THE DEAD DAISIES ARE LOCKED, LOADED AND READY TO FIRE!! on  AUGUST 23RD.

 

The Dead Daisies pride themselves on being an ass-kicking Rock band very much of today who love to celebrate the history of amazing music. In short, the band are fans of Rock and always will be.

Every one of the bands albums to date has had at least one cover song on it drawn from great songs from all eras, from the early blues greats to the classic rockers and heavy-hitters of later times. So many terrific players, so many immortal words, so many larger-than-life riffs.

 

“This is a ‘tip of the hat’ to our heroes, bands that influenced us when we use to buy their records as teenagers. Now we’ve put them all on one album and it seriously rocks!! You may think of us as ‘Rock Stars’ but at the end of the day we’re just huge music fans!” – John Corabi

This collection of covers comes together from a long list of some of our favourite tunes, some bonafide classics – or simply songs that made us all smile, sweat and scream, band and audience alike.

These are done Daisies style, with big guitars, big vocals and always a bit of dirt under our collective fingernails, just the way we like it which is why we always love to mix up the setlist and throw them into our live shows.

“Playing these songs live is a total adrenaline rush for all of us. Our audiences go nuts with our Daisified versions of these songs that come from an incredible time in music. It’s our way of paying homage to the ‘greats’ of rock.” – Doug Aldrich

 

So crank them up as they work better with generous amounts of volume and a huge smile on your face. After all, a great song is a great song. Rock is Indeed alive and well.

Released on August 23rd, 2019, it comes in a suite of formats including DigiPak CD, Coloured Vinyl with CD in paper sleeve, digital download and streaming.

All tracks are remastered for this project with ‘Rockin’ In The Free World (Live)’ and ‘Highway Star (Live)’ being released for the first time ever.

 The players:

 

A lot of great musicians have been part of The Dead Daisies over the years. The following musicians can be heard on this album: Doug Aldrich, Jackie Barnes, Deen Castronovo, John Corabi, Richard Fortus, David Lowy, Marco Mendoza, Dizzy Reed, Jon Stevens and Brian Tichy.

 

Rock Is Indeed Alive And Well!!!

With the new video in the can and doing the rounds, The Bar Stool Preachers are continuing their never-ending tour schedule for the brilliant ‘Grazie Governo’ and RPM highly recommends you catch them at one or more of these dates.

 

 

 

August 2019

1st BLACKPOOL, UK – Rebellion Festival, Winter Gardens
1st BLACKPOOL, UK – Rebellion Festival, Winter Gardens
4th COMPTON MARTIN, UK – Outcider Festival, Fernhill Farm

Bouncing Souls + The Bronx + THE BAR STOOL PREACHERS

August 2019

9th MONTREAL, QC, Canada – Foufounes Electriques
10th TORONTO, ON, Canada – Phoenix Concert Theatre
11th PITTSBURGH PA, USA – Mr. Smalls Theatre
13th CLEVELAND, OH, USA – Grog Shop
14th DETROIT, MI, USA – Saint Andrews Hall
17th CHICAGO, IL, USA – Metro
18th MINNEAPOLIS, MN, USA – Varsity Theater
19th MILWAUKEE, WI – X-Ray Arcade

THE BAR STOOL PREACHERS + The Raging Nathans

20th DAYTON, OH – Blind Bob‘s
21st LANCASTER, PA – American Bar & Grill
22nd ASBURY PARK, NJ – Asbury Park Brewery
23rd ALLSTON, MA – O‘Brien‘s
24th DOVER, NH – Brickhouse

THE BAR STOOL PREACHERS

September 2019

13th KINGSTON, UK – Fighting Cocks
14th DERBY, UK – Hairy Dog
15th MANCHESTER, UK – Star ’N Garter
16th LEEDS, UK – Brudenell Club
17th NEWCASTLE, UK – Trillians
18th GLASGOW, UK – Stereo Cafe
19th CARLISLE, UK – Brickyard
20th BLACKPOOL, UK – Waterloo Bar
21st CARDIFF, UK – Club Ifor Bach
22nd ILSON, UK – Latch Lifter (ALL AGES)

Ticket details for all shows are Here

Facebook

With the debris barely settled following the release of their critically acclaimed explosive second album,‘CollectiV’, and near sold-out spring UK and European tour, testifying rockers Jim Jones & The Righteous Mind have announced details of brand new, limited edition 7” coloured vinyl single, ‘Get Down Get With It’. It will be supported by 11 UK gigs in September and October.

 

Made famous by Little Richard and Slade, ‘Get Down Get With It’, will be limited to just 1000 copies. Released by Ma§onic Records via Cargo on 20 September on pink vinyl and backed with a reading of Link Wray’s ‘Ace Of Spades’, it will be on sale only at tour venues and selected independent record stores.

 

Pushing the VU meters well into the red, ‘Get Down Get With It’ is arguably the noisiest and rawest record that Jim Jones has recorded over an illustrious career that has seen him front the legendary bands Thee Hypnotics, Black Moses and The Jim Jones Revue. What is beyond debate is that it’s a glorious call to arms guaranteed to get your ass off your seat and your feet on the floor.

 

Speaking of the new single, Jim Jones says: “’Get Down Get With It’ became the rallying cry for the ‘CollectiV’ tour, so it made sense to go back into the studio, turn everything up to 11 and totally rip it up.”

 

He continues: “Liars and charlatans have got the world tearing itself apart right now when really, we should be coming together. Even if it’s just for a few minutes, this absolutely does that and lives up to its name.”

 

Jim Jones & the Righteous Mind will also embark on a UK tour that calls in at Manchester, London, and Brighton among others. Billed as ‘An invitation to get down get with it’, the London date takes place on 21 September at The Garage in Highbury. Promising a Saturday night extravaganza with a full supporting cast of special guests and performers, the event is topped off with a 2.30am late night license for extended reveling.

 

“We had to turn people away when we last played London so we wanted to go to a bigger venue and put on a really special event for our hometown,” explains Jim Jones. “In addition to support from Ye Nuns, Chrome Mountain and Suzie Stapleton, we’ve got rock’n’roll DJs Helene de Joie and Las Titis to keep the party going into the early hours, as well as dancing from Rebel Skin and more.

 

“You can also expect some very special guests who we’ll reveal on the night.”

 

He adds: “With tubes and buses running all night and all of Sunday to recover, it’s the perfect night out.”

 

Jim Jones & The Righteous Mind will tour the UK in the autumn. They play:

 Tickets are on sale now here: http://www.righteousmind.co.uk/

SEPTEMBER

 

19 – York, Fulford Arms

20 – Manchester, Night & Day Café

21 – London, The Garage

22 – Bristol, The Exchange

26 – Norwich, Waterfront

27 – Brighton, Green Door

28 – Cardiff, Clwb Ifor Bach

29 – Southampton, Joiners

 

OCTOBER

 

03 – Southend, The Railway Hotel

04 – Hastings, The Piper

05 – Bedford, Esquires

 

Jim Jones & The Righteous Mind are:

 

Jim Jones – vocals and guitar

Gavin Jay – bass/contrabass/backing vocals

Mal Troon – guitar/pedal steel/backing vocals

Matt Millership – piano/organ/backing vocals

Andy Marvell – drums

 

JIM JONES & THE RIGHTEOUS MIND ANNOUNCE STAND ALONE NEW SINGLE, ‘GET DOWN GET WITH IT’, AND UK AUTUMN TOUR

JIM JONES & THE RIGHTEOUS MIND ANNOUNCE STAND ALONE NEW SINGLE, ‘GET DOWN GET WITH IT’, AND UK AUTUMN TOUR – TEASER AND TICKETS HERE!With the debris barely settled following the release of our critically acclaimed explosive second album,‘CollectiV’, and near sold-out spring UK and European tour, we’re thrilled to announce the release of our new, limited edition 7” coloured vinyl single, ‘Get Down Get With It’, and autumn UK tour.Made famous by Little Richard and Slade, ‘Get Down Get With It’, will be limited to just 1000 copies. Released by Ma§onic Records via Cargo on 20 September on pink vinyl and backed with a reading of Link Wray’s ‘Ace Of Spades’, it will be on sale only at tour venues and selected independent record stores. Pushing the VU meters well into the red, ‘Get Down Get With It’ is arguably the noisiest and rawest record that Jim Jones has ever recorded. Jim Jones says: “’Get Down Get With It’ became the rallying cry for the ‘CollectiV’ tour, so it made sense to go back into the studio, turn everything up to 11 and totally rip it up.”He continues: “Liars and charlatans have got the world tearing itself apart right now, when really, we should be coming together. Even if it’s just for a few minutes, this absolutely does that and lives up to its name.” Jim Jones & The Righteous Mind play:SEPTEMBER19 – York, The Fulford Arms20 – Manchester, Night & Day Cafe 21 – London, The Garage22 – Bristol, Exchange26 – Norwich, The Waterfront Norwich27 – Brighton, The Green Door Store [SOLD OUT]28 – Cardiff, Clwb Ifor Bach29 – Southampton, The JoinersOCTOBER03 – Southend, The Railway Hotel. Clifftown Road04 – Hastings, The Piper05 – Bedford, Bedford EsquiresTickets are on sale now here: http://www.righteousmind.co.uk/Get Down Get With It!

Posted by Jim Jones and the Righteous Mind on Monday, 22 July 2019

Website

Facebook

Twitter

YouTube

 

 

 

 

 

Cheap Gunslingers introduce themselves as a band quite nicely on their debut album which prefers to ignore the past 40 years and channel a blend of glam, the Ramones, and ’77 punk to great effect. Many, many years ago, Jeff Dahl put out a series of compilations call the ‘Ultra Underground’ that would have served as a perfect place to find the Cheap Gunslingers. I did a quick review of Sal Canzonieri’s new ‘A Fistful More of Rock and Roll’ series as that would be another great place for these Gunslingers to be but did not see them listed on any of the upcoming volumes yet. Their songs are filled with trashy, fuzzy, addictive, familiar hooks that musically do not offer a lot of surprises, but the album is downright fun.

‘Record Store’ gets the party started with a beat and structure that reminds me of Joan Jett’s version of ‘Roadrunner,’ but the production is much more aligned with the early Ramones’ albums. The Chuck Berry infused guitars riffs cut with a nice touch of distortion added for some extra crunch. The chorus is simple and leads to some badly out of tune backup singing by me as I write this. It really serves as an ideal lead track for the album as it immediately pulls the listener in and leaves you wanting to know what they will do next. They maintain the momentum with ‘Good Time’ delivering just what the title says. Some tasteful ‘oohs’ in the background of the chorus provide another reason that this one sticks in the brain. ‘Defective’ serves up some straight ahead rock n roll but doesn’t hit the same heights with me that most of the other songs here do. ‘Three Chords’ comes in with the rhythm section laying down the beat, and the guitar solo serves up some well placed distortion. The hook is not fancy but works well and is designed for crowd participation. The first half of the album comes quickly to a close with ‘Run Girl’ bringing back the ‘oooh’s’ for backing vocals before the chorus gets stuck in your brain like gum on your shoe.  The break in the back half of the song really helps provide some dynamics to the song to take it to the next level.

‘Junky Friends’ was the first song I heard by the Cheap Gunslingers when I was seeing if I wanted to review the album, and it initially left me flat. It was enough to tell that the band were in my musical wheelhouse (or at least one of them), and I was curious enough to want to hear the whole album. With all that said, this song has continued to grow on me, and I really like it within the concept of the album. The opening riff and beat reminding me more of someone like the Heartbreakers with a similar production quality. It packs a little more punch than some of the other songs here. I have no doubt that I would prefer to hear this song live. ‘Please Kill Me’ brings a cool blues groove and one of the best choruses on the album. If the band make another video for the album, this would be my recommendation with the guitar riffs getting plenty of room in the mix here as well.

The band slow the beat down for ‘Water Table Line’ with the ‘Darklands’ era by Jesus and Mary Chain coming to mind musically (‘April Skies’) with perhaps some Velvet Underground type feel in the vocals. The biggest obstacle on this one is the song can feel a little monotonous due to its length at four and a half minutes. The extended guitar solo is very well done, but they could have trimmed this song down a bit elsewhere. ‘Off the Rails’ gets us back up at full speed and hits the sweet spot, bringing to mind Little Richard, Chuck Berry by way of Izzy Stradlin through a transistor radio. This one sits with my other favorites from the album and will be finding its way into my playlists for an extended period of time. Wrapping up the album is ‘Bars of the Song’ where the band incorporate elements of a 50’s rock ballad. This confessional is perfectly placed with the vocals dripping sincerity and bringing the album to a solid close.

Cheap Gunslingers could have easily come from decades ago, and I would not have been surprised if someone had told me this album was a re-release from the end of the 70’s or beginning of the 80’s. This album leaves me wanting to hear more from the band in the future as this clearly sets up expectations for them to deliver in the future. When this album hits the mark, which it does far more than it misses, it is a rocking good time and should be welcomed by a lot of people who love rock n roll.

‘Cheap Gunslingers’ is available now.

Facebook

Bandcamp

 

Author: Gerald Stansbury

 

IDLES today announce a short tour for December – including their biggest headlining date yet on Saturday, 7th December at London’s Alexandra Palace.

Tue 3 Dec Glasgow, Barrowland Ballroom
Wed 4 Dec Manchester, Academy
Thu 5 Dec Leeds, O2 Academy
Sat 7 Dec London, Alexandra Palace

Tickets will go on sale this Friday 28th June at 9:30 AM BST but fans can gain access to artist pre-sale on Wednesday 26th June 9:30 AM BST by signing up at https://www.idlesband.com

 


Tickets will go on sale this Friday 28th June at 9:30 AM BST but fans can gain access to artist pre-sale on Wednesday 26th June 9:30 AM BST by signing up at https://www.idlesband.com

With their last shows selling out in minutes IDLES wanted to give as many fans as possible an opportunity to acquire tickets to celebrate what has been an incredible year. Tickets will be limited to 4 per person.

The band will also be working with Big Green Coach to provide a return coach service for fans to travel safely to and from the Alexandra Palace show. There will be services ran from Bristol, Bournemouth, Reading, Southampton and Swindon and tickets will be available direct from: https://www.biggreencoach.co.uk/idles

The band’s latest release “Mercedes Marxist” is currently A-listed at 6 Music and will be released physically on August 2nd as a 7″. The single will include another new song on its B-side, entitled “I Dream Guillotine.” Both tracks were written and recorded during the band’s sessions for “Joy as an Act of Resistance.” and pre-orders are available HERE.

 

More info:
Website
Facebook
Twitter
Instagram

Bath based power pop loons Ulysses have been delivering quirky, glam-slam slices of noise for many years now. With more facial hair than a cave full of cavemen and a wardrobe half-inched from Huggy Bear, they have produced 3 albums of vintage noise steeped equally in both 70’s nostalgia and Brit Pop goodness. You see, these fun loving chaps owe as much to the likes of Super Furry Animals and Supergrass as they do to heroes like Bowie and Bolan. And it’s a good mix of influences that shine through to make their fourth long player ‘On Safari’ a fantastic ride from start to finish.

 

Check out the cover art by the wonderful Caitlin Mattisson for starters. Lions, giant snakes and a hot medieval babe with 8 arms and a broadsword….fair play, I’m sold on that alone! Let’s hope the music is up to it too.

And of course it is, Ulysses does not disappoint. Opener ‘Looking For A Guru’ sets the scene with a glitter-coated, platform boot stomp. What sounds like a sitar introduces the song that rides on a catchy refrain over big beats, handclaps and Paul Stanley helium vocals. It’s more 70’s than a packet of Spangles and twice as sweet. A glorious album opener.

The following funky, yet spunky ‘Doctors And Nurses’ out-foxes Foxy Shazam. Sirens wail and sweet vocals harmonise the intro. Tongue-in-cheek lyricism and double-entendres are rife. Its disco groove shouts Scissor Sisters, while its wailing guitar outro shouts Kiss, what’s not to like here? A total contrast to the opener, yet still in tune with their retro sound.

These boys have a handful of singles on offer for you too. “For those about to rock…for those about to roll’ drawls the singer over sloppy, cool riffs and cowbell accompaniment on the fantastic ‘Bad Tattoo’. The following ‘Dragons’ is full of instant, quirky melodies and fuzzy guitars, coming on like the perfect mash-up of Weezer and the Super Furries. Whether it’s actually about dragons is debatable, what’s not debatable is that it was the perfect single choice.

 

They veer into classic sounding 60’s pop territory and make it sound so effortless. ‘This Useless Love’ has  Beach Boys/Everly Brothers vibes and ‘She’ is a glorious slab of 60’s pop with urgent beats, killer vocal harmonies and ripping guitar solos, coming on like Kula Shaker at their finest.

The trippy, prog fest that is ‘Situation Man’ is out there maaan! A full on Hammond organ jam out and elsewhere, ‘Fuzzy Lion’ mixes up a ‘Tomorrow Never Knows’ drum beat with Silver Sun vocalisin’ in the most sublime of ways.

‘Let’s Move’ prove that Giuda and Biters aren’t the only cool cats to channel Thin Lizzy and Slade all in one double denim-clad 3-minute pop hit or two. Even the reggae-infused mid-section breakdown can’t detract from their ability to create songs that should be on 7 inch and riding high in the hit parade, pop pickers. Killer tuneage!

It’s no surprise that singer Luke Smyth has seemingly morphed into a young Jeff Lynne. Check out the likes of ‘Married Woman’ and the eccentricity of closer ‘Calendar Street’ with its immense ELO layered harmonies climax. I even had to YouTube and Google ‘Why Aren’t These People My Friends’ just to be sure, as I feel like I should already know it… I don’t and it’s ace!

It may be raining outside, but Ulysses bring the sunshine to your stereo with their new long player ‘On Safari’. I didn’t think they made the sort of drugs that could inspire this sort of music anymore, maybe I’m wrong, or maybe it’s just the Bath water (sic). But Ulysses has created a trippy, hippie-fied, love-fest of an album. A soundtrack to the summer we have yet to experience. And certainly one of the most entertaining albums you will hear this year.

Author: Ben Hughes

Facebook

 

 

 

 

Ghost Plays to Some Quarter-Million Fans on Leg One

of Metallica’s “WorldWired” European Stadium Tour

Manchester & London shows set for next week!

Ghost premieres a brand-new webizode, “Chapter 7:  New World Redro.”  This chapter first brings the viewer up to date with the Cardinal Copia-Papa Nihil-Sister Imperator storyline and then begins to lay the foundation for more backstory secrets yet to be revealed.  Check out “Chapter 7:  New World Redro”.

 

https://www.youtube.com/watch?v=qVvAByIDtmk&feature=youtu.be

Ghost is spending the bulk of its summer as Special Guest on Metallica’s four-leg “WorldWired” European Stadium Tour.  Leg One saw Ghost playing to more than a quarter-million fans; Leg Two kicked off on June 8, and Legs Three and Four will take place July and August.  Ghost will perform at Heavy Montreal on July 27, and then kick off its North American “Ultimate Tour Named Death” headline arena tour on September 13.

As Forbes writer David Hochman put it in his review of Ghost at the Los Angeles Forum last November, “Equal parts horror church, headbanger’s ball and midnight Stockholm cabaret, a Ghost concert draws elements from opera, Gregorian chant, classic glam rock – Kiss, Alice Cooper and Bowie, come to mind…Imagine Iron Maiden or Blue Oyster Cult under a blast of liquid nitrogen, and you start to get the vibe.”

JUNE

13-20 Metallica’s WorldWired European Stadium Tour

18       Manchester Etihad Stadium

20       Twickenham Stadium

JULY

6-21   Metallica’s WorldWired European Stadium Tour

27      Heavy Montreal, Montreal QC

AUGUST

14-25 Metallica’s WorldWired European Stadium Tour

SEPTEMBER

13 – 30 “Ultimate Tour Named Death” North American Fall Dates

OCTOBER

1 – 26  “Ultimate Tour Named Death” North American Fall Dates

You wait a while for one then a few come together isn’t that whats always said? It seemed like that waiting for a new Waterboys record and no it’s not ‘The whole of the moon’ or ‘fisherman’s blues’ revisited.  This is Mike Scott kicking over quite a few genres in one go from rockin’ out (the title Track and opener) to a bit of post-punk (London Mick) to some smooth pop (Right Side Of Heartbreak) to …ah wait n see.

Rewind to the opener and some raw reckless rock n roll and not for a while have I been this excited to hear what Scott has come up with and this is excellent. As is ‘London Mick’ as Scott regales us with tales of The Clash and Mick Jones. Vibrant and a fine piece of writing and as always Scott has a great tale to tell.

‘In My Time On Earth’ is Dylan if Dylan could still sing.  An achingly beautiful song that builds but not to such grande epic proportions but to a gentle raised voice rather than a shout.  This album ebbs and flows and the epic ‘Ladbroke Grove Symphony’ is classic Waterboys with a great arrangement then, you’re hit by the funk of ‘Take Me There I Will Follow You’ and from the scratches and backing vocals and Rap, this is a departure and one hell of a curveball nothing new for the Waterboys as there have been dalliances with different genres on previous albums ‘If I Was Your Boyfriend’ off the last album was slightly funky in a Stones ‘Miss You’ kinda way..  I’m not saying I’m against taking a departure – he’s not the first to mix things up but I don’t think I like the song regardless – there I’ve said it.  I can pass on this one.

The curveballs keep coming as we go down synth wormholes that again lose me momentarily. To be fair the second half of this record seems to have fallen off a cliff for me which is a real disappointment as it started out oh so well.  No, I’m quite partial to a bit of Beck and Eels and I can get it when a songwriter wants to push back some boundaries and I get the Prince thing but first and foremost the songs have to draw you in an so far that’s not happening.  Sure the first half of the record was an easy reel in for me but I’ struggling right through side two up until the melancholy ‘Piper At The Gates of Dawn’ all ten minutes of it. Much like the last studio album, I felt a little out of step and it never did really click with me not even the Scatman tune.

There is a CD version with a bonus disc where Scott really gets to fuck with the listener.  ‘Where The Action Is’ get the full Primal Scream treatment and I did raise a smirk on ‘London Mick’ with the introduction – I won’t Spoil it for you.  In fact, the whole second Cd is a homage to symbol or Prince maybe the Celtic Prince as Scott will call himself in future as he vanishes in a puff of experimental smoke as this will truly test his fanbase who might be looking for him to grow older gracefully  that doesn’t sound like it happening any day soon and I salute Scott for that.

Buy Where The Action Is Here

Follow The Waterboys:
Author: Dom Daley

Pat Todd And The Rank Outsiders don’t make bad records.  Might as well get that out there from the start. So, ‘Past Came Calling’ is no exception then and I spose before I’d dropped the needle I knew this but that’s not going to make much sense to anyone as far as a review goes – I knew it was going to be choc-o-bloc with top tunes that followed the time honoured tradition of Rock and Rollers.  Dan Baird, Jason and the Scorchers, Dr. Feelgood and Rockpile to namedrop a few fellow participants in the fine art of Rock and Roll. Pat and his Rank outsiders do like to kick up a shitstorm that’s a given but there is more to them than just Rockin’ out.

From the opening drum roll of ‘If Only I Could  Fly Backwards In Time’ right through its rollicking verses and chorus to the cool as guitar lick that takes us back to the verse this is a quality opener that shows real intent.  Recorded loud to be played loud as all good time Rock and Roll should be at its unkempt best.  ‘The Ballad Of Crystal Valladares’ ain’t no Ballad though folks its a bad assed Rocker, built around a rolling guitar lick and some country-tinged melody played, it’s like the soundtrack to a getaway drive by.  There’s no flash sound tricks or auto-tune going on here it’s just the sound of a kick-ass band cutting it up in a sweaty studio knowing that with every song they capture a little bit more magic than the last take.

The recording sounds like Mellencamp when he turned up the Les Paul Jr on ‘Whenever We Wanted’.  With songs like ‘Run’ which sounds like they’ve been here before such is the comfortable nature of Todd’s songwriting, it’s classic in its arrangement and one of the best songs on the record.

Todd’s cowpunk roots come to the fore on ‘Down In Old Boerne’ with its acoustic guitar and honkin’ mouth organ. ‘The Ring The Bottle And The Gun’ is pure cowpunk as we position the hay bails as we pour the moonshine ready for the yea – haws!

With fourteen songs on offer and never a let up in the quality on offer its a no brainer if you’re considering picking up a copy of this record its impossible to be disappointed you go from the gob iron of ‘Had A Bad Night’ to the smooth laid back rhythm and blues of ‘any Other Way’ straight into the acoustic jam of ‘Idle Time’ whatever style Todd chooses to write in it’s of the highest order Now if The Supersuckers wrote an album this strong – people would be salivating over it.

‘Just Between You and Me’ is the sign off in the style of Ronnie Wood doing Dylan and it just dawned on me I’ve not mentioned How good Todd’s vocals are throughout -Oh I just have.  Pick it up –  do yourself a favour and whack up the volume you can thank me later.  ‘The Past Came Calling’ is very much in the moment but I wouldn’t sit on it just go pick it up.

Buy ‘The Past Came Calling’ Here

Formed of members from GREAT CYNICS and APOLOGIES, I HAVE NONE, DANGERS OF LOVE take a head-on approach to maximum punk rock ‘n’ roll. Produced themselves at Musicland Studios in London, their debut EP is a self-titled six-track group of hits.
Lyrically themed on personal loss, self-appreciation and living in a world of people who bullshit for a living, the songs offer hope and escape from an existence where you can seemingly never get it right.

 

Dangers Of Love have released their self-titled debut EP was recorded by drummer Joe Watson at Musicland Studios in Haggerston, London. The ‘Dangers Of Love’ EP Kicks off with the sprightly ‘Holsten Pils Blues’ and a rather fine Punk n Roll tune it is too.  A catchy chorus and thumping drum beat this is a fine introduction to the band.  There is a bit of Beach Slang and Downtown Struts happening here and a healthy dose of Replacements to boot which is never going to be a bad thing around RPm HQ.

‘Why Would You Run’ is snotty in a foot-stomping Clash sort of way and to be fair a really good song. Things kick back slightly on ‘Dangers Of Love’ which is loose yet catchy and raw yet comforting.  I love the guitar solo for its understated Teenage Fanclub stylings as if the Fannies were to cover the Heartbreakers if that makes sense?

The only shame is this is only a six track release it would have been interesting to hear if they could have kept this up for ten or twelve songs.  there is even a nod to loud guitared Britpop on ‘Aries’ more so the melody and delivery of the vocals than anything else and to finish off with the great riff that is ‘She’s Coming Over’ again the spirit of Strummer is there in the delivery which should be applauded – it is round here.  what a mightily fine bunch of tunes this is and you’d be making a smart move if you were to check it out and invest in improving your collection with Dangers Of Love in it.

Buy DOL Here

Author: Dom Daley