The last time I crossed paths with Ryan Hamilton was November 2019 at his annual Holiday Hoedown in Nottingham. He had short hair, hell, I had short hair! It seems a lifetime ago now, a time when Corona was just a beer and wearing a mask in a bank would’ve got you arrested.

These are trying times for us all, including our favourite Texan troubadour, but things are getting better right? Recording and releasing the ‘1221’ album over a 12-month period in lockdown has kept him sane and kept his fanbase interested, and now a return to the UK for his first live dates since the world changed appears to excite him as much as his fans.

3 dates billed as a co-headline tour with London singer/songwriter Emily Capell will see the singer play The Hyde Park Book Club in Leeds, bookended by sold out shows in Newcastle and London.

It’s my first visit to the Hyde Park Book Club, and it’s a great little venue. From the outside it looks like a supermarket, yet inside, with a small reasonably priced bar, homemade sausage rolls and cakes for sale, it has a homely atmosphere and surely the ultimate den for the student population to come and hang out, drink, and catch up on assignments. Down a precarious set of stairs, we find the basement venue. If dimly lit and void of people, it would seem the perfect ‘kill room’ for Joe Goldberg from the popular Netflix show ‘You’. But tonight, it will be the stage for 3 talented musicians.

With a shock of pink hair, an acoustic guitar and a powerful set of pipes, Brighton songstress Gina Larner warms up the crowd with an enjoyable set of folk-tinged pop ditties. Her tones sit nicely somewhere between Kate Nash and Amy Macdonald, she apologizes for chatting too much, has a cool song about daytime whisky drinking. It’s fun, she has a likeable presence, and the songs stand up to the test. A perfect opener.

We bought tickets, we turned up and we assumed one would headline and one would support. So, it was a surprise to see Ryan Hamilton and Emily Capell take to the stage together and announce a song for song face/off. I knew little of Emily’s music before tonight. I avoided researching as I wanted to view her as a new artist free of any expectations. Of course, being a big fan of Ryan Hamilton, I wasn’t expecting her to be able to compete, and in this case, boy was I wrong…oh so very wrong!

The lady with a beehive and a Gretsch guitar can certainly holds her own against the Texan with a cowboy hat and an acoustic, no problemo. Song for song and piss-take after piss-take, the duo have the room captivated for the entire set. If you have seen Ryan Hamilton bearing his soul with just an acoustic guitar, then you know what an intimate experience it can be. From the uplifting opener ‘Smarter’ to the ever cool ‘Never Should Have Moved To LA’ onto crowd favourite ‘Take It On Th Run’ (or ‘Take It Up The Bum’ as it was sung tonight) the songs are great as ever. But it’s the sadness of ‘Cheaters Never Change’ and the optimism of ‘This Is The Sound’ that really shine through tonight.

It’s by no means a sad show, and this is largely due to the comedy banter between the duo. Ryan and Emily work well together in this format, like they have been touring for months, not days. It’s like a brother/sister act of light-hearted one-upmanship that usually ends in Emily telling Ryan to sit down and shut up! Ryan’s fascination with the English language continues and Emily obliges by teaching him the meaning of words such as “skip”. Its comedy gold and maybe if the singing fails they could both have a career in stand-up!

Thye end the set as a duo tackling each other tunes and a great version of the Johnny Cash classic ‘Jackson’.

For me a great artist has to have the whole package, that certain sparkle. Well written songs, a good voice, charisma and the ability to captivate an audience. Ryan has already proven himself in that department, but to remember the hooks to songs the first time you hear then live is very rare for me, and listening to Emily’s album the morning after the show I remembered at least four of the songs she played. The likes of ‘No Worries’, ‘Ipso Calypso’ and ‘Who Killed Smiley Culture’ are quality tunes full of quirky, retro 60’s pop goodness, but with a contemporary edge.  And to deliver them, out of her comfort zone, solo to an unfamiliar audience with such confidence is the sign of a star in the making.

Ryan Hamilton is an artist whose back catalogue straddles power pop and Americana with radio-friendly singles and lyrics that hit the heart and soul. His live performance, whether with a band or solo is always memorable. Emily Capell is a Clash loving, doo-wop delivering ball of quirky goodness with a killer voice and killer tunes. They live worlds apart and come from different cultures, but somehow, together they make magic and gel probably more than they realise. Let’s hope this is the start of a beautiful musical friendship and hopefully more gigs together. Ryan has already teased his return to these shores later this year, if he plays a show near you, do yourself a favour and check him out.

Author: Ben Hughes

Well, that’s another year almost done. Its been tough for live venues running at reduced capacity punter hesitancy (understandable) It’s only really been half a year when the Governments mucked us about, major labels took over pressing plants at the expense of independent bands, the pandemic hasn’t fucked off, we’ve lost some special people from our Rock n Roll world and we’ve all grown a little older and possibly unwiser (is there such a word?) but on times it felt fantastic to get back out there to some of our favourite venues for half the year. It did feel great to see some of our fellow live show warriors and on times it felt like we’d never been away.

But, there have been some fantastic albums released, concerts seen, books read people interviewed and new bands made.  Here at RPM Online we’re going to celebrate those achievements with our lists.  We all love a list or a pigeon hole, or a debate as to what genre our favourites fit into but the bottom line is we need this thing called Rock and Roll more than ever to see us through some tough times as we reengage with old friends and make new ones.

People, welcome to the next few days as the fine writers of RPM Online offer up their choices of the runners and riders of 2021.  Before I open up this can of worms can I just thank this fine body of men for their efforts over the past year and if you’ve bought an album on the recommendation of RPM then thank you. Also, The PR people who’ve done right by their clients and of course the musicians and songwriters who put in the hard yards in these very difficult times thank you thank you thank you we love you all.  So without further waffle here are the lists for 2021. Starting with some of the live shows that helped put smiles back on people’s faces. There might no tbe the quantity yet but we sure as hell saw some quality shows in the latter half of 2021.

BEST LIVE SHOWS OF 2021 as seen by the writers of RPM Online

  Fraser Deathtraps

The Hives – Guildhall, Portsmouth

 Wildhearts – Fleece, Bristol

 The Hip Priests – Chameleon, Nottingham

 The Hives (Offspring & Bob Vylan) – CIA, Cardiff

 Wildhearts – Tramshed, Cardiff

 The Hip Priests (& Electric Shakes) – Le Pub, Newport

 Rebellion/Hits (Maid of Ace & Dirtbox Disco) – Wintergarden, Blackpool

 Goldie Lookin’ Chain – Grand Pavilion, Porthcawl

 Fleur East – Butlins, Bognor

 Platinum Queen  – Butlins, Bognor

Johnny Hayward

Roger Taylor – Cardiff, St David’s Hall

The Bar Stool Preachers – Flemfest, Pontllanfraith Rugby Club

Cock Sparrer/Spunk Volcano & The Eruptions – Bristol. The Fleece

The Hip Priests/Deathtraps/Electric Shakes – Newport, Le Pub

Gaye Bykers On Acid – Newport, Le Pub

Ben Hughes

The Future Shape of Sound/The Urban Voodoo Machine – Gypsy Hotel 15th Anniversary Show, Brixton

Bob Vylan – Brudenell Social Club, Leeds

The Wildhearts – The Tramshed, Cardiff

Hands Off Gretel – The Crescent, York

The Professionals – Brudenell Social Club, Leeds

Gareth ‘Hotshot’ Hooper

Jesse Malin – Fleece And Furkin, Bristol

Wildhearts – The Tramshed, Cardiff

The Hip Priests – Le Pub, Newport

Urban Voodoo Machine – Bunkhouse, Swansea

Dom Daley

Jesse malin. Fleece, Bristol

Trampoline.  The Globe, Cardiff

Wildhearts. Tramshed, Cardiff

Hip Priests, Deathtraps, Electric Shakes. le pub, Newport

Bar stool preachers, Riskee & The Ridicule, Bottlekids. le pub, Newport

Urban Voodoo Machine. Bunkhouse, Swansea

The Shunkos. Neath, The Duke

Dan Kasm

Jesus and Mary Chain, Albert Hall Manchester

Mysterines, Grand Central Liverpool

Crawlers, East Village Arts Club

Video Nasties and Zetra, Outpost Liverpool

Panic Shack, Jacaranda Liverpool

Nev Brooks

Fields of the Nephilim- The Tiv. Buckley

Jesse Malin, Kris Gruen – Bristol , Fleece

Cock Sparrer, Spunk Volcano & The Eruptions – Fleece, Bristol

 Gaye Bykers on Acid – LePub, Newport

Bar Stool Preachers/Riskee and the ridicule/Bottlekids – LePub, Newport

Ane Brun- Shepherds Bush O2, London

THE BIRTHDAY MASSACRE
DIAMONDS
UK TOUR 2021

28.07.21  YORK Fulford Arms
29.07.21  NEWCASTLE Cluny
30.07.21  EDINBURGH Opium
31.07.21  GLASGOW Ivory Blacks
03.08.21  MANCHESTER Night People
04.08.21  NOTTINGHAM Rescue Rooms
05.08.21  WOLVERHAMPTON Slade Rooms
06.08.21  BRISTOL Exchange
07.08.21  LONDON Garage
tickets and information
flagpromotions.co.uk / ticketweb.co.uk / fatsoma.com

Due to the ongoing Covid-19 crisis, Canadian post-punk goth act The Birthday Massacre have been forced to postpone a November 2020 UK tour to promote their new album, ‘Diamonds’, which was released in late March. All nine shows have now been rearranged for the summer of 2021, as per the itinerary above.

The tour will be the first opportunity for UK fans to see two recently installed group members, drummer Phil Elliott and bassist Brett Carruthers, perform with the band. Carruthers is also the frontman of fellow Toronto-based act A Primitive Evolution, who released an excellent album of industrial tinged rock entitled ‘Becoming’ on Metropolis Records in 2018 and have remained an ongoing concern.

Aerial Salad started as a dream, that turned into a nightmare, that thankfully worked out a dream. Conceived by frontman and guitarist Jamie Munro after he’d attended the legendary punk event The FEST in Gainesville, Florida in 2016, the young Manchester Uni student was so inspired and impressed by what he’d witnessed at the festival, he had to start a band. He HAD to play that festival.

 

“It was a very important time in my young age,” remembers Jamie. “I was like, ‘fuck me, all these people, all these bands are small punk bands, but they’re playing here and they’re all on tour, this is fucking sick this!’ Fuck uni, I hate uni, I’ll start a band. We’ll play The FEST.”

 

And while for many, those dreams would have remained a fantasy as the daily grind of real life tightened its grip, choking out those young teenage dreams, Jamie Munro did form a band with two best friends (Mike Wimbleton – bass/vocals, Matty Mills – drums) and he did play The FEST, but as is so often in life, things did not go as planned.

 

In the run-up to what is now billed in their minds as ‘The Worst Festival Set Of All Time’, the fledgling Aerial Salad recorded a couple of scrappy digital EPs, played a small handful of gigs and through sheer bluster and confidence, somehow blagged themselves onto The FEST. However, bad luck, over-indulgence, technical difficulties and unfamiliar equipment led to a catastrophic performance that made sure the band were never invited back. “The set was so bad that as soon as it finished, I had to run out of the  venue, hide around the corner and cry,” shudders Jamie.

 

Returning home with dreams momentarily shattered, the rag-tag bunch of teenagers may not have found acclaim, but they did find purpose, regrouped and forged ahead. Luck was on their side when they met former Flying Medallions frontman and Wonk Unit leader Alex Johnson who, so taken with the bands spirit and vibe, offered to mentor, manage and help put out Aerial Salad’s debut album – 2017’s ‘Roach’ – on his label Plasterer. He became ‘Daddy Wonk’ to the band and finally finding their stride in ‘Roach’, a sound and boldness started to emerge that  quickly turned heads in the UK punk scene. An album of soaring punk songs, with melody and brash, rough edges that made it fizzle with excitement. The germ of greatness was sown in ‘Roach’. Wonk Unit took them on a three-week tour (“effectively a four year training course on how to actually be a band,”) and Aerial Salad were one step closer to being ready to deliver what the world is about to hear in new album ‘Dirt Mall’.

Armed with a headful of new songs, under the guidance of Daddy Wonk and the production of UK recording legend Paul Tipler (“because he’d recorded ‘Mush’ by Leatherface, which we love,”), Aerial Salad have delivered nine songs of anthemic, driving punk rock that roars with disgust, yet equally joy, at the world around them. Released this coming March 27th  via the bands own Roach Industries, and once again with the help of Plasterer, ‘Dirt Mall’ is the sound of the once rag-tag teenagers finding their sound, feet and minds, frustrated by day jobs, brexshit and the world swirling around them.

 

“It captures everything I’ve seen working as a temp in offices and generally being in my twenties trying to work myself and the world out. With some pop songs thrown in for fun,” admits Jamie, and it is all of that and more. Bristling with energy and passion, each and every song means something. From the charging title track (“people should not have to try and survive life,”), the bass and drum groove and explosive chorus of ‘Such A Pity’ (“about being young and a fucking arsehole,”), the cathartic strut of ‘Stressed’ (“the Tories are basically trying to kill us, that’s the cut and dry,”) and first single ‘Romance?’ (“a song about wanting romance with someone who is otherwise romantically engaged,”), ‘Dirt Mall’ is an album by three best mates, experiencing this life together, and taking it on.

 

Aerial Salad is starting its most exciting chapter.

Our favourite Basel Action rockers Bitch Queens are heading out the door to rock around the mainland on their City Of Class Tour.  They then plan to head back to shit island and Spain which will be announced soon.
20.12. Slow Club Freiburg (DE) w/ THE MONOFONES 
21.12. Fasskeller, Schaffhausen (CH) w/ BRONCO 
03.01. Horst , Saarbrücken (DE) 
4.1. Zebra Club, Hausen (DE) 
20.2. Klub Famu Prag (CZ)
21.2. Arena, Wien (A) w/ Boogie Hammer
22.2. Klub Falcon, Klatovy (CZ)
13.3. l’Atelier des Môles, Montbéliard (F)
14.3. Freak SHOW, Essen (DE)

UK & ESP to be announced soon.
City Of Class album Review Here

I’d still describe Clowns a new band  but then they’ve been doing this hardcore rock n roll lark for six years which would hardly make them new really, it’s a tough one but one of the best records released this year without a doubt is ‘Nature / Nurture’ and its a great move on the face of it signing for Fat Wreck Chords. About eighteen months ago I stood in the Ballroom at Blackpool Winter Gardens in the early afternoon and watched Clowns own the day and turn in a pulverising and quite beautiful set and that was before we even had a sniff of the latest album (which, Incidently is their best by a country mile)  and before that I’d seen them in one of the smallest stages of the festival a year or two before that where they’d just released ‘Bad Blood’ and that was a brutal – pulverising performance that made those present sit up and take notice of these Australian loons kicking the shit out of our ears with their punk rock.  Wind forward to a cold November in Bristol as part of their jaunt around Europe in support of Nature/Nurture’ Clowns are in the motherfuckin’ house boys and girls and it’s a school night and the place – whilst not packed to the rafters is in decent shape and very busy indeed.  Anyway rewind the evening a little and first up is three-piece Glug.  Two ladies on guitar and Bass swapping vocals in the briefest of sets that was basically ten minutes and a bit but ten songs and plenty of between-song banter. they were never going to steal the show they knew it and we knew it but it was great to see them doing what they do on a school night.

Next up were the four-piece local lads The Broken Bones Gentleman’s Club. who to be fair have been around the block and are used to this kinda Monday night punk rock show as they proceeded to smash out their tight set of Hardcore punk rock for the next twenty-five minutes or so.  Flip is a bundle of energy and turns the screw on the rest of the band as they get pushed harder and faster and tonight it really works.  Cookie is our prowling the audience poking for a reaction and its working.  Tonight The Broken Bones Gentleman’s Club are smashing it (as the kids say) as for what they played I couldn’t even begin to break it down as song titles were irrelevant. Maybe they played ‘Reasons’ maybe they didn’t but what mattered was tonight they were on form and took no prisoners and impressed those who’d bothered to turn up on time and give these punks the time of day.  Great effort.

Finally, Clowns are ready as the busy venue is up for what is about to unfold and I’ve been looking forward to this since it was announced. Stevie has a sharp new haircut (since last time) and after a few stretches were ready to go and without any fanfare and ‘I Shaved My Legs For You’ is riffing the fuck out of the room and from the off this is going to be something special. Hanny J is a great foil for Stevie as they are both penned in by the dual riff maesters Rod and Will either side as they unleashing the venom. What a blistering opener, then it’s back to the rapid assault of ‘Infected’ off the uncompromising ‘Bad Blood’ album and that’s where they stayed for the title track and low and behold they open up ‘These Veins’ as well and the band sound on fire.

Next track up is ‘Freezing In The Sun’ which was released as a single prior to the last album but it only gave a slight glimpse into what was to come as the band took a giant leap sonically from the first two albums to ‘Lucid Again’ and then ‘Nature / Nurture’ where they seem to have really come of age and grown into something really special. Some of the songs steered them into Janes Addiction Territory (when Janes were on fire of course) and this single was their most accessible track to date and tonight it was pounding and they executed it to within an inch of perfection.

The band then flip-flopped between the most recent couple of albums with the pick of the tunes from both slotting in very nicely indeed. It took Williams a while to get into the audience but when he was comfortable he was like a cat on a hot tin roof not standing still for a second as the band hammered home the tunes giving him the space to do his thing and boy did he do it.  ‘Like A Knife At A Gunfight’  grew into a swirling beast that it is but it was overshadowed by the monumental ‘, I Wanna Feel Again’ that showed how much this band has grown over their short tenure and all those shows are paying off because I wouldn’t want to be in a band and follow these on stage on this evidence. To suggest it was epic isn’t an understatement at all.

By the time we hit ‘Soul For Sale’ and a quick check of the time we knew we were reaching melting point in the set, the whole place was twitching at the very least as some lost their collective shit it was only ‘Never Enough’ to wrap up the evening. A  fitting ending to a superb night of Hardcore entertainment from a band that was on fire and one I can’t recommend highly enough they were simply a sight to behold.

If you get the chance you really should check these Clowns out. It’s never too late to pick up one of the albums, hell even go for the first one that they sadly neglected this evening but I guess its fair that you can’t have everything. Now, these and Bronx on a doubleheader would be just the best idea if someone could make that happen in 2020 I’d be grateful.  Clowns from Australia I salute you, you came – we saw – you rocked.  Fuckin Awesome!

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Author: Dom Daley

Its been a good year for Justin Sullivan and his New Model Army.  They’ve managed to capture the essence of what the band are all about in 2019 on the record ‘From Here’ and are playing to packed venues right across Europe promoting that very same record.  Now I’ve seen the band live many times from festivals to small clubs and most venues in between but tonight I was really looking forward to what kind of set they were going to deliver.

On entering the venue I was reminded of my first foray as a young man into the belly of the beast that was a New Model Army show back in the early to mid ’80s,  they rode the crest of a wave in the mid ’80s and dented the charts and it was where tonight began as the band appeared out of the clouds of smoke on stage to head straight into ‘No Rest’ which signalled some older men to start flinging themselves around the pit like time had stood still (something they might regret come the morning) . It was without pause we headed straight into the new record from there with the epic ‘Never Arriving’ that seemed like the perfect soundtrack as the wafts of dry ice cleared and the stage bathed in red the band’s silhouettes cast large on the backdrop as the opening new track from  ‘From Here’ was received like a prodigal son.

With an immense back catalogue its always a treat to see what they will perform live as they smatter the set with “singles” it’s not nessasseraly the singles that are crowd favourites anyway.  The NMA faithful are a rabid bunch who seem to love all the songs equally but deep down they’re probably like me and wish now and again that they’ll turn up to hear a run-through of all the singles in order of release followed by the best of the rest.  Something that made me smile towards the end of the set when Justin announced that the band were quickly approaching their 40th anniversary and he might be persuaded to do a tour with that in mind but I’m not convinced and smiling as he said it he wasn’t even convincing himself, but we can certainly hope for it. 

I digress. The new album is well represented with no less than eight songs being played. The band are a well-oiled machine and the songs are performed with much passion. Ceri Monger didn’t stop and his role is such an important part of the band as half of the rhythm section that really drives the sound on the more uptempo numbers something Justin has maintained throughout the bands existance and something thats such a big part of the sound.

We were treated to a blistering run through ’51st State’ which seems like it could have been written yesterday such is the stance at Westminster these days anyway I’ll try and keep politics out of this much like Sullivan did except to use his place to plead with the audience to do anything but vote Tory which went down well in south Wales even in these messed up times.  New Model Army fans still know what’s right and wrong.

To put together a fluid setlist must be a tough call for Justin but we got ‘Believe It’ from ‘The Love of Hopeless Causes’ then to follow it up with the excellent new track ‘Where I Am’ was excellent then to dip back into ‘Eight’ for a run through ‘Wipeout’ wasn’t something I was expecting.  The balance of the set was something that came across really well  ‘winter’ was appropriate and ‘State Radio’ gave the pit a second wind. then surprisingly we dipped back into ‘The Love of Hopeless Causes’ for a couple more as we headed for the encore.

I was hoping for a couple of choice picks and I kept my fingers crossed for maybe ‘White Coats’ and ‘Stupid Questions’ or maybe some ‘Vengence’ but alas I got none.  However, I did get a run-through a pretty impressive ‘125 mph’ so at least there was a few off ‘Thunder And Consolation’  as ‘Bodmin Pill’ brought the encore to an end but there was a second encore from a really vocal and appreciative crowd who called the band back for the oldest track in the set ‘Betcha’ to play out as we finally made our way out into the cold evening having been treated to an impressive set from one of the UK’s best alternative and still relevant  live bands.  Tonight the New Model Army were inspiring and uplifting and I can’t wait to do it all again next year after all a promise is a promise, Justin.  See you down the front.

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Nashville’s All Them Witches are currently on the road with pop-rock arena band Ghost have only gone and dropped a new tune and video.   it’s a brooding moody, cinematic black and white video directed by All Them Witches drummer and artistic director Robby Staebler and starring Emmy-winning actress Drea de Matteo (The SopranosDesperate HousewivesSons of Anarchy).

The band stays on the road for a while yet bringing their Psych rock noise to Europe and America at the following dates

November 25th – Copenhagen, DK Forum Black Box * with Ghost
November 28th – Helsinki, FI Hartwell Arena * with Ghost
November 30th – Katowice, PL Spodek * with Ghost
December 1st – Prague, CZ Universum * with Ghost
December 3rd – Budapest, HU BSA * with Ghost
December 4th – Zagreb, CRO Mochvara
December 5th – Mantova, IT PalaBam * with Ghost
December 6th – Zurich, CH Halle 622 * with Ghost
December 8th – Barcelona, ES St. Jordi * with Ghost
December 10th – Lisbon, PT Sala Tejo * with Ghost
December 11th – Madrid, ES Wizink Centre * with Ghost
December 13th – Strasbourg, FR Zenith * with Ghost
December 14th – Schweinfurt, DE Stattbahnhof
December 15th – Munich, DE Zenith * with Ghost
December 17th – Luxembourg, LU Rockhal * with Ghost
December 18th – Nantes, FR Zenith * with Ghost
December 19th – Toulouse, FR Zenith * with Ghost
December 27th – Nashville, TN Exit/In
December 28th – Nashville, TN Exit/In
December 29th – Nashville, TN Exit/In

All Then Witches 2020 tour dates:
April 17th – Baltimore, MD Ottobar
April 18th – Hamden, CT Space Ballroom
April 19th – Pawtucket, RI The Met
April 21st – Portsmouth, NH 3S Artspace
April 22nd – Holyoke, MA Gateway City Arts
April 23rd – Asbury Park, NJ Asbury Lanes
April 24th – Pittsburgh, PA Mr. Smalls Theatre
April 25th – Ann Arbor, MI Blind Pig
April 26th – Cincinnati, OH Woodward Theatre
April 28th – Columbus, OH Skully’s
April 29th – Lexington, KY The Burl
May 1st – Atlanta, GA: *Shaky Knees Music Festival
May 2nd – Atlanta, GA: *Shaky Knees Music Festival
May 3rd Atlanta, GA: *Shaky Knees Music Festival

 

It seems every time I see Dalston’s finest gypsy blues merchants The Urban Voodoo Machine, it’s a different venue. They sure like to get around. I’m not complaining though, great variety gives a different feel to each show. Not that this London collective need any help in the variety department. Every show The Urban Voodoo Machine perform is different due to the ever revolving line up and the crazy stage antics that go down. So while regular guitarist Tony Diavolo and saxophonist/all round entertainer Luci Fire Tusk are MIA for tonight’s performance, their replacements for this tour do a mighty fine job in bringing their own thing to Paul-Ronney Angel’s party.

The last time we crossed paths was an epic two hour/two set 15th anniversary show at The Brudenell just a few miles away. That was an incendiary, packed out and sweaty gig, probably the best I’ve seen them. Tonight at The Wardrobe is a much more intimate affair, but none the less a bombastic rock ‘n’ roll show to behold. After all, it is The Urban Voodoo Machine and this band does not do mediocre.
Joining the core band that includes upright bass, two drummers and accordion/keyboard player Slim, are a two piece brass section and a young guitar slinger who happens to be the offspring of one of the band’s past players.
Instrumental surf jam ‘Police Paranoia’ gets things off to a ripping start, as ringleader Paul-Ronney Angel, a whirlwind of black ‘n’ red and his face grease painted white, leads the 8 piece band through a magnificent set that spans their 15 year career.
Our illustrious leader takes us into old classic ‘Down In A Hole’. With its bluesy, big band sound and cool gang backing vocals, it’s an early highlight that gets the crowd a-movin’ and a-groovin’. Live favourite ‘High Jeopardy Thing’ is brassy and classy in equal measures, the band incite the crowd to click their fingers, as the reverend Gavin Smith plays that skulking bass line. P-R, his voice as gravelly as his soul, has the crowd in the palm of his hand, taking us back in time to some sleazy speakeasy for a shot or two.

New single ‘Johnny Foreigner’ fits the set just fine. The laid back groove leads into a jubilant and overly-catchy chorus. The topical lyrics are backed up by the ‘Fuck Boris’ pin badge P-R wears proudly on his hat.” I’ve been living in this country 25 years” he shouts…” Fuck the Tories!” Well, this is billed as the ‘fuck Brexit Autumn Tour’ after all!
The sombre ‘Fallen Brothers’ and ‘Goodnight My Dear’ are dedicated to lost band mates; guitarist Nick Marsh and fiddle player Rob Skipper, gone but never forgotten. Other highlights? Well, ‘Orphan’s Lament’ sounds as fantastic as ever and ‘Crazy Maria’ is a high energy blast of mariachi infested glory that can never fail to get the crowd moving and the glasses emptied.
Crazy stage antics and slapstick comedy moments are rife. They include the frontman wringing the sweat from his headscarf into someone’s glass, getting a crowdsurf lift to the bar to collect a shot, and miming into a supposedly broken mic (is this thing on?). Paul-Ronney Angel is a pro who has this entertainment lark down to a fine art and manages to enrapture a whole room no matter the size or the clientele.
The band end the show as they began by forming a procession through the crowd, and culminates with the whole band standing on tables by the merch stand for an impromptu jam to close a memorable show that was more of a raw, rock ‘n’ roll show than the usual over the top circus.

With a new single and a tribute album (‘Friends & Family Album’) on record shelves, plus a new album due out before the spring, the future looks bright for The Urban Voodoo Machine. Let’s just hope those damn Tories don’t scupper their plans for world domination. With so much uncertainty in the world right now, it’s reassuring to know every night is a good night when The Urban Voodoo Machine rolls into town.

Author: Ben Hughes

Photo credit: Matt Seddon

Legendary Northern Irish punk rock act Stiff Little Fingers are delighted to announce a full UK tour in March 2020 – The 2020 Tour.

The tour will see the band play their 29th consecutive Glasgow Barrowland Ballroom St. Patrick’s Day show as part of their traditional March tour. The band also headline London’s Roundhouse to end the 13-date run.

All the dates will feature support from The Professionals and TV Smith.

The full tour dates are as follows:
Thursday 12thMarch 2020                               Bristol, O2 Academy
Friday 13thMarch 2020                                     Cardiff, Great Hall
Saturday 14thMarch 2020                               Birmingham, O2 Academy
Monday 16thMarch 2020                                Norwich, UEA
Tuesday 17thMarch 2020                                 Glasgow, Barrowland Ballroom
Thursday 19thMarch 2020                               Troon, Concert Hall
Friday 20thMarch 2020                                     Newcastle, O2 Academy
Saturday 21stMarch 2020                                Leeds, O2 Academy
Monday 23rdMarch 2020                                Northampton, Roadmenders
Tuesday 24thMarch 2020                                 Nottingham, Rock City
Thursday 26thMarch 2020                               Portsmouth, Pyramids   
Friday 27thMarch 2020                                     Manchester, Academy
Saturday 28thMarch 2020                               London, Roundhouse

Tickets are available from www.slf.rocks

In addition to the dates announcement Stiff Little Fingers have just put out two special ‘Virtual Reality’ videos filmed with a 360 degree camera attached to the drum kit, from this years “Putting the Fast In Belfast 3” show in August. This gives the user, via their mobile viewing device or computer, the option to view whatever part of the stage and or band member they so wish via movement of the viewing device or via a mouse or pointing tool. The two tracks are their iconic punk anthems “Alternative Ulster” and “Tin Soldiers” 

Stiff Little Fingers have been incredibly active in recent years, playing some prestigious live shows, including three years of headline sold-out hometown performance in Belfast’s Custom House Square; London’s Hyde Park British Summer Time concert with Green Day; the 28th traditional St. Patrick’s Day sold-out show at Glasgow iconic venue Barrowland Ballroom.

In addition to the live performances, the past five years saw Stiff Little Fingers release two records: their tenth studio album “No Going Back” in 2014, which showcases a band at the height of their powers, still able to capture the heart of the listeners with relevant topics and honest sound, reaching #1 in the UK charts; and a live album “Best Served Loud – Live At The Barrowlands” in 2017, which immortalises Stiff Little Fingers’ epic performance at their annual St. Patrick’s Day show.

Formed in 1977 in Belfast Stiff Little Fingers were among the pioneers of punk rock. Joining ranks with the likes of The Clash, Sex Pistols, The Damned, Buzzcocks, and Undertones they brought in a new era of music and they’re still keeping that spirit alive 42 years on!

www.slf.rocks  / www.facebook.com/StiffLittleFingers  / www.twitter.com/RigidDigits