


Plastic Tears releases the new video and single for ‘Doomsday Girls’.
Doomsday Girls is taken from the critically acclaimed ‘Anthems For Misfits’ album that was released earlier this year through Wormholedeath Records. It’s clear from the first beats of the song and video that you’re in for an energetic and fun rock’n’roll burst. Friday-Saturday-Sunday-Doomsday!
The video was edited by Eco Inkinen and shot at Suvilahti skatepark and Hietaniemi cemetery in Helsinki. These two surroundings contrast each other well and Elina Laine does an excellent job as the doomsday girl.

Album number four from the sex bombs from down under and its more punk rockin – more filthy – more depraved – more coloured vinyl than ever before kids, but worry not, Mick is still sporting the cape and speedos and as the cover artwork can testify he’s even gone for some sussies the dirty boy. Covid hasn’t interfered with the bands’ depraved modus operandi and best of all vinyl junkies can pick up copies be it in the USA or The UK and not have to weep at import fees and postage from Australia.
Grindhouse play hard and fast and with a nod and a wink to UK legends The Hip Priests they also write lyrics that’ll make yer nan blush and from behind the cape n speedos Mick ‘Two Fingers’ Simpson has the coin purse to pull off this rapid filthy slabs of Garage punk and by the sounds of it, they’ve spent their lockdown chomping on snags and bbq’s and rockin out hard! They’ve taken the first three albums put them in a blender poured in some top strength lager and poured out their finest cocktail to date and taken the Grindhouse style & sound to the next level. when you want your fix of depraved and sweary garage rock n roll and Turbonegro seem like a long distant dinosaur up step the boys from down under.
Hailing from the Gong, Melbourne and Geelong, Grindhouse has been prominent players on the bountiful Australian punk rock and garage scene setting the pace for others to follow and by releasing ‘Sex Punk Power’ its obvious they’ve taken it to the next level and set the bar for others to follow. ‘Sex Punk Power’ is mixed and mastered by the one and only Steven McDonald (Redd Kross, Melvins, OFF!) in Los Angeles and it’s given the band a bigger sound.
The dirty, punk-rock, garage sound is obviously still the mainstay but the overall sheen of the record is glossier. sure, It still features the catchy filthy lyrics of front-man Mick ‘Two Fingers’ Simpson who knocks out some stunning riffs alongside guitarists Ricky ‘Pony Club’ Audsley and Shannon ‘Candy Cocaine’ Cannon who also provides excellent, female vocals throughout the album. The lyrics are still the expletive-filled sweary kid from Viz style non-conformist Dwarves to the next level stuff I mean I was playing ‘Phone Sex’ in my headphones whilst walking down a canal path and felt I had to walk faster in case anyone was behind me it was unnerving stuff hearing the dual vocals whispering in my cans about kissing my hips.
Some of the riffs are exactly what’s needed – filthy hot rod stuff – take ‘Drive Straight’ is the pure rocket fuel that is an absolute punk-rock Banger. ‘Hello Hamburg’ is sleazy and like a soundtrack to Germanys Reeperbahn with added paranoia as the riff swirls round and round and on repeated play ever other words seemingly being the F-Bomb is exactly what’s needed – sure it’s not going to win any Pulitzer prize for poetry but fuck it just shake your shit and turn it up.
What you get for your bucks is twelve tracks of pure, heavy, Australian rock’n’roll that’s right up there with the best albums this year and why wouldn’t you love Mick whispering “Have You seen my mother fucking Pony” just before they riff on a bastardised Batman theme ‘Fathers On Bail’ an absolute classic. The chorus will stay in your head like a slow-release earworm.
There is variety as well mind from the vitriol and poisonous riff that is ‘Shit Together’ and the piano tonk of the album’s masterpiece ‘Do It All The Time’ a slow-burning Garage banger that slithers like a Bond theme they’d never have but should.
‘Teenage Heart’ blows off the cobwebs like a Stooges fueled stomper you wish Iggy would play again which makes way for the pure gold of the albums goodbye ‘Holden Goodbye’ with its Malcolm Young inspired slow groover that has those six-string wailing like a stray dog as Simpson sings his heart out on what is, without doubt, their best album yet. Don’t snooze kids because this will become a modern-day garage punk classic Hot as fuck in many many ways – not afraid to stretch the boundaries of what they’ve done before even if it is marginal it’s the quality on display that wins the day. Fantastic songs on ‘Sex Punk Power’ that deserve your ears so lend em and get involved.
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Author: Dom Daley

SEPULTURA ANNOUNCE ‘SEPULNATION – THE STUDIO ALBUMS 1998 – 2009’
8 LP BOX SET AND 5 CD BOXSET TO BE RELEASED
VIA BMG ON OCTOBER 22ND
WATCH A NEW VIDEO FOR THEIR COVER OF PUBLIC ENEMY’S ‘BLACK STEEL IN THE HOUR OF CHAOS’
BOXSET PRE-ORDERS HERE:
Despite being arguably Brazil’s biggest ever music export, when extreme metal legends Sepultura lost their original frontman and founder (alongside brother and drummer Iggor Cavalera) Max Cavalera in 1996 after their hugely influential ‘Roots’ album, many thought the band would not recover from his departure. However, in Cleveland, Ohio punk and hardcore scene veteran Derrick Green, Sepultura found a formidable, towering force that would lead the band with power and conviction through this new era of their career.
‘Sepulnation – The Studio Albums 1998 – 2009’, released through BMG on October 22nd, celebrates the bands seconds phase, and this five-album boxset (across eight slabs of vinyl or five CDs) contains the albums; Against, Nation, Roorback, Dante XXI and A-Lex, all of which are half speed cut, remastered and back on 180g vinyl for the first time in a decade and also as a collector’s CD box.
In addition, the ‘Roorback’ album features the rare ‘Revolusongs’ EP, which is available for the first time digitally and saw the band celebrate their influences with covers of bands as musically broad as Devo, Exodus, U2 and Massive Attack!
You can watch a new video of their version of Public Enemy’s ‘Black Steel In The Hour Of Chaos’ from the ‘Revolusongs’ EP, available to stream and download on the pre-order link HERE:
Any fans who feared that this new line-up of Sepultura would see the band taming their intense and heavy approach were not left disappointed when ‘Against’ came out of the traps in 1998. With the powerhouse that is Iggor Cavalera still on drums (he remained for four of the five albums), Andreas Kisser’s grinding guitars and bassist Paula Jr’s heavy bottom end powered behind Derrick Green’s guttural roar and Sepultura sounded heavier and more forceful than ever. This period would see the band continue to push their sound forward and challenge new sounds and styles, but they never lost sight of what was the core of the band. The righteous, rebellious nature remained with the 1998 album ‘Nation’ calling for ‘one nation, Sepulnation,’ – a rallying cry that stayed with the band throughout their long and challenging career.
‘Sepulnation – The Studio Albums 1998-2009’ brings the focus back on a period of the band that may have been missed by early supporters and shows that the fire continued to burn bright throughout.
“It’s an honor and privilege to be a part of Sepultura’s history,” states frontman Derrick Green.
“I’m proud of all the work we have done together and it only makes sense to have this box set format released for the fans to have the complete history of Sepultura. Long live the Sepulnation!”
Pre-order ‘Sepulnation’ HERE:



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Criminal Kids release “Live At Liar’s” to help support Chicago’s Liar’s Club during area covid lockdown and you don’t need me to tell you this is a most worthwhile EP to add to your collection.
Earlier this year they got together and played a live set from Chicago’s infamous dive bar/music venue Liar’s Club. They donated the money raised to the owners of Liar’s Club. Criminal Kids consider Liar’s their home base, and after being around since 1995 they wanted to help in the best way they know how, and boy what a blistering and tight set this EP is. the playing is exceptional and the interplay between the band is almost magical, No it is magical. One play through some decent headphones is enough to convince me I’m hearing sleazy punk rock n roll magic as the band kick the living shit out of ‘Little Bitch’ as the attitude comes through that bass thump holding this little bitch together and the band are throwing the riffs around like a rag doll. the band then performs their debut single ‘Outcast’ and all they do is turn up the ante and before that filthy bass line walks in they twist the intro like a corkscrew and then shake it a little and everything comes pouring out like some cheap champagne. Then ‘Vanity’ from the bands previous ep is up and it sounds more vital, more like a hand grenade has gone off and the explosion leaves your ears ringing. Like a filthy snotty early AC/DC if they were a punk rock n roll band.
Before you can draw breath your neck deep into the final offering of ‘Takin’ It Back’ and then maybe you can indeed draw a breath. Fuck me that’s about as good as it gets for full tilt Rock n Roll played with passion, commitment and a mile wide fuckin’ grin. I love the Criminal kids and hope they never grow up but I do hope they help save Liars Club and they get to release another record in the not too distant future and make it at least ten tracks long. Absolute fuckin blast! Buy It!
Video Link Here : https://fb.watch/8hstPLsWiY/
You’ll find “Live At Liar’s on all major streaming and download outlets now.
Author: Dom Daley

Danny Bowes and Luke Morley from British Rock giants Thunder will be heading out on tour throughout November of this year with their Spoken Word and Acoustic Music tour ‘The First 50 Years’. The show features an evening of funny and personal tales based around their brilliant new book, ‘Danny Bowes & Luke Morley – The First 50 Years’, which is published in October by A Way With Media [pre sales are open now]. The shows also offer a scattering of acoustic versions of some of the fans’ favourites from throughout their remarkable career.
At these intimate, unguarded and very funny shows, the Thunder stalwarts will tell the remarkable story of one of rock music’s most enduring friendships. Danny & Luke became friends in September 1971, when they met at secondary school. Through the ups and downs of life on the road, their friendship has never wavered; though this tour may test it!
The book ‘Danny Bowes & Luke Morley – The First 50 Years’ charts the duo’s history with the band, is narrated by Mick Wall, and told by Danny & Luke. Packed with pictures and full of facts, the book is in a strictly limited edition of 2000 [with many sold already] and comes with hardback cover, as a cloth bound edition, with luxurious heavy duty paper and presented in a hard protective “clamshell” case.
Tickets and VIP packages are available from Here
With both the tour and the book, ‘Danny Bowes & Luke Morley – The First 50 Years’ offers fans not just of Thunder but of Rock music in general a peek behind the curtain, stories about the great and the good that the band have collected along the way, some fantastic live music, and plenty of laughs. In short: the perfect night out. Here’s to the next 50…
Monday 1st– Whitley Bay, Playhouse
Tuesday 2nd– Scarborough, The Spa
Wednesday 3rd– Hamilton, Town House
Thursday 4th– Greenock, Beacon Arts Centre
Saturday 6th– Shrewsbury, Theatre Severn
Sunday 7th– Birmingham, Town Hall
Monday 8th– Loughborough, Town Hall
Tuesday 9th– Stourbridge, Town Hall
Sunday 14th– Ipswich, Corn Exchange
Monday 15th– Bury St Edmunds, Apex
Wednesday 17th– Exeter, Corn Exchange
Thursday 18th– Porthcawl, Grand Pavilion
Friday 19th– Llanelli, Ffwrnes
Monday 22nd– Ilkley, King’s Hall
Tuesday 23rd– Crawley, The Hawth
Thursday 25th– Bedford, Corn Exchange
Monday 29th– Leicester, The Y

Whilst the rest of the UK seems to be going batshit crazy, the Fleece really is the place to be tonight if you want to feel any degree of post-lockdown normality. There’s even one of those much hated 10pm curfews in place and arriving early for a pre-gig catch up with some old mates it’s almost like the last 18 months haven’t happened at all. Especially as the “sold out” flashes had been up on tonight’s gig posters long before anyone had ever heard of Covid-19. That’s right folks Cock Sparrer are finally back in Bristol for what was originally going to be their 2020 Not The Albert Hall Tour of smaller venues and boy does it feel good to be back inside a packed out and sweaty club. That’s not to say that the Fleece hasn’t had to make some changes to deal with the ever evolving post-lockdown situation though.
The most immediately obvious of these changes is perhaps the venue’s turbocharged air-con system, which is cranked up high enough to make the early evening air positively ice-box. So much so that Spunk Volcano has even ditched his trademark on stage action pants for tonight’s show. Then again, this is probably the least of the band’s concerns as having a guitarist walk out just prior to going out on tour and then having to quickly rework your set as a four piece (with the aforementioned Mr Volcano now also taking up second guitarist role as well as being singer) must have been a much more serious matter for them to deal with.
Not that you’d really notice the line-up change though, as the likes of ‘Death Or Glory’, ‘Cellotape’ and ‘Crossfire’ all blast out of the PA at maximum volume and velocity much to the joy of those eager enough to get in early doors. The Eruptions’ excellent lockdown released album ‘Barry Milner Is Thick’ gets an early look in too via the awesome ‘Only Got Eyes for You, and I can’t help thinking the misfits might never have sounded better.
Whether its cruising in his ‘XR3’ or standing on ‘Platform 3’ the ability of Spunk Volcano to turn everyday situations into memorable rock anthems is what really draws people in, and be it a metal or punk audience the band are playing to if you can’t relate to the likes of ‘I Can’t Stop Thinking About You’ then you’ve obviously led a very sheltered life indeed. By almost direct contrast though tonight’s closing track ‘DNA Failure’ stubs a finger in the chest of the crazy world outside the Fleece and screams “fuck you” in its face, seemingly much to the delight of everyone around me.
It’s all over way too quickly, but with an eleven date tour booked for early 2022, if the Eruptions can just slot in a Welsh/Bristol date into their already busy itinerary that would make the ideal early Spunkmas pressie for yours truly and many others here tonight.
Cock Sparrer will also be looking forward to a busy 2022 as they look to celebrate their 50th anniversary, with their recently announced one off “two set” show at London’s Roundhouse close to selling out at the time of writing. It’s their 49th anniversary we’re all finally celebrating tonight though, and as the ‘Overture’ intro segues seamlessly into ‘Riot Squad’ and the inevitable mosh pit follows swiftly kicking any social distancing well into touch, for the next 90 minutes at least we are back to the “old normal”, something I openly admit I’d had my own reservations about. However, once we’re into ‘Watch Your Back’ and the frenzied boogie of ‘Working’ it is impossible not to be a part of it all.
Throwing in a few setlist curveballs is always something Sparrer enjoy doing, largely to keep it fresh for everyone, and tonight we get a searing ‘Sussed’ from the ‘Here We Stand’ album to put everyone’s memories to the test. Meanwhile, three tracks from their 2017 released ‘Forever’ album sees ‘One By One’ emerging to stand shoulder to shoulder with the likes of ‘Argy Bargy’ and ‘Take Em All’ as a real fan favourite. For yours truly I’ll never tire of hearing the likes of ‘AU’ and ‘Tough Guys’ or in fact (Colin McFaull’s very own favourite Sparrer song) ‘Because You’re Young’. These songs all proving without a doubt that the band has always been more than just their seminal ‘Shock Troops’ record in the songwriting department. Although granted it’s the likes of ‘Take ‘Em All’ and ‘Where Are They Now? that really get the Doc Martins moving on the dancefloor and the previously mentioned ice-cold air con is seriously struggling to keep up by the time the band has ripped through the three song encore of ‘Suicide Girls’, ‘England Belongs To Me’ and We’re Coming Back’.
Along with a grin stretching from ear to ear the overriding thought I’m left with leaving the Fleece tonight is the songs that Sparrer didn’t play. You know the ones that you hear people around you shouting for at all Sparrer gigs, songs like ‘Sunday Stripper’, ‘Chip On My Shoulder’ ‘Bird Trouble’ and ‘Bats Out’ (granted that one was me), songs that would make the “two set” Roundhouse show seem even more essential than your usual Sparrer gig. There’s only a year to wait to find out if they will get played again folks, and trust me that time will fly by.
Hit the ticket link below to make sure you don’t miss out on this once in a band’s lifetime event. You can thank me later.
Author: Johnny Hayward

Filmed in The Netherlands during the summer of 2021 by Director Jacoba Cornelisse, the video beams the positive sensations everyone is yearning for. A family event of sorts, Conte, as well as his wife and kids, all appear in the video as a complimentary visual to lyrics which remind us to appreciate the simple things in life, embrace them, and never let go.
Seconds out we have got the new video from the very talented Carol Hodge. ‘So Much For Summertime’ is an ode to the lost summer of 2020, and the Covid hangover continuing today. Instead of being a lamentation, Hodge digs deep to find the irony and positivity in the precariousness of our current existence. Wall of sound vocal harmonies, synths and swooping guitars ensure an uplifting listen, a counterpoint to the wry lyrics about imbalance and feeling trapped.
The music video was created by video artist Daniel Mudford Of Balham. Daniel has an impressive back catalogue that includes shooting BTS documentaries for classic movies Scott Pilgrim Vs The World, Pirate Radio and Hot Fuzz. Dan also composed the soundtrack for one of Carol’s favourite films, Shaun Of The Dead, and has toured with Bill Bailey, so she is very excited to work with him.
Finally how about some rock from Toronto? Toronto’s premiere buzz band, Wine Lips, have just announced their latest full-length release Mushroom Death Sex Bummer Party due out this Fall on Montreal’s Stomp Records.
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