THE ROSE OF AVALANCHE ‘AT THE BBC’ Vinyl pressing & live dates with The Mission

THE ROSE OF AVALANCHE ‘AT THE BBC’ Vinyl pressing & live dates with The Mission

Rewind to early 1985. Having yet to play a gig, a fresh-faced, ragtag, band of friends found themselves in the BBC’s Maida Vale Studios recording their own John Peel session.  

Despite being young, naive, and still learning their craft, right from the off The Rose of Avalanche were churning out finely tuned slabs of sleazy, guitar-driven goth rock that belied their age and experience. Peel loved them, and followed the session by placing the band’s first single “L.A. Rain” at number 26 in his 1985 Festive 50, above songs by The Cure, The Smiths and The Sisters of Mercy. Guitarist Glenn quipped “John Peel really liked us, but then again he also thought that Teenage Kicks by The Undertones was the greatest song ever written”  

From there the bands next four singles dominated the UK Independent Charts. “Goddess” matched the chart-topping debut “L.A. Rain” and was named Single of The Week by Sounds, “Too Many Castles In The Sky” went Top 5, followed by “Velveteen” and “Always There”, with The Rose invited back to The BBC to record a second session, this time for Janice Long.  

Head of Chapter 22, Dean Brown said:  

“We are delighted to have Rose of Avalanche join our exciting  roster of bands at Chapter 22 Records. They bring with them the heritage and swagger of the 1980’s and join a list of bands they know well from that time. The ‘’BBC Sessions’ sound fantastic and we can’t wait to bring them to you this autumn”  

Available for the first time since the original radio broadcasts some 30 years ago, this album contains all the tracks from their two BBC sessions, capturing the excitement and creative force of a band on the cusp of hitting the big time.  

Various rumours of a reunion surfaced over the intervening years, and in August 2019 the band finally announced it was reforming the original line up. The reaction to The Rose’s triumphant return was overwhelming, and history repeated itself with the band being offered headline gigs in the UK and Europe and confirmed as main support for the UK leg of The Mission’s upcoming UK Tour.  

The band will play a handful of intimate gigs this November to promote the release of the album, and are looking forward to hitting the road with The Mission again in Spring 2022.  

2022 Dates with The Mission  

Thursday April 14th, Manchester, Ritz  
Friday April 15th, Newcastle, City Hall  
Saturday April 16th, Glasgow, Barrowlands  
Sunday April 17th, Leeds, O2 Academy  
Tuesday April 19th, Nottingham, Rock City  
Wednesday April 20th, Birmingham, O2 Academy  
Thursday April 21st, Bristol, O2 Academy  
Friday April 22nd, London, O2 Shepherds Bush Empire  
Saturday April 23rd, London, O2 Shepherds Bush Empire  

Tickets: Here  

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Slash ft Myles Kennedy & The Conspirators – ‘4’ (BMG Rights Management)

Slash ft Myles Kennedy & The Conspirators – ‘4’ (BMG Rights Management)

The word legend gets thrown around quite a lot but when it comes to Slash it definitely is justified as you would have to have lived under a rock for years not to have heard of the guitar slingers feral rock’n’roll band Guns N’ Roses which launched the guitarist into the public eye all those years ago but Slash is no one-trick pony and has released quality music with his own bands Slash’s snakepit, Velvet revolver and now the Conspirators.

So let’s get stuck into album 4.

The album’s first track roars out of the speakers and is titled “The river is rising” and it’s got a killer riff that is an instant earworm.

Up next we have “Whatever gets you by” that starts off with a nice rhythmic drum pattern before bass and guitars come crashing in and Myles’s voice soars beautifully over the top and this is another gem of a track.

“C’est la vie” is a hypnotic track with an instantly catchy melody and infectious chorus that will surely make this a crowd favorite when played live.

“The path less followed” and “Actions speak louder than words” are both great rockers that keep the album flowing nicely.

“Spirit Love” is a standout with a middle eastern sounding riff that drags the listener in and as always Myles vocals are on top form.

Just when you think how can this album get any better “Fill My world” pops up and is this reviewers personal favorite off this great album as it’s reminiscent of that classic GNR song “Sweet child of mine” with a gorgeous melody but never falls into the rehash category and sounds so fresh and vibrant.

“April Fool” and “Call off the dogs” are rollicking rock songs that keep this fast-paced album rattling along.

All great things must come to an end and what a way to finish off this triumphant album with the stunning “Fall back to earth” which is nearly 6 and a half minutes of pure musical bliss with epic guitar heroics and vocal gymnastics.

Slash with Myles Kennedy and the conspirators can hold their collective heads up high as album ‘4’ is quality from start to finish and is an album that just gets better with every listen.

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Author: Gareth ‘Hotshot’ Hooper

The Drin – ‘Engines Sing for the Pale Moon’ (Drunken Sailor Records)

The Drin – ‘Engines Sing for the Pale Moon’ (Drunken Sailor Records)

Imagine Joy Division forming and releasing a record in 2022 with the primitive Bauhaus bass thump and cymbal snap on the hypnotic ‘Guillotine Blade’ Vocals like a tape recorder memo to self part spoken part sung in hushed tones whilst industry hammers away on some Dub tip. It’s dark, unnerving, cold and painting a hundred portraits in my mind ‘Down Her Cheek A Pearly Tear’ is like a primitive Bunnymen explosion mixing up some post-punk from the clashing acoustic chords to the drum rolls all building to the chaotic end – great stuff indeed.

‘Sense Of Occasion’ is like cold concrete written in Black & White playing out in a laid-back Dub echoing chamber never breaking out of the almost horizontal rhythm it sounds huge when turned up as the dry bass line rattles of the painted walls.

originally released as a limited cassette via Future Shock I’m glad Drunken Sailor pressed it on vinyl and it came across my horizon otherwise I’d never have had the pleasure. It’s dark and cold and intimidating and uneasy at times but in a way, all of that makes for a warm comforting record as well which is a strange juxtaposition and one that could really fuck with you but ultimately the song will win you over. ‘Fate In Disguise’ is as bleak as anything Joy Division ever recorded.

‘For The Tsarina’ had it been released forty years ago would have seen these guys compete with McCulloch and the likes of the Teardrop Explodes for column inches in melody maker and sounds and had Ian Brown sang on the closing track ‘The Creek At Sundown’ people would be raving about it. Nine tracks of modern, retro post-punk

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Author: Dom Daley

Pack Rat – ‘Glad To Be Forgotten’ (Drunken Sailor Records)

Pack Rat – ‘Glad To Be Forgotten’ (Drunken Sailor Records)

The driving keyboard is what will get you in the end. Insanely catchy as the songs drive on mowing down everything in its wake. It’s like hypnosis through punk rock. ‘A Casual Death’ is anything but. Christ pre-pandemic (remember that?) there was a band out of Vancouver called The Corner Boys and they released one fantastic album then split. Another great record was Chain Whips well since Covid drummer/songwriter Patrick McEachnie has stayed as active as possible using his time to great effect by picking up a guitar and playing. Basically, he made an excellent record all on his own, and if you were paying any attention to his other releases you will know. Those who do just simply know what to expect, sure, of course, this is fucking right up there flat out excellent.

‘Coming After You’ is rapid and right to the point. Making a racket and finger-wagging and full of menace. The title track is a tub-thumping cross between some bedroom homage to the UK Subs and Tubeway Army it’s the synth that’s humming away throughout as the guitars sound like a twenty-year-old Tascam four-track at best only adds to the intensity and manic feel.

‘Two Sides Of Your Heart’ is akin to Chubby And The Gang in some ways – just thrashing away around a hypnotic melody and a blitzkrieg keyboard solo that is a face melter. The record isn’t hanging around either bopping til it drops with songs around the one and a half to two minutes long. Kick-off turn in an awesome melody – kick the listener in the tits then fuck off. Jobs a good un- Next!

When the tempo is turned down a shade (‘I’m No Sustitute’) it’s a killer with a twisted melody and that fuzzed-up synth. It’s not new at all, it’s not big or clever and it’s nothing to write home about if you’re after a polished modern production. Its infectious, banger after banger – twisted melodies layered upon thrashing guitars and monotonous melodies playing with your head. You know you like it but you haven’t the foggiest why? Is it the ripping pace? The Melodies? the mindless pogotastic beat? is it the Ramones love in of ‘Lost Cause’ and ‘Stay Away From Me’ reminding you what it was like to fall in love with punk rock? Of course, it’s all of it. A top tune is a top tune no matter what style it’s done in.

Hell, that was a blast! Ten songs in twenty-something minutes – perfect punk rock for the masses. Now how do we get to the masses? People need a face full of this DIY bad boy as soon as possible. Quality record – just buy it!

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Author: Dom Daley

Killing Joke – ‘Lord Of Chaos’ EP and live dates

Killing Joke – ‘Lord Of Chaos’ EP and live dates

AS THE DOOMSDAY CLOCK HITS 100 SECONDS TO MIDNIGHT, THE ORIGINAL KJ LINE-UP ANNOUNCES THE:

‘LORD OF CHAOS’ EP

FIRST NEW MATERIAL IN 7 YEARS

KILLING JOKE confirms that all hope is probably lost (or at least missing) with their first new studio material in over seven years…

Enter the ‘LORD of CHAOS’ EP – two brand new recordings, plus two re-workings of songs from the confrontational UK band’s last studio album, ‘Pylon’ (2015).

“I’ve never known anything like the time we are living in now; not since the Cuban Missile crisis but now in comparison we have multiple flashpoints. Lord of Chaos is about complex systems failure when technology overloads and A.I. misreads the enemies intentions.” – Dr Jaz Coleman. 

To support and celebrate the arrival of new music, Killing Joke are set to undertake their first UK run in over three years, 2022’s Honour The Fire tour.

This11 date tour will start with a just-announced intimate warm-up show at the Frog & Fiddle in Cheltenham on Sunday, March 27th; it will conclude in London at the Eventim Apollo, Hammersmith on Saturday, April 9th which is being filmed.

Killing Joke is very much music as ritual – raw, uncompromising and precisely-targeted lyrically; and Dr Jaz Coleman, Geordie, Youth, and Big Paul, founding fathers of the group and an ongoing influence on both alternative music and (counter) culture in general, show absolutely no signs of mellowing. 

With collective nostrils flared and righteous anger carried torch-high, The Fourcontinue to take their music of resistance to fresh levels.

Consider yourself warned.

* * * * 

The full list of ‘Honour The Fire’ UK 2022 shows.

The Imbeciles are supporting on all dates (except Cheltenham) and Brix Smith is the special guest in London.

March 2022

27th    Sun         Cheltenham     Frog & Fiddle 

28th       Mon        Cardiff        Tramshed

29th        Tue        Nottingham    Rock City

31st    Thu        Bristol        O2 Academy 

April 2022

1st    Fri        Liverpool    O2 Academy

2nd     Sat        Birmingham    O2 Institute 

4thMon        Manchester    Albert Hall

5thTue        Newcastle    Boiler Shop

6thWed        Glasgow    Barrowland

8thFri        Leeds        O2 Academy 

9th      Sat        London    Eventim Apollo Hammersmith 

Tickets available from www.myticket.co.uk.

* * * * 

The ‘Lord of Chaos’ EP will be available on CD, digital and three vinyl formats on 25th March.

Tracks 1 & 2 – Produced by Killing Joke andMixed by Tom Dalgety – set the tone for the band’s next studio album, currently being worked on in Prague.

Meanwhile, Tracks 3 & 4 give a fresh spin to numbers from the ‘Pylon’ album – ‘Big Buzz’ having been Re-mixed by Dalgety and Nick Evans, and ‘Delete’ getting the full Dub treatment courtesy of KJ’s Youth, who has a longstanding reputation in thisarea.

To purchase/stream the ‘Lord of Chaos’ EP go Here

FOR MORE INFORMATION

w/ https://www.killingjoke.co.uk/

f/ https://www.facebook.com/killingjokeofficial/

Urge Overkill – ‘Oui’ (Omnivore Recordings)

Urge Overkill – ‘Oui’ (Omnivore Recordings)

Chicago’s Urge Overkill has been away a while in fact it’s a decade since we really heard anything from the pair but they’re about to put that to rights with the much-anticipated release of ‘Oui’ and its magnificent artwork. To be fair as soon as the needle dropped the artwork became a big part of the record and a painting certainly does paint a thousand words because this record is a beast.

Unfairly remembered by many as that band who did the cover of ‘ Girl, You’ll Be a Woman Soon’ but those who know simply know. They were much more than that (great tune and working of it as it was) the Grunge striding Rock of ‘Saturation’ was excellent (still is) and then ‘Exit The Dragon’ which saw the band call it a day for a while but with a varied catalogue of albums UO are a welcome return and its refreshing to hear a guitar album that’s just that – no tricks or gimmicks just great tunes recorded well and released in a timely undelayed fashion. Some might say a more mature-sounding band in 2022 but who cares, elder statesmen, survivers, rockers. It’s all good in my book and refreshing to hear a band just kick out the jams at their own pace in their own style.

Well, it’s been a while but Nash Kato and King Roeser are back in the groove with ‘Oui’, and what a return it is. Guitars are turned up and the pair sound right on it, enthused and full of energy ‘Oui’ is loud and focussed. There is a weird But here. The record does kick off in controversial style with a cover this time of the classic Wham! song ‘Freedom’ . Sure they give it the UO treatment and twist it to fit their style of old-school Radio friendly rock but I do wonder is it needed here? I’m not convinced (personally) but I’m happy to let it grow on me, besides it just sounds great to have a new UO record. Sure, it’s a great song – boundless energy and played with a cheeky playful smile but to open your first album in over a decade? Brave and controversial.

‘Necessary Evil’ is understated with cool hooks on the chorus with a finely distorted guitar chugging away under some smart licks and the vocals weave really well together to make for a great song. The tempo is maintained through the rockin’ ‘Follow My Shadow’.   ‘How Sweet the Light’ has got a touch of the Who about it from the drum rolls to the building verses with some great drumming. ‘Forgiven’ has got an all-American riff that has been well worn by the likes of Mellencamp when he wanted a ‘Leg Up’ it’s a driving rhythm and the slightly croaky vocals work really well as the Blues are chased away.

It sounds like the band is enjoying writing and playing – there is no pretense or experimental moments just solid rock n roll   Past Urge records always had at least one song where the band got silly or experimental.  Here, it’s surprisingly focused.  I do get the impression that this is a record that will continue to grow on me and moments where a fill changes the groove or tempo will jump out and prelong the journey which always makes for a slow-burning album that gets better with age.  

Hopefully, ‘Oui’ will do well and people will lap it up and it won’t be another decade before we get another Urge Overkill record to champion.

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Author: Dom Daley

Lucifer Star Machine – ‘Rock ‘n’ Roll Martyrs’ Vinyl Release

Lucifer Star Machine – ‘Rock ‘n’ Roll Martyrs’ Vinyl Release

Lucifer Star Machine released Rock ‘n’ Roll Martyrs in 2013. The record was released as a CD but never on vinyl. Now it’s time for some vinyl justice. The 25th of February they are reissuing the album on vinyl.

500 Copies on white vinyl with black splatter
100 Copies on Silver vinyl 

The silver vinyl edition is available through Bandcamp and the Band. The splatter edition of the album is available through stores, mail orders and the label. 

Lucifer Star Machine released their latest album ‘The Devils Breath’ in 2020 on the Sign Records. The album received a lot of praises and the band was just about to start playing a lot live all over Europe as the pandemic arrived. They’re reported to be in the studio currently recording the follow up which we’ll try to keep you up to date with.

Pre-order from website:https://t1p.de/iejya

You may want to order directly from Bandcamp

Primal Scream – ‘Live At Levitation’ (Reverberation Appreciation)

Primal Scream – ‘Live At Levitation’ (Reverberation Appreciation)

Primal Scream’s ability to mix indie pop/Rock and dance broke down musical boundaries and opened all sides to what could be done in the ’90s, helping to push dance and techno into the rock mainstream.

Recorded in 2015 at Levitation in front of underground rock fans from around the world, the LP marks the next release in The Reverberation Appreciation Society’s Live at LEVITATION series, which captures key moments in rock

This Primal Scream set shows the band’s undeniable creativity and unique place in music, combining psychedelic garage rock, kaleidoscopic pop, and acid house to create a sound that’s simultaneously of its time and ahead of it. But ask me if it’s as good as the band’s ‘Live In Japan’ album then the answer is no. This is one disc whereas Japan is a double album that includes some right crossover bangers that this album doesn’t include as well as their awesome take on The Heartbreakers ‘Born To Lose’.

Known for their explosive live sets, the recordings show why Primal Scream are at their best live and around this time they were on fire and to be fair this recording does a great job in capturing that moment and the fact that the production is less polished or rather still has the soundboard feel makes for better energy. Belting through tracks off of 1991’s ‘Screamadelica’, ‘Give Out But Don’t Give Up’, and the heavily electro-influenced favorite ‘XTRMNTR’. Making it a bloody good show and mixing up the techno with some raw electric guitars is excellent and pretty much essential for any collector of Primal Scream.


Over the past three and a half decades, Primal Scream has embraced everything from psychedelic pop to degenerate rock’n’roll; euphoric rave to industrial gloom. They’ve survived drug oblivion, personal loss when their beloved guitarist Robert “Throb” Young passed and captured the mood of the nation several times over. Throughout it all, they have always sounded like Primal Scream.

Exclusive versions are being pressed for the annual Ten Bands One Cause charity initiative, launching around National Breast Cancer Awareness Month in October, and benefitting Red Door Community where no one faces cancer alone.

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Author: Dom Daley

Rainy Days & Mondays

Rainy Days & Mondays

If you were wondering if Mikkey Dee was keeping up his chops then worry no more because footage of one of our favourite Scandi rocking bands The Drippers teamed up with Mikkey to knock out a pretty impressive run through the epic ‘Iron Fist’

“Gently Towards The Light” is taken from Beechwoods latest album ‘Sleep Without Dreaming’ out on Alive Naturalsound and Sub Rosa Records and reviewed this week on rpm

Also coming this week is a review of the brand new MÄRVEL album “Graces Came With Malice”, released on The Sign Records

The Loveless – ‘Wild In The Streets’ (Cadiz Records)

The Loveless – ‘Wild In The Streets’ (Cadiz Records)

It’s been a long while getting here probably due to Covid and the shortage of raw vinyl but the wait is over. Marc Almond is the subversive pop star better known for fronting synth giants Soft Cell as well as being the tortured torch singer, and as of now, he’s the frontman for Britain’s best garage rock band. Ok, ok so they might be primarily a covers band, but it’s a bloody good one, featuring former Sigue Sigue Sputnik man Neal X on guitar and Iggy Pop’s rhythm section Ben Ellis and Mat Hector.

Almond never shied away from his punk rock and garage rock roots to be fair a lot of new romantics spilled out of the punk era and the Bowie/Pop/Reed fan clubs. X being Almond’s go-to foil for many a live tour and album and X having played with Stiv Bators before he passed away is some serious credit in the rock n roll bank account. After last year’s limited edition CD run featuring covers, it seems the band has spent lockdown honing their skills and crafting another bunch of seriously good covers of classic garage rock n roll.

Splashed onto 10″ of wax this time around they tackle some Alice Cooper with a sleazy ‘Is It My Body’ as well as taking on The Dolls ‘Pills’ and roping in the talent of Glen Matlock to help kick out the jams.

It would have been nice to maybe extend the release to include a vinyl version of that first CD-only album but all good things to those who wait or ask nicely – Pretty Please! The band are seriously rocking on these tunes and I’d love to hear what they could do with some more original stompers not that I’m complaining but one out of eight is a start. OF the covers obviously, Glam Rockers and Garage aficionados will nod their approval for the quality of the interpretations of these tunes and bravo for picking some lesser-known deep cuts rather than trotting out already popular well-known tunes.

‘Wild In The Streets’ is a suitably trashy rocker so they’ve proven they have the chemistry to do a full record of original and having shown their epic array of influences on these first two releases I’d be well up for hearing it. Let’s be fair they own ‘Is It My Body’ and their twist of The Kinks ‘I’m Not Like Everybody Else’ is rather splendid.

It’s a no-brainer kids, The Loveless need some love from our turntables and with these Eight tracks we’ll be ‘Wild In The Streets’ as we wind back the clock and get seriously down with some loud garage Rock and Roll.

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Author: Dom Daley