In more sane times perhaps the world at large wouldn’t be sat at home losing their shit on social media about which no hope celebrity it is singing autotuned bollocks whilst dressed up as some comic creature. No, maybe, just maybe they’d all be sat at home losing their shit over the fact that legendary punk rocker Sonny Vincent and doom metal pioneer Bobby Liebling have somehow managed to record perhaps one of the best albums of their careers in ‘Caveman Logic’, the soon to be released debut album from their supergroup The Limit.

 

Also along for the thrill in this perhaps most unlikely of unions are guitarist Hugo Conim and drummer João Pedro Ventura from Portuguese band Dawnrider plus on bass Jimmy Recca once of the Stooges and Ron Asheton’s New Order, and together, boy oh boy do these guys kick up one hell of a glorious racket.

 

Opening track ‘Over Rover’ perfectly sets the scene for what’s on offer here, somehow seamlessly blending doom laden Sabbath-y guitars with Liebling spitting out a soulful variation on his distinctive vocal style and in turn sounding not a million miles away from the singer’s singer, Scott Morgan. It’s exciting stuff that’s for sure, the band sounding very much like it’s on a mission to prove that great rock music really should have no boundaries, or in fact genres, and in ‘Black Sea’ the lead single from the record, they somehow also manage to add to a tinge of gothic attitude to the type of amazing music that should have made the likes of Radio Birdman (other great garage punk bands are available) superstars a hundred times over.

 

‘These Days’ and ‘Human Vs Nature’ continue with the frantic in your face born in a garage style that The Limit quickly adopts as their own before ‘Fleeting Thoughts’ slows things down to let Vincent shine on a guitar chug that Steve ‘Guitar Hero’ Jones would have been proud to have penned.

 

Elsewhere the album’s title track sees The Limit pushing the button marked Stooges on the control desk, whilst ‘Sir Lancelot’ sees Liebling deliver yet another fantastic soul charged vocal that wouldn’t seem out of place amongst The Hydromatics or The Sonics back catalogues.

 

At one minute thirty five seconds in length ‘Life’s Last Night’ is perhaps the band’s defining musical statement, a total middle finger to convention, and a joyous celebration of everything great about this band. Likewise ‘When Life Gets Scorched’ and ‘Kitty’s Gone’ are tunes set to take the eyebrows off anyone who might be sitting too close to their speakers at the time, and it’s only during the more pensive ‘Death Of My Soul’ and the swaggering album closer ‘Enough’s Enough’ where you finally get a chance to draw breath and reflect on what has gone before.

 

Album-wise 2021 has certainly got off to a fantastic start and with the thirty six minutes of music The Limit are about to gift us all with ‘Caveman Logic’ it’s definitely reached one of its most interesting and surprising points yet.  Make a date in your diary for 9th of April 2021, get your copy of ‘Caveman Logic’ via the links below, then on the date in question pour yourself a well-deserved libation, drop this bad boy on the stereo, and then prepare to fall in love with great rock ‘n’ roll music all over again.  Essential!!!!

Buy ‘Caveman Logic’ Here

Svart / Facebook

Author: Johnny Hayward

 

Punk & Doom originators go straight to the soul of heavy rock on their new album Caveman Logic to be released via Svart Records on the 9th of April 2021. New single Black Sea out the 22nd of January 2021. Video out now!

More than a super-group, The Limit goes over the edge, to deliver real-deal, soulful Rock and Roll. Consisting of members of legendary Punk instigators The Stooges, the founders of Doom Rock Pentagram, legendary NYC Punk originators Testors and infamous Portuguese metal band DawnriderThe Limit break out from the foundations of heavy rock and defy all expectations, to show a new generation what doom and punk really means. On the new album Caveman LogicBobby Liebling, singer and main-man of Pentagram, one of the originators of early Doom Rock and an inspiration for generations of Heavy Rock fans, on vocals, gives the performance of his career, singing like his life depended on it. Sonny Vincent, enigmatic legend of the early NYC Max’s Kansas City, CBGB Punk scene with his band Testors, having been on the road and recording with members of The Velvet Underground, lays down the guitar driven songs, his writing bearing all the hallmarks of ground-breaking Rock history in it’s filthy DNA. Phenomenal bass playing from Jimmy Recca, ex- The Stooges, and Ron Asheton’s New Order, gives The Limit the intense and world-class, speaker-destroying bottom end. Joined by Hugo Conim on Guitar and João Pedro Ventura on Drums from Portugese band DawnriderThe Limit fuses star-dust pedigree with an organic incendiary chemistry that’s instantly raw and real. A dream come true to those that know their Doom/Punk history, The Limit brings the past right up to date on Caveman Logic, with an essential, burning passion at the heart of their songs. Seldom has a collaboration of well known stars in music sounded so vigorous and frenzied as The Limit’s caveman-like roar.
The Limit is an astoundingly fresh and hot-blooded shot to the veins that Heavy Rock needs in this day and age. Conjured forth by stone-age pioneers, Caveman Logic goes to the heart of impassioned Heavy Rock and Punk, to deliver the basic and vital elements often missing in so much of today’s music. If you want primitive and straight to the soul primal rock, fresh from the grave and exhumed for a new unwitting future, look no further than Caveman Logic. This is it. This is as far as it goes. The Limit!

Pre-save new single Black Sea (22nd of January 2021) now:
https://orcd.co/thelimit-blacksea

As we always try to bring bands to your attention that you might never have come across and when we do we like to pass it on down the line and we continue to introduce quality music when we hear it.  Today is no exception ladies and gents can we please introduce the most excellent Zodiac Panthers… 

Where Dya get the name Zodiac Panthers from?

I Lifted the zodiac part from Zodiac Mindwarp and the Love Reaction. I always loved that name. The panthers part came from looking at MC5 albums with all the white panther party propaganda. It just clicked Zodiac Panthers would be a great name!
Who is in the band and what do they play?
I’m Johnny Yeagher (vocals/guitar), Angela Yeagher (drums/backup vocals) & Nate Erney (bass).
Where do the Zodiac Panthers call home?
We’re from Wilmington, North Carolina.
What are your influences?
We’re influenced by 60s garage rock & 70s/80s punk mostly. Sonics, Music Machine, Stooges, Ramones, Testors, The Cramps, The Saints. The list could go on!
Who brings what to the table as far as songwriting goes?
I write all of the music and most of the lyrics. Angela also writes lyrics and helps come up with lyrical themes. Once Angela and Nate work out their parts the songs take on a whole new life. That’s when it sounds like the Zodiac Panthers.What releases have you had so far and what can we expect over the next 6 to 12 months as far as recordings go?
We’ve released three EPs:
‘Zodiac Panthers’ / I Don’t Gotta, But I’m Gonna, Cause I Wanna’ / ‘Hexray Vision’

Four singles: ‘I’d Rather Be Dead’ / ‘Primal Astrology’ / ‘666 Feet Away From My Love’ / ‘Black Leather Heart’

Luckily I have a home studio so we can continue to release new music. ‘666 Feet Away From My Love’ and ‘Black Leather Heart’ were released during this pandemic. We have more material we’ll be releasing in a couple of months.

What about post pandemic and playing live?
This pandemic has definitely hurt us as far as playing shows and promoting our band. Playing live is how we generate most of our income for the band and make the majority of our fans. I’m just not sure how soon it’ll get back to normal or what the new normal will be.

If you could co-write with anyone who would you like a crack at? I guess alive or dead is fair game. 
It would be Stiv Bators. I love his vocal style and his lyrics. He was definitely one of a kind. Very raw.

We’re heading to a desert island and you have to travel lite. Give us three records you’d take one book and three films?
The first New York Dolls record. I never get tired of hearing it. It’s so perfect.

The Jim Carrol Band – Catholic Boy. He’s one of my favorite lyricists. Theirs so much attitude in his voice.
The first Ramones record. It changed my life. It was my introduction into punk.
I usually read music biographies. So my one book would be ‘Please Kill Me’. As far as punk history books go, it’s the best.
As for Movies, It would be ‘Escape From New York’. An awesome sci-fi movie starring Kurt Russell as Snake Plissken. It’s a killer! Next up ‘Trick or Treat’ which was a great ’80s heavy metal horror movie. Some of the scenes were actually filmed here in Wilmington. The Warriors is one of my all-time favorite movies. It’s so dark, grimy and sleaze. I love all the different gangs and how they have to fight their way back home.

Canadian Label Yeah Right Records have put together a pretty impressive compilation album to download and today is the last chance to download it as they’re tallying up the proceeds to send off to the charity so don’t hesitate.

There’s a common saying that goes back centuries which states that evil prevails when good people do nothing.  We’re witnessing the culmination of years of outrage at a lack of justice as it spills out into the city streets.  Things have to change.  We stand in solidarity with Black Lives Matter, and we step aside so that their voice may be more clearly heard.

Proceeds from this compilation will be donated to
Black Lives Matter blacklivesmatter.com and blacklivesmatter.ca
and The Black Solidarity Fund Canada www.canadahelps.org/en/black-solidarity-fund/ (donations are matched by a corporate sponsor until July 31st)

Power to the people.

Cover art features an iconic image of Tommie Smith from the 1968 Olympic Games, raising a black-gloved fist on the medal podium while receiving his gold medal for the 200 metre dash.

If you want a few pretty good rock and roll reasons to dig deep then let’s not shy away from 31 bands from 15 cities, each artist appears courtesy of themselves. The exclusive songs on offer like the Awesome Black Halos demo of ‘For You’ or The Streetwalkin Cheetahs who bring ‘Scorpio Rising’ now if that’s not enough reason to part with $7 I don’t know what is.  But hold your horses because there’s more Sick Things add some much-needed cowbell with ‘You Know It Aint Right’.  But wait the excellent ancient Shapes rock up with ‘Separation Anxiety’.

Christ, Red Army are on here as well as Tricky Woo damn this might just be one of the best compilation albums ever never mind this year. Dboy and The Spitfires have entries as well haha! I’m laughing as I think its a steal at such a low buy-in as you get so much bang for your buck and it would be remiss of me to not let you know that Biters are on here as well as the super sleazy rock and roll bubblegum rock of Midnight Towers.

 

There’s a whole host of new bands on me as well that now need investigating and if they’re on a comp as good as this and a label as cool as Yeah Right then I’d be pretty fuckin stupid to not check em out.  Don’t delay folks as this supports a great cause which is really the main thrust of it but to get this much cool music is a bonus.

Never stop fighting good causes and a huge amount of kudos to all the bands and the label for getting behind this. Rock for good causes kids you know it makes sense.

Buy the download Here

blacklivesmatter.com / blacklivesmatter.ca   / Black-solidarity-fund

Facebook – Yeah Right Records

Author: Dom Daley

Sonny Vincent, known as the founding member of NYC punk heroes, TESTORS has unearthed a collection of never-before-heard recordings from his proto-punk days with this new LP collection. Compiling unreleased tracks from DISTANCE (1969-71), FURY (1972), and LIQUID DIAMONDS (1973-75), as well as one of the earliest TESTORS demos from 1976, this LP collection shines a light on one of New York City’s darkest corners of punk history.

Sonny Vincent has had his trials over the past few years but he’s a survivor and a lot of love was sent his way which shows the impact he has had on those around him we’ve not had any new new music but we have had a couple of compilation albums of Testors songs as well as some awesome tribute albums. I for one can’t wait to hear where Sonny will take us on his next record of original material so until then we have the treat courtesy of Sonny and Hozac records who’ve dug deep into his history and unearthed some proto punk gems from as far back as the late ’60s when Iggy and his Stooges were busy killing the hippy dream and the MC5 were kicking out the jams something was changing in music as it sped up into the ’70s and beyond.

The LP starts with Distance back in ’69 and considering what we know Sonny for with his killer punk rock with razor-sharp riffs this is more in keeping with what Hendrix might have been up to or early Sabbath maybe less heavy but once it goes into free form solo jammin’ its certainly interesting. ‘She’s Like Hiroshima’ certainly caused one eyebrow being raised. as we head into the seventies the riffs get rawer for sure as another couple of Distance songs flow by with ‘Lament’ being more recognisably Sonny vincent.

Fury certainly was appropriately named with the guitar licks coming fast and furiously.  with ‘100%’ being a raw as fuck guitar that must have sounded nuts at the dawn of the ’70s. ’73 NYC must have been one hell of a place to be creating music that sounded like the mean streets of the LES and Liquid Diamonds ‘Aw Maw’ is a banger.  Kicking out the jams for sure.  Whilst its nothing like the Dolls or early Kiss.  Sonny eases back with a great tune ‘All Day’ which has sweeping open chords. Testors make a brief appearance on the record as well with one track entitled ‘Scary’ from ’76 again not what you’d expect as its laid back on the verse before it raises its game only to chill back out. Then to wrap up this time capsule there is an alternative version of ‘Flying’ that neatly closes off this compelling peek behind the curtain of one of the finest guitar slingers to come out of NYC from the whole punk scene.

First ever edition of this LP is limited to 500 copies, with interview included on the printed inner sleeve, and a FREE 11×17 PROMO POSTER to the 1st 100 direct orders.  Get on this Testors, Sonny Vincent and punk rock aficionados you will love hearing how a great talent learnt his trade and what came before the storm.

Hozac Facebook

Sonny Vincent

Author: Dom Daley

A few years ago Sonny Vincent’s family were the victims of a terrible life-changing accident. Sonny at the time was living in Europe and plying his trade playing Rock and Roll for a living.  The former Testors frontman dropped everything to be by his family’s side and care for his loved ones.

The American health system is what it is meant that Sonny has had to graft and fight for every single bandage and rubber glove since that fateful night.  Unable to do what he does Sonny has been by his family’s side since and through the kindness of others has kept his head above water and there was a compilation album released where the proceeds went to Sonny and his family’s medical costs and now after taking pre-orders it was a no brainer to part with a small donation and get a double CD in return of 32 covers of Testors songs from all over the globe.  Many will be unknown to most some will be known to many so without further delay lets dig in.

Now out of the 32 tracks on offer the only gripe I have which is a minor gripe but did half a dozen bands have to record ‘Bad Attitude’ and another few recorded ‘Zooed Out’ or ‘Together’.  Picky I know but maybe it might have been better for them to toss in an original song influenced by Testors I dunno, oh stop moaning I know I know.

First up on disc one is The Enders ripping through ‘Madras Prison’ and it sort of sets the tone for what’s to come and that’s a full force compilation album of dedicated punk rock and rollas doing what they do best and helping a brother when he needs a hand. Take a deep breath because this is a rocket-fuelled ride – hold on to your undercrackers because Baby Shitters own ‘Tracy McPrichtease’ and the solo rips and I’m sure when Sonny heard this he raised an eyebrow at least.

I actually own the Black Cat Rebellion album so I’m aware of these guys and their contribution is quality and sleazy. Another I’m up to speed with is Zodiac Panthers and their take is caustic and fired up and ‘Primitive’.  I ain’t ever heard of the Electric Tool City Boys but they blast through ‘Bad Attitude’ and give it some of their own attitude as they take it, strip it back and kick it around for a while before  doing it all again faster and harder this is turning out to be one hell of a compilation album with bands I’ve never heard of really impressing me.  I’ll be honest there isn’t a bad track on offer here and the bands chosen deserve so much credit as does whoever put this together because I bow down to their superior knowledge of underground punk n roll n trash rock n roll because there are so many awesome bands on this CD its insane.

It’s not really until the tenth track when Frank Makak kicks back and plays ‘Rainy Night’ at less than full tilt and I needed the breather and when it’s as good as this I just smile. things do pick up again mind as you’d expect.  the first disc is brought to a close with Les Lullies knocking out a rampant ‘Bad Attitude’ aaaaand breath, hell, go for a lie-down CD two is coming up.

Not a name I was expecting to see on this punk tribute was that of Scandinavian Black Metal legends Darkthrone but fuck me sideways ‘Bad Attitude’ is apt and theirs is a punk as fuck version even if its not that much of a stretch from Black Metal to punk  its great to hear them pay their dues and do it so well.  you also have Simon Chainsaw rockin’ up with his offering of ‘You Don’t Break My Heart’. After Flesh Rag tip up with the third interpretation of ‘Bad Attitude’ as well as it’s delivered maybe there should have been a limit to what you could record.

A band several of us rave over is Londons Los Pepes who offer up ‘Together’ in their own style and with their harmonies its the obvious choice and exceptionally delivered. Clockwork Boys from Lisboa deliver ‘Morte’ (Its Only Death) and jolly good it is too (as you’d expect).

You do get four versions back to back of ‘Together’ with the Psychotic Turnbuckles delivering a live version that sounds like an old school bootleg played in a bucket of water but hey it’s punk rock yeah? Hell yeah! and to be fair it’s a world away from Lester Greenowski’s take on the same track all smokey and late-night an excellent take on a classic. But wait Billy The Kidd has done the last version and its a sparse piano ballad, not something I saw coming thats for sure so lumping these same songs together is fine as the interpretations are magnificent making this one hell of a tribute album leaing just Cheap Damage to play ‘Scary’ with strings n all making it very seductive indeed. Closing off the whole shebang is The DC Spectres with ‘Sonny Vincent Knows’ and what a splendid way to end this CD.  Some garage punk played by people who give a shit and care about their brothers and sisters on the other side of the pond.

Big Hearted bands help because they care about Sonny and his family now dig deep people and share the love and in return, you’ll get your hands on a mighty fine compilation CD with some great playing of some great Testors tunes.  Now don’t hang about get on it! Now!!!

 

Author: Dom Daley

Order now!!- TESTORS ‘COVERS’ Double CD Benefit ALBUM !!
$15 USA
$22 Europe
includes shipping!
https://paypal.me/sonnyvincent?locale.x=en_US

or go to directly to Sonnys PayPal address and send as gift for family/friend.
His PayPal is-

sonnyvincentpersonalmail@gmail.com
(Include your mailing address in the PayPal note!)

You can also contact him on facebook about sending a check and other ways to order this Album!!

With a bunch of great live shows charging around the UK and the never-ending list of great albums being released RPM has a top 20 for you pop pickers and this list includes Michael Monroe and his ‘One Man Gang’ and one off the brand new More Kicks album the awesome ‘Blame It On The Satellite’. Giuda guitarist Lorenzo has an album ready to go entitled Zac and we have ‘Count On Me’.

There are some old-timers still kicking up a shitstorm like Necromantix who have a new DVD / CD out and Sonny Vincent has a Testors tribute album that’s available with all proceeds going to a great cause that we fully support and will be reviewing this coming month so we have a Testors original in our playlist.

Rocker Pete Way hits the road this month for some live shows and has a vinyl issue of his ‘Amphetamine’ album. After finishing another round of superb dates with The Wildhearts Ginger gets back on the saddle and begins an acoustic band run of shows entitled Ginger and The Sinners. Also on tour is Wayne Hussy whos doing the rounds with his guitar and passages from his autobiography.

Recently released was the awesome and intriguing 40th-anniversary demos and sessions of Tubeway Army’s ‘Replicas’ so we’ve added the classic ‘Down In The Park’ to our list. Recently Rebellion Festivals announced some cracking additions to 2020’s line up and that included some RPM favourites so how could we not include the likes of The Hip Priests who also have some shows this month so have an earful of ‘I Hate The City’ ponder the lyrics and remember it when you go to vote UK peeps.

A new album and some live dates on the way see a welcome return to the awesome Urban Voodoo Machine with their brilliant ‘Johnny Foreigner’.  Announcing tour dates for 2020 Redd Kross are a shoo-in for our playlist. Finally, with an official release and stock, The Brothers Steve make our playlist with ‘Angeline’ from the fantastic ‘#1’ CD.

This month also sees the New Model Army play every corner of the United Kingdom with a proper tour to back up their excellent new album so ‘Where I Am’ makes our playlist.

To finish off this November playlist and to highlight our diversity we have a hattrick of rock from South Wales to show the hills are indeed alive with the sound of music as Buck and Evans ‘Sunrise’ is up and there is the return of Forever Vendetta with ‘Come Alive’ and to close off the November RPM playlist we include Deathtraps who are busy putting the finishing touches to their new album so we’ve included ‘Get Loose’ so take their advice and ours and get loose and we’ll see you in December when we’ll have a splash of new tunes to rock the year out!

One of the best debut albums I’ve heard in quite some time happens to be ‘Out Of My Head’ it’s jam-packed with influences ranging from the good to the greats and the passion and energy poured into every groove of the LP is evident to the listener.  I tapped Matt up for an interview with RPM and he was happy to oblige.  If you’re lucky enough to have the band roll into a town near you I suggest you cancel whatever it is you’re doing and get down to the Rock and Roll show.  But hey check em out then support them and Dead Beat Records because we need more bands like this making music on labels like that.  So lets cut the crap and get down to the chatter that mattered  Ladies and Gents boys and girls  Matt from Poison Boys…
When did the band form and let us know a little about where you grew up and what inspired you guys to pick up an instrument and play Rock and Roll?
I grew up right outside of Chicago in Northwest Indiana, about 1 minute from the border of Illinois. Been obsessed with rock n roll since I was a kid. Me and my friend Mike Lippman had been playing in punk bands together since we were young teenagers and finally decided we wanted to start a rock n roll band. I played drums throughout those years but wanted to play guitar if it was a rnr band so started figuring out Ramones songs and went from there.
Can you remember what the first songs you wrote as a band was?  
Mike and I collaborated on nearly all of the early songs, he’d write riffs or I would, and I’d write vocals and he’d help me with the lines sometimes. First ones we wrote were Been Here All Night, Out of My Head, Cut Right Out, Bad Mouth, Without You and a couple of others. Unfortunately, Mike passed away before we could complete a lot of other songs which I ended up finishing later like Headed for Disaster, Got to Tease, and Up to the Sky among others. We always wanted it to be a well rounded rock n roll group, not just one specific sound the whole record or anything. But not to stray too far outside of the rock n roll spectrum.
You’ve released a couple of singles before the album came along with the first two being on the excellent UK label no front teeth.  How did that come about?  How did a label out of London pick up some guys in Chicago?  Is the line up stable now? your almost in Spinal Tap territory for past members already 
I found out about No Front Teeth from reading a PORK magazine and either seeing an NFT ad or a record review with NFT as the label it was released on. Just emailed Marco and he was super down to help us get our first (and second) 7″ out. Really I could not find any snotty punk labels in the states at all. Even now I only know of like 2 or 3 and that’s it. And if they aren’t interested or are too busy or whatever you turn to labels elsewhere that’s all.
As for the lineup… When people don’t wanna play rock n roll anymore or move out of state what do you do? The band hasn’t been around long enough to make much of an impression with anyone lineup, hasn’t had an LP or anything out prior to now so it didn’t matter to me. Granted I don’t exactly enjoy having members flake out or whatever but it is what it is. We’ve had a pretty solid lineup for about a year and a half or so with Matt “Chainz/the Chainblaster” Chaney on drums and Steve  “Stevsie/Stevie Poison” Elfinger on bass at home/guitar on the road, and touring members Nico Bones on bass and Julius Lange on guitar. It’s been pretty killer getting to know and hang with all of them.
The first single was back in 2016 then ’17 then you got White Zoo to release the last one last year.  Had you already signed up to dead beat to do the album by then?  How come you switched for the album? 
Dead Beat came about through me asking them earlier this year if they’d be interested in releasing the LP. They were very stoked especially after hearing the record, so we just had to finish up art and final mastering for it and it was a go. The 7″s were released on the other side of the pond, we were just looking for somewhere closer to get the records released by and knew Dead Beat had put out records by some of our favorite newer rock n roll bands.
Is there a chance of a European release for the record?  What about touring Europe and the UK?
We’d love for it to be released by a European label! Haven’t heard anything about that yet but time will tell I suppose. We plan to set up a European tour for hopefully next year.
As far as the album goes I was really pleased to hear plenty of influences in there and some choice covers.  Obviously, I have to ask why those covers? (apart from them being great songs) 
Well, I was listening to a Beatles singles comp called ‘Past Masters’ and heard a banging rocker called ‘Slow Down’. Knew it had to be a cover and found out Larry Williams was the original and sounded killer!! I figured we could pull it off and should give it a go. It delivers well live so we figured it’d be a good way to help open up the album and add more bitchin’ piano to it which we love big time. As for the Dead Boys cover… that one’s always been relatable to me and it fits with our style really well I think. It’s, of course, a tribute to them and our influences getting into punk at an early age.
I love the album and think it’s one of the best debut albums I’ve heard in an age and the attitude in the songs is superb – really authentic sounding. Is there a plan to tour then record some more? are you someone who writes all the time? 
Thanks man I really appreciate it. We worked hard on these songs and it’s good to finally let them have their day. Really nice to hear that people like them. We’re leaving for our “Out of My Head” East Coast/Canada Tour 2019 this week and beginning recording for our 2nd LP this week as well. Plenty still on the horizon for the Poison Boys. I write all the time even if it’s just little pieces and put them together as I go. Show ’em to the guys and get opinions and we work em out from there.
How has the reception been at the live shows?  How would you describe the scene over there in Chicago? is there much of an appetite for real rock and roll?
The live shows are killer and what we love the most. People seem to love it too and get down to our set so that’s cool. I think people need this type of rock n roll but just aren’t getting it much from bands these days. Not a lot of people go to rock n roll shows around here anymore unless it’s the Stones or KISS or something. A lot of bands around here either play washed out reverb’d out psychedelic shit or shoegaze or grunge or a mixture of all that. There’s like 3 bands in Chicago that don’t do that. As with many bands, the reception on the road is way greater than at home.
There seem to be pockets of superb music coming out of America right now – any chance you cats hooking u with bands like Wyldlife, Ravagers and The Sweet Things and stealing over here for a package tour?  Are there any bands you hear about currently tickling your fancy so to speak?
We generally like touring alone but are open to whatever if the situation’s right. One of our first shows ever was in Indianapolis in 2014 opening for Wyldlife. Alex from Ravagers does a lot of our artwork and we have a gig with our boys the Sweet Things coming up at Coney Island Baby in Manhattan in a couple weeks, Friday 8/02. Yeah favorite bands going on right now in the states are mostly in California, like Black Mambas, the Crazy Squeeze, the Flytraps, Dr. Boogie (although they just broke up), and also bands like Terry and Louie, our boys Jonesy from Montreal, the Rubs, our buds Big Blood from out here, stuff like that. And of course the Sweet Things out in NY. There’s a good amount of rock n roll going on elsewhere and I think it’s growing thankfully.
Listening to the album I hear some obvious inspirations from the likes of Dead Boys, Thunders, then I hear classic Stones and Faces – you guys have some of the swagger that made early Guns N Roses shine (tear Me Apart)  and I love the confidence of songs like ‘Up To The Sky’ but you can also mix it up like Hanoi Rocks on songs like ‘Desperado’   it opens up options for you to go in any direction what’s on in the van currently? What are you listening to?
We listen to old protopunk shit like Berlin Brats, Hollywood Brats, Razor Boys, Nervous Eaters, Rockpile, Flamin Groovies, Stooges, all that. A lot of Johnny Thunders and Dolls stuff of course, their solo stuff right after the Dolls broke up too. Hanoi Rocks, Dogs D’Amour. But also stuff like the Nuggets comps and other more obscure comps like the Bonehead Crunchers comps and shit like that. A ton of old punk bands like Menace, the Only Ones, Teenage Head, the Saints, Chelsea, Testors, Slaughter and the Dogs, Gen X… Then Mott the Hoople for 24 hours straight, Lou Reed, Kiss, T Rex, Motorhead, the Faces, Stones. All the goods all the time. Oh yeah and the RAMONES.
If there is anything you guys need to get off your chests here’s your chance.  Anything you’d like to add?
Come see us on tour!!! Buy merch, support rock n roll and keep us on the road. If you play rock n roll start a band get a shitty van and a mechanic friend and go tour. Keep this shit alive and growing and spread the love not shit talk and hate. We’re too small of a scene to be separated all the time by trivial cool guy bullshit and life’s too short to waste energy tearing each other down. It ain’t like the old days, we all know that… Rock n roll is so unimportant to modern society and we’re all we have left. We’re all in this together. Be inclusive there’s no room for hate against each other.
Buy The Album Here or coloured vinyl Here

Seeing as the weather outside is getting colder and getting up for that job seems a little harder let Steve Rockaway those blues with his video for ‘Gimme Gimme Rockaway’

The classic track from the upcoming Testors Tribute Album. Proceeds will go toward medical and housing expenses for Testors guitarist Sonny Vincent’s family. Facebook testors tribute page Alternatively you can donate to his gofundme page here:https://www.gofundme.com/xnvynbcc

To finish off this public service how about something off the new Heavy Drapes record ‘Crashing Like Stars’. ‘Should I suck Or should I Blow’ will see you out the door in double quick time.  enjoy folks.