We often say there’s something in the water in Sweden, with their glut of great, noisy bands with hooks aplenty. See also Australia. But I think of Wales in the same way. 60 Foot Dolls, The Sick Livers and Deathtraps, plus many others, have a habit of penning earworms that hit hard.
Just as you start making your Christmas list, Deathtraps release the third and final instalment in their ‘666’ EP collection. That makes 18 bangers, spread over 3 CDs. As expected, there’s no time to waste, no chaff, straight in with ‘People Like You’, and the chant of “people like you need people like me” is essentially Motörhead head-butting The Hives.
‘The One That Got Away’ has a poppier edge. “You can be my poster girl, I can be your dirty secret”, is like a Jonesy riff, as is ‘Freak Out’. A lot of bands try and fail at this stuff, but you can trust the boys to pull it off (ooer, e.t.c).
‘I Used To Read The NME’ manages to resurrect the line “do you wanna be in my gang?” without causing any trauma. ‘Pop Song Singalong’ is as catchy as Dirtbox Disco used to be, and ‘Kissy Face (Feel Bad Hit Of The Summer)’ is over four minutes long, but there’ll be no flute workouts here! “Sun’s out, scum’s out…” sets the tone.
So, head on over to Bandcamp for a listen. You can even order all 3 EPs if you missed out. The perfect stocking filler. Rock, actually recorded in a garage. Remember, it’s not available in the shops, so get your order in now.
CELEBRATING 50 YEARS IN MUSICWITH A CAREER-SPANNING RETROSPECTIVE SET
MANCHESTER ACADEMY, 4TH JUNE 2026
+ VERY SPECIAL GUESTS BUZZCOCKS
Next summer, Peter Hook & The Light will celebrate 50 years of music with a special set at Manchester Academy, spanning his work with Joy Division, New Order, Monaco and more.
On the 4th June 1976, Pete Shelley and Howard Devoto brought The Sex Pistols to Manchester for the first time for a night at the Lesser Free Trade Hall. The show attracted a modest crowd, with around 40 people in attendance, but amongst them were a disproportionate number of future legends of the Manchester scene. Future members of The Smiths and The Fall, Factory Records’ Tony Wilson, punk poet John Cooper Clarke, genius producer Martin Hannett and somewhere amongst that crowd was a young Peter Hook, with his friend & soon-to-be Joy Division bandmate Bernard Sumner.
Energised by the punk performance, Hook set out to buy a bass guitar the very next day. He went on to play in some of the most influential and iconic bands in British music history, pioneering post-punk with Joy Division before moving into more synth-driven soundscapes with New Order. Now, five decades on, Hook is set to celebrate the anniversary of that pivotal night with a special show in the city that shaped him.
On 4th June 2026, 50 years to the day since The Sex Pistols changed the Manchester music scene forever, Peter Hook & The Light are set to perform a retrospective set spanning his lengthy career at the Academy. Playing choice picks from his time in Warsaw, Joy Division, New Order, Revenge, Monaco, and Freebass, it’s a night not to be missed by fans of Hook and his wide-spanning, widely-influential projects. “On the evening of the 4th June 1976 my life changed forever,” shares Hooky, “I hope on the evening of 4th June 2026 yours will too.”
Hook will be joined by very special guests Buzzcocks, who were instrumental in putting the Sex Pistols on all those years ago. Since that night, the Buzzcocks have carved out their own place in British music history with hits like “Ever Fallen in Love (With Someone You Shouldn’t’ve)”, “What Do I Get?’ and “Harmony In My Head”, winning audiences over with their catchy punk songwriting and lovesick lyrics. Next June, they support Hook and celebrate their own 50-year anniversary in the process.
Pre-sale tickets for the show go on sale on Wednesday 3rd December here, while general on-sale kicks off on Friday 5th December. Tickets will be available here.
Live Dates
4th June, 2026 – Manchester Academy (with Buzzcocks)
Wolfsbane, performing with their legendary original lineup, are proud to unveil a brand new video ahead of their three final headline shows to close out 2025.
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‘Live Faster‘ is a totally new re-recording of their debut album ‘Live Fast, Die Fast’.
With a huge desire to do justice to the new version whilst respecting the old one, ‘Live Faster’ is splendidly IN YOUR FACE and everything the band had hoped it would be. “We are so pleased with the way it has turned out.” – Blaze
Formed in Tamworth in 1984 after a couple of years with different drummers the line up of Blaze Bayley on vocals, Jase Edwards on guitar, Jeff Hateley on bass and Steve Danger on drums was established. This line up remains unchanged to this day. Gigging constantly anywhere that would have them Wolfsbane soon gained a reputation as one of the most incendiary live British Rock bands around, with an original sound fusing Hard Rock, Metal, Punk, Glam and Pop.
After receiving great reviews in Kerrang and Sounds magazines and support slots with King Diamond, Motorhead and Faith No More, Wolfsbane came to the attention of legendary record producer Rick Rubin, who signed them to his new Def American label. In 1989 their debut album ‘Live Fast Die Fast’ was released to rave reviews and included the (almost)hit single ‘I Like it Hot’. In 1990 Wolfsbane released the classic six track mini album All Hells Breaking Loose At Little Kathy Wilson’s Place. This was released to accompany a British and Irish tour supporting the mighty Iron Maiden! 91 saw the release of the ambitious and eclectic ‘Down Fall the Good Guys’ album, recorded at Abbey Road studios, produced by a young Brendon O’Brien and followed by the bands biggest and most successful British tour to date.
Wolfsbane toured across Europe, joining bands Motorhead, Anthrax and Public Enemy and Voivod in their tours, having excellent reactions and life changing escapades.
Wolfsbane then parted company with Def American and signed with the reactivated indie label Bronze Records. Their first release for Bronze was the raw raucous and legendary live album ‘Massive Noise Injection’, this was recorded on one sold out night at London’s Marquee club and captured Wolfsbane in all their unhinged glory and earned them a ten out of ten review in the NME!
Revitalised by the success of Massive Noise Injection, Wolfsbane recorded the eponymous stripped down, musically and lyrically hard hitting self titled album known as ‘The White Album’ but before it’s release Blaze Bayley left the band to replace Bruce Dickinson in Iron Maiden.
After a fourteen year hiatus, Wolfsbane reunited in 2007 at the Rock of Ages festival in Tamworth and then toured with the Wildhearts and Quireboys. In 2011 the reunion became permanent and Wolfsbane released their comeback album ‘Wolfsbane Save The World’ and this comeback was to last longer then the band had been together first time around.
This was followed by the ‘Rock’ ep and another live album ‘Wolfsbane Go Loco At The Asylum’ recorded in Birmingham.
In 2022 the band released the second full studio album of their now cemented comeback, the acclaimed ‘Genius’ album which epitomises the bands carefree attitude showing they will enjoy every minute of playing music together, with an infectiousness that can inspire others to do the same.
In 2025 Wolfsbane release ‘Live Faster ‘ a totally new re-recording of their debut album. It is a reclamation of the first album as the band would have wanted it.
Wolfsbane, still the same line up, are currently touring and played with The Almighty in November
The self-proclaimed ‘Barons of high energy rock n’ roll’, otherwise known as Märvel, return with their 10th album, cunningly titled ‘Brain Drain Diaries’.
The Swedish three-piece have been in the game for 20 years now. King (vocals & guitar), The Burgher (bass) and The Vicar on drums play the sorta rock n’ roll we here at RPM adore, and their high-energy mix of Thin Lizzy, Hellacopters and Kiss is always something to get excited about.
Recorded and self-produced at the Sunshine Factory in their homeland, ‘Brain Drain Diaries’ is what we have come to expect from the masked trio who dress like evil henchmen from a 60’s Batman TV show.
Lyrically, the band have taken a more reflective approach here, with themes of resilience, honesty and songs straight from the heart. But musically, it’s all about catchy hooks and killer riffs, baby!
I’m pretty much sold on the album art to be fair, but the opening one-two of ‘Look It’s Rock n Roll’ and ‘A Beautiful Corpse’ seals the deal in magnificent style.
With the former coming on strong like latter-day Hellacopters, Märvel deliver a killer opener with a refrain to die for and a high-octane solo to boot. This is low-slung rock n’ roll at its finest.
The latter, with its twin guitar attack, urgent beats and vintage Kiss feel, is pure rock n’ roll energy guaranteed to get the heart racing and the vocal cords working. That opening chorus will catch ya, hook, line and sinker. It’s probably the best track on the album. But it’s got some stiff competition.
Märvel have a knack for wearing their influences on their sleeves with no shame. ‘Biding My Time’ drifts from a Lizzy-like verse to a Kiss-inspired chorus with ease, but just ends up sounding like Märvel to me. The glam rock stomp of ‘Time Has A Way’ has a very British feel, like Mud or The Sweet in their prime. It’s as instant as Instant Whip and twice as nice. You’ll be humming it before the second chorus kicks in, believe me.
The likes of ‘Brain Drain’ and ‘Take A Stand’ prove not only that Märvel stole the beat from the Lord, but they may well have improved on it.
Märvel may not have the same kudos as the likes of The Hellacopters, The Hives or Turbonegro in certain circles, but ‘Brain Drain Diaries’ continues a strong run of killer albums from a band who are up there with their contemporaries delivering the goods to the max.
SO FAR FROM HOME, ED, IVOR & GANG WIND BACK THE CLOCK AND BLOW THE REST OF THE WORLD AWAY – AGAIN
In 1976 it was the English press who climbed on board with The Saints first. The weekly music newspaper Sounds in particular, with their multiple “The Single of This and Any Other Week” reviews, recognized that these Brisbane outcasts had beaten their homegrown punks to the punch. The US press also came on board, in particular Creemandthe punk zines like Slash and Bomp!; the yanks seemed to really recognize the Saints connections to pre-punk high energy outfits like the Stooges… All the while the Australian media of the day looked on with a fair amount of bemusement.
Fast forward 49 years, and with The Saints ’73-’78 having just completed a run of US dates and now on the UK & Euro leg of their world tour, it’s deja vu all over again in terms of the response in the upper hemisphere… This time it’s the American press who’ve taken the lead – natch, given the American shows came first – and who are hailing the band as something akin to the second coming, singling out the ferocity and brilliance of Ed Kuepper‘s guitar playing, the singular swing of Ivor Hay‘s drumming and Mark Arm‘s ability to fill the shoes of the late great Chris Bailey – or perhaps to wear different but equally as appropriate footwear – in particular:
Under The Radar: “Watching Kuepper play guitar is like watching someone at the very top of his game … do things with his right hand that humans shouldn’t be able to do… Kuepper always had a tone and sound that resonated with a heaviness that most punk bands couldn’t pull off. Therefore, it was just STUNNING to see it done live…. Out of everything I’ve seen this year, I can’t think of anything more exciting and thrilling. This was one of those performances that makes this longtime fan grateful to be there and to be alive!”
Backbeat Seattle: “Kuepper’s churning, propulsive rhythm guitar (every bit as essential to the Saints’ early acclaim as Chris Bailey’s vocals) has lost none of its razor edge and Hay’s solid drumming pushes the band along at a brisk clip. Mick Harvey’s tasteful leads added a nice bite and Mark Arm’s vocals were just what the punk rock doctor ordered.”
Illinois Entertainer: ‘“(I’m) Stranded” brought the audience to a fever pitch, inciting a full-throated singing from the fans as well as some semi-moshy behavior among rowdy older punks near the barrier. “Know Your Product”… maintained the crowd’s peak energy with the Saints’ influential blend of catchy brass licks and the jet-engine roar of Kuepper’s guitar.”
Spill Magazine: “They really had no choice but to perform “Nights In Venice,” a track from their debut album, (I’m) Stranded. The song explodes, and it’s no surprise that the crowd erupts at the end. Kuepper and Hay have formed an eight-piece band who perform a tight and rocking version of the song. The energy is incredible. This is followed by “No Time,” a track from the same album. Again, the band grabs the song and turns it into a force of nature.”
Chris Morris (esteemed LA music writer – RS, Variety, Billboard etc):“The Saints show at the Teragram tonight could not have been better if I had dreamed it myself… Beginning with “This Perfect Day” and ending with a second encore of the inevitable raver “Nights in Venice,” the band dug deep into the meat of their formidable early catalog… Kuepper… lashed the crowd with dense, intense, feedback-laced playing all night… Mark Arm … laid down a stupendous performance that deftly channeled the spirit and sound of the group’s co-founder Chris Bailey… A lot of friends were in the house, and at the end of the gig they unanimously talked about the show with excited ecstasy. Further words are failing me at the moment. ”
Hudley Flipside (Flipside magazine legend!): “Ed moved with his guitar like electricity. As Ivor drummed perfection and consistency as the full moon above us. The lights… made our eyes close and tune into that place of lyrics in our hearts when we sung loudly with Mark Arm…”
Falling James (of Leaving Trains & LA Weekly fame): “All around me at Teragram Ballroom, people were spinning and shaking and stomping and screaming and singing along or staring upward silently in rapt fascination, fully mesmerized and in a state of wide-eyed shock and sheer, unadulterated, pure, ever-loving joy… as founding guitarist Ed Kuepper summoned forth those monumental, incendiary, massive guitar riffs that frame some of the greatest songs of all time, all hammered home with stunning authority by founding Saints drummer Ivor Hay and such estimable all-stars as, you know, Mudhoney vocalist Mark Arm, the Birthday Party guitarist Mick Harvey and Sunnyboys bassist Peter Oxley…. “
Of course, the band’s audiences were star-studded too, with the likes of Jello Biafra, Thurston Moore, Steve Turner (Mudhoney), Stephen Malkmus (Pavement), Penelope Houston (The Avengers), Ian MacKaye, Guy Picciotto & Brendan Candy (all from Fugazi), Matt Sweeney (The Hard Quartet), Mac (Superchunk), Mary Timony (Wild Fang) and many others making the scene.
Not to be outdone, the Brits – who we should not let forget actually dumped on our boys a bit back in ’77 after the initial outpouring of adoration because Ed, Chris, Ivor and Kym did not give two f**ks about the rules that quickly bound the London punk scene – are also responding ecstatically to the band, who played their first shows their last week, and who did a live session for Mark Riley on BBC6 on the weekend from the BBC’s legendary Maida Vale studios.
The Yorkshire Post: “A judiciously chosen set pares down the catalogue to perhaps their 19 best songs which Arm delivers brilliantly in either an Iggy Pop-like drawl or full-throated rasp. This Perfect Day is especially brutal… All in all, a stunning reminder of the raw power of one of the finest punk bands ever.”
The band will have come off stage at the Electric Ballroom in London around the I hit send on this – we look forward to reading the responses to that.
For those of us who can’t be there, there are still copies of a new TheSaints ’73-’7812″ EPLive Nights in Venice Vol.1– released on In The Red and limited to a crazy 800 copies only – available (along with loads of cool merch) via The Saints ’73-’78 official website. But it before disappears forever or have a listen via the usual digital outlets.
“Tell It to the Ghosts”, written and performed by Camden-based Northern Irish singer-songwriter Matty James Cassidy, is a brooding, acoustic-led track with a noir atmosphere. Channelling the shadowy storytelling and grit of Tom Waits and Nick Cave, it explores memory, loss, and the ghosts we carry. Intimate and cinematic in feel, this is indie rock with depth, character, and pulse.
Matty hits the road supporting the Quireboys on their UK tour — plus a few final solo shows to close out 2025 Here
FROM UPCOMING FIFTH ALBUM: ‘DAGGER’ OUT 6 FEBRUARY, VIA KIND VIOLENCE RECORDS
ON TOUR THIS NOVEMBER, PLUS FURTHER UK TOUR DATES IN 2026
One of the most urgent, immediate and irrepressible tracks the band have delivered to date, “Warning Signs” is a lightning bolt of realisation and unrequited love.
Of the track, vocalist Adam Houghton says:
”I wanted to write from a place of regret — that gut-wrenching moment when you realise pride and fear have cost you the person you love. The song is a confession and a plea, filled with what-ifs and too-lates. I wanted the repetition and directness to feel desperate, like someone haunted by what they didn’t say soon enough. It’s about confronting the pain of being without the one who grounded you and understanding too late that love requires vulnerability. The goal was to make the emotion feel raw, honest, and painfully human.’’
New single “Warning Signs” is an unignorable reminder of the band’s highly awaited fifth album ‘DAGGER’, as produced by Joe Cross (Hurts, Courteeners, Slow Readers Club). It arrives on 6 February 2026, via the band’s own Kind Violence Records.
The new track comes complete with an official video shot by Joyce Van Doorn and edited by Shaolin Pete. Featuring live and backstage footage from IST IST’s triumphant recent tour of Europe, it’s a tantalising reminder for what’s to come at their upcoming UK comeback shows, which kick-off this week in Leeds, Glasgow, London, and Birmingham (28th November – 6th December, check dates below).
IST IST will also be hitting the road again in April 2026, with additional shows in Norwich, Exeter, Oxford, Newcastle, Sheffield, Nottingham, Bristol, and Brighton, paving the way towards their biggest hometown show to date, at Manchester’s Albert Hall in May. All dates are listed below, with all tickets on sale now.
Catch IST IST marking their decade-long career and playing new music from ‘DAGGER’ at the following UK shows:
IST IST – 2025/26 EUROPE & UK TOUR DATES
Friday 28th November – Leeds – Warehouse Saturday 29th November – Glasgow – Oran Mor Friday 5th December – London – 229 Saturday 6th December – Birmingham – O2 Academy2 ****
THURSDAY 9th APRIL – NORWICH – THE WATERFRONT ** JUST ADDED ** SATURDAY 11th APRIL – EXETER PHOENIX ** JUST ADDED **
SUNDAY 12th APRIL – OXFORD – 02 ACADEMY2 ** JUST ADDED **
THURSDAY 16th APRIL – NEWCASTLE – THE GROVE ** JUST ADDED **
SATURDAY 18th APRIL – SHEFFIELD • NETWORK ** JUST ADDED **
THURSDAY 23rd APRIL – NOTTINGHAM • RESCUE ROOMS ** JUST ADDED **
FRIDAY 24th APRIL – BRISTOL – THEKLA ** JUST ADDED ** SATURDAY 25th APRIL – BRIGHTON – QUARTERS ** JUST ADDED **
Friday 1st May 2026 – Manchester – Albert Hall w/ Support from DESPERATE JOURNALIST + THE YOUTH PLAY
SEE THE BAND LIVE AT THE 100 CLUB, LONDON ON JANUARY 28TH FOR THEIR ALBUM LAUNCH PARTY – TICKETS AVAILABLE HERE
Medicine music for the mind, spirit & soul
Imagine Janis Joplin jamming with the Small Faces, down at Withnail and I’s place. Charles Bukowski is manning the bar, Malcolm McLaren is handling the guest list, and Terence Stamp and Julie Christie are canoodling in a corner. Now you’re getting a sense of the weird and wonderful world of The Studio 68!. A high-octane rock ’n’ roll band formed in North London steeped in late ’60s and early ’70s influences, they were destined for stardom in the early ’90s before their chaotic lifestyle derailed them. One explosive Camden performance caused MOJO magazine to remark, “It was the night the foundation stone of Britpop was laid.”
Regenerated, Doctor-Who style, in 2023 as a rollicking rock ’n’ roll outfit fronted by lead vocalist Dani Turner, the six-piece have since blown the doors off everywhere from the ‘Shiiine On’ festival to Camp Bestival and are now ready to unfurl their new album Rollin’ upon the world.
Set for release this coming February 20th, 2026, via the legendary UK mod and punk label Detour Records, the album will be available on CD, download and as a limited-edition bright orange vinyl Rizla-style sleeve, with a lush gatefold for paper Rollin’ ease.
Recorded in London with legendary producer Brian O’Shaughnessy (Primal Scream/Rumer), Rollin’ sees the 68! fusing elements of funk, soul, jazz and blues to create a modern classic and this week the psychedelic express that is The Studio ’68! & Dani Turner rolls back into town in spectacular style with brand-new single ‘Need A Miracle’ – a gilt-edged rock ’n’ soul anthem, it fuses a relentless four-to-the-floor Northern Soul groove with a tune worthy of peak-era Fleetwood Mac. All welded to a lacerating lyrical examination of the pop process.
If that wasn’t enough, the whole thing is sent stratospheric by the extraordinary vocals of powerhouse lead singer Dani Turner. As powerful as P.P. Arnold and as raunchy as namesake Tina, Turner’s diamonds-on-sandpaper delivery on ‘Need A Miracle’ brings to mind the larynx-busting majesty of Merry Clayton’s vocals on the Stones’ Gimme Shelter’.
“‘Need A Miracle’ is a cautionary tale for anyone thinking about entering this weird and wonderful business,” says band spokesman Paul Moody. “It’s a tribute to every band that has ever fallen foul of the music biz — an aural ragu for a dish served cold.”
Recorded at the iconic Bark Studio in Walthamstow, Rollin’ is a passionate love letter to rock ’n’ roll’s late ’60s and early ’70s heyday; it’s a 35-minute blast of grooviness, littered with sonic and lyrical nods to everyone from Brian Auger And The Trinity to Delaney & Bonnie, Bobbie Gentry to Deep Purple.
The standard of musicianship is, frankly, sickening — check out Thrill Heaven’s mesmeric Hammond playing on six-minute epic ‘Time Slips Through Your Hands’, while the one-in-a-generation vocal talent of Dani Turner brings to mind everyone from Elkie Brooks to Beth Ditto; Betty Davis to Alabama Shakes’ Brittany Howard. And that’s just the Bs.
Each of the ten tracks is also constructed with an attention to detail worthy of the Brill Building. An epic ‘The Way It Is’ holds up a (black) mirror to Britain in 2025, a country where hope has been reduced to a game-show appearance or a betting slip, while ‘Seasons’ is an other-worldly meditation on loss reminiscent of Traffic at their most transcendental. ‘Turn Off Your Mind’ is a Fantastic Negrito-style groove decrying tech-consumerism, while ‘Wasn’t Ready’ is a breezy meditation on the fleeting nature of existence worthy of Rod’s Never a Dull Moment. The overall effect is an album which will stay on your turntable for months.
Musically there are nods to everyone from Rod Stewart and the Faces (Wasn’t Ready’) to Traffic (a sublime ‘Seasons’) to Stephen Stills’ Manassas (Funky People’), but lyrically Rollin’ is bang up to date. ‘The Way It Is’ holds up a (black) mirror to Britain in 2025 — a country where hope now comes in the shape of a TV game-show appearance or a betting slip — while ‘Hall of Mirrors’ addresses the distorting gaze of social media. ‘Turn Off Your Mind’, meanwhile, is a swampy mantra reminiscent of retro-centric fellow traveller Fantastic Negrito. All filtered through a Technicolor lens of good vibes and boundless positivity.
For the ’68!, it’s not just about the music. Their rock ’n’ roll travelling show is powered by an over-arching band philosophy, deeply rooted in the progressive social and cultural spirit of 1968.
“We’re here to bring the joy — and the danger — back into rock ’n’ roll,” says band spokesman Paul Moody. “The psychedelic express is picking up speed and we’d love you to come along for the ride.”
Dani and the ’68! will be playing this and other choice cuts from Rollin’’ at their not-to-be-missed album launch at the legendary 100 Club on Wednesday January 28, which will see the band joined by XL, newcomers Raw Sonik, and an all-star DJ line-up of Jon ‘Mojo’ Mills (editor of Shindig!), Andy Lewis (Blow Up) and cult dancefloor mavericks Uncertain Ratio. Plus light show and a host of surprises!
Michael Monroe releases the irresistibly anthemic second single ‘Disconnected’ from forthcoming new studio album Outerstellar, set for release on February 20th via Silver Lining Music. For pre-orders go to this location.
‘Disconnected’ speaks of something that Michael Monroe feels passionately about: that live music is a rare and vital space for people to find each other in the moment.
“Technology was supposed to bring people closer together, when, in fact, people are more disconnected than ever. They’re looking at their phones and their computers and downloading stuff” comments Michael Monroe. “And, you know, the Internet can’t take away the experience of being at a live show. You’re on stage, and you communicate with the audience who are there, in that moment. That‘s where the magic really happens, and absolutely no program or device or computer can reproduce that!”
The new album Outerstellar, is an experience as much as a collection of great songs, a sweet smelling, leathery, glitter-shimmered, sweat-soaked raunch and punch wrapped in one of the great voices in rock ‘n’ roll. The harmonies and vibes roll effortlessly in silk scarves, lounging in leather pants with liquor and a smile on a beat-up sofa in those small AM hours. And the sheer attitude, which screams carefree (not careless!) confidence (not arrogance!), a cocksure sense of self-bathed in the sheer joy of playing real rock ‘n’ roll the right way.
The recently released first video and single, ‘Rockin’ Horse’, is a defiant blast against critics and judges and comes with one of the craziest Michael Monroe videos you’ve ever seen. “I am who I am and I’m not going to edit myself for your benefit,” Michael says unequivocally for anyone who might doubt that fact.
From loud crashing guitars to harmonicas, to gorgeous acoustic moments, you’ll sing, you’ll dance, you’ll shiver, you’ll shake, and you’ll smell this wonderful exhilarating record in all its weathered biker jacket incense-coated glory and you’ll also realize that whatever the hell is going on in the world right now, when you put this album on, it’s an instant escape to carefree days and an emancipation from worries, fears and woes.
Outerstellar will see a whole burst of life onstage when Michael Monroe and the band bring it to stages internationally over the next year. It is EXACTLY what rock ‘n’ roll in its truest sense is meant to be, in fact, just stop reading this, get off your ‘Rockin’ Horse’ and go see Michael Monroe on tour at your first opportunity! In support of the release of Outerstellar, Michael Monroe and band will embark on a UK co-headline tour with Buckcherry, kicking off in Southampton on February 24th. For a full list of upcoming shows and tickets visit: michaelmonroe.com – more dates to be announced.
2025:
24 Nov Rock Beyond Rock Vol. 2, Osaka (JP)
25 Nov EX THEATER ROPPONGI, Minato City (JP)
2026:
24 Feb The 1865, Southampton (UK)
25 Feb O2 Ritz, Manchester (UK)
27 Feb KK’s Steel Mill, Wolverhampton (UK)
28 Feb Northumbria Institute, Newcastle (UK)
1 Mar SWG3, Glagsgow (UK)
3 Mar Tramshed, Cardiff (UK)
4 Mar The Foundry, Torquay (UK)
6 Mar Rock City, Nottingham (UK)
7 Mar O2 Forum, London (UK)
8 Mar Chalk, Brighton (UK)
3-7 Apr Underground Garage Cruise, Miami (US) to Cozumel (MX)
Outerstellarwill be available on Limited Edition 12” White Vinyl, 12” Turquoise Vinyl, 12” Black Vinyl, CD Digipak, Digital Download, Streaming and special D2C bundles. Available to pre-order now at this location
New Record & Management Deals in Germany and Announce 2026 UK Tour Dates. TICKETS AVAILABLE HERE “EVERYWHERE WE GO”
Lancaster’s finest rock export, Massive Wagons, release their brand-new single and video “Everywhere We Go” today, Friday 14th November. The track, packed with the band’s trademark energy and stadium-sized hooks, comes accompanied by a video filmed at the Iconic Winter Gardens in Morecambe.
The single is a celebration of everything Massive Wagons stand for, big riffs, bigger choruses, and a sense of community that runs through everything they do.
Guitarist Adam Thistlethwaite comments on the track “We wanted it to sound huge wherever it’s played… radio, kitchen, or concert hall. Matt O’Grady completely understood that and nailed the energy in the mix.”
Vocalist Barry Mills adds “Everywhere We Go is one of those songs you just know will go off live… big chorus, big energy, it’s built for the stage.”
The release signals a bold new era for Massive Wagons, building on their growing success across Europe with powerful new partnerships in Germany as they announce signing to Reaper Entertainment for their next album and join forces with Brainstorm Music Marketing in Germany, cementing their presence on the European rock scene.
Flori from Reaper Entertainment comments: “Massive Wagons” are one of the most exciting rock bands in the UK and among the most promising and exciting rock acts worldwide. We are thrilled to help them achieve, in other countries, the level of recognition and success they have already earned in the UK. Their energy, authenticity, and passion make them a perfect fit for our label, and we look forward to supporting them as they reach new rock & metal fans around the world.”
Deville adds: The Brainstorm Music Marketing team is excited working even closer now with Massive Wagons because their energy, grit, and honest rock spirit match exactly what we want to champion. They bring a loyal fanbase, a powerful live presence, and a clear creative identity. Partnering with them feels like joining a band already in forward motion, ready for bigger stages and bolder steps.”
To mark the occasion, the song will also be released as an exclusive 7-inch vinyl single, limited to500 copies worldwide. The vinyl will be availableon tour at the merch standand can bepre-ordered now via the official Reaper Entertainment shopHERE
Manager Terri Chapman shares her excitement about the band’s next steps, “Massive Wagons have never been a band to rest on their laurels. With fans always at the heart of everything they do, this partnership with Reaper Entertainment feels like the perfect next step. Reaper bring experience, integrity, and a genuine ‘fans-first’ ethos that mirrors the band’s own. We’re already deep into plans for the next album and it’s shaping up to be their strongest yet. The band’s momentum in the UK continues to build, and with our German partners at Brainstorm leading the charge overseas, in a country where the guys have spent years touring and building a loyal fanbase, everything feels perfectly aligned. This is a new era for Massive Wagons, and one that fans will definitely want to be part of.”
Following their headline set at Planet Rockstock and European Headline tour this December, Massive Wagons will release a live album in March 2026 via Earache Records, captured during their sold-out homecoming show at Lancaster University’s Great Hall, the venue’s first rock concert in over 40 years. This is available toPre-Order here
Looking ahead, the band have just announced their UK headline ‘Everywhere We Go’ Tour for April–May 2026, hitting towns and cities across the country.
Barry Mills sums it up best: “We’re hitting the road again back on our home turf in the UK for 2026, loud, hard, and unapologetically Massive Wagons! No agenda, no gimmicks just rock ’n’ roll in your face. Grab a ticket, it’s gonna be chaos.”
2025 28.11.2025 – Trecco Bay UK (Planet Rockstock) BLOOD & BONE EU TOUR – 2025 29.11.2025 – Kortrijk, Belgium (DVG Club) 01.12.2025 – München, Germany (Backstage Halle) 02.12.2025 – Stuttgart, Germany (Im Wizemann) 04.12.2025 – Haarlem, Netherlands (Patronaat) 05.12.2025 – Paris, France (Le Backstage by The Mill) 06.12.2025 – Essen, Germany (Weststadthalle) 08.12.2025 – Hannover, Germany (Musikzentrum) 09.12.2025 – Berlin, Germany (Frannz Club) 10.12.2025 – Frankfurt am Main, Germany (Das Bett) 12.12.2025 – Lübeck, Germany (Rider’s Café) 13.12.2025 – Wissen, Germany (kulturWERK Wissen)
2026: 07.02.2026 Warrington,UK, (Parr Hall) Full Nelson Show EVERY WHERE WE GO UK TOUR – 2025 17.04.2026 – Norwich, Epic Studios 18.04.2026 – Leicester, O2 Academy 19.04.2026 – Holmforth, The Picturedrome 23.04.2026 – Aberdeen, The Tunnels 24.04.2026 – Middlesbrough, Empire 25.04.2026 – Hull, The Welly 30.04.2026 – Margate, Dreamland 01.05.2026 – Exeter, Phoenix 02.05.2026 – Gloucester, Guildhall
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