From the outside it looks like a supermarket, yet inside, with a small reasonably priced bar, homemade sausage rolls and cakes for sale, it has a homely atmosphere and surely the ultimate den for the student population to come and hang out, drink, and catch up on assignments. Down a precarious set of stairs, we find the basement venue. If dimly lit and void of people, it would seem the perfect ‘kill room’ for Joe Goldberg from the popular Netflix show ‘You’. But tonight, it will be the stage for 3 talented musicians.

With a shock of pink hair, an acoustic guitar and a powerful set of pipes, Brighton songstress Gina Larner warms up the crowd with an enjoyable set of folk-tinged pop ditties. Her tones sit nicely somewhere between Kate Nash and Amy Macdonald, she apologizes for chatting too much, has a cool song about daytime whisky drinking. It’s fun, she has a likeable presence, and the songs stand up to the test. A perfect opener.

We bought tickets, we turned up and we assumed one would headline and one would support. So, it was a surprise to see Ryan Hamilton and Emily Capell take to the stage together and announce a song for song face/off. I knew little of Emily’s music before tonight. I avoided researching as I wanted to view her as a new artist free of any expectations. Of course, being a big fan of Ryan Hamilton, I wasn’t expecting her to be able to compete, and in this case, boy was I wrong…oh so very wrong!

The lady with a beehive and a Gretsch guitar can certainly holds her own against the Texan with a cowboy hat and an acoustic, no problemo. Song for song and piss-take after piss-take, the duo have the room captivated for the entire set. If you have seen Ryan Hamilton bearing his soul with just an acoustic guitar, then you know what an intimate experience it can be. From the uplifting opener ‘Smarter’ to the ever cool ‘Never Should Have Moved To LA’ onto crowd favourite ‘Take It On Th Run’ (or ‘Take It Up The Bum’ as it was sung tonight) the songs are great as ever. But it’s the sadness of ‘Cheaters Never Change’ and the optimism of ‘This Is The Sound’ that really shine through tonight.

It’s by no means a sad show, and this is largely due to the comedy banter between the duo. Ryan and Emily work well together in this format, like they have been touring for months, not days. It’s like a brother/sister act of light-hearted one-upmanship that usually ends in Emily telling Ryan to sit down and shut up! Ryan’s fascination with the English language continues and Emily obliges by teaching him the meaning of words such as “skip”. Its comedy gold and maybe if the singing fails they could both have a career in stand-up!

Thye end the set as a duo tackling each other tunes and a great version of the Johnny Cash classic ‘Jackson’.

For me a great artist has to have the whole package, that certain sparkle. Well written songs, a good voice, charisma and the ability to captivate an audience. Ryan has already proven himself in that department, but to remember the hooks to songs the first time you hear then live is very rare for me, and listening to Emily’s album the morning after the show I remembered at least four of the songs she played. The likes of ‘No Worries’, ‘Ipso Calypso’ and ‘Who Killed Smiley Culture’ are quality tunes full of quirky, retro 60’s pop goodness, but with a contemporary edge.  And to deliver them, out of her comfort zone, solo to an unfamiliar audience with such confidence is the sign of a star in the making.

Ryan Hamilton is an artist whose back catalogue straddles power pop and Americana with radio-friendly singles and lyrics that hit the heart and soul. His live performance, whether with a band or solo is always memorable. Emily Capell is a Clash loving, doo-wop delivering ball of quirky goodness with a killer voice and killer tunes. They live worlds apart and come from different cultures, but somehow, together they make magic and gel probably more than they realise. Let’s hope this is the start of a beautiful musical friendship and hopefully more gigs together. Ryan has already teased his return to these shores later this year, if he plays a show near you, do yourself a favour and check him out.

Author: Ben Hughes

Well, that’s another year almost done. Its been tough for live venues running at reduced capacity punter hesitancy (understandable) It’s only really been half a year when the Governments mucked us about, major labels took over pressing plants at the expense of independent bands, the pandemic hasn’t fucked off, we’ve lost some special people from our Rock n Roll world and we’ve all grown a little older and possibly unwiser (is there such a word?) but on times it felt fantastic to get back out there to some of our favourite venues for half the year. It did feel great to see some of our fellow live show warriors and on times it felt like we’d never been away.

But, there have been some fantastic albums released, concerts seen, books read people interviewed and new bands made.  Here at RPM Online we’re going to celebrate those achievements with our lists.  We all love a list or a pigeon hole, or a debate as to what genre our favourites fit into but the bottom line is we need this thing called Rock and Roll more than ever to see us through some tough times as we reengage with old friends and make new ones.

People, welcome to the next few days as the fine writers of RPM Online offer up their choices of the runners and riders of 2021.  Before I open up this can of worms can I just thank this fine body of men for their efforts over the past year and if you’ve bought an album on the recommendation of RPM then thank you. Also, The PR people who’ve done right by their clients and of course the musicians and songwriters who put in the hard yards in these very difficult times thank you thank you thank you we love you all.  So without further waffle here are the lists for 2021. Starting with some of the live shows that helped put smiles back on people’s faces. There might no tbe the quantity yet but we sure as hell saw some quality shows in the latter half of 2021.

BEST LIVE SHOWS OF 2021 as seen by the writers of RPM Online

  Fraser Deathtraps

The Hives – Guildhall, Portsmouth

 Wildhearts – Fleece, Bristol

 The Hip Priests – Chameleon, Nottingham

 The Hives (Offspring & Bob Vylan) – CIA, Cardiff

 Wildhearts – Tramshed, Cardiff

 The Hip Priests (& Electric Shakes) – Le Pub, Newport

 Rebellion/Hits (Maid of Ace & Dirtbox Disco) – Wintergarden, Blackpool

 Goldie Lookin’ Chain – Grand Pavilion, Porthcawl

 Fleur East – Butlins, Bognor

 Platinum Queen  – Butlins, Bognor

Johnny Hayward

Roger Taylor – Cardiff, St David’s Hall

The Bar Stool Preachers – Flemfest, Pontllanfraith Rugby Club

Cock Sparrer/Spunk Volcano & The Eruptions – Bristol. The Fleece

The Hip Priests/Deathtraps/Electric Shakes – Newport, Le Pub

Gaye Bykers On Acid – Newport, Le Pub

Ben Hughes

The Future Shape of Sound/The Urban Voodoo Machine – Gypsy Hotel 15th Anniversary Show, Brixton

Bob Vylan – Brudenell Social Club, Leeds

The Wildhearts – The Tramshed, Cardiff

Hands Off Gretel – The Crescent, York

The Professionals – Brudenell Social Club, Leeds

Gareth ‘Hotshot’ Hooper

Jesse Malin – Fleece And Furkin, Bristol

Wildhearts – The Tramshed, Cardiff

The Hip Priests – Le Pub, Newport

Urban Voodoo Machine – Bunkhouse, Swansea

Dom Daley

Jesse malin. Fleece, Bristol

Trampoline.  The Globe, Cardiff

Wildhearts. Tramshed, Cardiff

Hip Priests, Deathtraps, Electric Shakes. le pub, Newport

Bar stool preachers, Riskee & The Ridicule, Bottlekids. le pub, Newport

Urban Voodoo Machine. Bunkhouse, Swansea

The Shunkos. Neath, The Duke

Dan Kasm

Jesus and Mary Chain, Albert Hall Manchester

Mysterines, Grand Central Liverpool

Crawlers, East Village Arts Club

Video Nasties and Zetra, Outpost Liverpool

Panic Shack, Jacaranda Liverpool

Nev Brooks

Fields of the Nephilim- The Tiv. Buckley

Jesse Malin, Kris Gruen – Bristol , Fleece

Cock Sparrer, Spunk Volcano & The Eruptions – Fleece, Bristol

 Gaye Bykers on Acid – LePub, Newport

Bar Stool Preachers/Riskee and the ridicule/Bottlekids – LePub, Newport

Ane Brun- Shepherds Bush O2, London

THE BIRTHDAY MASSACRE
DIAMONDS
UK TOUR 2021

28.07.21  YORK Fulford Arms
29.07.21  NEWCASTLE Cluny
30.07.21  EDINBURGH Opium
31.07.21  GLASGOW Ivory Blacks
03.08.21  MANCHESTER Night People
04.08.21  NOTTINGHAM Rescue Rooms
05.08.21  WOLVERHAMPTON Slade Rooms
06.08.21  BRISTOL Exchange
07.08.21  LONDON Garage
tickets and information
flagpromotions.co.uk / ticketweb.co.uk / fatsoma.com

Due to the ongoing Covid-19 crisis, Canadian post-punk goth act The Birthday Massacre have been forced to postpone a November 2020 UK tour to promote their new album, ‘Diamonds’, which was released in late March. All nine shows have now been rearranged for the summer of 2021, as per the itinerary above.

The tour will be the first opportunity for UK fans to see two recently installed group members, drummer Phil Elliott and bassist Brett Carruthers, perform with the band. Carruthers is also the frontman of fellow Toronto-based act A Primitive Evolution, who released an excellent album of industrial tinged rock entitled ‘Becoming’ on Metropolis Records in 2018 and have remained an ongoing concern.