There is only one way to start episode 95, and that’s with a palet-cleansing blast of Zeke and their brand new single ‘Peterbilt’ out on 7″ vinyl from the most excellent Hound Gawd! Records. If only all shows began like that, no deaths, just loud, fast rock n roll. Then to follow it up with the brand new single from The Isle OF Wight punks Grade 2 with their brand new single ‘Cut Throat’ also available now on Hellcat Records.

We change the pace a bit and kick back as we introduce a second airing from the most excellent Fruit Tones and their recent single ‘Double Shot’ available from Chris’s favourite label Alian Snatch Records. These cats have got some serious swing with their garage rock n roll, and they hail from Manchester and sport some of Rock n roll’s finest facial hair and without doubt have one of the finest record sleeves this year. Get an eyeful of that beauty and on one of your five a day colour variants as well, and if they want to send us a copy, we’ll keep playing them, or so I’ve been told.

After reviewing the brand new Supersuckers album recently, there was a great take on the Lee Harvey Oswalds ‘Rocket 69’, so it’s a good time to play the original and what a treat it is too.

‘Inside Out’ from the Dogs is up next on the awesome Rum Bar Records who are prolific supporters of Rock n Roll and have an amazing output, of which the Dogs is the latest offering. Go check ’em out and tell Lou the RPM boys sent you.

Chris takes control for the next pick, and he Turns Up The Volume and drops one off the brand new Agnostic Front album. We do like a bit of NYHC, and there are none finer than Vinny Stigma and Roger Miret, and thankfully they are showing no sign of slowing down, still the kings of hardcore. If the Hardcore wasn’t your thing, how about some tip-top garage rock courtesy of the formidable Wild Billy Childish and his band Thee Headcoats with a track off their new record ‘And The Band Played Johnny B Good’ off the Damaged Goods album ‘The Sherlock Holmes Rhythm N Beat Venacular’.

Hotshots Hot Picks begin this week with the formidable and always excellent Ian Hunter and The Rant Band with ‘Bow Street Runners’ from the impressive ‘Fingers Crossed’ album. Hotshot has fallen head over heels for the Hunter catalogue, and we thought he’d gone underground, as we hadn’t heard from him in a while, as he delved into the incredible back catalogue of mr Hunter. I’m sure this wont be the last Hunter related offering from Hotshot.

Anyone who knows Hotshot is aware that his all time favourite is Elvis the pelvis Presley and his font of knowledge knows no bounds and he would easily win mastermind as his specialist subject which is a shame because his general knowledge is shocking othe rthan beer drinking and hellrasing but you can’t have everythign in life.

Hotshots third and final Hot Pick of the week is a brand new, I know its sounds a bit weird but T Rex have a new record out. Its unearthed recently which is amazing considering his passing was in 1977 Take it away Hotshot ‘I’m Dazed’.

One of the best new albums over the last 18 months happed to be the garage rock album courtest of Martin Savage and the Jiggers which cam e out on Damaged Goods. Before the Jiggers Martin was part of the Locomotions another brilliant album that was released on Alian Snatch Records and this is a track off their one and done LP entitled ‘Stockholm City Girls’. Ragged Rock n Roll that burned so brightly back in the early naughties go check em out. It’s loose but a real earworm.

Last week we brought a brand new track from The Sideshows, a three piece band featurign the awesome Sami Yaffa, Rich Ragany and Simon Maxwell. Considering whos involved in this project of course it doesn’t dissapoint and with the new year coming into focus theres a whole album coming down the track and all wrapped up. Not as full throttle as last weeks offering but its effortless cool and a real earworm but what else did you expect? head over to their social media page and get involved so you don’t miss out on any updates.

One of the greatest if not thee greatest punk rock n roller was the one and only Johnny Thunders who just has his epic ‘Que Sera Sera’ album released on two disc vinyl courtesy of Jungle Records who’ve always had thunders back and keep the flame burning. Its on a fetching pink vinyl 40th Anniversery edition with a clutch of outtakes and remixed brilliance. So what better way to remember Johnny than drop his track ‘Crime Of The Century’ from ‘Sticks And Stones Sessions’ that features Wayne Kramer maybe we’ll drop the original ‘Cool Operator’ in the next few weeks from ‘Que Sera Sera’.

Up next we drop a rare alternative recording of The Alarm Classic ‘One Step Closer To Home’ which happened to be Mike Peters favourite Alarm song and with Peters postumous autobiography coming out this week with the second instalment of three ‘Hope’ seems like the perfect time to remind everyone how bloody good this Dave Sharp song is.

Chris picks the excellent Bad Nerves with one o ftheir early single ‘Can’t Be Mine’. the band have been busy playing with th elikes of Green Day over in the States and also headlinging their biggest headline shows to date recently.

After releasing their latest album recently Ash began their UK Tour and Chris and myself were present its always a good time to play some Ash so Heres one off the new album ‘Ad Astra’ This is ‘Hallion’.

As we head into the homestraight the Mission recently announced a couple of dates for next year and their 40th Anniversery of their debut album. It seems fair that we play a track from their drummer Alex’s band Cheeks and a track ‘Transmission Interupted’ that fans should check out if they haven’t already.

The penultimate offering this week is Lemmy and his Black Flag cover ‘Thirsty And Miserable’ taken from the fund raising album for the west memphis three. Amazing story and how Rollins got involved you should go google the background but in the meantime the pick of the tracks on the album just happens to be Lemmy doign Black Flag and what a version it is too.

Finally this week we close the show with a track off the brand new Johny Vincent album Which is reviewed on RPM by Martin so watch out for that. Its a Glam slammin slice of snotty rock n roll. Johny explained it by saying, “This collection has been a long time in the planning. About 15 years ago Johny found a set of cassette demos of songs he wrote and recorded between 1983 and 87 using the overdubbing capability of a funky twin cassette karaoke machine from Argos. This was in the pre Skullknuckles days when he was known as plain old Johny Vincent.
These catchy little beauties were written for the band White Trash. Some of these songs would have made it onto the 2nd White Trash album (sadly the band fell apart before this happened). The large majority of this collection have never seen the light of day, until now that is.
These versions were recoded during the 1st three quarters of 2025 at Millionaire Mansion Studios (not using an Argos karaoke machine this time) and there you have it, the first instalment of “Songs Of Arrogance And Innocence”. the track off the album is ‘Two Time Train’ so enjoy and give us a listen and a save and if you’re feeling generous why not tell your friends about our little podcast as we hurtle towards 100 episodes which I might add has provided some amazing bands and we can safely say we’ve never played a bad song, yet. Go on give us a share on your socials and we promise to keep playing awesome music.

Diolch.

Love, Hope & Strength

Michael Leslie Peters Rest In Peace. The news broke today, and it was news I didn’t want to read.

I’ve seen hundreds of bands, but there is only one I’ve seen hundreds of times, literally hundreds, and that’s The Alarm and Mike Peters (people think I’m weird when I say I’ve seen his sing 68 Guns about 250 times maybe more but I don’t find it weird in the slightest). It’s been a well-documented battle with the big C, and he fought it until his dying breath. Sadly, the 30-year battle is over, following his diagnosis of lymphoma in 1995, and later having chronic lymphocytic leukaemia twice. Peters passed away on April 28th 2025.

I’ve been lucky enough to have met him on many occasions and laughed more times than I can remember at his shows, and considering his precarious health, he never let it get in his way or slow him down, trading his condition blow for blow. There were times after treatment when his voice was shot, but he played on delivering incredible, memorable performances I’m proud to have attended. At the young age of 66, he leaves behind his Wife, Jules, who has always been at his side and his two sons, Dylan and Evan. His story is not finished; he will always live on through his music and fans, who are amongst the most dedicated I’ve ever come across.

Rest easy, my friend and his family should be proud of his life and all the changes for good he’s had on so many people through his charitable work and his music, bringing love, hope and strength to so many. As he sang, the 68 Guns will never die. They’ll go marching on and on, no doubt about it.

Peters fought long and hard and shouldn’t be defined by his illness but by his talent and unwavering love of the life he had. he always seemed so positive, even when it was obvious times were tough on him and those in his family, but he fought long and hard. My head’s a bit in the shed at the moment, and I’m conscious of rambling on, but his impact has been immense, and it needed to be marked, and to say I’m gutted would be an understatement. My wife and I never missed a Gathering and travelled far and wide for shows and as the lyrics say, I bought the books, the records and the politics. Releasing some of the best music, Peters leaves an immense legacy and an incredible charity that deserves every bit of credit it gets far and wide. A real Rock n Roll hero whose race is sadly run now rest easy, Michael Leslie Peters, until we meet again, Love, Hope and Strength to you all. Dioch.

My thoughts are with his immediate family, who now have to carry on and find strength in each other and find some sort of comfort in the fact he was loved by many people around the globe and whose lives he touched with his art and campaigning. Don’t be sad for his passing but be happy that we’ve all had the pleasure of his company and music and will continue to carry those memories forward.

Love, Hope And Strength Charity

The Alarm

Eddie Garritys Slaughter opens the show with ‘Hell In New York’ which is a fitting tribute to a very popular singer. Taken from the ‘Bite Back’ LP Ed will be missed by family and friends and it’s a privilege to play the song Rest In Peace Ed.

Starting Early outta Arlington USA offers some Alternative rock action with their new single ‘Do As I Do’. One of the best bands currently hitting the stages in the UK has to be Split Dogs who have a new album due for release next month and a brand new single ahead of their Venn Records release so here’s ‘Lafayette’.

We’re going in early with our cover this week and the Ratchets do a rather interesting take on Depeche Modes ‘Policy Of Truth’ from the ‘Under The Covers’ album (pirates Press) which is a rather diverse bunch of covers to say the least with Tom Robinson, Cock Sparrer being just a few of the songs to tickle your fancy.

Dharma Guns are back with a new single. This time they’ve brought ‘The Vipers’ with them with its excellent guitar lick and addictive tune.

The second instalment of our three-from-one connections this week is three of the four members of The Heartbreakers starting with a Johnny Thunders Demo of ‘Subway Train’ that came out a few years ago on Remarkable records which features The Damneds Paul Gray. Then it is the turn of Jerry Nolan & The Profilers and a track from his 1990s recordings with Greg Allen alongside Jerry and ”Chicago Vin” Earnshaw of the Delinquents. The recording were curtailed by the passing of Jerry. Then the final offering is a classic Walter Lure song from The Waldos album ‘Rent Party’ and my favourite track ‘Sorry’ sadly Walter has also passed away over four years ago. such a talented band who deserved so much more but a massive influence individually and collectively on so many.

Lords Of The New Church are up next but two very different incarnations of the band. Firstly ‘Young Don’t Cry’ which was previously unreleased until it appeared on a compilation album and more recently another USA comp on gutterwail Records. Always a pleasure to play some Lords. Then we follow it up with a track off the ‘Hang On’ album that was sold on the band’s 2003 tour dates under the name The Lords. Let’s not argue over the name but revel in the majestic tone of Brian’s guitar as he slashes out ‘Heaven Stepped Down’.

How about an exclusive track off the brand new Evil EP we air ‘Romulan Death Stomp’ from the EP which also has a rather tasty cover of ‘Cough/Cool’ by the Misfits details are scarce at the moment but there will be a sales page but until then go bug Nathan and he’ll send you the details to purchase a copy on Cassette for just your £7.50 in UK money plus postage but don’t sleep on it or they’ll be gone.

Mike Peters has a new single out which we think is under The Alarm banner (no arguing please) called ‘Chimera’ as he tackles Cancer at the Christie in Manchester. We dedicated three songs last week to Mike and his family and want to reiterate our admiration for the guy and send him all the PMA we have at this pivotal time and look forward to his recovery and posting the best news possible. We’d also like to extend our warmest wishes to his family at this tough time for them as well he’s got this Cancer didn’t see Mike Peters coming either.

Another new track this week is that from Ricky Warwick and ‘The Crickets Stayed In Clovis’ taken from his forthcoming album ‘Bloodties’ due soon on earache Records.

Guitar Wolf announced a tour of Australia so what better than to blast out a track from the legends so ‘Can Nana’.

We turn it up a bit with sludgy alt-rockers Pigs, pigs, pigs, pigs, pigs, pigs pigs and their Sabbath-heavy riff-a-rama that is ‘Death Hilarious’. The Phantom Chords featured three members of The Damned and had one class album that got a reissue a few years back and also recorded another LP that didn’t see the light of day so why not spin ‘Someone Up There’.

A fantastic UK band The Speedways recently opened for Billie Joe Armstrong and his Cover Ups on their whistle-stop show in London. I might be correct in saying it was also the bands new guitarist’s introduction as well which would be super cool. what a debut that is. The band did a digital-only live album ‘Sunday Will Never Be The Same – Live Radio Broadcast WFMU – “The Todd O Phonic Todd Show”‘ and on it was the fantastic ‘Just Another Regular Summer’.

Another UK power pop punk rock beat combo that we absolutely love here at RPM is Cyanide Pills. The band have a split EP coming out to coincide with their European tour. It’s on Damaged Goods Records and will be a very limited run so don’t hesitate to order a copy because it won’t be available digitally.  ‘Falling For You’ which is a leftover unreleased track recorded for their debut album back in 2010 Plus ‘I Don’t Wanna Dance’ which was recorded at the same time as their most recent album ‘Soundtrack To The New Cold War‘. Snooze and you’ll lose and to whet your appetite we play ‘Falling For You’.

Wrapping up another action-packed show we bring you the fantastic Trash Bags and their track ‘Trash’. Such a great debut from these New York punk n rollers seems like a great way to end the show.

How many copies or versions of one album does a man really need? Well the sensible amongst us would obviously say one. But since when is man sensible? I think this must be about the tenth copy of this album I now own. It’s fair to say I rate it, always have and always will. It’s raw and vital and for most of my life, it’s sung to me and still does. To be fair the alternative version I can do without, the live version of a few years ago I could also do without but the original and the rereleased double album along with the ‘Eponymous 81-83’ release I’d absolutely recommend. this one I have in my hands is also (no spoiler) a fuckin belter. ’68 Guns without the trumpet is raw and vibrant and a stone-cold classic. worthy of the ‘Alternative’ tag. The solo blows my mind and hearing versions of songs you’ve heard a bazillion times with different chord changes and drum parts as well as alternative lyrics is a mindfuck. It’s not necessarily the hits that were ever my favourites (Oh apart from where were you hiding) but the songs like ‘We Are The Light’ which is excellent here. I’m so used to the original production that hearing these versions is quite emotional and takes me back to a time when music was my everything and truly life changing. As I’ve gotten older and grown up with people like Mike Peters and gone somewhat on the journey with him and his music I don’t always get where he’s going but isn’t that the beauty of music its different things to different people and this was my time with the band and what I’d consider to be The Alarm.

Another of the album’s deep cuts that I always loved live has to be ‘Shout ToThe Devil’ and this version is immense from Sharpys contribution to Twist’s rhythmic beats I’m pleased I took the plunge and parted with my £50 to get hold of this and to be fair for a double album, Poster and double CD that’s a decent price for hardcore fans. I’m not sure the super deluxe version was worth the extra money but I was secretly desperate to hear these versions and the track list as it’s laid out over the two records.

The pound shop U2 and Clash tags always bugged the shit out of me sure I could see the comparisons or inspirations but ‘Declaration’ was something else and for a debut album right up there with the best of em. A blistering live rendition of ‘Tell Me’ seems out of place on ‘Alternative Declaration’ but the version of ‘The Stand’ is top tier and closing off LP one is a fresh sounding and youthful ‘Howling Wind’ without the sterile studio sheen of the original released version.

Sides three and four are more akin to that Eponymous album that came out (which is readily available on Amazon for a very reasonable price) If I’m being geeky and uber fan nerdy the ‘For Freedom’, ‘What Kind Of Hell?’,’ Up For Murder’ and ‘Unbreak The Promise’ are The Alarm in a nutshell, at their very best.

There’s a lot of music to get through (Twenty-Four tracks to be exact) with side four feeling like it has a few extras just in case you wanted to moan about VFM with a 2024 remix of ‘WWYHWTSB’ ’68 Guns having a 2023 remix complete with Trumpet and harmonica. A stonkin wander through The Whos ‘Legal MAtter’ which they always did very well to be fair. A hootin’ rootin’ tootin’ ‘Bound For Glory’. ‘Bells Of Rhymney’ always loved giving a cheers for Swansea even when it got boos in Cardiff (cheeky Sods). The album finishes with the 2013 part two piece of ’68 Guns’. Exhausted and happy an album I’ll take for a spin more than I probably should to be fair and one I’m glad I gave a chance to now for a run through the Abbey Road CDs that came with it and yet more versions of songs recorded in Dallas. what a band they were four lads who shook the world for sure.

For those not lucky enough to pick up a copy I noticed It’s got a barcode on the jacket so I presume soon enough the record will be readily available, most probably to coincide with the Autobiography that Peters has written. I’d like everyone to get a chance to hear this version of one of my favourite albums ever. When you’re young indeed, but when you’re old(er) you have all the memories and hopefully once more for the four lads from Rhyl to put a full stop on it for all those who didn’t go to Brixton or The Scala.

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Author: Dom Daley

The sun is out the sky is blue and the tunes keep spinning in the pumphouse. Today kicks off with a slice of 70s Derry and those snorkel parkered, Doc Martin wearing oiks The Undertones announce that ‘Here Comes The Summer’ their 4th single off that classic debut record.

We’ve championed The Hip Priests for well over a decade and it is drawing towards an apocalyptic ending with just one more 10″ record to go and they’re outta here so it seems fitting that we play not one but two off this kiss-off record – boy its good but you already knew that right? Right you’re last chance to see them is at these links – Tix here! London: https://www.ourblackheart.com/…/the-hip-priests-final…
Nottingham: https://www.eventbrite.co.uk/…/the-hip-priests-final…

New bands are coming through and South Wales is showing signs of leading the way. Baby Schillachi are at the sharp end and they have a brand new song out for the summer ‘tHe AnTi suNcrEAM’ Check this bad boy out or we’re sending Hotshot round to torture you.

The Mission give your ears a ‘Serpents Kiss’ and take you back to a time when they ruled the world and seeing as I’m off to see them this year I thought I give this classic a spin. RumBar Records do a sterling job dishing out ear candy on their epic label outta Boston. The Downhauls are the first of several on this week’s show. Get an earful of this belter.

Chris wedged the classic ‘Hoover Dam’ from Sugar into this week’s show and it’s a timeless classic that’s most welcome anytime.

We’ve championed the work of Jesse Malin over and over and brought you updates on his health issues and we are delighted to see he’s returning to the stage later this year for a special show in NYC. After the recent release of the live album, there is a triple album heading for release in the near future where some huge artists cover Jesse’s music from D Generation to his solo work and Bruce Springsteen to Tommy Stinson. Lucinda Williams to Billie Joe Armstrong and Rancid all play their part so we’re delighted to play ‘Black Haired Girl’ from Glitter In The Gutter as performed superbly by Billie Joe. Pre Order that album Here

Another Rum Bar coming in hot is the album from Joe Jennings MVPs and from this single ‘Doin Time On The Company Dime’ it promises to be a belter of a record and we can’t wait to play more. such a talent it’s great to see Joe team up with Rum Bar – cheers!

https://sweetgroovesrecords.bandcamp.com/…/joe-jennings…

https://takethecityrecords.bandcamp.com/…/pre-order…

Pre-orders for the CD version are available on Rum Bar Records on the link below:

https://rumbarrecords.bandcamp.com/…/nothing-wrong-with…

With his brand new video out this week Rich Ragany continues to evolve his music and the people he plays with from the core of Good Guys he has surrounded himself with he continues to turn out great music whatever the style. ‘Sierra Bonita’ is the latest laid-back offering from Rags. Head over Here for his latest music and first Solo album ‘You Can Get Dark With Me’.

Another cover for this episode is ‘Safe From Harm’ where Mike Peters teamed up with Skindreds Benji Webb for an impressive cover of the Massive Attack track. The Cretins deliver ‘Mr Popularity’ in a sprightly Ramones-influenced rocker.

Scandinavia has always delivered great Rock music and this episode we are happy to bang out something from the Hellacopters and The Flaming Sideburns back to back both bands having something of a renaissance in recent years and delivering fantastic comeback albums.

Repeat Records are causing a bit of a stir at the moment with some recent compilation albums that have the cream of the crop delivering excellent alternative music and we’re happy to play our part with ‘Supercharger’ from The Saffs. The Yum Yums are up next with a slice of summer power pop ‘Poppin Up Again’. The final Rum Bar offering is Duck and Cover with ‘Help Myself’ before we finish with an absolute banger off that new Hip Priests EP ‘Home Is Where The HAte Is’ with their finger on the pulse and the UK heading to hell on a hand cart it seems wholly appropriate for this to close out the show this week. Help us out by liking and sharing on social media and keep tuning in. Diolch people

The release of The Alarm’s brand new album FORWARDS is announced for June 2nd 2023 and is available to pre-order / pre-save now. (Click here to pre-order / pre-save Forwards now!).

The Alarm [Acoustic] UK Tour dates as follows:

May 24th LIVERPOOL Epstein TheatreTICKETS HERE
May 25th BRISTOL St. Georges TICKETS HERE
May 30th NEWCASTLE The Cluny TheatreTICKETS HERE
May 31st TRING Court Theatre TICKETS HERE
June 3rd SALE Waterside Arts CentreTICKETS HERE
June 4th STROUD Subscription Rooms TICKETS HERE
June 6th LONDON Union Chapel, Islington TICKETS HERE
June 7th PORTSMOUTH Wedgewood Rooms TICKETS HERE
June 8th YORK The Crescent TICKETS HERE
June 9th HULL The Welly TICKETS HERE

Seconds out round two Trampolene. With anew album coming out this month hit up the linktree and get on it as they release their brand new studio album the same day they release a limited edition hand stamped live album recorded on the opening night of the Swansea Arena Here

Bringing up the rear are South Wales reprobates Deathtraps with their brand new video for ‘Imitator’ lifted from their excellent album ‘Appetite For Prescription’ which you can purchase Here along with their other albums and some excellent limited edition shirts.

Just reading the news about Mike Peters’s health fight with Leukemia and his recent pneumonia after his UK tour and all the complications that came with his latest scare. It was fantastic to read that he had been let out of hospital to further his recovery from home after a stay in Hospital. RPM would like to send our good wishes to Mike and his family and praise his medical team in North Wales and wherever else they may be across this globe who’ve offered help and advice that has helped him do what he does.

We all know Mike is a fighter and continues to move forward under whatever circumstances and extreme challenges that get thrown his way. I’m sure I speak on behalf of all the writers and readers at RPM Online in sending PMA and healing vibes down the interweb and he recovers to full health in the near future. PMA Mike!

Facebook / Website / LHS UK / LHS US

When is a new album not really a new album? Um, well this one to be fair. During lockdown, Mike Peters recorded a plethora of new tunes in the wake of insurrection day in Washington DC. The album came out under the title ‘WAR’ and was pressed individually on a lathe press. Each copy came with a hand-drawn cover from Peters’ fair hand nonetheless and was the singularly most expensive record I’ve ever bought.

Since Lockdown and Insurrection Day things have improved in as much as we have the ability to attend live shows, gather and travel and back to some sort of normal (if where we are now is normal then yup normal) After witnessing an impressive show on The Alarms recent jaunt around the UK, news of the impending Alarm record was exciting and something I was looking forward to.

Maybe I didn’t read the memo or wasn’t paying attention (nothing new there then) this new album (on a rather nice splatter variant might I add)is that rather expensive ‘War’ album at a much more affordable price and an added new track. Anyway, I was impressed with that album and the story surrounding its birth into the world so when I go this new variant home (Housed in a collage of insurrection debris) the packaging is nice compared to the ‘War’ lathe cut one so that’s a bonus. Anyway onto the music.

On first spin, I can’t notice any immediate mastering wizardry from the previous recordings (although I am now aware there are special bundled versions available from the Alarm central but having just splashed out on a bunch of reissued records and the recent coloursound album I couldn’t stretch my funds just far enough to get the alternative mixes). I stand by my review for the ‘War’ record and whilst I’ve not played it for a while the songs sounded great live.

Sure it’s not groundbreaking sound-wise but the concept and way the record was grown are excellent and a sense of urgency is captured in the songs from the opening energetic rush of ‘Protect And Survive’ it’s a style Peters does very well and one I love hearing. The Alarm are a very different beast to the 68 Guns line up and have never let the grass grow around their collective feet and whilst I love hearing the classics I also love hearing new music and like it or loath it challenging himself to write new music is whats kept Peters moving forwards. It seems weird saying these songs have stood the test of time as they’re on a new album albeit 18 months old. some of the songs have certainly stood that test – still sounding fresh and energetic. The cover featuring Benji Webbe of Dub War is one of the stand-out tracks doing a sterling job covering someone else’s tune but by no means the best on offer here.

Some of the songs have jumped the queue like ‘Crush’ which are vibrant slabs of rock even with their gregorian style backing vocals. It also reminds me of the first few early poet’s singles with the use of the harmonica and aggressive rhythm. the musicianship is again of exceptional quality and Smiley does his best Moon on ‘Crush’. You can hear the energy Peters has managed to capture throughout the songs as to the mood it draws from when the attack on the Hill was taking place in real-time. ‘War (It’s Not Over Yet)’ is a fine example of what was unfolding and Peters vocals are excellent in capturing the chaos and craziness of what went on.

Side two opens with the excellent ‘Warriors’ with its skanking rhythm on the verses and great use of the one-finger piano line that flows well into the anthemic chorus. A lot of bands used to front-load their albums and put the most impactful and instantly impressive tunes early doors and keep the “album tracks” for filling out an album but not here folks this album gets stronger and stronger as it unfolds. ‘Gods And Demons’ is a bruising affair with heavy guitars hacking and slashing as Peters howls at the moon with the punchy lyrics, another excellent song, especially as it’s in deep cut territory.

Covers, love them, or loath them most bands do them, and ‘Safe From Harm’ is a good shout in the concept of this record, and getting Benji Webbe on board works perfectly on this rocked-up version of the Massive Attack song. Leaving just the one song, the new song that wasn’t on the War album – ‘Time To Start Over’ closes the album with its modern rock feel, Peters delivers a strong vocal before signing off.

I will make the exception of owning two copies of the same album but with a different title here because I love The Alarm and to be fair this is a bloody good album be it ‘WAR’ or ‘Omega’ it’s one you should really check out. not because I say so but because it’s a damn good record and has some of Mike Peters best songs for a while on it and that’s always a good thing. Hopefully, Mike Peters can get back to full health and keep on marching on and pushing himself to make new music.

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Author: Dom Daley

It’s been a long time coming but it’s good to be back. Now, where have I heard that line before? Many moons ago the good people at The Alarm HQ had a plan to celebrate 40 years of The Alarm and Mike Peters by having a couple of shows on consecutive nights in Rhyl Town Hall the birthplace of The Gathering (a yearly weekend of all things Mike Peters & the Alarm for the past twenty-Five years) sadly due to Covid and the past few years of uncertainty the celebrations were put on hold with the Rhyl shows and one at St David’s Hall Cardiff getting shelved until further notice.

Initially, these three shows which sold out in a matter of minutes were put off due to the Global Pandemic. They were rearranged but again the Cardiff celebration was put off into the distant future of 2023 but thankfully the Rhyl weekender was upon us. The Gathering has seen several venue changes over the years and after the first two were in Rhyl it grew to something altogether bigger and was decamped further up the A55 to the seaside resort of Llandudno and the spacious Venue Cymru. After a few years of being in the prisoner of war camp that is the hell hole known as Pontins Prestatyn it made a welcome return to Llandudno before returning to its spiritual roots of Rhyl Town Hall and the compact surroundings of this forgotten seaside town and Peters hometown, a stone throw from where he was brought up. We took our seats as the doors opened and the stage set on the floor of the hall rather than the traditional raised stage it was deemed more intimate for the lucky few hundred who were gathered for what promised to be a mammoth run through forty years of music from Peters. No drums, Bass, electric guitar or piano just one man a few mics and a lifetime of music. Friday night and it’s the present running backwards to 2010 and Peters looks like a man who means business and it was headlong into the music with ‘Two Rivers’ from his latest studio album ‘Sigma’. There was to be a further twenty one songs dispatched from Peters before a welcome interval and an end to the first act it was a hectic flurry of songs from the excellent ‘Heroine’ to ‘Direct Action’ via ‘Coming Backwards’ and ‘Peace Now’ there wasn’t time for any introductions or stories just on with the show with a really impressive run through some deep cuts from his most recent decade.

It was Steven Tyler who once said “Let The music do the talking” and Mike Peters was certainly on top of his memo to play as many tunes as humanly possible. I’ve seen Mike Peters play live well over a hundred times and it’s often the deep cuts that excite me the most. Sure I love ’68 Guns’ and ‘Strength’ and ‘Spirit Of 76’ and ‘New South Wales’ but I love hearing my favourite artists create new music as well and keep pushing themselves especially when I’m on board the journey and tonight is proving to be some journey.

For me the 2000’s was a prolific time for Peters when he wrote some of his finest work be it The Poppyfield collective or the 2008 Counter Attack collective. The band he was working with were pushing him to be the best writer he possibly could be and it was paying dividends and us the fans were reaping the rewards. ‘Superchannel’ whilst being such a force electrically is still a powerhouse acoustically as tonight’s audience buys into the set. ‘My Town’, ‘Edward Henry Street’ and ‘Mercenery Skank’ are given some serious attention and the floor is a shaking.

With the twenty two song second half reaching a climax with the excellent single ‘Close’ followed by the controversial ruse of ’45 RPM’ it was the end of the first night and a really excellent night’s entertainment. To hold an audience for three and a half hours on a Friday night is some achievement but tonight Mike Peters did it with consummate ease and it seemed everyone was now well up for the Saturday night and a delve further into the catalogue.

I must admit I tend to opt out of the Saturdays daytime extravaganza but if you want to immerse yourself in all things Mike Peters they opened up the Hall for a film ’50 Days In Lockdown’ and Peters had time to pose for photos and sign records before a Q&A with the man took place. The team at the MPO do give fans access that many other bands wouldn’t dream of and after all is said and done, if you’ve travelled from afar or just down the road then it’s a pretty impressive experience.

Saturday night was upon us and the fresh breeze outside was forgotten come eight PM as Peters took to the stage for 1999 to 1992 and it was the same format as the previous night where there was no interaction between songs just on with the business of the music and ‘Flesh And Blood’s ‘House Of Commons’ brought memories of being in the studio at BBC in Cardiff whilst that particular album was being made and memories certainly did come flooding back. It was now the turn of ‘Rise’ ‘Feel Free’ and the time when Peters emerged from the fall out of the Alarm split and taking the poets on an exciting journey as ‘Back Into The System’, ‘Feel Free”, ‘My Calling’ and ‘Gone Elvis’ were played. As Peters played ‘Train A Comin’ you could have heard a pin drop as the entire audience was silent with respect for the music and the journey we were on it was awe inspiring and a real moment even after all these years of watching this man play many of these songs all over the country and beyond.

As we headed into the home straight and the beautiful nineteen eighties and when many of us began our love for these works and when Mike Peters entered most of our lives and record collections it is probably many of these songs we did a lot of first to and why they are held with such high regard in our lives and soundtrack so much of who and what we’ve become. It was a privilige to be part of such a great weekend. ‘Moments In Time’ from ‘Raw’ began a whirlwind blast through the original line ups repetoir as ‘Rocking In The Free World’ took my mind back to Brixton and the tanned fringed coat there was even an out of time run through ‘Merry Xmas War Is Over’ which brought a broad grin across Peters face ‘Rivers To Cross’ was a welcome old friend as was ‘Day The Raven Left The Tower’ and the first time I heard ‘Majority’ from the Marquee club came racing back to me, so many venues, so many memories. Inside the young man I once was – was smiling that I still have the opportunity to hear these songs live and have had the pleasure of doing so on so many occasions. The fact that tonight’s performance was four hours long sounds epic because it was epic. It flew by, I honestly thought that I’d have to go into training to get through it but as the songs were unfolding I didn’t want it to end and could do it all over again on any given weekend.

The encores went right back, predominantly featuring the ‘Declaration’ period songs with ’68 Guns’, ‘Where Were You Hiding’ sung with as much verve and energy as the day they were written it seemed. Then the second encore hit us with ‘The Stand’ and ‘Marching On’ hit with the realisation that we were reaching the end of an incredible evening of music. It only left ‘Up For Murder’ before finally bowing out with a raucous ‘The Stand’. Peters took the ovation he richly deserved and a couple of hundred people filed out into the cold North Wales night with yet more memories of a Gathering that was a while in the waiting but oh so well worth it when it arrived. Bring on 2023 and back to Llandudno for another Gathering and that much overdue performance in St David Hall Cardiff. Going out in a blaze of glory our hands were held up high! Brilliant life affirming rock and roll, I love it!

Author: Dom Daley

MPO HQ Tickets

Welsh Rocker Benji Webb joins forces with Mike Peter Alarm for a romp through the Massive Attack number ‘Safe From Harm’ from the ‘War’ album reviewed on RPM Here

 

Also hot off the press is this banger from Australians Blowers  with the anthemic ‘Waste Of A Man’ which got the thumbs up on RPM Onlne when we reviewed it Here

Finally staying down under we have the new video from the excellent Civic.  Taken from their awesome new album – ‘Tell The Papers’ is the second single from ‘Future Forecast’ available NOW Here