Ricky Warwick has been a constant in my life since the late ‘80s. Like every other metalhead, I loved The Almighty. I saw them live many times and loved their music. There was something about the sneer and swagger that drew me in. Ricky was, of course, the biggest part of that whole greasy attitude and hard-living lifestyle that appealed to young rockers like me. Their outstanding performance at 1992’s Monsters of Rock festival has stayed with me ever since.

Since then, Ricky’s career has taken many turns – solo artist, frontman of the reformed Thin Lizzy and their subsequent incarnation, Black Star Riders, Ricky has kept himself busy and relevant. The Almighty’s recent reformation has proved very successful, and they have been hitting some big stages.

Ricky’s latest solo effort, ‘Fire and Vengeance’ is his ninth solo record. We get some great guest appearances from Def Leppard’s Phil Collen, Blackberry Smoke frontman Charlie Starr, ex-Dio and Whitesnake guitarist Doug Aldrich and Darren Holden of the High Kings.

The album is a mixture of high-octane rockers, bluesy ballads, and some Irish-tinged tunes that no doubt hark back to Ricky’s adolescent days growing up in Northern Ireland. Lyrically, Ricky likes to tell a story, and he has things of relevance to say. As Ricky himself says: “My favourite artists are the ones who have something to say. I enjoy a party rock n roll song as much as the next person, but the artists I continually return to are those who reach out to something I believe in and can connect with. That’s what I’m striving to do with my music.”

The ten songs that make up Fire and Vengeance have an energy that’s infectious. The opening title track has that undeniable Thin Lizzy vibe. Lyrically, it highlights the hardships that so many people are going through in this fucked up world at the moment. A catchy, sing-along chorus pulls you in after just one listen.

Hellbent & Heaven Sent has an almost Clash-like quality. Punky and in your face, the track is elevated by a shredding solo from Doug Aldrich. Seek Zen and Destroy, featuring Phil Collen, has a cool, funky vibe. When the King Falls shows Warwick’s diversity, a haunting ballad that the Stones would be proud of. You Just Lie uses guitars and synths to fantastic effect. The Angel’s Share is classic Warwick, he really knows how to paint a picture with words.

Last Chance to Dance shows Ricky channelling the late, great Phil Lynott, like only he has the right to do. After all, he filled his shoes with the reformed version of Thin Lizzy. Ricky is quoted as saying, “I always say that I never learned so much from a dead man.”  Sweet County Down is a love letter to his homeland, as Ricky explains: “My family is from here, and we go way back. I viewed the song as my nod to that. And yeah, I borrowed the line “Sweet home County Down” from Sweet Home Alabama.”

Overall, Fire and Vengeance is a fine, solid addition to Warwick’s solo material. A thoroughly enjoyable listen. The production from Keith Nelson is bright and potent, the songs are memorable, and Warwick’s performance and sentiments are real. Great stuff. Go and get it!

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Author: Kenny Kendrick

Fusion metal pioneers Dub War have released a new video for their latest single “Vibes In The Place”, the third track to be taken from their first album of all-new material in over 25 years, ‘Westgate Under Fire’.

The hip-hop infused metal track sees fellow Newport resident and good friend of the band Mikee “KRUPA” Gregory take on frenetic drumming duties, whilst groove-heavy distorted guitars propel the track forward alongside frontman Benji Webbe’s (Skindred) rhythmic and powerful vocals. As with the singles that have come before it, the track is a consummate insight into the band’s ability to traverse multiple styles and genres, whilst nurturing a sound which is distinctively their own.

Speaking on the new video, Webbe says, “This particular song was mixed by the late great Rick Will (Incubus, Grinspoon). For the “Vibes In The Place” video, we wanted to have fun (as much fun as we had making the song!) and it’s another incredible video created by the genius Aran Webster. Add this one to your Saturday night party playlist!”

Going on to speak about the track Webbe says, “Vibes In The Place was one of the first songs we wrote when we got back in a room together. It features that old little Yamaha ha ha ha ha keyboard that we use live right up to this day. What’s particularly special about this song is that a massive friend and fan mixed this track – Mr Rick Will. Rick was down to mix the whole album but due to one thing or the other we went with Richard Jackson. 
 
For me this song is inspired by Talking Heads – I’m sure many will say ‘what are you on about’, but for me it’s definitely got a flavour of David Byrne (I guess it’s the part where I say ‘hold the door’!)
 
“Vibes In The Place” definitely captured Dub War from back in the day – this track is one of the songs we actually wrote with a drummer in the room, Mikee “KRUPA” Gregory. 

This song captures the live element of Dub War and once it’s known by the ‘War lovers, it will for sure be a live favourite..
 
Sadly after mixing this song, Rick Will past away… So this is a track that means so much to me, Jeff and Richie.”

The new track follows the release of Dub War’s rousing ragga-punk cover of the Max Romeo and the Upsetters’ classic “War Inna Babylon”, which features guest vocals from the legendary Ranking Roger of The Beat in his last ever recording before his sad passing in 2019.

The band also announced their return with a single titled “Blackkk Man“. Released in the midst of the celebration of Black History Month in the US last month, “Blackkk Man” is a furious revolt against racism and a bleak reflection of crucial events from this decade in particular, including the murder of George Floyd. The accompanying lyric video, compiled and edited by Aran Webster, serves to drive the critical message contained in the lyricism of “Blackkk Man” further, putting society’s outrageous double standards in plain sight via news footage and articles.

“Blackkk Man” and their latest singles “War Inna Babylon” and “Vibes In The Place” launch Dub War back into the industry as the band who turned heads with their groundbreaking genre-bending once more. Alongside these potent punk rock-laced track, ‘Westgate Under Fire’ offers up dance infused metal, ragga-punk and sinister metal with exotic beats.

A band born and raised in Newport, ‘Westgate Under Fire’ shines a light on a crucial event in their hometown’s history, the Newport Uprising. An event which would play a role in transforming democracy in Britain and the world, the uprising in 1839 saw thousands from the Chartist movement march through south Wales, seeking social reform, including the right for men of all classes to vote. The marches ended in a bloody battle at the Westgate Hotel, which saw many of the Chartists dead or wounded. ‘Westgate Under Fire’ aims to embody the empowerment that Chartists took upon themselves and coincides with the local community resurrecting the derelict Westgate Hotel into an exciting new venue.

‘Westgate Under Fire’ is available for pre-order worldwide on signed, limited edition coloured vinyl, black vinyl, signed CD and limited cassette at earache.com/dubwar. Due for release 5th August 2022.

Lancaster’s anthemic rock five piece, Massive Wagons, are thrilled to announce their new album ‘House Of Noise’ will be released on 17th July 2020, via Earache. To coincide with the announcement, the band is launching the video for the first single ‘In It Together’,

House Of Noise is the highly anticipated follow up to the chart-busting Full Nelson, a UK Top 20 hit in 2018; it is the band’s fifth studio album and easily their most accomplished work to date. Commenting on the forthcoming release, front-man Baz Mills says: “I’ve always said that you cannot lie to your fans because they can smell an impostor a mile away, I couldn’t do what I do knowing I’m feeding people bullshit, your songs, your stage show, interviews, ours are all 100% us, I’m 100% me and when I say this album is our best yet then I totally mean it! House Of Noise is absolutely our best song writing yet, it feels like 10 years in the making and through being signed with Earache we were able to record it at a dream studio with two of the best producers in the biz, Mr Chris Clancy and Mr Colin Richardson, these guys took our songs, our ideas and abilities and collectively we managed to capture the best sounds we have ever recorded, we could not be happier with the outcome, it’s been an absolute dream recording this album, and we cannot wait to give it to rockers and rollers all over the world.

House Of Noise brings together all of the infectious elements that have endeared Massive Wagons to fans of maximum force rock n’ roll – a raucous rabble-rousing sense of community, straightforward from-the-heart lyrics, and an irresistible combination of pop melody and street-smart hooks. The album contains 12 tracks that vary from the high octane opener In It Together, to the anthemic title track and the frankly ludicrous, but hilarious, The Curry Song, via the brooding menace of Hero and bittersweet lament of Sad, Sad Song.  The entire experience overflows with personality and passion, and sounds like nothing else. Massive Wagons have finally found their groove.

HOUSE OF NOISE OUT ON 17TH JULY 2020 VIA EARACHE

New albumHouse Of Noise will be released on 17thJuly 2020, via Earache Records.
Pre-orders are available Here

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