With the sad passing of Guy let’s celebrate his life and what he left for us to enjoy. Such a talented down to earth bloke and judging by the outpouring on social media a true gentleman with a heart of gold. Rock on brother wherever you may roam.
1990 was a great year for the Quireboys. After years of slogging away on the UK club circuit, the dawn of a new decade saw the band not only make the leap to headlining theatres and delivering show stealing festival/support slots but also saw them release a gold-selling album that boasted 4 hit singles, and with ‘A Bit Of What You Fancy’ mainstream success appeared just a top five single away for Spike and the ‘boys.
Of course, hindsight is always a wonderful thing, and the veritable tsunami of “what ifs” that followed for the band could form the basis of multiple RPM features all of their own, but 30 years on when the 21st Century version of The Quireboys decided to re-record their debut it was never really about looking back but all about giving the dozen songs that make up the record a Gypsy Rock ‘N’ Roll makeover to capture how the band sounds right now.
So, for those of you who have always longed for the loose energy of those early Survival released singles and the Reading Festival bootlegs that were essential listening for those of us in the know in the late 80s, this could be your chance to finally get the debut album you so yearned for. For me though, I’ve always loved what the band along with George Tutko and Jim Cregan did with ‘A Bit Of What You Fancy’ first time around (‘Seven O’Clock’ shoehorned chorus aside that is), so let’s see what a Gypsy Rock ‘N’ Roll makeover has added to proceedings shall we?
Sequenced in its original running order the 30th Anniversary party version of ‘A Bit Of What You Fancy’ kicks of as it should with their honky tonk Top 40 smash ‘Seven O’Clock’ and yes the chorus is still very much where it has been for the past 30 years, but you know what, after all these years I wouldn’t want it any other way. This is the perfect album opener and wonderfully raucous stuff!
‘Man On the Loose’ is where things truly step up a gear as this tune is given a cowbell driven rocket up its arse, complete with soaring gospel backing vocals and some glorious two-handed piano work (if you know you know) from the always excellent Keith Weir. The Willie Dowling cowrite ‘Whippin’ Boy’ sounds positively reborn here too and given room to breathe the guitars of Guy Griffin and Paul Guerin smoulder.
Overdriven backing vocals aside ‘Sex Party’ will always be err a beast of a party tune, whilst one of my favourite tracks from the original album ‘Sweet Mary Anne’ has never sounded more like the track that would make the Quireboys the Rod Stewart & The Faces of my generation. And talking of Rod if he had recorded ‘I Don’t Love You Anymore’ on one of his albums I’m sure that Spike and the boys would now be living some kind of Brian Tatler royalty enriched highlife. That this song never went top 5 when released is still one of life’s great mysteries.
Virtually flipping the album over for what would have been side 2, ‘Hey You’ (the band’s biggest hit back in the day, charting at number 14) stays pretty damn close to the original version, and acoustic intro aside so does the swaggering giant that is ‘Misled’. ‘Long Time Comin’ meanwhile still struts and boogies hard, and thirty years ago it was Quireboys tunes like this that really opened the door for The Black Crowes to come steaming in and steal the band’s limelight whilst they were off trying to record album number two in the US.
‘Roses And Rings’ is yet another song that has The Faces influence written through it like a stick of seaside rock, and here with added fiddle I can just see John Peel kicking a football around to it on Top Of The Pops. ‘There She Goes Again’ and a wonderfully reworked ‘Take Me Home’ close the 30th Anniversary version of ‘A Bit Of What You Fancy’ out in true style, and if you have purchased the CD version of the album you’ll also have live versions of ‘Man On The Loose’ and ‘Mayfair’ left to enjoy. My one small gripe here is there is no place for ‘How Do You Feel?’ or ‘Pretty Girls’, two tracks that not only featured on the Japanese version of the 1990 album but also deserve a Gypsy Rock ‘N’ Roll makeover…ah well, you can always dream I suppose.
Available on CD right now and later this month on limited edition double 10” blue vinyl, The Quireboys aim to get back in the top ten with this 30th anniversary edition of ‘A Bit Of What You Fancy’ and I for one wish the ‘boys every success with the campaign. Get your copy now from the links below and make The Quireboys dreams come true.…
Buy Here
Author: Johnny Hayward
The MJR Group by Arrangement with IAA Presents
SKID ROW Plus Special Guests
(The Quireboys + Crash Diet + Hollowstar + Matt Mitchell & The Cold Hearts)
Multi-platinum selling band SKID ROW will embark on a full UK tour this year, which will see the New Jersey rockers playing shows across the UK, starting in WINTERSTORM FEST, Scotland on 29th November and ending at The Mill, Birmingham on 8th December. Tickets are on sale on 19th June at 9 am on Eventbrite.co.uk.
Skid Row started in 1986 when a group of New Jersey kids, armed with their punk and metal attitude, and a collection of riff-heavy, high-octane songs, set out to conquer the world, one concert at a time. This determined and focused approach proved to be an unquestionable success, as the group went on to clock up numerous Top Ten singles, Gold and multi-Platinum selling albums and a Number 1 on the Billboard albums chart. In other words, the world was theirs.
They might have conquered the world several times over, but guitarist Snake Sabo admits the success hasn’t changed him or the band, and Skid Row are focused on making more earth shattering music. He says: “I will always be that 16-year-old kid in front of the mirror, pretending to be Ace Frehley or Michael Schenker. It’s still about writing a great song with your friends, praying it connects with someone. That has never left me. That willfulness will always exist, and there’s so much left to say!”
Joining Skid Row for a special co-headline show at Winterstorm Fest, Scotland is Hollowstar. Surging into the top five in the ‘Best New Band’ category at Planet Rock’s 2019 awards, HOLLOWSTAR are carving their own route to the top, paved with hard-hitting riffs and cemented by melodic yet inherently impactful lyrics. Hollowstar will also be supporting Skid Row on every date of their UK tour apart from Birmingham, along with quintessential British rock’n’roll band THE QUIREBOYS. Following the band’s inception in 1984, The Quireboys are certainly enjoying a revival – selling out venues around the world. 2019 saw the release of their new studio album ‘Amazing Disgrace’ – their 12th – on April 5th.
Ultimate sleaze hard rock band CRASHDIET will be joining Skid Row on five out of the eight dates of their UK tour. “Go big or go home” has been their motivational “catchphrase” for the Swedish group ever since they started out in 2000. Their undeniable flirt with the 80s big arena rock bands like Guns N’ Rose, Kiss and Skid Row themselves, combined with a notable element of punk, has made them a significant name in the revival of the sleaze and glam genre. In September 2019, they will release their fifth studio album.
MATT MITCHELL & THE COLD HEARTS will be joining Skid Row at both Winterstorm Fest, Scotland and The Mill, Birmingham. Matt started out singing and writing songs in his late teens, leaning his craft in several bands early on and Matt Mitchell & The Cold Hearts is Matt’s solo project with an array of extremely talented guests players. The project got off to a great start, with the first single ‘Black Diamonds’ released on January 25th 2019, being championed across the UK and the rest of the globe.
Full Skid Row Tour Dates:
Winterstorm Fest, Scotland – 29th November – Skid Row + Hollowstar
Warehouse, Wakefield – 30th November – Skid Row + Quireboys + Hollowstar + Matt
Mitchell & The Cold Hearts
Rock City, Nottingham – 1st December – Skid Row + Quireboys + Crashdiet + Hollowstar
Engine Rooms, Southampton – 3rd December – Skid Row + Quireboys + Crashdiet +
Hollowstar
Tramshed, Cardiff – 4th December – Skid Row + Quireboys + Crashdiet + Hollowstar
Planet Rock Stock, Trecco Bay – 6th December – Skid Row + Quireboys + Hollowstar
Corp,
Winter Rocks, Corporation, Sheffield – 7th December – Skid Row + Quireboys + Crashdiet + Hollowstar
The Mill, Birmingham – 8th December – Skid Row + Quireboys + Crashdiet + Matt Mitchell
& The Cold Hearts
*Tickets on sale from Eventbrite.co.uk, 19th June at 9am
https://www.skidrow.com/
Following the recent news of an upcoming ‘best of’ package and vinyl re-issues of four classic albums, Sweden’s finest purveyors of glam slam boogie the Diamond Dogs are back with a new long-player of brand new music to whet the appetite.
It seems you can’t keep a good band down, and four years after they called it quits, following the tragic death of saxophonist Magic Gunnarsson, original members Sulo and keyboard player Henrik “Honk” Widen decided it was time to get the band back together. Joining the duo are long-serving guitarist Lars Karlsson, fellow guitarist Martin Thomander, bassist Stefan Bellnas and Thomas Broman on the drums.
While a revolving door of band members has come and gone over the years, the sound remains the same. Let’s just say, if you dig the cool as you like vintage rock ‘n’ roll of The Faces meets The Stones, then grab a Jack & Coke, drop the needle and sit back and enjoy!
Now, when I say new music, all is not quite as it seems. If you were to purchase this album on vinyl then you could say side A is Diamond Dogs originals; recalling their rock ‘n’ roll roots. And then side B is their own tribute to Soul legend Sam Cooke; six cover versions of classic cuts from the Soul singer, reinterpreted in their own classic style.
While their last few studio albums have been a bit patchy, this is a banger of an album from start to finish. Their trademark rock ‘n’ roll shuffles bring to mind a golden age of early 70’s British rock. Anyone from The Stones, Slade and Quo comes to mind at any given moment. You know the score.
Opening song ‘Recall Rock ‘n’ Roll’ sets the bar high from the off and sees singer Sulo in introspective mood as the band fire on all cylinders behind him. “Let’s turn back time and make it roll!” he suggests before blasting into a euphoric chorus. The likes of ‘Valentina (Queen Of Broken Hearts)’ and ‘Heavy Swing’ have that classic Sulo chorus refrains in abundance. High energy rock ‘n’ roll, with a tinkling of the ivories and key changes that takes it up nicely to the climax. No one does Mott meets The Faces better.
There’s a hint of sadness to the soulful balladry that ‘Singin’ With Elvis’ brings to the table. Sulo reminisces about times gone by and the ghosts of the past. “I walk down the street where we all used to meet, but it was all dark and quiet” he sings in an almost broken rasp. Swathes of Hammond organ and great, Stones inspired backing harmonies make this essential Dogs material.
The uber-cool ‘There Is A Fire Down There’ has a Black Crowes swagger, with trademark killer backing vocals and a wild n’ crazy slide guitar solo. No one does rock ‘n’ roll rapture quite like the Diamond Dogs do these days.
The album is split down the middle by ‘Soul Folks’, a re-recording of a Sulo original that first appeared on his album ‘Hear Me Out’. Sulo’s own tribute to his soul hero that actually comes across like an Exile-era Stones outtake. Cracking stuff indeed.
Now, the Sam Cooke side of things includes a bunch of guests. First up, we have Quireboys frontman Spike lending his gravelly tones to the good time rock ‘n’ roll of ‘Good Times’. Handclaps, sax and heavenly, female backing vocals bring the soul and help get the party started.
The good time boogie of ‘Don’t Fight it, Feel It’ and the 12 bar blues stomp of ‘Somebody Have Mercy’ are delivered in fine Diamond Dogs style, you wouldn’t even guess they were old Soul songs on first listen.
They breathe new life into ‘Keep Movin’ On’. Faster and more uplifting, that killer chorus introduces a song that sounds like it has always been in your head. Hellacopters main man Nicke Andersson adds his dulcet tones to this banger.
Thunder frontman Danny Bowes duets with Sulo on ‘Nothing Can Change This Love’. With the lyrical sentiment and the sparse musicianship, it retains the soulful feel of the original, but it’s given the Diamond Dogs treatment. A rendition that sounds like it was recorded 50 years ago, not six months ago.
‘Sugar Dumpling’ closes the album and is my favourite of these cover versions. Featuring Swedish rapper Papa Dee, they take to another level entirely. To me, it comes on like The Dave Clarke Five meets The Archies, classic 60’s pop and a surprise finale. What a tune!
‘Recall Rock ‘n’ Roll And The Magic Soul’ will not only satisfy Diamond Dogs fan who have been craving more material, it will also remind those who forgot exactly why we missed them in the first place.
Ok, so it may not be an album full of original material. But as the title suggests, this new album is a throwback to the roots and the influences of what made Diamond Dogs one of Sweden’s greatest musical exports. And that is something we should all celebrate.
Buy The Album Here
Author: Ben Hughes
The MJR Group by Arrangement with IAA Presents
SKID ROW Plus Special Guests
(The Quireboys + Crash Diet + Hollowstar + Matt Mitchell & The Cold Hearts)
Multi-platinum selling band SKID ROW will embark on a full UK tour this year, which will see the New Jersey rockers playing shows across the UK, starting in WINTERSTORM FEST, Scotland on 29th November and ending at The Mill, Birmingham on 8th December. Tickets are on sale on 19th June at 9am on Eventbrite.co.uk.
Skid Row started in 1986 when a group of New Jersey kids, armed with their punk and metal
attitude, and a collection of riff-heavy, high-octane songs, set out to conquer the world, one
concert at a time. This determined and focused approach proved to be an unquestionable
success, as the group went on to clock up numerous Top Ten singles, Gold and multi-Platinum selling albums and a Number 1 on the Billboard albums chart. In other words, the world was theirs.
They might have conquered the world several times over, but guitarist Snake Sabo admits the success hasn’t changed him or the band, and Skid Row are focused on making more earth shattering music. He says: “I will always be that 16-year-old kid in front of the mirror, pretending to be Ace Frehley or Michael Schenker. It’s still about writing a great song with your friends, praying it connects with someone. That has never left me. That willfulness will always exist, and there’s so much left to say!”
Joining Skid Row for a special co-headline show at Winterstorm Fest, Scotland is Hollowstar.
Surging into the top five in the ‘Best New Band’ category at Planet Rock’s 2019 awards,
HOLLOWSTAR are carving their own route to the top, paved with hard-hitting riffs and cemented by melodic yet inherently impactful lyrics.
Hollowstar will also be supporting Skid Row on every date of their UK tour apart from
Birmingham, along with quintessential British rock’n’roll band THE QUIREBOYS. Following the band’s inception in 1984, The Quireboys are certainly enjoying a revival – selling out venues around the world. 2019 saw the release of their new studio album ‘Amazing Disgrace’ – their 12th – on April 5th.
Ultimate sleaze hard rock band CRASHDIET will be joining Skid Row on five out of the eight dates of their UK tour. “Go big or go home” has been their motivational “catchphrase” for the Swedish group ever since they started out in 2000. Their undeniable flirt with the 80s big arena rock bands like Guns N’ Rose, Kiss and Skid Row themselves, combined with a notable element of punk, has made them a significant name in the revival of the sleaze and glam genre. In September 2019, they will release their fifth studio album.
MATT MITCHELL & THE COLD HEARTS will be joining Skid Row at both Winterstorm Fest, Scotland and The Mill, Birmingham. Matt started out singing and writing songs in his late teens, leaning his craft in several bands early on and Matt Mitchell & The Cold Hearts is Matt’s solo project with an array of extremely talented guests players. The project got off to a great start, with the first single ‘Black Diamonds’ released on January 25th 2019, being championed across the UK and the rest of the globe.
Full Skid Row Tour Dates:
Winterstorm Fest, Scotland – 29th November – Skid Row + Hollowstar
Warehouse, Wakefield – 30th November – Skid Row + Quireboys + Hollowstar + Matt
Mitchell & The Cold Hearts
Rock City, Nottingham – 1st December – Skid Row + Quireboys + Crashdiet + Hollowstar
Engine Rooms, Southampton – 3rd December – Skid Row + Quireboys + Crashdiet +
Hollowstar
Tramshed, Cardiff – 4th December – Skid Row + Quireboys + Crashdiet + Hollowstar
Planet Rock Stock, Trecco Bay – 6th December – Skid Row + Quireboys + Hollowstar
Corp,
Winter Rocks, Sheffield – 7th December – Skid Row + Quireboys + Crashdiet +
Hollowstar
The Mill, Birmingham – 8th December – Skid Row + Quireboys + Crashdiet + Matt Mitchell
& The Cold Hearts
*Tickets on sale from Eventbrite.co.uk, 19th June at 9am
https://www.skidrow.com/
To say I have been looking forward to this album would be a massive understatement, their early singles over the past two years should have been blasting on every rock radio station in the world, and these guys should already be huge from the likes of ‘Love to Leave’ and ‘Slather.’ To be clear, my anticipation for the album would have made it easy to be disappointed in it, but my faith has been rewarded with an album that could very easily be my album of the year and is sure to be one that will remain in constant rotation for years to come. The Sweet Things have distilled the essence of rock n roll’s primal ingredients and then added their own secret spices to make it all their own. Comparison points definitely include the Rolling Stones and Guns N’ Roses, but those are not the only ones, for example, as I would say the spirit of Chuck Berry is essential to the band as well.
Lead video ‘Liquor Lightning’ kicks off the album in fine style as we hear the sound of bottles clinking together before a riff that encompasses the shambolic spirit of something like the Black Crowes ‘Thick n Thin’ gives way to Dave Tierney frantically spilling the words from the first verse over the riff in a race to the finish line. Everything then falls perfectly in time as the band is in fine form with the addition of some excellent piano work included behind them to give the song even more flavor. The reprieve in the pre-chorus provides even more urgency to the chorus as the horns explode in the background. The guitar solo is razor sharp and captures the Chuck Berry spirit before the band slam the chorus at us again. If someone asks for a song in the spirit of rock n roll, this can be it. Follow up ‘Dead or Worse’ slows the beat a bit and features some excellent harmonica work. Sam Hariss (also bass) provides the first verse on this one with his rasp being a perfect fit, similar to Izzy’s vocals in GN’R. The production gives the music plenty of space with Tierney taking over for the second verse before they combine vocals at the end. I hate to think how many times I have heard the live version of this on YouTube. The excitement and the vibe have translated over to the vinyl in remarkable fashion.
The title track takes us on a mid tempo journey with a timeless classic rock epic that immediately grabbed me with the band again receiving support from piano, horns, and some harmonica. Simply put, I do not understand how fans of early Black Crowes, Dogs D’amour, Quireboys, Faces, Rolling Stones could not be drawn in with this song. I have this urge to lift a glass in the air and singalong with this one every time it plays. Another of the early release songs follows with ‘Almost Faded’ being another perfect rock n roll song with some horn work that would do 80’s era Hanoi Rocks proud. It is not a stretch to think Tierney (also guitar), Hariss, Lorne Behrman (guitar/ vocals), and Darren Fried (drums) had a cryptic meeting with someone down at the crossroads to come up with this album. The time that has gone into creating these songs and this album has paid dividends. If you are not singing along with ‘Almost Faded,’ I really do not know what to tell you other than your rock n roll spirit is apparently dead. Hyperbole? Give it a listen and find out for yourself. Wrapping up the first half of the album is ‘Dr. Crazy Girl’ whose guitar riff slowly builds before the song starts moving and conjuring the spirit of the New York Dolls. While perhaps not as monumental as the first four songs, this one keeps the momentum going nicely.
Flipping the record over introduces the classic rock infused ‘Drained.’ Again the band has really thrown in all the bells and whistles…. Okay, maybe it is all the horns and piano to create something really special that will still kick butt in the live setting without them. The chorus begs for a singalong from all of us listening. ‘Coke’n’ has been one they have played live which was originally done by Izzy Stradlin back on his 2002 ‘On Down the Road’ album and fits the Sweet Things like it was written with them in mind. The groove is timeless and shows in terms of the songwriting the heart and soul that Izzy provided GN’R. This is another one just made for blasting out the windows wherever you are as everyone around you should be listening to it too. ‘Through the Cracks of the City’ is another I am familiar with as the band originally released it a couple years ago and have played it live. The hook simply sticks to you and does not shake loose, and the guitar riffs throughout the song are awesome.
‘Fix to Kick’ brings us to the final stretch of the album with the band making another timeless riff look effortless. The Sweet Things simply rawk in all the right ways with this being another classic chorus that they smartly do not use to overwhelm the music. It falls right in line with the music in the mix, giving it a great live feel. This has future single written all over it. Finale ‘Feed My Dog’ slows things down a touch with another slow burner that does not waste one second of its five minutes. The guitar licks are perfectly done and the extended musical section in the song gives me chills before the vocals come back to wrap up the album.
I wrote in another piece here on the site how several huge albums have come out in May between the Wildhearts, the Darts, Glam Skanks, and the Sweet Things. I only have the Glam Skanks yet to hear, but every album in that group has simply killed. This stands tall as an Album of the Year contender and beyond that really as the album is simply a timeless piece of art and a testament to the band. World dominance should be next for them as long as you give this a listen, buy it, and then let your friends, acquaintances, and even your enemies know about it as everyone needs this rock n roll in their lives.
Buy ‘In Borrowed Shoes On Borrowed Time’ Here
Author: Gerald Stansbury
The Quireboys aren’t the sort of band who are going to drop this years hottest, Radio 1 friendly album, but then again, we wouldn’t want them to be. When I hear of new Quireboys material, I want to hear raw, bluesy rock and roll. And boy… do they deliver it.
‘Original Black Eyed Son’ is a great kick-off track. I heard this song for the first time this week, live in Cardiff on their current tour with FM. It’s got all the swagger you’d expect from Spike and the boys, wrapped up in a bluesy track that would make The Black Crowes envious.
I’m a sucker for a good slide guitar part and ‘Sinner’s Serenade’ gives me just that. After all these years, this band can still rock and roll with the best of them.
‘Seven Deadly Sins’ has a fantastic groove. There’s a definite Aerosmith vibe here, the bouncy rhythm reminds me of ‘Last Child’ from the Rocks album. How can you not bob your head to this?
I’m only 4 songs in now with ‘Amazing Disgrace’ and while this record is absolutely a Quireboys record, it certainly feels that the band have experimented a little with some of the songs. This sounds like a record that the band really enjoyed making. Fantastic chorus on this song, that’s a crowd singalong waiting to happen.
Having spent some time on the road with the band myself as a support act, I’ve seen them play a few country tinged tunes live and in soundchecks, ‘Eve of the Summertime’ is the next in line of the band exploring that world. If you didn’t expect The Quireboys to pull off country, think again. Spike’s rough and ready voice is perfect for the screaming rock and roll the band is known for, but he is by no means a one trick pony. His voice is pure honesty and a track like this really lets you get into that feeling.
A sweeping piano intro takes us into ‘California Blues’, this harks back to the early Quireboys sound. This is feel-good summertime rock played the way it should be. We might’ve explored country a little on this album so far, but ‘This Is It’ takes us even deeper. Spike regularly commands a YEEHAW from the band’s audience, perhaps we’re listening to the next YEEHAW track for the bands live show?
‘Feels Like A Long Time’ sounds like a classic track from this band. This could sit next to any of the big players in the bands set. It’s got the swagger; it’s got the blues and it’s got the big chorus!
The band dives into a more hard-edged rock stomp on ‘Slave Number One’. This is certainly a head bobber of a track, the riff commands you to do so. How do you follow a hard rock song? Easy, with another country flavoured song. ‘Dancing in Paris’ is a tender look at falling in love for the weekend. Spike once again showing that behind that hard living, rock and roll machine, sits a tender soul. His emotive and fragile vocal sound hooks you in to every single word. He’s been one of my favourite vocalists for so long for this exact reason.
‘Medusa My Girl’ rounds off this eleven track slammer from the band. This song certainly feels like a departure for the bands typical sound, it’s great to hear them venture into new sonic spaces. This has an almost celtic feel to some of the melodies, it’s not all beer drinking and hell raising with there guys!
I’ve always loved this band, I’ve always been a fan and I’ve not really disliked any part of their back catalogue, but this album to me feels like a massive step up. The band sound like they’re having the best time of their lives and I think that shows in this collection of songs. There are new textures and colours here, while still maintaining the fact that it’s a Quireboys album that is going to kick your ass.
Buy ‘Amazing Disgrace’: Here
Author: Leigh Fuge
On their essential new album, THE QUIREBOYS amazed themselves. “The new music has surpassed all of expectations” admitted long-term guitarist Guy Griffin. “It’s the most diverse album we’ve ever done” added fellow six-stringer Paul Guerin. And for a band celebrating its 35th Anniversary in 2019 that’s saying something.
Amazing Disgrace is the sixth Quireboys’ album in seven years but quality over quantity remains the mantra. Eleven typically frank and familiarly evocative rock and roll classics soundtrack a band at the peak of its creative powers. The new album will be released digital on April 5th and physical on April 19th via Off Yer Rocka Recordigs / Cargo Records UK.
The Quireboys are the latest band to pull the plug on their Pledge Music campaign they released the following press statement,
“We’ve been watching this all play out very closely and have tried to work in any way possible with Pledge to arrive at a positive outcome but in reality, we are just not confident that the campaign we entered into with Pledge, will ever be fulfilled or paid and that is something we cant continue to endorse.
This was all brought to light recently with other key bands (who were also involved in Pledge Campaigns) pointing out that they haven’t been paid or look likely to be. We have recorded and mastered our new album ‘Amazing Disgrace’, we have booked the PR, videos, pressing, we have received nothing and we never will under this platform.
We have written to Pledge today asking them to officially cancel the campaign and let us know who booked what, once we have that we will be in touch via our label Off Yer Rocka Recordings who have kindly funded our costs in the interim period to keep this incredible recording alive.
The band Last in Line posted some great advice the other day about cancelling your Pledge booking which you should do immediately. If you didn’t see it, we’ve used some of their words:
We are told that PledgeMusic’s cancellation process has been initiated. The refund process will go through Pledges’ payment processor Bluesnap. Fans can also directly dispute the charge with their credit card company. At this time our recommendation is that you also log into your PledgeMusic account and cancel your order. We would suggest that you take an additional step of contacting your credit card company to request buyer protection and further ensure the charges to PledgeMusic are reversed.
To CANCEL YOUR PLEDGE ORDER:
- LOG IN to PledgeMusic and FIND your order.
- Click on “CONTACT US ABOUT THIS PLEDGE” then pull down the menu item “CANCELLING THIS PLEDGE ORDER”
- Click on “I STILL HAVE A QUESTION”
- In the form that opens type that “I AM CANCELLING THIS PLEDGE, AND AM REQUESTING A REFUND DUE TO THE CAMPAIGN BEING CANCELLED”
- You will receive a confirmation email from them immediately
- Now PLEASE call your credit card and request a “CHARGE DISPUTE” as additional insurance for your refund.
We are truly gutted that this has come about, you all supported us above and beyond, especially getting us over 200%, however, we’re simply not into finger pointing or blame culture, its happened and we need to deal with it, firstly you must do the above, once that has been completed we can move onto the Solution…
Our label ‘Off Yer Rocka Recordings’ has now loaded all items that people were buying through Pledge and loaded them onto ‘The Quireboys’ section of the label site. OYR will now press and fulfil any new orders that come into this platform. What’s more and as a gesture of goodwill from The Quireboys and OYR, for any item purchased we will be offering an album free of charge from our back catalogue which we will deliver at the same time.
The New album can be purchased Here
Guy Griffin video message – Here
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