Iron Maiden are one of THOSE bands that need no introduction. I was a huge Maiden fan as a teenager but anything after 92’s Fear of the Dark album has left me mostly cold. I never listened to the Blaze Bayley era albums and only got interested again when the band got the classic line up back.  Don’t get me wrong, there have been some great moments after the 1999 reunion with vocalist Bruce Dickinson and guitarist Adrian Smith, such as the underrated A Matter of Life and Death album. I freely admit to having great admiration for the band for constantly releasing new material while keeping the fans of the glory days happy in a live setting by celebrating their most iconic moments on stage. On to the matter at hand; Senjutsu is Maiden’s seventeenth studio album and has again been produced by long term knob twiddler Kevin Shirley and co-produced by bassist and Maiden head honcho Steve Harris.

Maiden are a bit like many of the classic rock/metal bands still around and releasing new material, you kinda know what you’re gonna get. Epic overly long songs? Check. Riffs with a Celtic feel? Check. Widdly guitar solos? Check. Their formula works well though and there are a few surprising moments on this latest opus. Lead single ‘The Writing on the Wall’ is a marked departure from their usual style and it’s the stand out track for that very reason. I have to say that I’m not a fan of Shirley’s production on any of the Maiden albums he’s worked on. The mix is always muddy and dull and doesn’t reflect the bands power as a live act. On this latest effort however, Harris’s bass thunders through the speakers and Nicko McBrain’s drums are more prominent than usual which makes for a more interesting listen.

I think the main reason why I have struggled to connect with the most recent Maiden material is Bruce Dickinson’s voice. I fully understand that after having throat cancer his voice would never be the same, now it just grates on me and I really struggle to listen to it. The musicianship of the rest of the band is still great and even though I’ve never been a fan of Janick Gers, he plays a blinder on ‘Senjutsu’.  There are no real barnstorming tracks on offer here, most of the songs plod along at a mid-paced tempo and take a few listens to get under your skin.

The album opens with the title track and it has an almost hypnotic feel with McBrain’s tribal drumming and its chugging riff. Other stand-out moments include Stratego which is the most energetic song on the album with its familiar galloping feel. ‘Lost in a Lost World’ is another slow burner and the epic ‘The Parchment’ which clocks in at 12:39 and goes off in a variety of directions. It has to be said, for a band who are all in their sixties to be releasing any new material at all is a feat in itself. This isn’t the Iron Maiden of old by any stretch of the imagination and it takes time and effort to appreciate what’s being done here. Harris has always been open about his prog influences and that becomes more apparent with every new Maiden album. The songwriting credits are mostly penned by Harris with Smith/Dickinson, Harris/Gers and Smith/Harris splitting the rest.

One more thing to mention is the artwork by Mark Wilkinson which is spectacular. The samurai sword wielding Eddie really is fantastic. Yet again Maiden come up trumps with the packaging of the album. It’s available in the following formats – Standard 2CD digipak, deluxe 2CD book, deluxe heavyweight 180G triple black vinyl, special edition triple silver & black marble vinyl, special edition triple red & black marble vinyl and a super deluxe boxset featuring CD, Blu-Ray and exclusive memorabilia!

If you’re a Maiden fan you’ll probably enjoy the album for what it is. It’s an Iron Maiden album that will no doubt please the hordes of Maiden fans all over the world, for me it’s a reasonably enjoyable listen with some great stand out moments with ‘The Writing on the Wall’ being the unexpected highlight. Put it on, make yourself a cuppa, grab a couple of rounds of toast and take it all in. Up the irons!

 

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Author: Kenny Kendrick

 

POP CULTURE SCHLOCK at RPM: Exhibit H – Murder Falcon

Greetings, RPM-people! Thanks for checking out my latest Pop Culture Schlock column for RPMonline; a cool collectibles catchment area if ever there was one… and now in its second year!

With the mention of years comes a slightly belated Happy New Year wish from yours truly. 2020, eh? Proper science fiction that number is, right? But we got here when many didn’t so for that we have to raise a horned salute and treat every day like it harbours the opportunity for awesomeness.

It’s been over two decades since the day I got my first (now archaic) DVD player – multi-region, of course; I’m no savage – and that is further away from the present than when I got my first VCR was from that day: a scary thought if you can even make sense of it! The future of our past threatened us with tales of Moonbase Alpha being knocked out of orbit by a nuclear waste explosion and of blade runners tracking down replicants: the reality today is of a space force decked out in woodland camouflage and repulsive cunts, so escapism remains the ultimate luxury.

 

You all know about escapism, though, right? Your sanctuary, whether it be at a sweaty club gig losing yourself to the righteous sounds of a band never heard of by a listener of Planet Rock, or melting into a corner of your world surrounded by physical media? That’s reason for living right there, bruthas and sistas.

 

As you have probably figured out if you have checked out any of my previous seven columns for RPM, I have a physical media obsession. Streaming is basically Skynet in my world so, if you saw that shitty Terminator sequel at the tail-end of last year, you know how badly that is gonna end. And reading comic books on an app? Go and stand in the corner and re-evaluate your wannabe-cool life, ya monster! I still buy comics every week; still crack open the pages, flare open my nostrils, and smell that fucking glorious art on every page. It’s an addiction, I know. A money pit (sadly not the 1986 Tom Hanks movie that featured White Lion). But it is still one of the easiest and most rewarding collecting experiences. You get new, über-cool entertainment every week of the year that is instantly collectible, and, as stated previously, it smells frigging great. Also, it is metal… as proven below.

 

If you’re reading RPM then you’re already cool, I know this. You know your music, but you also strive to find new music that echoes the cool shit that is already in and will never leave your collection. With that in mind, this month’s featured Pop Culture Schlock item (I had to get there eventually!) is relatively new, but with a foot, a talon maybe, in the past…

Daniel Warren Johnson is a Chicago-based comic book writer and artist who created the Eisner-nominated Extremity series, the web comic Space-Mullet, and, the subject of this month’s column, Murder Falcon.

 

Released by Image Comics/Skybound (with the first issue dated October 2018), Murder Falcon is an eight-part comic book series that fuses the worlds of heavy metal and monsters – it’s fantastical… and it shreds!

 

Jake is a metal guitarist in a downward spiral. With a heartbreaker of a back story, the long-haired axe-wielder is without band and seemingly without hope. That six string hasn’t been picked up in a long time. Meanwhile, his city is being ravaged by monsters!

 

Magnum Khaos is the king of all hatred and fear who has fashioned a portal into another dimension; negative energy from human cruelty and anxiety is sucked into his dark world via the monstrous attacks that he has been planning for centuries. All hope, it would seem, is lost. But…

Jake’s guitar, gathering dust, is suddenly transformed and Murder Falcon, a monster-killing machine (with feathers) has travelled from The Heavy to the city to take down the Khaos creatures. He can only do so, however, when Jake plays his forgotten axe! Man, when he shreds Murder Falcon shreds… monster bodies! By getting the old band back together – the other members’ instruments similarly invoking badass battle mofos – maybe the Earth as we know it can be saved.

 

With similarities in serious content to I Kill Giants (and if you know that comic or subsequent spin-off movie then you’ll have a clue as to where the heartbreak comes into play here), Murder Falcon adds melancholy to the metal to great effect and, with superb artwork from Johnson coupled with eye-popping colours from Mike Spicer, this book comes highly recommended by my good self.

There is more to this than meets the eye, however. Y’see, every one of Murder Falcon’s eight issues came with a “Heavy Metal” variant cover by guest artists paying homage to classic album artwork. I have every one, of course and, to be honest, these are the reasons that I wanted to feature the comic in my collectables column.

 

Issue 1 came with a variant cover paying homage (via artwork and Murder Falcon logo) to Judas Priest’s ‘Painkiller’. Issue 2 took on Iron Maiden’s ‘Somewhere In Time’, while issue 3 went a little more left field with a homage to Bolt Thrower’s ‘War Master’. Pantera’s ‘Vulgar Display Of Power’ was the basis for issue 4’s variant, while it was all about the shred for issue 5 with Yngwie J. Malmsteen’s ‘Trilogy’ honoured. Issue 6 saw Megadeth’s ‘Rust In Peace’ feature, followed by issue 7 and its Dio – ‘Holy Diver’ tribute. The final issue, number 8, was a real ‘Shout At The Devil’, based on the second album from Mötley Crüe (yes, when they were still good), complete with logo umlauts.

If those “Heavy Metal” variant covers aren’t reason enough to have your digits scurrying to your secondary market seller of choice than I don’t know what else I can do for you. This is cool new shit based on cool old shit, and I know you guys love cool shit. If you don’t fancy searching for eight individual comic books but still think that Murder Falcon is for you, have no fear because a trade paperback/graphic novel that collects all eight issues was released last year and Amazon will deliver it to you TOMORROW… but they’ll probably leave it outside in the rain.

 

So, keep doing what you do, keep liking what you like, and I’ll catch you all again next month, possibly with less mention of Yngwie J. Malmsteen. Possibly.

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THE STUDIO COLLECTION – REMASTERED

MAIDEN’S ACCLAIMED REMASTERS
GET THE CD DIGIPAK TREATMENT

Parlophone Records will continue their reissues series of the IRON MAIDEN catalogue with The Studio Collection – Remasteredcovering the band’s sixteen-strong studio albums across their career to date.

Following on from 2014/2017’s black vinyl releases and 2015’s Mastered for iTunes project, The Studio Collection – Remastered will be released on the Digipak CD format, with the track listing matching the original UK releases. The recordings are taken from the same remasters as the 2015 hi-res digital releases. The albums will be released chronologically in batches of four, across a nine month period superseding the previously available studio catalogue and all titles will also be made available on streaming platforms. As a bonus for collectors, one CD from each batch of releases will also be optionally available in a specially artworked box featuring a 1:24 scale figurine and exclusive patch. In the November 16th batch, this will be The Number Of The Beast.

Maiden founder member and bassist Steve Harris says, “We’ve wanted to revisit these for a long time and I was delighted with the remastering we did in 2015. I thought it was the best that our albums have ever sounded and it was only right that we made them available on CD now too.”

All four albums in this first batch are available for pre-order now from studiocollection.ironmaiden.com .

1st batch: November 16th
Iron Maiden / Killers / The Number Of The Beast (option of standard or collectors boxset edition including TNOTB Eddie figurine and patch) / Piece Of Mind

2nd batch: Feb 2019 date TBC
Powerslave / Somewhere In Time (standard/collectors) / Seventh Son Of A Seventh Son / No Prayer For The Dying

3rd batch April 2019 date TBC
Fear Of The Dark (standard/collectors) / The X Factor / Virtual XI / Brave New World

4th batch June 2019 date TBC
Dance Of Death / A Matter Of Life And Death (standard/collectors) / The Final Frontier / The Book Of Souls*

*not remastered but appearing in Digipak for the first time 

IRON MAIDEN recently completed the first leg of their Legacy Of The Beast tour, playing sold-out stadium, arena and headline festival shows across Europe to over 750,000 fans. The tour, which was hailed by fans and media alike as the must-see show of the summer, will continue into 2019 with a headline show at Brazil’s Rock In Rio festival recently announced and more dates to follow. See www.ironmaiden.com for updates.

Maiden at Amazon