28.07.21 YORK Fulford Arms
29.07.21 NEWCASTLE Cluny
30.07.21 EDINBURGH Opium
31.07.21 GLASGOW Ivory Blacks
03.08.21 MANCHESTER Night People
04.08.21 NOTTINGHAM Rescue Rooms
05.08.21 WOLVERHAMPTON Slade Rooms
06.08.21 BRISTOL Exchange
07.08.21 LONDON Garage
tickets and information flagpromotions.co.uk / ticketweb.co.uk / fatsoma.com
Due to the ongoing Covid-19 crisis, Canadian post-punk goth act The Birthday Massacre have been forced to postpone a November 2020 UK tour to promote their new album, ‘Diamonds’, which was released in late March. All nine shows have now been rearranged for the summer of 2021, as per the itinerary above.
The tour will be the first opportunity for UK fans to see two recently installed group members, drummer Phil Elliott and bassist Brett Carruthers, perform with the band. Carruthers is also the frontman of fellow Toronto-based act A Primitive Evolution, who released an excellent album of industrial tinged rock entitled ‘Becoming’ on Metropolis Records in 2018 and have remained an ongoing concern.
Always love a split when I like one of the bands and have no clue about the other but the fact they’ve tag-teamed means the odds are good that I’m gonna like what I hear. I’ve reviewed Thee Evil Twin before and love what they do. It’s a no brainer for me I love me some sloppy loud punk rock with a tune like playing some pop song but trying to play tough to impress a girl so rough it up and chew some bubble gum Stiv style whilst you’re at it well that’s Thee Evil Twin that is. ‘Let’s Go Again’ has got the 50’s girl group backing vocals repeating the guy lyrics and a super sloppy solo with a great hook on the chorus and plenty of handclaps – I’ll take it.
Don’t leave the room though because ‘Say The Wrong Thing’ is coming like a runaway train as it steams through your speakers. Call it garage Rock and Roll or garage punk call it what you like just make sure you call it. This release is tinged with sorrow as well for this is their swan song as Thee Evil Twin are bowing out and calling it a day which makes these songs a little bittersweet because as a band they totally rock and have some top tunage. But wait that’s only the half of it because as far as I know Their split partners The Missile Studs aren’t calling it a day so its a G’day from these Shitsville SA punks (Adelaide I’m led to believe). Five tracks from each is the order of the day and Side AA sees The Missile Studs open with Their theme tune and in fine snotty form its perfect Briefs, Ramones territory of punk rock. The songs sound live and full of trash and they can count to four as they show off on ‘Stockholm Love’ as the sound hits you in waves of Dee Dee like melodies and Johnnys downstroke guitar thump.
It’s a very pleasant rendition of the Subs classic ‘C.I.D’ they do a wonderful job to be fair not fucking around with it yet giving such a classic the respect it deserves – good work. So Ten songs from two bands kicked out like ’77 never happened with passion and verve and I like it – its nice to just leap around the house to some Australians spitting out punk rock because they do it so well. Get on it folks you know you want to.
Well, with a brand new album on the horizon we wanted to get the lowdown on whats going on with Tommy Ray and where he’s at musically. Having been a long time admirer of The Cry! and his punk rock record The Decayed Tommy branched out as a solo artist with an impressive debut solo album so, it was time to find out what makes the guy tick and where he’s at with the new record so here’s what we got once we tracked him down…
Solo record number two already you seem to have hit a rich vein of songwriting. Are you writing all the time?
Literally, “all” the time. It’s how I see life; big hooks and jagged verses. My mind is always busy making verse or thinking through a production. Right now, not including “Handful of Hits” LP and the dozen tracks I am holding back for a third “The CRY!” record (hopefully), I have over 50 titles in some active stage of production. I will never have time to finish them all.
As far a the quality of songs, I guess that’s up to the listeners.
I think most people saw The CRY! as your vehicle and you are their focal point for sure. Where are you at with The CRY!? Could you not just have released the solo album under The CRY! banner? starting over even in the internet age seems like a bold move.
Naw. The CRY! is a band and that owes its sound from the members creating collaboratively. TOMMY RAY! Is me doing me. They are similar sounds for sure but my solo stuff has a much harder edge and the lyrical content is more real-life and not as clean cut.
Right now, The CRY! is dormant. Brian Crace (singer/guitarist/co-founder) and I have some pretty bad blood going that needs to get taken care of before we can work together. In time I think we will work it out. Brian is my favorite guitar player and life is short. I do have an LP worth of material and have five or so tracks nearly completed but there doesn’t seem to be the same energy to complete the project with Brian and I not working together. Also, our bass player (Michael Cortichiato) recently left Portland to play with Dr. Boogey in LA (I love those guys and wish them all much luck).
Photo by Michael McDaniel Photography.
Going back to the debut solo record, I think it was a familiar sound obviously with your voice on it but there’s more of an edge to the sound, is that fair? In your opinion was it the best record you’ve made to date? Even songs like ‘Coming Back’ whilst having the keys is a rougher edge.
All fair! But the records are all different. But, here goes: It is really close but I like the first CRY! record better than the ‘Dangerous Game’ LP. I recently listen to both and was really proud to be part of that. They are both really great records but I like the rock & roll feel of the first record just a bit more than the glammy feel of the second record. Brian wrote more of the 2nd record (‘Seventeen’, ‘Hanging Me Up’, ‘Toys In The Attic’. He also co-wrote a few tracks) and that is reflected in the overall sound of the record.
Also, Evan “Maus” Mersky and Dave Berkam also were HUGE contributors to both studio LPs by The CRY!. Maus recorded, engineered, and played amazing drums while Dave is simply a brilliant all-around musician. His current band “The Reverberations” are pretty cool.
I like the song-writing and production on the TOMMY RAY! Records because (as you accurately stated) the songs are honest, gritty, and produced only as much as needed to get the point across. My mind is a pretty chaotic place these days and I think that that gets across.
Bottom line: I like the new “Handful of Hits” collection…(until the next record) Buy it!
The Decayed is real buzz saw punk rock DIY record? What’s the story behind that record?
That’s my shit! The Portland street-punk scene is where I grew up. I am proud to say that these songs were NOT all written by me. There are songs written by my early bandmates that we played at hard-core house shows and notorious drunken events. We had no way of recording tracks at the time, I didn’t want the songs to be lost, and I still feel the youthful angst so I figured it was time roast those old chestnuts one more time. My old bandmates are super psyched to see me bring back those piss & puke proven classics! My next record project will likely be a 2nd Decayed record.
Coming up to date tell us about the new record? Whos playing on it? Where was it recorded? What’s it sound like?
Truthfully, I played guitar of only a handful of The CRY! recordings. We had better players in Maus, Dave and Brian so I was happy to just write songs and sing my parts. We always said that the best player should record the parts, and they did! Of course, I played the parts live.
Now, I have learned how to play all the instruments so when I made “solo” music, I did it solo. I mean, I recorded all the parts tracks myself here in Portland. I think Brian may play a guitar part (like on Suzanne from the last LP) and Corsh was involved with recording a couple of tracks but the most part it’s all me.
It sounds like me. Not sure who to compare it too… it’s honest…
What’s the lockdown been like for Tommy Ray?
Fucked.
I don’t like it.
I just don’t like it.
What influences have been coming out in your new record? I remember hearing a banana stand performance where you did modern kicks and thinking it was the perfect cover for you and you totally owned it? What other covers you been jamming on?
I seem to recall you asking this question a few years back and my answer is the same as always. Ramones. Exploding Hearts. Ramones. Paul Collins. Ramones. Beach Boys!
I really like a 3 min pop song that moves. You know, “Don’t bore us. Get to the chorus.”
I’ve been playing tons of music and busking in downtown Portland during the recent protests. Where there are people, I will play music. I play mostly standards from the past 50 years. Never gets old. It’s my favorite thing to do. My dad plays a little guitar and slams through the old hits like a savage for hours. I learned from him…
Pandemic easing what are the chances of you coming to Europe and the UK for some shows?
Hell yeah, invite me and I’ll bring the boys and kick it. I’ve never been to the UK. I would like to tour Scandinavia too. My “never suck” policy means the shows would always be epic!
What other bands and performers out there currently delivering the good in your opinion? Who would you think were the right bands for you to go out on tour with?
I’d love to tour with Green Day. They bring the goods and I could learn a ton from Billy Joe. Mad respect there. Tuk Smith and the Restless Hearts are crushing it these days. Love his shit. Shit, there are so many great talents out there I will tour with anyone that is not boring. Too many live acts are fucking boring. Great skills, okay songs, but boring and lacking any “rock & roll”.
So there you have it. the new solo album is out in October and its a belter if you’re already a fan then you’ll love it and if you’re not – why not? Its only Rock n Roll kids and Tommy Ray does it really well.
The cult Irish alt-rock quartet, Kerbdog, have today announced that they have teamed up with Hassle Hindsight, the recently launched re-issue label from the team at Hassle Records, to re-release their 1994 self-titled debut and its heralded 1997 follow-up “On The Turn”, their last full studio album before their first break-up in 1998.
Despite a small handful of re-union shows over the last decade, working on new material and putting out a live record, “Congregation”, released to acclaim in 2014, the setlists for those shows have been almost entirely made up with songs from their much-revered two 90’s albums.
“On The Turn” – which was recorded with Garth Richardson at the legendary Sound City Studios in Van Nuys, California – was a near perfect album, one that front-man Cormac Battle most recently described as “the right album, at the wrong time”. Their 1994 self-titled debut was recorded with Jack Endino, the producer of Nirvana’s “Bleach”, at Rockfield Studios, with Sepultura recording Chaos A.D. at the same time next door. Cormac says of their raw debut record: “I think some of what they were doing seeped into what we were doing. It made the record heavier and more chunky than we intended, but we were happy with the results.”
The band’s songs were powerful and inspired – like those early Dave Grohl songs of the same era – by the likes of Husker Du, and then Bob Mould’s subsequent work in Sugar; both direct and melodic, heavy but immediate. Kerbdog were, to many, their new favourite band.
However the explosive success of Britpop meant that their singles were at odds with daytime radio playlists and the mainstream press of the time, seeing them subsequently dropped by Mercury Records, two albums into a six-album contract. They struggled on for a year before playing their final show in Dublin the following year.
While the band looked initially destined to reside in the footnotes of rock history, their fan base unexpectedly grew and their albums, while out of print, seemed to find their way into the homes of determined rock fans. Recently an LP copy of “On The Turn” went for an eye-watering £300 online.
The attendances for their reunion shows – often five times the amount of people they played to while touring “On The Turn” – and the clear interest from people in hearing these records again inspired long-term fans Hassle to assist the band, and who will be releasing the records complete with their original artwork and liner notes.
Cormac says of the reissues: “It’s truly humbling to be bringing out the two Kerbdog albums on vinyl. They’re for the fans who’ve supported us from the beginning and vindicated those albums across the years, for those who came on board after we thought the albums were dead and buried and also for ourselves – mainly because I have only one copy of the On The Turn LP and I can’t afford to pay the extortionate prices on eBay!”
Ahead of this Friday’s release, Strange Units Scott got in touch to tell us all about the EP. For the first time since last Novembers release ‘Strange Unit’ and since COVID-19 hit the globe a lot has happened and after testing out new material during lockdown Scott takes up where the band are at…
“Nail, Meet Hammer” is the first track taken from the next full STRANGE UNIT album. Following the release of “STRANGE UNIT” in November 2019, I began working on new material that I was testing during the “LIVE from the STRANGE ROOM” live streams earlier this year.
I then had a hard-drive crash and lost a bunch of tunes. That was a fucking HUGE bummer and took a punt at sending my laptop to a data recovery specialist to get my stuff back.
In the meantime, I downloaded some free apps that some music production companies made available for free, and had to use them to get ideas down. Now, these apps were sequencing-type software – Developed for non-guitar based music. I struggled with getting to grips with them but had to get ideas down, and “Nail, Meet Hammer” was a result.
When I got the laptop back up and running, and transferred the idea into the realm of ‘rock’ it was perfectly formed, although a lot more succinct and direct than anything I’d written before.
I roped in Stuart Richardson* to mix as we have not worked together since Midasuno’s debut single, and had Dave Draper to master it (The Wildhearts, Mutation, Ryan Hamilton) as he is also great and super easy to work with.
What really changed things was wanting to get a video shot, so worked with a team of brilliant local (To me in Geelong, Australia) team who brought the track to life – And I finally got to finish a music video with my good friend Jeremy Belinfante (Who shot the currently unreleased video for MUTATION’s “Devolution” which has tonnes of green-screened DEVIN TOWNSEND (NOTE – WE WILL FINISH THE VIDEO ONE DAY)).
I then reached out to Jon-Lee Martin (Of KONG / THEN THICKENS fame) with the video, who jumped on the chance to smash out the wonderful artwork.
Dylan (Bass) and Lee (Drums) now round out the STRANGE UNIT trio and will be playing our first show as a band this September.
RE: B-sides on the EP.
TRASH FIRE: I did think at one point this was going to be a single, but it doesn’t reflect how nuts the next album is going to be.
WHAT’S YR TRUTH?: Another track that was written earlier this year that also veered off course from the new direction.
SCENTLESS APPRENTICE: After watching Post Malone doing that live stream, I had to have a crack myself. This is the first cover I think I have ever done where I have managed to get my mark/stink over.
As the world plays hokey kokey with COVID-19 we thought it was best to try and put a grin on the nation so first up today is this new track from The Slackers. ‘Sleep Outside’
If a dash of Ska isn’t your thang then strap yourself in because Thundermother is an altogether different beast. This four-piece Swedish Action Rock combo have the tunes and the swagger to Rock da house.
Finally something different again this time from Plague Vendor as they release ‘Night Sweats’ ahead of the album ‘By Night’. Southern California’s Plague Vendor release the sophomore Album that captures the feeling of ruin and regeneration, of charisma and catastrophe and of slashing at-the-night with nothing but pure electricity.
After a 35+ year hiatus from music, Rob Moss recorded an album of 14 proto-punk-inspired rock ‘n’ roll songs, featuring 14 different lead guitarists, including:
Bob ‘Derwood’ Andrews – Generation X
Nels Cline – Wilco, Nels Cline 4
Don Fleming – Velvet Monkeys, Gumball, Dinosaur Jr
Franz Stahl – Scream, Wool, Foo Fighters
Billy Loosigian – Willie Alexander and the Boom Boom Band
Mario Monterosso – Tav Falco’s Panther Burns
Marshall Keith – The Slickee Boys
Brian Gay – Government Issue
Stuart Casson – Smash Fashion, Dove, The Meatmen
Saul Koll – The Lovesores
In addition to top lead guitar talent, Spit Stix (Fear) drums on two songs and Francesco D’Agnolo (also of Tav Falco’s Panther Burns) plays piano on another.
If Rob’s name is familiar it’s because he was a member of Government Issue and Artificial Peace — two iconic Washington, D.C. hardcore bands.
Looking to get back into the rock ‘n’ roll game, Rob called up old friends and friends of friends to record an album of new material. While a bass player in his past, Rob now plays rhythm guitar and sings lead vocals. From the opening proceedings of ‘Babble Tower’ to the curtain call of ‘Rock n Roll Is Dead’ Rob turns in an impressive array of songs from the confident punch of the opener, Rob calls upon his friends from back in the day to lend a hand and help out a Rock and Roll brutha and the array of talent does just that.
The list of guitarists lending a hand is impressive which also adds some colour to the palet of Robs straight up Dead Boys meets Social Distortion old school punk n roll. Chris Rudolph lets off some steam on ‘Babble Tower’ and straight into ‘Ugly Chair’ that has Rob drawling on a Lou Reed vibe with Saul Koll bending the six strings like a good un.
We take a slight detour on track four and wander through the Coops garden picking up a lick here and a shuffle there sounding like prime time Alice Cooper band is never a bad place to find oneself. Stuart Casson is the player who lends some Roll to the Rock that’s being cooked up. ‘No 48 Crash’ is solid 70s glam as a tip of the hat is made to the lady in leather who no doubt inspired the groove.
If you want another change of gear ‘Oxygenate’ has some classic rock swirling organ for good measure. I must admit I always love me some sleazy rawk n roll with a snotty dash of punk rock swagger and ‘Real Fine Kitty’ might be generic but I love it and its strut all that’s missing is the horn section tooting surely Rob had a Memphis horn section in his little black book?
Brian Gay turns up for a little tip of the Johnny Thunders handclappin’ rock and roll on ‘A Maltese Falcon’ and when a record has too much Johnny Thunders licks on it I’m tapping out as well.
The track I anticipated the most was the final knocking with Former Gen X band member Bob ‘Derwood’ Andrews who to be fair plays the song and doesn’t use it to jerk out a bazillion notes where they’re not needed and besides he has the cowbell going on as well and when has a record ever had too much cowbell? Exactly. Andrews is a fine addition but cmon guys ‘Rock and Roll Is Dead’? Never, not on my watch and not on the watch of Rob Moss & Skin Tight Skin either. If you still believe in punk rock and roll with swagger and plenty of ’70s inspired glam rock then what are you waiting for hit the link and pick it up.
***CONSUMMATE NEW ‘ORIGINS VOL. 2’ COVERS ALBUM RELEASED SEPTEMBER 18TH ON STEAMHAMMER / SPV ***
Ace Frehley, KISS co-founder and 2014 Rock and Roll Hall of Fame inductee, continues his reflections on a lifetime in music with the release of ‘Origins Vol. 2’, a thoughtful and exciting collection of new covers, on September 18th on Steamhammer / SPV as a DigiPak CD (plus bonus track), double gatefold 180 gram blue vinyl LP (with printed inner sleeves), download and stream.
No stranger to cover versions throughout his entire history – having recorded, rebranded and repossessed such notable nuggets as ‘New York Groove’, ‘Do Ya’, and ‘I Wanna Go Back’ over the course of his 8 studio albums – this new compendium contains songs that have all inspired and shaped the legendry guitarist’s life jukebox. Ace comments, “I just thought about the songs that I used to play in clubs when I was doing other people’s material. I went through my album collection and thought about the songs that influenced me the most. It’s a pretty well-rounded record and I think the fans will enjoy it.”
‘Origins Vol. 2’, featuring guest appearances by Robin Zander (Cheap Trick), John 5, Lita Ford and Bruce Kulick, is a well thought out, but not over-thought, album. For Ace, keeping things organic is an important part of crafting an album’s atmosphere: “I just let it happen. Things evolve when I start doing these records and I try not to plan too much ahead. I like spontaneity. It’s the same way I write guitar solos.”
As the second volume focusing on his musical origins, Ace has grown since the release of ‘Origins Vol.1’, which hit #23 on the Billboard Top 200 album charts in April 2016, becoming his 4th Top 40 and second highest charting solo album. Ace chuckles, “Since I had one covers album under my belt, the process of doing ‘Origins, Vol. 2’ was easier because I had put together a formula, picking guest stars and so-on.” The challenge for him was to put a suitable personal stamp on the material, and ‘Origins, Vol. 2’ is replete with special touches that both honour and embellish the songs.
Christmas/Stacy Crowne – ‘Split’ (Self Release) Christmas kick off with ‘Generation Mild’ to go toe to toe with Stacy Crowne and their ‘Master Manchine’ and what a battle this is. Energetic, uncompromising and thoroughly enjoyable. Christmas have stepped up and have been regularly turning in some of Hardcores finest tunes globally and I genuinely believe that. So Stacy Crowne step up with a hard-rockin’ windmilling catchy slab of power.
There are 45 copies made. They are hand-cut vinyl, each copy was cut separately by Oslo Vinylfreseri, the small vinyl company of Howie B (Ex-Bloodlights). The cover has been screen printed by Max Motherfucker and Annika Zech in two colours. Each record is hand-numbered, on the vinyl and on the sleeve. For those who like to go in deeper and have that little extra, they’ve made 12 wooden boxes with a screen-printed top. This release is 100% DIY and also 100% handmade! and you can get your mucky paws on a copy by clicking the link Here
Slaves To Fashion – ‘Garden Of Chains ( Independent) It can’t all be power pop and sweet singles. This the sixth single from the concept album “The History of Heavy Metal” celebrates GRUNGE from the early 1990’s – the genre that changed the world of heavy music almost overnight. Norwegian band SLAVES TO FASHION continues to honour 50 years of heavy metal. In 2020 the band is releasing a new song every month that is inspired by and pays tribute to the different time periods and subgenres of heavy metal. All the songs will become the concept album “The History of Heavy Metal”.
This is absolutely the sound of Grunge they’re tipping the hat to check out the video below.
Paul –Ronney Angel – ‘One Ghost Town’ (Gypsy Hotel Records) Out on all digital platforms (as well as a limited-edition CD EP which has 3 tracks not available online) Whistling like prime time Rodger Whittaker Paul-Ronney rides up to this One Ghost Town with a gentle acoustic ode to modern times. With his fine penchant for melodramatic landscape painting tunes this is up there with his best. Its got that last town knackered pit pony stroll into town mood but lyrically it’s not pretty, but what it is – is spot on and succinct with what’s going on on the COVID- 19 strewn street we walk upon, some haters intent on taking the piss out of everyone and the man on the street, the little man needing a hand up but is used as a stepping stone instead and Angel has got it spot on with his observations. My advice, Get it! Get it now Here
The Hawkins – ‘Hilow’ (The Sign Records) Well if it’s not the single cover of the year then COVID -19 has taken my brain, trashed it and replaced it with a never-ending loop of Matt Handcocks, Boris and Trumps best bullshits. Something alluring and fascinating going on here as well as repulsing and terrifying. It’s got the energy of punk and the power to rock the press release says the song is great for the early morning workout but one look at the artwork and you will run faster and further than Forest Gump just keep running kids. All you hipsters out there can save the streaming links here.
Young Planetary – ‘Locations I Can’t Place’ (Hidden Home Records) You can pick up the EP Here it features six new songs and the final track is featured in the video below. for fans of taking back Sunday, its got a top slick production for sure and as we always love a great cause we had to get behind this one so dig deep if you can.
All proceeds from the new single will be donated to the NAACP Legal Defense Fund in support of the Black Lives Matter movement.
Supersuckers – ‘Coattail rider’ (Acetate Records) Eddie has kept himself busy during the lockdown and has released a few class digital bits here and there and now this Countrified bad boy YeHaw! If that’s not good enough how about a good time cowpunk ‘Mudhead’. It’s a full band shindig and its a fuckin’ banger! There’s never an excuse needed to promote some Supersuckers and this is proof that the world needs bands like this and people like Eddie making music regardless of the genre be it solo acoustic or full tilt punk rockin’ or this hybrid cowpunk country stuff the guys a master and this is a masterclass. Pick up a copy here
Muck & The Mires – ‘Take Me Back To Planet Earth’ (Rum Bar Records) Fuzzed out full gonzo garage rock complete with the splendid organ wheeze but this has got a whole lot of balls in the mix as the guitar solo will testify Brothers & Sisters. This has got swing as well as the ability to shake your action pronto!
from the upcoming EP by Muck and the Mires on Rumbar Records . The release will feature six fresh tracks all written and recorded while the band has been off the road self-isolating. Muck and the Mires anxiously await their next visit to your hometown, but in the meantime, the band cordially invites you to join them on a video rocket trip through their hometown of Boston and into the far reaches of the galaxy. “Take Me Back To Planet Earth” EP will be available in the fall so prepare for lift off! Pick it up here kids
35th Anniversary 3CD Box Set featuring a remixed version with extra tracks, the live version, the original album plus a 36-page booklet and the reinstated ‘Tie Me Up’
Coming September 11th – FULL TRACKLISTING and PRE-ORDER HERE
The 1985 studio album – ‘Resurrected’ – revamped with two new tracks plus six bonus outtakes, all remixed by The Vibrators’ Pat Collier. Disc 2 is ‘Que Sera Sera – live in Europe’ – 18 mostly unreleased recordings, 1984-85. Disc 3 is the original album mix and related single tracks. Packaged in a clam-shell box with a 36-page booklet featuring new notes by Johnny’s biographer Nina Antonia, plus lyrics and unseen photos
In 1985 Johnny Thunders went into the studio in London, to record his third and final solo album. He gathered friends Mike Monroe, Patti Palladin, John Perry, Wilko Johnson, Henri-Paul Tortosa, Nasty Suicide, JC Carroll, Stiv Bators, Glen Matlock and others, and the resulting album was christened ‘Que Sera, Sera’.
It wasn’t all plain sailing – with Johnny it rarely was. Johnny had spent the previous two years in relative stability. He’d been gigging around the world, and between tours he was filming in France. Life was a series of nice apartments and hotels shared with his constant companions – his girlfriend Susanne and his manager Christopher.
Now circumstances meant he had neither. Without a new release, touring slowed, and his high-maintenance lifestyle led him to seek friend favours for somewhere to live. The major labels that Christopher hoped would provide financial support hadn’t materialised.
In a row with Susanne, she complained that Johnny had never written a song for her. Johnny obliged, and along with new songs from his live set, he recorded I Only Wrote This Song for You. Before the album was finished, as soon as he had a rough monitor mix of the song, he flew to Sweden to attempt a reconciliation.
Those remaining at the studio were left to put the pieces together. Patti Palladin oversaw the mixing with the engineer, and found there wasn’t really enough for an album. Patti added Tie Me Up from the b-side of her Crawfish project, and Blame It On Mom was found from an earlier session. The title-track was actually an afterthought; recorded as a single 16 months later.
The album was well-received, and it got Johnny touring again, but there was always a sense that it could have been better, and that the guitar was restrained – in ’85 many artists were seeking mainstream crossover. Two tracks had been left off – Jerry Nolan’s Countdown Love song was unused as he hadn’t yet recorded it; and Talk About You, a lengthy blues workout that didn’t seem to fit.
With those two tracks in mind as bonus tracks for a reissue, Pat Collier, former Vibrators’ guitarist, was asked to mix them. When the results came through, it became obvious that Pat should remix the whole album using today’s technology and viewpoint.
In the multi-track tapes a few outtakes were discovered, and last year the ‘Resurrected’ version was released as a Record Store Day double-vinyl with 5 bonus live tracks. After interruptions, the CD version was reappraised and expanded to a three-disc box set. The original album is included, reinstating Tie Me Up and the old, familiar mixes. Three live gigs were uncovered, and they became the live version of the album as a bonus CD.
Johnny Thunders’ biographer, Nina Antonia, has written new notes with interviews for the 36-page booklet. It also includes lyrics and unseen photos from the recording sessions, the cover session and from one of the featured live gigs.
Tracks: DISC 1: Resurrected: Alone In A Crowd, Countdown Love, Blame It On Mom, Talk About You, M.I.A., Little Bit Of Whore, Short Lives, I Only Wrote This Song For You, Cool Operator, Billy Boy, Endless Party, Que Sera Sera. Extras: Copy Cat, Blame It On Mom (outtake),Taking You Up Avenue D, Short Lives (outtake), I Only Wrote This Song For You (outtake), Cool Operator (first version). DISC 2: Live in Europe: Geneva: Blame It On Mom, M.I.A., Cool Operator, Personality Crisis, Countdown Love, Little Bit of Whore, Amsterdam: Short Lives, So Alone, Sad Vacation, Too Much Junkie Business, Little Bit of Whore, Born To Lose, Chinese Rocks, Lyon: Countdown Love, Just Another Girl, Talk About You, Alone In A Crowd, It’s Alright (Blame It On Mom). (74 mins) DISC 3: The original album: Short Lives, M.I.A., I Only Wrote This Song For You, Little Bit of Whore, Cool Operator, Blame It On Mom, Tie Me Up, Alone In A Crowd, Billy Boy, Endless Party. Extras: Cool Operator (Black Cat mix), Short Lives (Heavenly ver.), Short Lives (Johnny’s remix), Que Sera Sera
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