After a 17 year gap, the mythical beings that are The Network drop their second long-player. Who are they? What are they? Is a question we would all like to know but with only names like Fink, Van Gough, and Snoo to go on and a vague background they leave us guessing. What I do know is that they’ve dropped an album of pure quality so let’s pick out some highlights from this 25 track monster of a record.

“The Prophecy” kicks us off with a spoken word warning for mankind and launches into the chorus of “We’re right you’re wrong and we told you so” and lets us know that we should have listened to the band’s warning all those years ago.

“Theory of reality” is an urgent upbeat number and sets the tone for the rest of the album.

“Trans AM” is an atmospheric number with a great bass line running throughout the song.

“Asphyxia” is an instant earworm and its melody instantly lodges in the listener’s brain.

“Ivankkka is a nazi” is a contender for song of the year as it’s not only a great singalong number but the lyrics are brilliant with lines such as “Ivanka is a nazi, she’s in the KKK” and “She has a Gucci swastika and loves the NRA” it’s simply a great track.

“Flat Earth” is another gem of a song with the band telling us that if we think the world is round that we indeed are wrong.

“Degenerate” has a funky, new wave feel with some scratchy guitar and is another top tune.

“Carolina’s ultimate Netflix tweet” is a short blast of pure power-pop-punk goodness.

“Respirator” has a great keyboard opening and yet again the lyrics are great with lines such as “I used to be an anti-mask crusader but now I’m on a respirator” drawing on the recent events with covid 19 and people refusing to wear a mask for others safety.

“Cancer is the new black” has a great twangy guitar riff and an awesome drum track that keeps the album quality at an all-time high.

“Threat level midnight” is a fast punk number and instantly gets the listener’s foot-tapping to the beat.

The Network money money 2020 PT ll we told ya so! Is a triumphant return with great catchy songs with witty lyrics relating to recent times and is an album that with repeat plays the listener will find something new to enjoy.

Let’s hope The Network can bury the hatchet with their arch-nemesis Green Day wink wink to do a joint tour, now that would be something to look forward to once covid is under control.

Pick Up The Network Pt II Here

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Author: Gareth Hotshot Hooper

Here’s a quick singles club rundown to celebrate America waking the fuck up and Biden getting the job done.  First up is the brand new video offering from those crazy mysterious kids The Network.

 

Black Spiders – ‘Fly In The Ointment’ (Self Release)  Black Spiders are back kids and they’re coming with a bit of a bang and a riff-laden banger entitled ‘Fly In The Ointment’.  It’s the first new music from the northern Rockers in Six years and it’s a pretty impressive call to arms to be fair.  Welcome back we’ve missed you!

Buy the ‘Fly in the Soup’ single HERE:

 

Find Black Spiders online at: FACEBOOK / INSTAGRAM / TWITTER / YOUTUBE / PATREON

Max Motherfucker – ‘Natural Thing’ (Self Release)  After 10 years of playing loud and snotty punk Max always wanted to do some heavy Rock n Roll music.  He mooted the idea for many years and that day has arrived!

The lyrics to the songs are more personal and less negative than at his day job with Christmas.  Max said he just needed a great guitar player with some overwhelming riffs! so he called Johnny Cobra who he’d known for over a decade and he jumped on board. On the drums is Cladymirko, the drummer of Christmas from 2018 till 2020. The bass duties are courtesy of Michel Wern. He also produced the record. I love Christmas and the attitude they exude but this is something altogether different for Max and a really impressive solo record.  Fresh sounding and big riffs you’d be daft not to get involved. If you thought the A-side was a fluke wait till you get a load of the flip. ‘Are We Alive’ is better than anything Turbonegro has recorded in donkey’s years Buy it!   Record of the week with Civic. Pick it up here but be quick it’s very limited!

 

Subliminal Landmines – ‘Wheres My Coke?’ (Independent)  The first video from their LP ‘Gibberish’ for these lafayette punks.  they lean heavily on mid period Green Day so much so that they cover ‘Brain Stew’ on the album.

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Civic – ‘Radiant Eye’ (Flightless Records) I fuckin’ love everything I’ve heard from Civic (which might not be a lot but what I have heard I’ve loved).  Outta Melbourne these cats just kick up a shit storm every time.

A no-nonsense rocker ‘Radiant Eye’ kicks up a heap of garage rock dust with the spirit of the Stooges running through their veins it’s a no-brainer for any lover of guitar Rock and Roll. Flip it over and there’s a pretty smart take on ‘Making Time’ by the Creations that up there with Stiv Bator and The Lords cover, so they’re in great company. They’ve got the Rock and the Roll and just Get it.  My advice, buy the damn thing – Here

 

 

Come At The King – ‘In My Place’ (self Release) A decent tune from Come At The King taken from their soon to be released EP.  They mix up a bit of indie with some loud guitar music and ‘In My Place’ is a very decent representation of their overall sound. There’s some heavy rock in there for sure but they clearly have an ear for some Oasis stylings as well and can turn in a decent melody to boot.

With a new EP on the horizon, this is just a taster for what’s to come.

THE KIDS  – ‘Go Back To Canberra’ (Riot Records)   Street punks The Kids playing grown-up big boys punk rock like Argy Bargy jamming on ‘No Sleep Til Brooklyn’ by The Beastie Boys. As a good cardio workout, GBTC is in yer grill up for the rumble.  All four are 17 years old and already are knocking out tunes to go toe to toe with the big boy’s Sydney Australia you have a real contender.
Stream/buy Go Back To Canberra HERE
Radio Rejects – ‘Monsters’ (Riot Records)  More street punk from Riot Records Band Radio Rejects.  ‘Monster’ is food and drink to street punks with big riffs and gang vocals.  This NSW band says The song focuses on the long term effects bullying can cause, and as in a lot of cases, the people you consider to be “Monsters” were made over the years of being treated like garbage. So it reflects the subject matter in the song. Facebook