It’s the season to be jolly… oh shit wrong season. Never mind this sitting of the singles club is choc-o-bloc with great songs for you to check out whilst you demolish your kids easter eggs so fill yer boots why doncha

Kurt Baker & Bebe Buell – ‘Blood & Roses’ (Wicked Cool Records) This is a cover of The Smithereens’ 1986 hit, ‘Blood & Roses’, which hit #14 on the US singles chart this time it’s given the Kurt Baker and Bebe Buell treatment.  This is their first musical collaboration between the pair with Buell complimenting Baker on his music. It’s fitting that this is a tribute to one of their mutual favorite bands, The Smithereens.  Baker says, “The Smithereens were an integral part of my rock n roll education growing up…without [their] music I wouldn’t be where I am today”  Both artists inject their unique musical styles into a track and the finished product is outstanding.  It’s a no-brainer for us here at RPM we love Kurt’s music and Wicked Cool doesn’t release bad records. Get on it kids – Here

The Sweet Things – ‘Brown Leather’ (Spaghetty Town Records) Wooh easy tiger the Sweet Things just turned up the heat on that sloppy exile on main st tip and flipped the Black Crowes the bird with this authentic sleazy barroom rocker ‘Brown Leather’. This is the real deal kids 100% kicking ass and taking names. from that honky tonk to the horns this is as exciting as you can get. Whilst the Quireboys implode The Sweet Things get back in the game and throw this bad boy boogie right in the ring and step to the top of the pile. Make no mistake kids this is the record of the month. The album is gonna slay.  Find more about THE SWEET THINGS online at: FACEBOOK | INSTAGRAM


Bitch Queen / Scumbag Millionaire – ‘Split’ (Lux Noise Records/JanML Records / Maja von Lobeck) As you know we do love ourselves a split and when it’s containing two-band we fucking love it’s always a win/win. With limited pressings on these they’ll sell out pretty damned quick so don’t muck about kids – you snooze you lose. Bitch Queens offers up ‘2000 & Late’ and as it builds like a forest fire into a thumping, raging mosh pit happy slice of death rock. It’s uncompromising and further proof that its an outrage that Bitch Queens aren’t on the cover of the alt press magazines and headlining festivals.

Teaming up with Swedens Scumbag Millionaires is a great pairing as they bring the rage of ‘Fast Bob’ and with that seal of Scandinavia Quality its a blistering song from the six-string licks that Chuck Berry would be proud of to the tempo in the engine room holding this rager together – it’s a single you need to hear. Now off you fuck and order it before they’re gone! Buy here:

ELECTRIC BOYS – ‘Into The Midnight Sun’ (Mighty Music)  ELECTRIC BOYS  decided to release a couple of new tracks. These are songs that the Swedish band recorded during the ‘Ups!de Down’ sessions. A classic, psychedelic Bloom-riff over a hard shuffle beat, not usually associated with the band. Martin (Thomander) and Andy (Christell) are singing lead in the verses. In 2018 the return to studio albums finally happened and since lockdown, the band has managed to record ‘Ups!de Down ‘ bringing different shades to the Electric Boys sound. The band adds plenty of swing to their classic rock roots and along with some big guitar solos, this makes for an excellent new sound and songs. If you don’t believe us check it out here

Dub War – ‘War Inna Babylon’ The rousing ragga-punk cover of the Max Romeo and the Upsetters’ classic “War Inna Babylon”, features guest vocals from the legendary Ranking Roger of The Beat in his last ever recording before his sad passing in 2019. The vivid reimagining of the track sees the band deliver angular guitars, frenetic rhythms, and powerful and uplifting vocals from the band’s frontman Benji. What you’d call a banger right there kids.

Snuff – ‘Green Glass Chippings’ (SBAM Records) the second SBAM offering this edition of the singles club sees punks Snuff deliver the goods via moped with a great chest-beating slab of punk rock that will have them singing along in the bars and mosh pits everywhere. Lifted from their upcoming album “Crepuscolo Dorato Della Bruschetta Borsetta Calzetta Cacchetta Trombetta Lambretta Giallo Ossido, Ooooooh Così Magnifico!” yeah go on you say it. Pick it up here

The Darts – ‘Love Sunami’ (Beluga Records co-released with Adrenalin Fix, Dirty Water Records, Ghost Highway Recordings). Fantastic keyboard twitching psyche garage rock and roll from The Darts. Man, this single has an attitude from the hypnotic beat to the mind-altering chorus this is a great single for sure. It doesn’t end there because ‘Shit Show’ is almost as good. A cooler backbeat yeah! this EP is freakin awesome and the more I play it the louder I want to hear it and those retro keys are superb. Then to twist your melon a little more the third track is a psychotic romp through some great fuzzy bass guitar and lead guitar and ‘Underground’ is bouncing with energy. I would have this at number one in this bunch of pop choons kids but the Sweet Things have it by the single thread of a molting afghan coat fringe but when the album drops from these ladies I’m all over that!

Bottlekids – ‘NOWT’ (SBÄM Records) Three mates from Chepstow, South Wales announcing their brand new EP ‘ZILCH!’ to be released by SBÄM Records on May 27th lead it with ‘Nowt’ a raging slab of punk rock with obvious influences from Stateside punk like Green Day and Bad Religion and why the fuck not? Its excellently delivered and a real contender. ITs got the vital ingredients to take them far and if the rest of the EP is as good as this then why not. Love the bass line and tone it sets this up to go for it and give the Anti Flag bands a real run for their money. Quality song.

Like a lot of music seeing the light of day it was written in lockdown it’s about kicking out the jams and all that pent-up aggression had to come out in the music and to my ears, Bottlekids made some great choices. With a sparkling production, this ‘Zilch’ EP could be time for the band to blow up!

Supersonic Deuces – ‘Bored & Stoked’ (Devil’s Beat Records) We’re all about the quality in the Singles Club and it’s often a great gateway into an album or EP that’s coming down the track. To celebrate the first year of activity, Supersonic Deuces just released the ‘Hey Now!’ ep. It includes the single “Hey Now!” plus the previously released singles “Haze the Hides” and “Bored & Stroked”, and “Strutter” from the upcoming Kiss tribute album on Devil’s Beat Records. If you don’t dig this slab of garage punk n roll then we won’t be friends for long. Banger no doubt about it and you can join the cool kids by checking out www.supersonicdeuces.com and tell em RPM sent you.

Sons – ‘Nothing’ (Pias) Having landed the support slot with Jack White the future looks bright for Belgium garage ragers Sons. Here’s their latest video for ‘Nothing’ taken from their album ‘Sweet Boy’ released in the week. It’s a loud, aggressive slice of post-punk garage rock, (if you like your pigeon holes) not a million miles from Idles, and ‘Fontains DC this is set to blow up everywhere.

KOMBI KILLERS -‘Sick World’ (Riot Records) Old school 82 fuck you punk rock from Kombi Killers. Pulling no punches a direct slice of social commentary about the pandemic and their succinct feelings about lockdowns and covid. Brisbane heat and lockdowns must have got to them because they make no bones about their feelings here and let the world know in an old-school assault. Batten down the hatches Kombi Killers are on the loose again spreading their disease – punk as fuck!

Stream/Buy ‘Sick World’ HERE

Continental Lovers – Really Doesn’t Matter’ (Snap Records) It’s been a while in the making but Joe has finally got round to dropping the first proper tune from the Continental Lovers and what a banger it is. A toe tapper, a ear worm, sweet baby jesus call it what you like but just check it out. Going back to his time as a Breakdown Joe knows what it takes to write a catchy ditty thats not up for debate, This has all the best elements of the songs from the mid 70s that had a bit of boogie woogie, a smash pop melody and the “worth its weight in gold” chorus. Joe knows all of that and can articulate it in a three minute pop song. Check it out in the lyric video and pre order the single as soon as and jump on board for what will no doubt be one of the best albums released this year. you Snooze – you looze innit! Record of the week? Bang on it is! You’ll be able to stream it in the next few weeks and Snap Records will have a limited 7″ soon. Can’t wait!

Facebook / Bandcamp

Moron’s Moron – ‘White Brothel Creepers’ (Wanda Records) Raised on a steady diet of ‘Methods’ by the Lords Of The New Church, The Humpers & a heap of other glamourous punk rock royalty this three-track single is an absolute blast. Raising all kinds of glorious, unbridled noise that is like ear candy at RPM HQ. All three tracks hack and slash a wonderful noise of sloppy, 77 punk rock with enough Roll to whet the appetite for a full-length album from these reprobates.  Lawless Dick Stingher, Turd Awesome, John Pauly Shore II and Philo Phuckphace (Best band names ever) are just about the single of the week around here no question about that. Absolute banger. Buy Here

Split System – ‘Split System’ (Legless Records) We all know there has been a plethora of talent tumbling out of the dirt of the Australian back street over the last few years – weened on a steady diet of The Saints, Radio Birdman, Cosmic Psychos and the hard-ons. Well Split System tap into that and turn it into something pretty special. Fronted by Jackson Reid Briggs and features current darlings of the scene Stiff Richards very own Arron Mawson on guitar this is four most excellent tracks ripping it up with some old school proto-punk style and a hefty slug of Garage rock just for good measure. Get on it kids before the prices go through the roof on Discogs. Here

Ryan Hamilton – ‘Free Falling’ (Wicked Cool Records) A pretty honest and true to the original cover of Tom Petty’s 1989 hit, Free Fallin, sees Ryan performed all instrumentation and vocals, also mastered at Abbey Road Studios. Of the track, Ryan says, “This song is hallowed ground, & I’m so proud of this version I’ve recorded. Plus, it got mastered at Abbey Road, which feels like magic.” The release is the first since Ryan’s ‘1221 project’, which hit #9 on the Indie Albums Breakers on the Official UK Charts and has been accepted into Record Store Day in April. orcd.co/freefallin

Tramp – ‘Jailbait’ (Wanda Records) Wow do you kiss yer grandma with that mouth? Tramp are kicking up a filthy sleazy Dolls meet Jayne County slice of Punk Rock n Roll and we like it. Of course we like it. Viki Venom, Suzi Sleeze and Joey Deuce from dreamy New Hampshire, USA kick up some Slut Rock (why wouldn’t it be slut rock?) It’s trashy it’s obnoxious and sleazy and these punks have turned the amps up and thump those cans and chew out the rhythm with their bubblegum vocals and it’s the first taste of Tramp and I hope not the last. Wanda has the 7″ records but it’s limited – Get on ya filthy rats! Here

Infamous Stiffs – The Lockdown EP (Riot Records) SoCal punk rockers, Infamous Stiffs, are back with a six song live EP, “Lockdown Live”, their second release on Riot Records/Golden Robot Records, available for pre-order/add/save, Made in 2021 at the height of the global Covid 19 pandemic at Alex’s Bar in Long Beach, California, “Lockdown Live” is what happens after a year of…well, being locked down. Rife with pent-up energy and aggression, the results of this experiment speak for themselves. Catchy, hard and unforgiving, “Lockdown Live” offers a real-time perspective on the songs and of the current state of affairs. It’s a little something to chew on during these lean times of uncertainty and the doldrums we all face. 

Nashville Pussy – ‘Come On Come On’ (Bandcamp) Boogie on Brothers and Sisters Nashville Pussy style that is. As featured on PEacemaker this is causing a stir. James Gunn knows his Rock and Roll it would seem as he’s peppered the Peacemaker show with top-quality tunes from Hanoi Rocks, Quireboys and this bad boy Come On Fuck yeah! is just about this tune in a nut shell – Banging and right on the fuckin money – Kerching!!!!. Here

Placebo – ‘Happy Birthday In The Sky’ ( A very understated typically Placebo dreamy track. It’s about time we had a new release from Placebo, it’s been too long. ‘Happy Birthday’ builds to the chorus from a hushed muted and restrained verse then hits the chorus in typical Placebo fashion before it drops back into a very laid-back vibe.

I Always look forward to a new Placebo record and this does the job of piquing the interest. The album ‘Never Let Me Go’ is out March 25, 2022 – pre-order now here: https://lnk.to/Placebo-NeverLetMeGo

Soul Glo – ‘Driponomics’ feat. Mother Maryrose (Epitaph) Philly-based hardcore band Soul Glo release their latest single, Driponomics,” ahead of their fourth studio album ‘Diaspora Problems’ due out on March 25th. It’s a scathing commentary on capitalism and economic disparity. listing popular designers and brands in between a screeching distortion and a heavy bassline. The track also features a verse from fellow Philly native, rapper Mother Maryrose. Reminds me a bit of Disposable Heroes of Hiphopracy – engaging and one that gets under your skin.

The Dirty Truckers – ‘I Feel Nothing’ (Rum Bar Records) Rock n Roll baby. Sweet as, The Dirty Truckers just cruise on by with their radio-friendly distorted beer-drinking brand of Rock and Roll. With a hummable melody and cool guitar licks they know they’re good at this power Poppin garage thang and your ears will be grateful for the introduction. Like Tom Baker says Turn it up it always sounds better when you block out everything else and just give yourself up to the Rock and Roll.

Join me in the singles bar dropping coins into the jukebox and hitting up another round of Dirty Truckers tunes before the album gets released. Like the seal of approval coming out on Rum Bar Records you know it’s gonna rule! Now bring on ‘The Tisbury Joneser’

Buy Here

Faz Waltz – ‘Hot Cold Fever’ (Snap Records Spaghetty Town Records/Surfin’ Ki) ITs Rock and Roll alright. Loud and proud this is a throw back with a wild back beat, honkingly good ivory tinkling and a trad howling good time in every aspect from Faz Waltz. A real hoot where these cats tip the hat to the original rollers from yesteryear. If you think the A side is a hoot then flip this bad boy over for ‘Lotta Lovin’ with its big bopper, jerry Lee thumper. Do yourself a favour though turn this fucker up! then turn it up some more. you deserve it and they deserve it. Get on it and just jive kids! Buy Here

Hard-Ons – ‘Lite As A Feather’ (Cheersquad Records)  From the album ‘I’m Sorry Sir, That Riff’s Been Taken’ HArd-Ons 2021 are right on the money and killing it with this new single and if this an indication of the album then bring it on.  Tim Rogers joining the Hard-Ons wasn’t mind-boggling enough – plenty of fans of both parties thought it was a prank when initially announced – the group’s new video, for the rousing “Lite As A Feather”, will no doubt cause more confusion. Featuring footage of the four band members playing along to the song in isolation but mixing up their roles.  The albums out October 8th write it in your diary.  Pre order the album Here

 

 

Frvits – ‘Stupid Era’ (Slovenly Recordings)  Hardcore punk rockers kicking the shit out of some poor defenseless instruments with the treble turned up and the twang on the bass set to pierce your head. An important part of your diet is punk rock music and this 7″ will nourish and give sustenance that’s a given.

This “Stupid Era” platter is a relentless attack, fronted by Shit Vicious on a radioactive vox, and featuring Wind of Change (associate of PRIORS & DUCHESS SAYS), Krispy Karl, Alexander Ortiz, and Blag Dahlia/Jesus (DWARVES) with a vocal appearance on the penultimate track “Abortion Hoops.” This one is awesome, fun, and as abstract as a frvit salad served in a urinal haha perfect I hear you say or heave.

Buy Here

 

The Dirty Denims – ‘Rock and Roll All Night’ (Screaming Crow Records) What’s not to like? It’s a decent effort and most people like a summery Kiss cover and this ticks all the boxes.

 

Bitch Queens – ‘Burn It Down’ (Lux Noise Records) Call it Deathpunk call it Action Rock call it what you like we’ll just call it Quality.  This one is a Banger no question about it.  They’ve never let us down before and by the sounds of it they are still raging and writing excellent pissed-off loud punk n roll.  That my friends is unquestionable and a fact.   It is the third single off the upcoming album “Custom Dystopia” which will be released on November 5th. so mark that in your diary!

 

Killer Hearts – ‘Savage Heathen’ (Spaghetty Town Records (USA) / Dragstrip Riot Records (Europe) )  Looking every inch the Rock and Roll superstars that the world is crying out for Killer Hearts have got the chops to back up the leather and are hellbound with all the devils best riffs.  ‘Savage Heathens’ is a perfect introduction for anyone looking for their next bunch of pin-ups to go on their wall like their Ziggy and Iggy pics alongside Stiv and Alice.  Loud, fast, unruly and fuckin dynamite.  Just wait until you hear the whole album it’s a guaranteed no-brainer and must-own record.  Buy It!

 

ACID BLOOD – ‘Tombstone World’ (janml-records)  Trying to break the world record with the number of videos taken from one single album Acid Blood take this one to the altar and knock out a performance for the banger that is ‘Tombstone World’.  Now they’re out of isolation maybe they can get on with that follow up album. Top tune though

Dead Dirty Dinosaurs – ‘Catalyst’ (Riot Records) Brisbane icons in the making are back with a new tune with A love of 90’s alt rock, punk, post punk and post rock it’s engaging and full on – check it out.

 

The Chords UK’s  ‘ Hey Kids! Come The Revolution’ (EPOP Records)  A three-track CD from the forthcoming album ‘ Big City Dreams’ is a cool slice of punk rock with hints of the mighty Clash.  Chris Pope isn’t interested in remaining frozen in time and his aim has always been to push forward to develop a new identity, a new sound and new songs with a contemporary harder edge. ‘Big City Dreams’ does exactly that. And then some and this single is proof that he’s achieved his goal.

 

DANGEREENS – ‘Thieves’  (Golden Robot Records)  We raved about Dangereens during lockdown and their most excellent debut album.  After signing to Golden Robot Records theve picked the excellent rocker ‘Thieves’ to get the band back out there.  Harking back to a time in the 70s when Rock and Roll really mattered and hitting the pop charts was a big deal.  This is the kind of track that deserves to be seen and heard.  Check it out.

 

Seven Days and Doesn’t Die – ‘No Restitution’ – The unmistakable pipes of Kit Swing on lead vocals as her band thump through this unrelenting rocker ‘No Restitution’.  This thumping rocker is lifted from the bands debut album due in November and one you should consider highlighting in your diary for your ears attention. Pre Order it here

MEMBRANES – ‘Borders Blurred’ The track that should have been on the band’s comeback album from 2019 but just couldn’t finish it. After a radical re-haul it now feels fresh and new and reflects these times where cultural borders are truly blurred, whilst also being a song about dislocation and being an astronaut floating in space looking back at the end of times of the planet Earth..  It’s contemporary and pretty bloody good – more please Mr Robb and co.

 
Membranes have just re-issued a double-LP vinyl set of “What Nature Gives, Nature Takes Away”, available from their Bandcamp store https://membranes.bandcamp.com 
Riskee & The Ridicule – Too Young To Be Old’ (Bomber Music) Excellent take on the  Lana Del Rey tune and two others besides.  The band released the songs individually throughout 2020 and have got Bomber Music to package them together as the band take the tunes out on the rad now that things are openng up.  Hit them up for the dates you wont be disappointed.  BUY/PLAY THE EP HEREWATCH THE VIDEOS HERE: 

 

Poison Boys – ‘Little Speedway Girl’ (Riot Records) gang vocals, twelve bar chords on the chorus, snotty vocals why these Poison Boys spoil us with their Rock n Roll songs. Bring on the album already if this is what it consists of.  Love it long time baby. 

If someone is saying the Pandemic has killed Rock n Roll needs to go see the ear doctor because this is Rock and Roll as fuck and some.  Now go tell yer friends. The huge chorus has had us singing along since the song initially appeared on the b-side to 2017’s ‘Bad Mouth’ single, and the song is finally getting it’s time in the limelight after the band re-recorded for ‘Don’t You Turn on Me’.

Pre-Save/Pre-Order‘Little Speedway Girl‘ HERE

 

The Boys – ‘I’m A Believer’ (Action Records / Revolution Records) This is the 2021 single version of the classic rocker from the band’s last studio album ‘Punk Rock Menopause’ with that classic strumming acoustic guitar holding the rhythm whilst the vocals take it to the next level and more layered gang vocals that are always superb when these gents get hold of em.  Housed in a very impressive glossy CD gatefold always bucking trends the boys have only released this on limited edition CD  with a lyric insert. The second offering is the superb Honest John sung ‘She’s The Reason’, had this been released by The Ramones music fans would have said it was the last classic track by the bruvvers. For me, the main reason (sorry for the pun) is track three ‘(There Ain’t No) Just One Beer’ with a barnstorming guitar laid down by the one and only Petter Baarli and ably assisted on the ole joanna by Daniel Rossing.  Another day another awesome release from the band. Record of the week?  I should coco.

The single will be available on all streaming and download platforms also on 3 September. Hit em up here

 

The Black Halos – ‘Uncommonwealth’ (Cursed Blessing Records)  No brainer here.  Another new single from the most awesome Black Halos. Backed by a blistering take on the much underrated long-defunct UK indie hipsters Birdland who for any amongst us who ever saw them live embodied that spirit that The Halos have in spades and the superb ‘Fossil Fuel’ that was first released back in 2016 when the band played a few shows in Europe. The Black Halos have stayed true to the music that is coursing through their veins and always release passionate and worthy tunes and this is no exception –  a superb three-track EP that’s well worth importing wherever you are. Record of the week? It’s a tie break with the Boys for sure.  Now hurry up and deliver my wax please Mr postman I’m getting impatient, oh, there’s an album on the way which is even more exciting news – Buy it Here

 

 

Amazing Grave – ‘Dog Chained To Dog’ (Eric’s Cool Records)  You want noise?  we can deliver plenty of that or rather this Canadian duo can.  Coming on like Portishead brought up on some extreme metal and trip-hop meets Royal Blood.  Eric must have some pretty cool records if this is the fruit of his work.  Check em out here

 

 

 

 

 

 

Lorne Behrman – ‘When I Hit The Floor’  (Spaghetty Town Records) When the vocals kicked in I was instantly reminded of the excellent Pursuit Of Happiness. Some cool guitar licks with some sneered, spoken, cool lyrics delivered in a nonchalant way makes for a really good tune.  NYC rocker Lorne, singer-songwriter-guitarist who previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks, and most recently The Sweet Things goes it alone on this EP released in early October but starts promoting it with this lead track and video.

WEBSITE /FACEBOOK /INSTAGRAM

KING ZEBRA – ‘Hot Cop Lady’ (Crusader Records)  New school old school hard rock. ‘Hot Cop Lady’ is a pure 90’s, hard-rock-infused banger of a track that harks back to the glory days when Biff in spandex was no big deal.

Who says you can’t have fun stretching the truth in a rock song? Hot cop lady, leather and chains, misogyny, finger tapping.   This fast hard-rocking crowd-pleaser will get you air-guitaring the riffs and chanting the anthemic chorus. From the epicentre of NWOSHM King Zebra raaaaaawk!

 

 

 

 

IRMANS – ‘Hermano’ (No Front Teeth Records & Dirty Water Records)  Unable to play live with their existing bands, Jose Reilly (Le Jonathan Reilly, Caballo Tripode) and Manuel Santos (Lucy & The Rats, Johnny Throttle, Thee Tumbitas, Michael Jackson) decided to put together some ideas and start rehearsing as a two-piece, new wave/punk band, “IRMANS” (“brothers” in Galician).

After two months of writing and rehearsing, they decided to add Francho Wilson as a third member of the band. With a background in electronic music with the act “We Are Not Brothers”, Francho added the synth they didn’t know they needed!

Their first release is a 7” single on the legendary No Front Teeth Records (physical) and Dirty Water Records (digital) entitled, of course, “Hermano” (“brothers” in Spanish).

Available to pre-order both vinyl and digital from https://irmans.bandcamp.com/releases.

 

Jesse Malin – ‘Tall Black Horses’ (Wicked Cool Records)  ‘Tall Black Horses’ is a single from Jesse Malin’s upcoming double album, ‘Sad and Beautiful World’, out September 24 on Wicked Cool Records.  Over his 40 year career, Malin has established himself across many genres from hardcore to Americana, and ‘Sad and Beautiful world’ embraces his versatility.  Of ‘Tall Black Horses,’ Malin says, “the song is about taking your worst fears and insecurities and owning them, conquering them, riding on through tall and big – being bold without fear and regret.  Everybody gets hurt. Everybody gets their heartbroken. It’s part of the journey. Ride on.”  He wrote the song on an acoustic guitar, and credits producers Derek Cruz and Geoff Sanoff for, “taking it to a much wider and vivid sonic place that I’ve never been before.”  Link

 

 

Kurt Baker – ‘Keep It Tight’ (Wicked Cool Records)  This is the second installment of Kurt Baker’s series of singles coming out this year, and the only one which will be available as a 7″ on vinyl.  The a-side, ‘Keep It Tight,’ was written by Michael Garrett and Gary Alan Holmes, and was originally released by Single Bullet Theory in 1980.  Kurt describes hearing the song for the first time as “an electric feeling.”  He says, “it’s been an inspiration to us for many years and many albums, but especially on our last full-length album “After Party”. A couple of songs we challenged ourselves to write our own version of “Keep It Tight”, or at least we tried.”  Their version of the song was originally recorded during the “After Party” sessions.  The b-side, ‘Get Away’ is an outtake from The Kurt Baker Band’s 2020 album, After Party, and was written by Julian Leal.  These tracks bring Kurt’s signature power-pop sound to the forefront, as well as honoring his inspirations.  Stay tuned for more in this series of singles. Pre Order

 

The Bloodshots – ‘Bad Moon Rising’  (Golden Robot Records) Canadian rockers THE BLOODSHOTS are back to follow up the success of their single ‘No Way Out’ with a modern, dirtied up version of the classic Credence Clearwater Revival tune, ‘Bad Moon Rising’, and why not?  Sure it’s tough to beat the original here but the guys give it a good go and it’s one of those tunes you’d have to try hard to really fuck it up which they don’t.  Enjoy!

 

The Idolizers – ‘Riot Radio’ (Rum Bar Records) With a burst of energy this new choon released as part of the labels ‘New Believers in Rock n’ Roll’ Rum Bar campaign. The lead track from their album ‘Concretins’ which promises to be a must-have – full of bangers if this is anything to go by.  Just what you want to kickstart the recovery and soak up those rays of summer sunshine. Bright energetic and with a strong hook ‘Riot Radio’ leans on Da Brudas for the energy and the riff but there’s more to it than just tipping the hat to the Ramones.  It should be on the radio as you drive to the beach but you’ll have to do with buying it instead.

Buy Here

 

The Hip Priests – ‘No Stranger To Failure/ Sounds A Lot Like War’ (Ghost Highway Records) The purveyors of the beautiful noise are back and as things promise to revert to some sort of normality the universe is reset. A double A side single sees one side belt out ‘No Stranger’ it’s off like the ghost of Lemmy is amped up to eleven and the Gods of thunder give their instruments a right good seeing to. Of course, I love it and can’t wait to hear it live and shake the foundations of whatever venue will welcome them back.  I love Von Cruz vocals on this one. Flip it over for ‘Sounds A Lot Like War’ and the ante has just been raised, what a belter.

Every single released sounds like a battle cry and a reason to give a fuck about Rock and Roll again. My faith in noisy punk rock n roll is reaffirmed and it’s another reason to get excited.  Get hold of a copy as soon as it’s released or you might regret it.  pressed on coloured vinyl it’s the bands 30th single! and the artwork is by none other than Hard-ons very own Ray Ahn.  Facebook

 

The Manges feat. Giuda – ‘Tootsie Rolls’ (Ltd Col 7″) (Damaged Goods Records) Yeah it’s handclapping one finger piano riffing rock and roll.   The Manges play Ramones-style punk rock and they are still doing to be fair but it’s not all they do so having played with Giuda and hung out with them this seems like a no-brainer. A glam stomping  Hand clapping smiling rock n roll song. Massimo from the Manges had this to say –   “One of our favorite songs for our new album is called ‘Tootsie Rolls’, and it kinda stands aside from the rest of the album, being a more pure rock tune. On this one, our producers could totally work on their favorite arrangements and structure, to the point that we ended up having two versions: one, the album song, and two, a remixed version featuring members of Giuda, called ‘Tootsie Rolls – Part II’. What a treat!”  He’s not wrong!

 

 

Alvin Gibbs & The Disobedient Servants – ‘State Of Grace’ (T & M Recordings) A new single from Alvin and more evidence of his superb songwriting abilities as three brand-new songs on gold and blood-red splatter vinyl is released.  In a picture sleeve exclusively designed once again by Gaye Black (The Adverts), a four-page colour lyric insert but is limited to 500 copies only.  Joining Alvin once again is Subs drummer Jamie Oliver and Ruts DCs Leigh Heggarty.  The title track leans on Gibbs previous employment with Iggy and I could also see this nestled as one of the best track if it were a Cheap & Nasty song.  Cool verses and toe-tapping chorus its a top tune.

‘Too Bad She’s In Love’ has got some real grit going on as we steam towards the chorus.  Great chorus and one I want to play over and over a real earworm of a song.  I love the way Heggertys guitar wraps itself around Gibbs vocal as it heads to the chorus.  Closing off this most excellent single is ‘Brother, Sister’ a jarring jabber of a rhythm offering something different to the other two tunes proving once again that there is some fantastic music being created out there – Buy it!  Bandcamp

 

The Culture Industry – ‘141′ (Riot Records)  Punk as fuck! Coming over like if Nirvana were from Australia and drank too much beer instead of facing their sneakers. ‘DK Stance’ is another slice of fire that’s more spat out than gently poured into the speakers.  Love that bass punch they have going on it really suits the sound. ‘Middle Aged Kids’ now there a phrase I could level at so many people and there’s nothing wrong with that and once this tune gets going the lyrics might be a bit cliched but the music is excellent and its a good tune. Fuck em all indeed.  Swearing might not be big or clever but who cares?  I’m sure The Culture Industry don’t give a flying fig but they can certainly knock out a decent slice of punk that’s a given. Facebook

 

 

 

 

SMASHED GLADYS – ‘Go To Hell’  (Golden Robot Records) Born from the embers of the vibrant Toronto punk scene, SMASHED GLADYS formed in 1984 and then headed to New York City. The band was headed by vocalist Sally Cato and was snapped up by Elektra Records, becoming part of the legendary glam/hair metal scene.

Cato sadly passed away in 2020 and in memory of her, Golden Robot Records bring you new material which they were recording as demos for their 3rd album. This the  2nd single, “Go To Hell” will see the light of day on the 31st of May, giving fans further insight into the unreleased material.  Following on from the crunchy guitars of that second album this is more of the same and just a great hard rockin tune and Ms. Cato sure did have a great voice that really suited the music perfectly. Find Smashed Gladys – Facebook /Twitter  Pre-order/pre-save “Go To Hell” HERE

 

 

 

Roxy Girls – ‘Roxy Girls Are In The Drink’ (Moshi Moshi Records)   Like a throwback to a time when singles from alternative bands and post-punk bands could dent the charts the complicated-sounding rhythms of ‘Like A Bouy’ come across as something between an abrasive Smiths and XTC. A chaotic mix that punctures the air behind a melodic vocal with harmonies galore and then it’s done rather abruptly.  This Sunderland band know what they want and how to deliver it.  ‘Roxy Girls Are In The Drink’ is out 27th August – Pre-order HERE

Charlie Harper & The Sub Machine – ‘Panic’  (Time & Matter Records)  Double A-sided, yellow vinyl release, adorned with a picture sleeve designed by Charlie himself, the single also boasts a double-sided colour lyric insert, each copy is individually hand-numbered and the release is limited to 300 copies only so you’ll have to be quick on this one. ‘Panic’ begins with a piano intro but don’t let that fool you as the snare hits it takes off. Features Marlon Payne on Guitar & Piano, Victoria Smith on Bass & Marley Perez on Drums.  The tracks ebb and flow is excellent as the heaviness of the verses pounds it does drop with a marching rhythm and Harpers Reverb laden vocal its engaging and intense and rather bloody good. ‘Post War Punks’ is perhaps more Subs like with its solid riff and Harper’s delivery is on point even if it did make me hungry whilst listening to its sandwich order list. Hurry whilst it’s still available – Here

 

 

Randy Savages / Razor Kids – ‘Split EP’ (Different Class Records) Randy Savages serve up a stellar pair of tunes opening with ‘Seagulls’ in all its big, loud, triumphant riffing with a tidy hook on the chorus and a melody that makes this something of a power-pop banger to be fair but hold on, their second offering is the sprightly ‘Delinquents & Dropouts’ as it puts on its collective shit kickers and gives this tune a good old rinsing.  Excellent tune from a band I want to hear more from.

Flip it over and Razor Kids do their best to duff up those Savages as they pound out their pogo tastic Ramones like ‘Abusive’. These Portuguese punks make a pretty noise as they chew out the rhythm they soften the riff with some sugary sweet backing vocals that work really well. Their second offering of ‘Perfect HArmony’ much like Randy Savage’s pair is the strongest of their two offerings with its understated lofi number its one-note guitar solo is pure Thunders and I love that.  It wraps up a very impressive EP from two quality bands I need to hear more of.  Get it!  Buy Here

 

 

Johny Skull Knuckles – ‘Shang-A-Lang’ (self Release)  Free music anyone?  Hell yeah! get yourself some of this.  Skullknuckles doffs his hat to the sad passing of Les McKeown. Johny has always wanted to do a cover version of this track and now seemed like such a fitting time. Johny said “It has actually turned out a lot more poppy than I had envisaged so at some point I may record a “punkier” version but this will more than do for now. I hope you think I have done the song justice”. Absolutely he’s done it justice.  Get it Here

 

 

 

 

The Riot Vans – ‘Scary Faces’ (Disobedient Records) Post-punk noisemakers the Riot Van release their first single after the ink dries on their deal with Disobedient Records and its a cold angular stabbing slice of post-punk with its jerking and grinding verses but that makes way for the blast on the chorus that’s like a loud blast of heat.  I’d imagine this would be a great tune to blast out in a packed club with sprung flooring.

Check it out here

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Dez Dare – ‘Dum Dum Dum’ (CH!MP RECORDS) Taken from the album ‘Hairline Ego Trip’ out this coming June Dez does Lofi Punk rock with added scuzz and a dash of alternative indieness Native of Victoria Australia Dez has done his years service playing in Warped and has released this frantic buzz saw riff-a-rama under lockdown to add chaos and noise to every avaialble corner.  check out the video below.

It conveys his strong distaste for nationalism. “I want to push against entrenched views, closed borders and minds of large groups of the human race. There are a lot of fights happening at present around the world from climate to right-wing hysteria to unfettered capitalism and we need to work together as an animal of the same kind rather than separated by space, colour and tradition.”

 

Suzi Moon – ‘Call The Shots’ (Pirates Press Records) Who?, if I were to tell you she’s the ball of energy behind Civet & Turbulent Hearts then it might make sense.  Pirates Press aren’t dummies and releasing this EP they know their stuff and anyone who’s seen her live knows what a performer she is. Kicking off with ‘Special Place In Hell’ its a real firestarter of an introduction but as good a song as this is this EP gets better and better.

For a debut solo record, this is setting the bar high with a slice of energy and thunderous tempo its got the lot.  Great sound, playing and memorable chorus. I love it but ‘I’m Not A Man’ is like she’s channeling the spirit of Texas Terri Bomb and the attitude of Wendy O Williams whilst having the cool of Joan Jett.  Honestly, it’s that good possibly the best track I’ve heard for a while at the singles club I love it.  It sounds so easy and like Moon is having the best of time with her Rock and Roll and then to cap it off with the attitude soaked rocker of ‘Nuthin’ To Me’ this is excellent stuff and if this is an indication of what’s to come then bring on an album of this stuff we need to hear it!
Find SUZI MOON online: Instagram / Facebook / Youtube

 

The Chelsea Curve –  ‘All in Time’ (Red On Red Records) a new single every month from this sensational band, culminating in a full-length album this coming fall! The Chelsea Curve bring their love of the sound and style of the 70’s mod scene and smash it up with the guitar leanings of their respective pasts. Linda Pardee (Orbit), Tim Gillis (Frigate), and Ron Belanger (The Winter Project) came together when Linda said no to being in Ron’s new band and instead asked him to be in her new band along with Tim. Accurately described as the sparks that fly when The Jam meets Husker Du, the trio blasts out bracing retro mod pop with hooks aplenty.

Follow The Chelsea Curve here: FacebookInstagram . Bandcamp

Buy Here

 

Frank Carter & The Rattlesnakes feat Joe Talbot – ‘My Town’ (Self Release)  New single from Carter is barbed wire wrapped in a velvet glove plenty of aggression yet melody and a decent hook on the chorus.  With the humming synth throughout it’s an intense number that burrows into your ear and will have you craving it over and over – trust me.  Also, a great move getting Talbot on guest vocals as he suits the attitude of the lyrics perfectly – A banging song! Facebook  download it here

 

The Cocktail Slippers – ‘She Devil (Shout IT Out Loud)’ (Wicked Cool Records)  Norwegian rockers, The Cocktail Slippers, are releasing a brand new single digitally and on limited edition 7″ vinyl.  Both tracks are originals and are a taste of what’s to come. The lead track is a commercial slice of subtle Glam Rock – real glam rock with platform boot firmly planted in the 70s they do elsewhere but here this is their most commercial stab so far.  with killer harmonies – a real earworm of a tune and one we highly recommend. The flip sounds like the Go Gos jamming on some Blondie and has a pop smooth sound.  Not as good as the other side but hey it’s a grower, not a shower.  Pick it up Here
Clowns – ‘Does it Matter?’ (Fat Wreck Chords) “Does It Matter?’ is about breaking the law, says Clowns vocalist Stevie Williams. the hook-heavy raucous number that demonstrates the prowess of their current lineup. Now completed by drummer and founding member Jake Laderman, vocalist Stevie Williams, bassist/vocalist Hanny J and guitarists Rod Goon and Cam Rust.  On first blast, it’s not as raucous as previous offerings and might take some getting used to but it’s Clowns and they get a free pass because of previous recordings and live shows. I’m hoping it’s a bit of an earworm and the more I hear it the better it gets.  Just bring the album out already and get touring we need bands like Clowns full of menace and with a whole load of piss and vinegar in their performances be it on record or live. 
JIZZY PEARL’S LOVE/HATE – ‘Soul Mama’ (Golden Robot Records)  Lifted from his album that we won’t get until 2022.  Jizzy Pearl’s Love/Hate are up and rocking.  His vocals have always been capable of melting steel and he’s lost none of that power.  ‘Soul Mama’ is a retro trip back to when the metal Gods such as Zepplin roamed the earth with a laid-back beat its groove-laden with a raw and purposeful guitar lick all making way for Pearls commanding vocal.  
Pre-Save/Order ‘Soul Mama’ HERE

Dead Dirty Dinosaurs – ‘Too Many Questions: The Abbey Road Masters’ (Riot Records) ‘Holding Back is a brooding beast of a track with the slow purposeful twelve-bar riff building into a cacophony of noise’.  To be fair its bettered by track two which is another brooding number with a menacing verse followed by raising the volume for the chorus before falling back.  A nice idea that works on ‘Revenge’.

 

A love of 90’s alt-rock, punk, post-punk and post-rock serves them well as ‘bad Timing’ rocks like a good un.  Signing off this four-track EP with the excellent ‘Monica’ mixing up the likes of Therapy? with the Pixies is a fine way to introduce yourselves for this Brisbane trio.  They’ve certainly got the chops on what is an excellent balanced EP.

Stream/buy ‘Too Many Questions: The Abbey Road Masters (Remastered)’ HERE

 

The Dogs featuring Frank Meyer – ‘Under The Coast’Chicanery Chick Records/Die Laughing Records) Underground punk legends THE DOGS have unleashed a new digital single ‘Under The Coast’ that was co-written with and features fellow rock ‘n’ roller Frank Meyer (The Streetwalkin’ Cheetahs, James Williamson & The Pink Hearts) on guest vocals and guitar. The socially conscious, topical song is available now on all digital formats and deals with the chaos and dissonance of modern times.  None more Rock and Roll than Frank when he’s in full fight so it’s great to have him here belting out a really good song.

Now if they were to record a whole album as good as this then the pandemic would have had a good final outcome from a year of lockdowns and turmoil.  Please make it happen.

Stream/buy ‘Under The Coast’ HERE

Die Laughing Records will also issue ‘Under The Coast’ on vinyl later this year as the B-side to The Dogs’ previous digi-single Welcome to the Revolution.’ 

 

Chuck Norris Experiment – ‘Dirtshot’ (Self Release)  The Scandinavian Rockers channel their innermost DC with a huge riff that sees them continue with their pursuit of all things loud.  It also confirms them as Swedens premier Action Rock and Rollers a position they’ve had hold of for as long as I can remember.

It’s as good as anything they’ve done for ages and the solo is an absolute blast. In fact I go so far as to say it could become one of their highlights live such is the energy of the song – great effort!  Always a pleasure and never a chore to put on some CNE you should join me.  Facebook / Bandcamp

 

 

 

Cheap Trick – ‘Boys And Girls And Rock and Roll’ (BMG) With a new album coming in April Cheap Trick release another new tune and what a ball of energy it is.  Still Relevant – Still go tit and still going (Thank God) Hall of Famers are still cooking with this new record sounding lean and mean they certainly rock it up with this one. Its anthemic and pure unadulterated Cheap Trick – Awesome!  CONNECT WITH CHEAP TRICK: Website / Facebook / Instagram / Twitter

 

 

 

The Erratix – ‘You Don’t Care’ (Beluga Records) Another new band releasing excellent music on Beluga Records.  this time it’s a slice of power pop ear candy hailing from Minneapolis, USA, and what a stonking introduction it is too.  Mixing old school Costello with some Exploding Hearts and a whole lot more besides.  It’s only two songs but if this is an indication of what’s to come then bring it on this is a wonderful debut single. Be it the A-side of ‘We Don’t Care’ and its boundless energy or the other side ‘When Will It End’ which is infectious and boundless energy poured onto a side of a 7″ record.  It’s outta the same handbook as bands like The Cry but with some added keyboard swirl or The Briefs, yeah you know and on this evidence so do The Erratix.  Buy it Here     The Erratix Facebook

 

 

 

Slander Tongue – ‘Ride’ (Slovenly Records)  what I’d like to pigeonhole as a right toe-tapper.  Slander Tongue are riffin’ it up on this one like early AC/DC but with more attitude! Yeah, thats right more attitude than Bon and the boys it’s got a house party of chorus going on here and the solo is on fire. Hell, flip it over and ‘Lockdown’ is platform shoed glam slammin’.  IF there is a better single coming out then I’ve not heard it and it hasn’t found its way onto the RPM Jukebox but this bad boy has. Berlin is a lucky place to have these cats call it home and If you have a few coins going spare and want a band to chuck em at then this is all killer and no filler, Buy it! Bandcamp

 

 

 

 

Cousin Betty – ‘Left’ (Golden Robot Records) “Distorted and psychedelic influenced indie desert rock with some grungy garage infused overtones”.  Quite a mouthful to introduce yourself but I think it does them a disservice as ‘Tape Hiss’ cracks open this EP in fine style and once it gets going it’s an infectious slab of loud rock! albeit with an abrupt end. ‘Drone’ is another slab of hard, loud, rawk!

Born out of the pandemic and boredom main architect Damien Stofka whos an old hand at this music business spent his lockdown collaborating with artists he liked from around the world and ‘Left’ Was Born. Instrumental ‘Lazy Bones’ wasn’t for me but the pop undertones of ‘Loan Sharks Of Love’ mashed up with noise and chaos my interest perked up. but they saved the best till last as ‘AWOL’ is a runaway train reminding me of something Josh Homme might put together.

Pre-order/pre-save Left HERE

 

 

DeeCRACKS – ‘Get out of My Head’ (Pirates Press) Austrian punks DeeCRACKS have released their video for “Get Out Of My Head,” the third single from the band’s new record ‘Serious Issues’. It is available now for purchase from the Pirates Press Records webstore and all you punks looking for a fix of gabba gabba Hey! can fill yer boots here because DeeCRACKS do it so well.  It’s catchy and timeless.  Now bop til you drop.   Find DeeCRACKS online:

 

Diner Drugs – ‘Need Time’ ( )  A real blast of energy from Diner Drugs as the only band I know outta New Brunswick so must be the best the area has to offer releases ‘Need Time’ as it thunders around my speakers.  Walking the path trodden by the likes of Bronx, Cancer Bats, and heart attack kids is always going to get a listen around these parts and it is with great pleasure that they did.  Top tune! get on it kids it’s a banger! Bandcamp

Featuring members of Bong Jovi, The Human Comedy and Savage Young, collectively they’ve been playing music in Moncton since 2009 and ready to take on the next trip and my advice is jump on it you won’t be disappointed -noisy bastards!  Facebook / Twitter / Instagram

 

 

 

 

Tommy’s RockTrip – ‘Got To Play Some Rock ‘N Roll’ (Frontiers) OH baby it’s like a steam train rolling down the tracks.  Retro Rockers Tommy’s Rocket Trip is on Fire! Flying V’s double bass drums its happening kids and Got To Play Some rock and Roll is running on down the track.  Formed by drummer Tommy Clufetos and featuring lead vocalist Eric Dover (singer and/or guitarist with Jellyfish, Slash’s Snakepit and Alice Cooper), Eliot Lorengo (bass), Hank Schneekluth (lead guitar) and Nao Nakashima (rhythm guitar) so it’s obvious these cats can play and play they most certainly do they might not be reinventing the wheel but they are setting it ablaze!

Facebook / Instagram

Before January is finished we have another session of the Singles Club to round off the first knockings of 2021and as usual the quality is impressive.  Hit em up and share the love of the trusty old 45RPM…

 

Muck & The Mires – ‘I’m your Man’ (Dirty Water Records)  We’re starting this weeks singles club with this garage rock hip shakin bundle of energy from Muck & The Mires.  As you’ll hear from the guitars this is right on the money sounding like it was recorded live in the moment and with some great melody and BV’s its a right Banger!  Don’t doubt it that you need to hear these cats so head over to Bandcamp Here

 

45 Adapters – ‘Now Or Never’ (Pirates Press Records)  Emerging out of the clusterfuck for bands that was 2020, this long-anticipated EP really packs the punch everyone has been hoping for.

It Comes out swinging, and is hit after hit on a pretty cool 12” picture disc that looks like it was printed on glass. The title track, a rip-roaring addition to the Pirates’ sampler “For Family And Flag“ that we reviewed a few weeks ago.  It whet the whistle of fans across the globe… and the remaining tracks stacked up on this EP

Summarizing the sentiment felt by many, it really is “Now or Never“! Time to take a stand.

 

Guerrilla Teens – ‘End of the Leash’ (Self Release) Two downloadable tracks from the epic Guerrilla Teens Hell Yeah! I’ll take that sir.  Scott ‘Deluxe’ Drake leads another slice of hellish Rock and Roll from the garage with a bluesy guitar break that leads you down a dark alley where the band is waiting to pound you without mercy they won’t rest and who can blame them as the song tail off into the distance with howls and wah! leaving you satisfied once again with the tracks teased out of Bandcamp. But wait there’s more as ‘Running Away’ is a petulant slice of Rock and Roll that’s got some loose gang vocals snarling away on the chorus.  It’s snot captain but not as we know it.  I love Guerrilla Teens they’re one of the triumphs of Lockdown and Pandemic.  Now get this motherload of songs onto a slab of vinyl and we can put this past twelve months behind us.  Bop Showaddy indeed – Buy It! Here

 

Captain Future – ‘Holy Waters’ (Gypsy Hotel Records)  Alex McGowan is the man behind Captain Future and the new album ‘Ghostman’ and the first single taken from the album is ‘Holy Waters’ a bluesy slice of Dub or a dubby slice of Blues, either way, it’s a trip and a trip you should take. Love and hate collide and with the backdrop of what’s going on with certain leaders, it’s a slice of up-to-date right on-the-money music. It’ll creepy crawl into your head and shifting it is hard. Subtle and flavoursome the verses are dark whilst the chorus is raised and lets in the light.  clever stuff.

 

Automatics – ‘Irish Blessing’ (Blank Generation Records ) Taken from the recent Automatics, white vinyl, promotional 4 track ‘Octonary’ EP, and also on the album ‘A Grand Swandive Into The Void’.  You might think so what? However, if I were to say Steve Jones and Johnny Thunders contribute then I might just grab your attention and you might prick those ears back and give this some deserved attention. Also featuring SLF guitarist  Ian McCallum.

what you have on this EP is quality ’77 punk Rock and Roll. Considering the calibre of the players, of course, these songs have that wonderful crunch on the guitar and when recorded right it lifts a recording.   As you’ll hear ‘Irish Blessing’ has a Galic slant and some typical Irish folk leanings from the acoustic guitar to the lyrics.  A bit of everything on the EP means – for me, a good proper investigation into the bands back catalogue and great discovering a whole bunch of tunes that passed me by first time and when, as I say. they are as good as this its a joy to discover. Website

 

Brad Marino – ‘What Do You Know’ (RumBar Records) The Connection, New Trocaderos, Rydells, Jimmy Rydell, and upfront and center; Portsmouth New Hampshire’s Brad Marino has founded, co-founded, written, co-written, performed, and recorded in & on multiple garage rock, punk, and power-pop bands and releases over the last 10 years.  2021, Brad Marino returns with his sophomore Full-Length release, jam-packed with power poppin’ rock and roll extraordinaire… ‘Looking For Trouble’.  But to whet the appetite ‘What Do You Know’ is sent around the ether like a cannonball.  Sure it’s got melody and a solid rockin’ backbeat and a whole heap of hooks and of course a raw guitar making it a must-hear track. Forging the way forward in powerpop circles.  Don’t delay and be sure to hit Marino up and check this out you won’t regret it.  Bandcamp

 

UNDER THE INFLUENCE ‘Moon Flavoured Magnets’ (Riot Records) ‘Moon Flavoured Magnets’ is the follow up to recent singles ‘Body Parts’ and the acoustic version of fan favourite ‘Propaganda Leaks’. Whilst the title comes across as being psychedelic, this track is far from it. It is another storming hardcore flavoured punk track. A vicious and intense punk / Metal hybrid. Its the sound of the roof caving in on you but it’s ok because the band are kicking up a shitstorm and I like that.  Noisy Aussie bastards

“Welcome to Kins brain. It’s infused with mushrooms, madness and wisdom but we’ll let you decide… This is a mystical magical poem I wrote to Mother Nature. Touching on human greed, space, time, pollution and disrespect. Sadly, most humans are on a self-driven vendetta. Without a care for what really matters or anything that’s connected to the natural world. The only hope I see for mankind is to reconnect to the moon and oceanic currents by the only way I know, magic of course. That’s what this song is about…. Magic.’’
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Wildstreet – ‘Set It Off’ (Golden Robot Records)  new single ‘Set It Off’ is like stepping back in time onboard bill and teds cock – rock – o’clock time machine.  Not quite as dangerous as I was expecting and sounding more like a homage to Def Leps.

“Be yourself and stand up for what you believe. There will be set-backs, scars & bruises but you have to pick yourself up because you will make it to the top.”  oh ok righto guys but cmon. I have been transported back in time this covid lockdown has sent me down a wormhole where Warrant and Ratt are strutting up and down the Sunset Strip for sure this would be featured in Bill & Teds next movie for sure  all they have to do is wait…and wait…and wait

 

 

Midnite Snaxxx – ‘Contact Contamination’ (Slovenly Records) Rough blast of sugar-sweet punk rock with a video to test your brain its Midnite Snaxxx baby and their rapid adjit punk rock is addictive like hidden E numbers in kids confectionery its fast its fun and its addictive like a rapid Siouxie & the Banshees if I might be so bold. Songs outta Oakland never sounded so good did they?

Get it while it lasts Here

The Shang Hi Los – ‘Kick It Like A Bad Habit’ (Rum Bar Records) A new one on me but it came via Rum Bar so of course I was going to check them out. Coming on like a Jags meets Blondie with healthy dollops of Cars thrown in along with a whole heap of other power pop luminaries this is a great easy listen for a debut single.  There’s enough edge to remind me of Johnny Thunders last incarnation with the magnificent Oddballs – now I’m not comparing them quite yet but there are traces of the same DNA going on and that’s always going to drag me in.  Love the guitar break on ‘Funeral Home Mint’ These cats love Rock and Roll and pop from days gone by as ‘Stay’ would testify then follow it up with the luscious ‘Skipping Records’ with big chords and big harmonies. It wouldn’t be fair if there wasn’t a Smokie sounding acoustic big finale with those duel vocals working really well together.  In such trying times it’s nice to be nice and The Shang Hi Los sound like a really nice band and they’ve got tunes baby that’s for sure.

Check it out Here

 

Hookers & Blow – ‘Time Of The Season’ (Golden Robot Records) Hookers & Blow, the now legendary project formed by longtime Guns N’ Roses keyboardist Dizzy Reed and Quiet Riot guitarist Alex Grossi, recently hit the studios last year to record a covers album that will be released this year via Golden Robot Records. This is the fifth single off the album, a cover of The Zombie’s ‘Time Of The Season’.  It follows the release of the singles Shakin’ (Eddie Money), Rocks Off (Rolling Stones) and Ziggy Stardust (David Bowie) and Trampled Underfoot (Led Zeppelin)  and a jolly good cover it is too.  Polished as fuck but has a load of energy, Decent.

Pre-order/save Time of the Season HERE

 

The Cavemen – ‘Am I A Monster’ (Pig Baby Records)  I’ll be honest if The Hip Priests aren’t releasing a record the singles club can be a bit quieter but those crazy fuckers from New Zealand releases anything it sure perks this place up and again these Garage Ghouls have released an absolute pair of snotty stonkers in the shape of ‘Am I A Monster’ and ‘Schizophrenia’.  The lead track is a stuttering head-shaking noisefest.  It’s uncompromising yet totally uplifting and I love it.  Imagine a time when these could have toured with The Parkinsons and The Hip Priests now that’s a tour I’d risk.

If the A-side was a rush then the B side is a Rock and Rolla for sure from start to finish and before the second line of the chorus I’m shouting along.  One simple instruction from here is  Buy It Here

 

Real People – ‘Life Without A Head’ (Slovenly Records) Rapid shots across the bow Real People aren’t fucking about available on tape (hip fuckers) or digital it’s shouty hardcore folks and tight as a gnats chuff.  Lead track is a sprint to the finish and blink and you might miss it slice of Hardcore and it’s good.  It’s pretty much the same MO for all the tracks with only one breaking the two-minute barrier but where it might be brief flashes of noise its quality and that counts. As they say on their promo blurb “seven solid minutes of no-frills and cheap thrills” just about hits the nail on the head and that’s what it should be,  I like the riffs and the final offering is sharp and the riff is nailed.  Check em out Here and thank us later

 

 

Cornered – ‘Failure EP’ (Blindsided Records)  Dutch Harcore band Cornered are a new one on me but on first play they have that NYHC sound off to a tee, and with that clicky bass they thump their way into the singles round-up. ‘Burn’ is the opener with the Metal edged Hardcore being delivered in fine fashion.  ‘Jungle Law’ reminds me of Downset and with a classic seg from Planet Of The Apes introducing the track what’s not to like?  It’s short sharp and to the point exactly what no-nonsense Hardcore is supposed to be.  ‘Realms Of Misery’ is a measured intro then off into a huge groove.  I’m sure live in a tight pit these would be perfect and go down a storm.

There’s a lot going on here and at times it’s claustrophobic but at the same time, it’s good to just lash out and Cornered does it very well this isn’t a ‘Failure’ at all it’s European Hardcore mixing it with the best of em and holding their own. Check em out Here or pick this EP up Here

 

Yur Mum – ‘Black Rainbow’ (Self Release) The band, consisting of Anelise Kunz (Vocals/Bass) & Fabio Couto (Drums), have decided to unleash the first track from their forthcoming album, ‘Tropical Fuzz’ considering its just the rhythm section they manage to make a hell of a din I’m sure you’ll agree? claiming to not play by the rules would be about right to be fair and the Black & White video makes perfect sense as the track is bleak and cold and wintery.  For fans of Therapy? and Placebo would be just about right on this evidence.  Interesting stuff indeed. check em out Here  /  Bandcamp – https://yurmum.bandcamp

The Last International – ‘Modern Man’ (SME, The Orchard Music)  Taken From New Live Record ‘Live At Arda. Vocalist Delia Paz, comments: “We live in a time where “Girl Power” has been reduced to a hashtag, used by countless celebrities and companies to sell products. The #metoo movement continues to welcome leaders that directly carry out heinous violence against women and children throughout the world, via drone strikes and crippling economic policies. These victims have been completely ignored by mainstream feminists. Anyone, including myself, who tries to expose this hypocrisy is immediately silenced and shamed. “Modern Man” is a song that gives a voice to the overlooked and disenfranchised women all over the world. I hope it encourages everyone, not just women, to think critically and speak up against all injustices and oppression. We will not be silenced!”

Album out now on general release: Digital: https://TheLastInternationale.lnk.to/… Physical: Worldwide excl.  https://thelastinternationaleukeurost… USA: https://thelastinternationale.bigcart…

Australian garage punk rockers MOOT have released their new EP ‘Cultural Treason’ via Riot Records. Cultural Treason is the first proper release from the band.

A collection of songs poking fun and inspecting what’s going on in the world today. It’s fast, chaotic and good fun would be the best way to describe this record as it blitzes round the genres of Punk and Garage Rock.

Cultural Treason is trashy garage punk rock and roll. Australia is easily caning the rest of the rock and roll world over the last couple of years and are churning out potential breakthrough acts left right and centre. A lot of the better ones are hedging their amps down the Garage sloppy punk n roll street.  Moot are on of the contenders or they bloody-well should be

I Hate Hippies is MOOT’s summary of the modern phenomena of hipsters. The one that puts on the “I’m in touch with the earth and wellness” schtick, but really, it’s just mummy and daddy financing a self-absorbed arrogant hypocrite. ITs spat out as you’d expect.

 

‘1000 Words’ is old school punk and if you close your eyes you could imagine this was recorded in a rehearsal down the Roxy.  There isn’t much finery going on in the control room and the band seem more intent on capturing the spirit of the music rather than keeping up with modern studio dynamics.   ‘Sick Dog’ sounds like they just found an early pistols jam as they try to harness that Jonesy guitar riff.

Six tracks sounds like a great idea for a first release and knocking it on the head with the single ‘I Want TO Be Clint Eastwood’ has the feel of Dead Kennedys but not as rapid, unlike the record’s opener.

 

In the bands six years existence, they’ve played every dive bar in Australia and lived to tell the tale with a smile on their faces lyrics that tackle serious subjects as well as with a cheeky wink and who doesn’t want to be Clint Eastwood its about time someone wrote a tune worth playing twice about the Actor.

 

Buy ‘Cultural Treason’ Here

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Author: Dom Daley

Christmas / Bronco – Split (Lux Noise Records / SIXTEENTIMES MUSIC) CHRISTMAS team up with Swiss heavy-stoner boys BRONCO to deliver you some super delicious sound from the underground. This one comes out on limited colour vinyl and the super saucy sleeve. Bronco dish up ‘Cowboy’ and what a heavy riff-a-rama slice of noise it is.  No prisoners at all as for Christmas? well, ‘Candy Me’ is a belter. Crisp riffs and crushing drums is exactly how Turbonegro wish they sounded in 2020.  Having Max Motherfucker blow you a kiss at the end is better than a stick in the eye.  Hardcore heaven with a cheeky picture on that artwork very cheeky indeed. Very limited numbers so snooze you lose.

Buy Here

 

L.A. Guns – ‘Let You Down’ (Frontiers) After the excellent return to form last years ‘The Devil You Know’ this sees the guns shifting gears to something a lot less turbocharged.  Recording in isolation the band saw fit to get this out for the fans to hear whilst they work on the follow-up Looks like that rich seam they are on is set to continue. Clocking in over five and a half minutes it ebbs and flows nicely something this line up is never set to do is let you down.  check it out Here

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The Speedways – ‘This Ain’t A Radio Sound’ (Snap Records) Second single from the upcoming album ‘Radio Sounds’ (eta June 2020) sees The Speedways add some stardust via a liberal sprinkling of Keyboards. The verse is light and the perfect foil to the chorus and the dreamy solo.  Bv’s and handclaps the Speedways go straight to the top of the Power pop class no question. To add the cover is timewarp tastic.  Diggin’ deep and throwing a real curveball shows that Matt and the boys have no boundaries and are fearless in their execution.  Should be heard on the wireless all summer all over the land and some.  Can’t wait for the album now on the strength of this.
includes our cover of the Billy Ocean classic.

Buy Here

 

Chesty Malone and the Slice ’em Ups – ‘The Fine Art of Choking’ (Quarantine Version) (self Release) The lockdown seems to have galvanised a lot of bands and has got the old creative juices flowing and Chesty Malone are no exception.  Looking for a soundtrack to get those exercises done well here you go ‘The Fine Art Of Choking’ is that soundtrack. A little more laid back (if I might be so bold) than the usual fair from these Noo Yawk City maniacs but fear not my punk rockin’ friends it’s a bonafide fuckin’ banger.  If you really want to push yourself then ‘State Violence/State Control’ is more in your face punk rock kicking and screaming but what else would you expect if you cover a Discharge song.  Wonderful noise as always maybe we should quarantine these punk rockers more often.  Love the solo on this. Buy Here

 

Matty James Cassidy – ‘4x4x1’ (Self Release) Hold on a cotton-picking minute! Matty James Cassidy has lassoed in a few of his bandmates to play on these four countrified blues numbers as the band rip it up on the barnyard ‘The Race Is On’ and capture the mood perfectly.  Next up they twist the Stones ‘Dear Doctor’ into a much lighter beast and take ownership of this classic and do it justice. ‘How Come’ is a real belter and the arrangement is excellent and adds a much-needed chink o flight in these dark times. Everybody loves a bit of boogie woogie on the old joanna and some clean guitar breaks right? Yehaw!

To take this excellent EP home Matty goes for the acoustic ‘Old Shoes’ and an end must come which is a shame because this is a really excellent collection.  Great stuff.  Buy Here

 

Pabst – ‘Hell’ (Ketchup Tracks / The Orchard) Berlin’s Pabst have released the video for brand-new single ‘Hell’, a song that openly confronts the darker emotions and what a banger it is too.  After supporting the likes of Husker Du’s Bob Mould Pabst are set to release their new album  ‘Deuce Ex Machina’ mid-June and if this is an indication of what to expect then its something to look forward to and get in on the pre-orders. A fantastic song from a really talented band who write great hooks and use everything at their disposal call it post-punk, indie pop, whatever they clearly know how to write great tunes and ‘Hell’ is another. Pre-order the album HERE.  Facebook

Fontains DC – ‘A Hero’s Death’ (Partisan Records)   Barely a year since their debut ‘Dogrel’ earned them a spot as one of the most acclaimed new bands of 2019, Dublin’s Fontaines D.C. will return with ‘A Hero’s Death’  the LP in a couple of months. A glimpse under the curtain as to what to expect is the video for the title track of the new album right here.

Pre-order / Pre-save the album: Here

Purchase / Stream the single: Here

Michael Des Barres – ‘Anarchy In The UK’ (Wicked Cool Records) fronted the bands Silverhead and Power Station.  The latter played the Live Aid festival in 1985.  Michael is currently a DJ in Little Steven’s Underground Garage and yup you’ve read that right This release is a cover of The Sex Pistols’ ‘Anarchy in the UK’, which was produced and arranged by Stevie Van Zandt.  If you’re expecting a snarly slice of Des Barres punk rock then I suggest you step away from the speakers now.  This one got strings and swing and whilst I’m not really convinced if he just tried to copy the original we’d all be laughing like we did when Mutley Crue and Megadeth had a go at being the Pistols.     The B-side is an original, which features Genya Ravan on co-lead vocals. and that’s much more appealing. Facebook Buy Here

 

Hot Nuns – ‘Rude, Dumb & Anxious’ (Loyal Blood Records) Norwegian power punk rock duo Hot Nuns, featuring members of Blood Command are back with a new EP titled “Rude, Dumb & Anxious” it features four new tracks including a cover of The Boys’ “First Time”.

The duo comments on the album. “The record is four tracks of stripped-down punk rock. Its only drums, bass, and our vocals. We have a rule that if we can’t play it live we can’t put in on record either. So there is no cheating here. Not trying to be pretentious, but we try to make music the same way Lars Von Trier made Dogville. No fancy extra layers needed to get the story across. The lyrics are mostly about sad losers longing for love except for the title track ‘Rude, Dumb & Anxious’ which is about people who will say whatever about stuff they don’t know just to fit in and look good.”  So the proof is always in the pudding as they say.  The opening track comes on like a thunder blast of melodic aggression not to dissimilar to something Therapy? might write (with some obvious sound differences second cousins if you like). ‘I Love You Still’ is more of the same a groovy adjit pop tune played by post-punk rockers. they’re not the first to go with the overdriven bass and drums but they do fill a room and its surprisingly listenable that’s for sure. The track I was looking forward to hearing most was how they’d interpret the Boys cover and to be fair they do a sterling job and one I’m sure the writers would be proud of but then again it’s such a classic it’s hard to fuck up even if that’s what you were trying to do. To wrap it up the title track is a right banger as well so top marks from me for this EP.  great effort! Facebook

FRND CRCL – ‘Deception’ (FCMedia) New Joirsee pop-punkers go for broke on their new album and pay homage to the genre rather than reinvent it.  This is taken from their second album and like I say does a grand job in a Blink or all American rejects style.  Nothing new but really well done.  It’s bright and upbeat and ebbs and flows nicely.  Layered with acoustic guitars n all sorts so a lot going on when it’s loud it’s loud and when it’s building it does so rather well to be fair. More punk than pop to be fair Website / Facebook you can buy the album Here

 

 

 

 

Thee MVPs – ‘A Song For The Councillor’ (Eesy Records) A song about how we should probably get together more often. Sardonic verses, a damn catchy chorus (even if it is wordless) a shreddy middle 8, a motown bassline followed by a heavy chug riff in the bridge, a little bit of everything this record offers all in one tune, something the psych heads can shake it too, the dads with a night off can crowdsurf too, goths can throw shapes too and the skaters and crust punks can throw fists too (all common sightings at any MVPs gigs). Lyrically speaking it’s Funeral Part 2 without the name, a Spiritual Successor which is also spiritual with the words without getting too Rainbow Rhythms. I think this tune is ringing through a bit clearer during this pandemic if you ask me, everyone really should talk to each other more. In memory of Uncle Will, who served in the Desert Rats in WW2, who we all called Councillor when he arrived at the pub after he’d ridden his bike two miles into town and put his bets on for the day, he passed at 96, he only packed in the cycling 6 months prior. Gravesend’s Harry Dean Stanton. The Second Single from the First LP from Thee MVPs and the First LP from Eeasy Records.

SHIT TINNIES – ‘Town’  (Riot Records) Shit Tinnies you that’s their name Shit Tinnies haha is there such a thing?  They’re a whirlwind of punk rock, ska, hip-hop and everything in between but here it’s more basic and street punk. Exploding onto the Sydney scene in early 2019, Of course they’re Australian where else on the planet is it called a tinnie? To be fair they play a fairly standard punk sound clearly influenced by the likes of Rancid on this evidence and others like some of the Brit Oi! bands who’ve seen a resurgence in recent years it’s great to hear young ones taking on board the sounds and turning it into something new and trying to keep things fresh  will also get the metal fans on board with those crunching riffs Facebook     Buy Here

 

 

DESTRENDS – ‘Wasteland EP’ (Bread & Butter Records)

Jessie Wagner – ‘Over And Over’ (Wicked Cool Records) Sweet sweet soul music from Jesse with some cool brass and some blues that would make joe Perry blush when he’s honkin’ for bobo.  The horn section adds some polish to a really cool tune. It’s soulful and street cool all in one and like she’s shaken her moneymaker and danced with Kravitz and played her Bellrays albums over and over. To add another texture the laid back ‘Put Off Saying Goodbye’ is soulful and her velvet-smooth vocals against the violin is wonderful and the fact she resists breaking out on the tail end of this is great to hear.  A really impressive introduction to a very talented performer  I can’t wait to hear more.

Buy Here

 

The Zipheads &  The Nosebleed – ‘Banrobber’ / ‘Train In Vain’ (The Strummer Foundation)  both popular stalwarts of the DIY punk scene have teamed up with the Joe Strummer Foundation to release a song each from The Clash’s back catalogue in their own raucous styles, raising money to provide opportunities to musicians and support to projects around the world that create empowerment through music. What’s not to like a great worthwhile cause and two fantastic songs.  Worth a couple of quid of anyone’s money if you can support it at these tough times then grab yourself a couple of top covers in exchange

Buy the songs Here

 

 

 

 

Goldie Dawn – S/T (Drunken Sailor Records) ‘Gone With The Wind’ is the sound of about a dozen awesome bands rolled into one bubblegum blowing snotty slice of rock and roll. So it’s not the catchiest record you’ll ever hear but its pretty damned good for an introduction especially when the engine gets warmed up after a couple of minutes and they channel their inner Brain James. ‘Crime’ will certainly clean out any hearing problems with the feedback before we roll off round the block on a badass hotrod of attitude punk rock n roll. Love the riff as it scuffs off the rock-solid rhythm like the bastard child of Ziggy era Bowie.  but wait the best is yet to come as ‘What’s Inside (Never Dies)’ and what a Heartbreakers joy ride this is. So yup its got handclaps and a Walter Meets Johnny guitar lick coursing through its veins and I’m always a sucker for some of that.  top tune. But it’s not ending there because the band does ease back a little as we ride out into the sunset with ‘It’s Nothing To Me’.  Bookmark Goldie Dawn or whatever it is the kids do these days I’m expecting great things if this is what they can offer us. Buy Here

 

Percy – ‘Will Of The People’ (Ten Foot Records) The track comes from their new album ‘Seaside Donkeys’. The album is a work that represents the gritty realism of the 2020s and that is extremely relevant to a country and planet on the brink of unchartered waters. Will Of The People is a fine slice of punk rock with gritted teeth this song sums up living on Shit Island for many people. Buy Here

Cement Shoes – ‘A Love Story Of Drugs & Rock & Roll & Drugs’ (Drunken Sailor Records) After they’ve finished fuckin’ round with the universal fanfare its heads down and hit go but don’t just hit it SMASH The Fucker! ‘Smashed On Glass’ is like a punch in the face using an elephants hoof on the end of a jackhammer.  A marvelous slam of punk rock but it doesn’t end there because ‘Knocked Into The Reptile Enclosure’ sounds exactly how you’d feel if you were.  Terrifying wild frantic and a little metal.  But wait, there’s more but this time it’s a little more melodic and restrained. ‘Going Off The Grid’ is like a psychedelic hardcore Black Sabbath jammin’ with The Fall.  Fucked up?  You bet but I like it to be fair I like it a lot. Cement shoes kick right off – great stuff and right fuckin’ noisy!

Buy Here

 

Acid Blood –  ‘Waste No Time’  ( JanML/MvL) Swedish punk band Acid Blood have a brand new video out for the track “Waste No Time”, taken from the LP ‘Acid Blood’). The video was directed by Nicklas Viberg and shot at the old blues bar Droskan in the bands hometown of Umeå.  Like a steamtrain that can’t stop fueled by Motorhead riffs and a tonne of attitude.  Acid Blood are right on it like Graham Bonnett but better, much better.