Gluecifer – ‘Same Drug New High’ (Steamhammer)

Gluecifer – ‘Same Drug New High’ (Steamhammer)

Praise the fuckin Lord and any other higher powers for making this happen, and I’m sure I speak for many when I say the end of year album of the year might just be over already because Gluecifer are in da Mother funkin’ House! ‘Same Drug New High’ with its tasteful wholesome artwork is amongst us and whilst the world turns to shit and we’re all hellbound in a handcart the soundtrack to the journey into oblivion is fuckin pure fire!

As ‘The Idiot’ doesn’t so much bleed into your ether but rather kicks your eardrum all over the floor with its Subteranian Homesick rock out attack, Gluecifer confirm they have lost none of their fire, coolness or earworm goodness, and in three minutes they kick your backside so hard you would find sitting down impossible.

Hold on to your sanity because the title track is rapid through the door with a great hook. Gluecifer are the undisputed “Kings Of Rock”, and the world was a darker place back in 2005. After a farewell tourr it was a relatively short time to be fair, but in November 2017, the band announced their reunion for 2018. After 7 years, it was time to record the new album, stop the hype train and put their reputation on the line. It’s the first one since 2004, and boy, what a return it is.

keeping it to eleven tracks, they’ve not so much eased themselves back into the scen they’ve blown the doors off and with a sound and attitude that seems totally appropriate and oozing super cool attitude. I enjoyed Poons post Gluecifer projects, but I’ve missed the dynamic attack of Malibu spitting out the words backed by some tremendous riffage. It’s great to feel excited over some music, even at my advancing years its great to be alive and smashing out some high tempo rock n fuckin roll.

They’ve not reinvented the wheel or unlocked a new genre or gone drastic techno, but they’ve taken what they know and do and turned it up to 11 whilst using their experiences as the kings of Rock to puff their chests out and rock out even when the record takes a sharp breath its better than most other bands’ best song like the galloping riff of ‘The Score’ but they follow it up with ‘Pharmacity’ and its bright intro before burrowing into your brain with a great earworm.

What they do best is loud rock n roll like ‘1996’, simple but precise riffage and cool lyrics who else sings about their socks? One of the album’s deeper cuts is ‘Made In The Morning’ with its Malcolm Young tone; they sure do channel their inner classic DC and accelerate the song with a great chorus.

After playing nothing else since I had the album (not a great place to be for someone who has a stack of records to review) its hard not to compare loud rock n roll to this at the moment, so I’m just going to roll with it and keep this same drug giving me these new highs. ‘Another Night Another City’ is a time-honoured road story touching on elements of Cock Sparrer’s brand of Bootboy rock n roll with a fine hook and melody before they sign the comeback record off with ‘On The Wire’. If you were expecting a ballad to close off a rockin’ record, you might be disappointed if you want another full tilt boogie Gluecifer style, then get up for one last slam dance, but is that a keyboard /I hear noodling behind that filthy Bass line? Not a million miles from Colin Towns vibes as The Boys twist my mellon before singing off a magnificent return to form Now please come to the UK and no more hiatuses lifes too short, and the world needs Gluecifer right here, right now! Buy this record.

Buy Here

Author: Dom Daley

The Boys – ‘The Singles Collection 77-25’ (Cherry Red Records)

The Boys – ‘The Singles Collection 77-25’ (Cherry Red Records)

In the time-honoured old lady at the thought of an election, “Not Another One?” yup, it’s another one, but this is the definitive Boys Singles Collection just in case you’d forgotten how bloody good the band is.

The 2CD Digipak features the ‘A’ & ‘B’ sides of every physical (7″ vinyl /CD) Single release from both The Boys & The Yobs from 1977 to 2025. The release includes a 20-page booklet with detailed linear notes and pictures of all the relevant sleeves. Just in case you fancied trawling Discogs looking to track down the elusive original 7″ before the brand new 2026 album drops from The Boys.

What’s not to love about such classics as ‘I Don’t Care’, ‘Sick On You’ ‘, First Time’, and the legendary ‘Brickfield Nights’, which are all very much part of the current Boys live set. But it’s also a chance to wrap up the latter Boys singles like ‘I’m A Believer’ and ‘Punk Rock Girl’, which, to be fair, are distant enough to be joining the first wave classics because time has fallen favourably on songs like those off ‘Punk Rock Menapause’. The liner notes are suitably detailed and offer fantastic value with their twenty pages. Every festive period you can offer up ‘Run Rudolph Run’ or ‘The Worm Song’ just to offend your nan.

Drawing in their footy anthem ‘Svengerland’ and demos as well as unplugged B Sides, this is a comprehensive set and trawling through the good old days in the late 70s to the here and now, it’s a wonderful two-disc showcase to the endurance and downright class of the Boys and all who sailed with them. Forty songs over two discs is one hell of a legacy to Rock n Roll. Buy It!

You can pre-order the collection from Cherry Red – click here

Author: Dom Daley

The Molotovs/Garage Flower – Lending Room, Leeds – 7th January 2026 

The Molotovs/Garage Flower – Lending Room, Leeds – 7th January 2026 

What happens when you take two teenage siblings from the heart of London town with a rock n’ roll dream and something to say, force feed them a diet of Sex Pistols sneer, The Jam’s sharp suss and a heady dose of The Libertines? The Molotovs are what happens. Singer/guitarist Mathew and bassist Issey are just 17 and 19, respectively and have been making a name for themselves the past 2 years, gigging hard. 

With more than 500 shows under their belts, The Molotovs have put in the hard work, and it seems to be paying off. Following support slots with The Sex Pistols and Blondie, a slew of high-energy anthemic singles that nod to the glory days of ‘77 and a debut album due at the end of the month, their time is now….right now. 

First up tonight, though, are local lads Garage Flower, who have the task of warming up the growing crowd. Presumably named after The Stone Roses album of the same name, the four-piece band deliver a high-energy set of guitar-driven, garage rock. Don’t let the baggy jeans, the floppy fringes and their youthful looks deceive you, these boys are no shoegazing indie pretenders.  

With gravelly lead vocals, effect-ridden guitars and a tight rhythm section that gives a funky feel, Garage Flower have more in common sound-wise with the likes of Senseless Things and Mega City 4 than their Manchester heroes. The angst and rawness of ‘Jammy and’ Garage Flower’ also remind me of Aussie rockers The Vines, so they have that grungy, guitar rock thing going on, which is always a good thing.  

With a high-energy, animated set and plenty of crowd interaction from the singer, these hometown boys are worth checking out. Always make it in time for the support band. 

It’s sold out tonight at this, the second date of a UK tour promoting the yet-to-be-released debut album ‘Wasted On Youth’, and The Molotovs are firing on all cylinders from the moment they hit the stage. Singer Mathew spits, snarls and bashes his Rickenbacker like the bastard offspring of Rotten and Weller. Stage left, his sister Issey is a fervent ball of energy as she pulls off moves most couldn’t match, let alone whilst playing an instrument. Behind them, their latest drummer is a blur of flailing arms and urgent beats. 

With a fistful of songs some will know and a set of largely unfamiliar material, the band must rely on raw energy and their ability to entertain to win over a notoriously hard-to-please Leeds crowd, and they pull it off with ease. Opener ‘Urbia’ and the following ‘Newsflash’ are unfamiliar, yet sound mighty. The killer boy/girl “woah-woah’s” add a touch of class to the latter. Bowie’s ‘Suffragette City is up next, it sounds great, but they don’t really need it, their own material stands up. 

‘Johnny Don’t Be Scared’ and ‘More More More’ are modern, mod-tinged anthems that carry some clout and staying power. ‘Rhythm Of Yourself’ was one of the best tunes of last year, it pogos on a bouncy bass line and a very catchy chorus, it was bound to be a live highlight. Of the unfamiliar songs, ‘Wasting My Time’ is gloriously post-punk and ‘No Time To Talk’ sounds like early Manics, which is no bad thing. 

Chat is kept minimal, although we do get the odd quip from a seemingly nonchalant singer who does try to get a reaction from the crowd. Maybe tonight’s demographic was a bit higher than the band are used to, and while the audience may have lacked some energy, the band certainly didn’t. 

Between Mat’s raw, acerbic delivery, Issey’s relentless energy and the drummer’s Keith Moon-esque power, the trio deliver a faultless set of a seasoned touring band. After an incendiary hour set, they wrap things up with a two-song encore, including new single ‘Get A Life’, which was probably my highlight of the night. 

What a way to start off the gigging this year. For me, the Molotovs are the real deal and the full package. They look good, they sound great and are an exciting and entertaining live band. It’s hard to believe they are not even in their 20s yet.  

‘Wasted On Youth’ is a highly anticipated debut album, and I believe you will not get the chance to see them in small venues like this for much longer. The Molotovs are the sound of youth and the world is theirs for the taking. This is just the beginning. 

Author: Ben Hughes

Ultrabomb reach for the ‘Artificial Stars’

Ultrabomb reach for the ‘Artificial Stars’
Punk Rock Power Trio ULTRABOMB Release New Single “Artificial Stars”Out January 2, 2026 — First Single from Upcoming AlbumThe Bridges That We Burn — Out April 3, 2026

Band Consists of Greg Norton (Hüsker Dü), Derek O’Brien (Social Distortion, Agent Orange, Adolescents) and Ryan Smith (Soul Asylum)

“After a pair of LPs over the past four years, Utrabomb is back with “Artificial Stars,” a swift blow to the sternum that harnesses both the speedy energy of Norton’s early Minneapolis days and the ragged hard-rock sensibility of Twin Tone-era Soul Asylum.” – Magnet

Stream “Artificial Stars”– Here

Minneapolis, MN — Punk rock power trio Ultrabomb have released their new single “Artificial Stars.” The track marks the first release from their forthcoming full-length album The Bridges That We Burn, arriving April 3, 2026 via DC-Jam Records/Virgin Music Group.

“Artificial Stars” delivers Ultrabomb’s signature blend of urgency, melody, and grit — drawing on decades of lived punk experience while confronting themes of isolation, endurance, and the drive to keep reaching forward even in uncertain times.

Greg Norton explains: “Sitting in our bunkers, we only have artificial stars to look at. We are all scarred, but we keep reaching for those stars.”

Release Dates • The Bridges That We Burn (album): April 3, 2026

Label – DC-Jam Records – Here

Follow Ultrabomb – Here

The Wonder Stuff / Vent 414 – Shepherds Bush Empire, London. 19.12.25

The Wonder Stuff / Vent 414 – Shepherds Bush Empire, London. 19.12.25

What a fantastic end to another fantastic year of music for RPM Online, and I can’t think of a better place to be to send off the year than in a packed Empire watching the return of Vent 414and The Wonderstuff celebrating doing this malarky for 39 years!

With Milo and Peter putting in a double shift tonight, it seemed only fair that we make the effort to be in the venue early for this, and after making the 400-mile round trip, we wanted to get our money’s worth and boy did we achieve that. Vent 414 made an admission earlier this year that they were indeed in rehearsals and recording a follow-up album to their debut a mere 29 years ago, so it was a delight when Morgan, Milo and Pete wandered onto the stage and then proceeded to fill every conceivable space in the venue with their huge wall of noise beginning with ‘Laying Down With’. The band cranked out the tunes with a couple of brand new ones they’ve been recording, and Milo did inform us that the album was coming in 2026 and possibly more shows.

The first new song was built around a mega groove baby (aren’t they all) before ‘Fixer’ touched on familiar ground. By the time we locked into the volume control, it was Milo offering up the final song of the seven-song set, another new song entitled ‘Lucinda Comes In Many Colours’, I’m excited to hear the new album and what can only be described as something of a creative purple patch for the man from the midlands and this sounds bang on the money.

After warming his voice up with Vent 414, Milo marched on to the Stage, beaming from ear to ear and proceeded to kick the shit out of the finest tunes the Wonder Stuff has to offer in a manner that defies the years because not only did the band sound leaner and meaner they were on fire, and Milo’s vocals were absolutely outstanding. Little time for chit chat other than to introduce a few tunes and announce this was being recorded for a live album in 2026, it was ‘Red Berry Joy Town’ to kick off, and for the next 90 minutes plus, this ‘Eight-Legged’ heavy set list was nothing short of stunning. Malc and Mark weaved the riffs, and the rhythm was maybe tighter than ever, whilst Erica and Milo let proceedings with nicely timed riffs and licks.

The classics came thick and fast from ‘On The Ropes’ and ‘Cartoon Boyfriend’ to ‘Piece Of Sky’ and an epic ‘Mission Drive’. The Wonder Stuff 2025 were absolutely killing it and bringing the curtain down on one hell of a year for shows. I’ve thoroughly enjoyed the revisiting of albums over the past few years and the set lists have been pretty awesome, but for some reason, this one seemed extra special, not because it was being recorded for a live album but the energy from the stage was infectious, and to see post-covid era Milo smiling all the time is as infectious as a dose of flu. So much so that there were cheers for the couple of tracks of the last studio album ‘Don’t Anyone Dare Give A Damn’ and ‘The Guy With The Gift’.

Have I said already how incredible Milo sounded? The guy is singing better than ever, belting out the songs with passion and conviction, and as we headed to ‘Give, Give, Give Me More, More, More’, the clock was ticking, and the end wasn’t far off, even if I didn’t want this to end quite yet, bloody curfews.

The encore was a triple header of ‘Can’t Shape Up’ followed by the finest rendition of ‘Poison’ before a brilliant ‘Ten Trenches Deep’ brought the curtain down on a magnificent night of music that defied the years and absolutely nailed my belief that The Wonder Stuff on form like this are an unstoppable force and are getting better and never going through the motions not for a second. Can we do this again next year for the 40th Birthday, please? Simply stunning! Oh, and if you’re taking requests, chuck ‘Good Night Though’ back into the set, it would have capped off my night perfectly.

Next year marks 40 fucking years of The Wonder Stuff, and that in itself sounds ridiculous, but on this evidence, it would be insane to stop now. This band are on fire, and I say let the music flow and keep on flowing

Author: Dom Daley

4FT FINGERS RETURN WITH ‘BETTER DAYS’

4FT FINGERS RETURN WITH ‘BETTER DAYS’

FIRST NEW SINGLE SINCE 2008 DUE FOR RELEASE DECEMBER 12TH VIA DISCONNECT DISCONNECT RECORDS

PRE-SAVE THE SINGLE HERE

Hailing from Cheltenham, UK, 4ft Fingers is a powerhouse punk rock band that has been making waves in the music scene since their formation in the late 90s. Their signature sound is a blend of fast, melodic, and catchy punk rock, drawing inspiration from iconic bands like The Clash, The Damned, Snuff NOFX among others.

Throughout their career, 4ft Fingers has been known for their relentless work ethic and dedication to their craft. They embarked on extensive tours in the 2000s, solidifying their reputation as “the hardest working punk rock band” as hailed by esteemed publications such as Kerrang! magazine, Big Cheese magazine, and numerous DIY punk fanzines.

In 2025, 4ft Fingers continues to thrive, captivating audiences with their explosive live performances. Currently, they are working on their highly anticipated new album, which will mark their first full-length release since 2008, and are set to end the year on a high with a brand-new single called ‘Better Days’, due for release on December 12th via Disconnect Disconnect Records. Crashing in at just over three minutes, ‘Better Days’ instantly shows that the band’s talent for crafting high-energy melodically charged punk rock hasn’t dissipated one bit in their time away from the studio.

“The single is fuelled with all of the angst and emergency that 4ft Fingers are known for with the speed and melody of their punk rock ‘n roll with soul roots”, states guitarist Tom Saunders. “The song comes from a mature and experienced version of themselves and tackles the highs and lows of life.”

The stage is set for an exhilarating 2026 as 4ft Fingers promises to deliver a blistering and unforgettable punk rock experience. Fans of 4ft Fingers can expect an electrifying fusion of punk rock energy, memorable melodies, and a nod to their influences, creating an unforgettable experience that is both nostalgic and fresh. Stay tuned for their upcoming album and prepare for a blistering ride with 4ft Fingers at the forefront of the punk rock scene.

Find 4ft Fingers online HERE

My Ruin – ‘Declaration of Resistance’ (Magick Room Recordings)

My Ruin – ‘Declaration of Resistance’ (Magick Room Recordings)

My Ruin are back, and they are not fucking around… After a decade-long break, their latest release, ‘Declaration of Resistance’ is a damning statement on the right-wing agenda that’s engulfing US politics (the UK is not far behind!). The album is ferocious and grabs you by the bollocks from the start. Opening track (and first single) Compromised pins you to the floor. Mick Murphy’s monstrous riff, combined with Tairrie B’s spitting vocals, set up the rest of the album perfectly. Declaration of Resistance is more than just an album, it’s an assault on fascism, hate, religious radicalism and the complicity of the Western world in genocide. It’s brutally honest, as heavy as fuck, and quite possibly the most important album of 2026…and it’s still 2025.

What does it sound like, I hear you ask… Think of Rage Against the Machine at their most powerful, add in some Biohazard, throw in some Public Enemy, and sprinkle on riffs that Tony Iommi would be proud of, and then you’re somewhere near the pummelling assault of My Ruin in 2025. Seriously, tracks like The Audacity burst out of the speakers with urgency. The production is perfect, every note and lyric snaps at your heels like a rabid dog. Murphy is one of those supremely talented individuals who can play any instrument. He plays guitar, bass and drums on the album. The drum sound is a breath of fresh air. The drums sound like drums, none of that processed, sampled bullshit. Call to the Void’s Jack Osborne duets with Tairrie B on the crushing True Allies. ‘Contempt’ bumps along with a Kyuss vibe, with lyrics focusing on the vile disregard for anything tasteful by the current US President.

‘Infinite Connection’ has a doomy and dreamy atmosphere; this sounds so good in my headphones. More superb guitar work from Murphy here. ‘Fragile Like A Bomb’ blends hip hop and metal effortlessly. There is so much going on that you need a few listens to really appreciate the effort that has gone into the making of this record. ‘HHRL’ is my favourite song on the album, a down-tuned belter of a riff with more thought-provoking lyrics from Tairrie B. HHRL stands for Hitler Hated Red Lipstick – “but I fucking love it!” she screams.

‘Dark Eyes of London’ is another full-on riff-driven track, there really isn’t a weak song on the album. It’s just banger after banger. Lady Liberty is told from the perspective of Lady Liberty herself. Tairrie B mostly speaks the lyrics until she changes tack to screaming “WHY?” Why indeed…. Lady Liberty rots away as Sacred Reich said back in 1990… nothing much has changed. Muzzle Velocity is an epic track; Murphy plays a blinder here. More chugging riffs and powerhouse drumming…excellent stuff. Truth or Consequences ends the album in style with another powerhouse riff and some fantastic tribal drumming. We also get treated to a fantastic cover of L7’s ‘Shitlist’, which totally fits the vibe of the album.

To summarise, ‘Declaration of Resistance’ does exactly what it says on the tin. Extremely powerful music backed up with the most honest and relevant lyrical content. Some bands say they are not political and that it would alienate their fan base if they wore their politics on their sleeve. I say EVERYTHING is political and we should all be shouting from the rooftops as our humanity is being eroded before our eyes. My Ruin are not scared to show their colours. They speak the truth.

Buy Here

Author: Kenny Kendrick

Ravagers – Set To Hit Europe in 2026

Ravagers – Set To Hit Europe in 2026

TURNT UP IN EUROPE 2026- Here we go! Another European excursion.

Ravagers are looking forward to playing Sweden and Norway for the first time, along with all the usual spots in Germany, Belgium, France, and Spain. Sorry UK. They still haven’t gotten any offers to play over there, but who knows?.. to be continued!

Talk to Billig People if you want Ravagers in your town

TOURDATES so far…

21/05/2026 SWE-Sundbyberg, Encore, Sundbyberg

22/05/2026 NO-Oslo, Last Train, Oslo

24/05/2026 D-Bremen, Lila Eule

25/05/2026 D-Hamburg, Hafenklang

27/05/2026 D-Münster, Heile Welt

28/05/2026 D-Hannover, LUX – Concerts

29/05/2026 D-Essen, Don’t Panic Essen

30/05/2026 D-Alsdorf, Pit Rock Open Air 2026

31/05/2026 D-Kassel, Goldgrube Kassel

01/06/2026 D-Bamberg, Live-Club, Bamberg

03/06/2026 A-St Pölten, Seedose

04/06/2026 D-Dresden, Chemiefabrik Dresden (Chemo)

05/06/2026 D-Berlin, Wild At Heart

06/06/2026 D-München, Bürgerhaus Glockenbachwerkstatt

08/06/2026 D-Saarbrücken, Tante Anna

09/06/2026 D-Köln, Sonic Ballroom

10/06/2026 B-Brussels, Brasserie de la Mule

11/06/2026 B-Arlon, L’Entrepôt À Arlon

13/06/2026 F-Nantes, Cold Crash

14/06/2026 F-Périgueux, Le Moulin du Rousseau

Buy Ravagers Here USA / Europe Here

Deathtraps- ‘Sympathy For The Denim’ (Spirit Of Disaster Records)

Deathtraps- ‘Sympathy For The Denim’ (Spirit Of Disaster Records)

We often say there’s something in the water in Sweden, with their glut of great, noisy bands with hooks aplenty. See also Australia. But I think of Wales in the same way. 60 Foot Dolls, The Sick Livers and Deathtraps, plus many others, have a habit of penning earworms that hit hard.

Just as you start making your Christmas list, Deathtraps release the third and final instalment in their ‘666’ EP collection. That makes 18 bangers, spread over 3 CDs. As expected, there’s no time to waste, no chaff, straight in with ‘People Like You’, and the chant of “people like you need people like me” is essentially Motörhead head-butting The Hives.

‘The One That Got Away’ has a poppier edge. “You can be my poster girl, I can be your dirty secret”, is like a Jonesy riff, as is ‘Freak Out’. A lot of bands try and fail at this stuff, but you can trust the boys to pull it off (ooer, e.t.c).

‘I Used To Read The NME’ manages to resurrect the line “do you wanna be in my gang?” without causing any trauma. ‘Pop Song Singalong’ is as catchy as Dirtbox Disco used to be, and ‘Kissy Face (Feel Bad Hit Of The Summer)’ is over four minutes long, but there’ll be no flute workouts here! “Sun’s out, scum’s out…” sets the tone.

So, head on over to Bandcamp for a listen. You can even order all 3 EPs if you missed out. The perfect stocking filler. Rock, actually recorded in a garage. Remember, it’s not available in the shops, so get your order in now.

Buy Here

Author: Martin Chamarette

PETER HOOK & THE LIGHT – 50 YEARS IN MUSIC

PETER HOOK & THE LIGHT – 50 YEARS IN MUSIC

CELEBRATING 50 YEARS IN MUSIC WITH A CAREER-SPANNING RETROSPECTIVE SET

MANCHESTER ACADEMY, 4TH JUNE 2026

+     VERY SPECIAL GUESTS BUZZCOCKS

Next summer, Peter Hook & The Light will celebrate 50 years of music with a special set at Manchester Academy, spanning his work with Joy Division, New Order, Monaco and more.

On the 4th June 1976, Pete Shelley and Howard Devoto brought The Sex Pistols to Manchester for the first time for a night at the Lesser Free Trade Hall. The show attracted a modest crowd, with around 40 people in attendance, but amongst them were a disproportionate number of future legends of the Manchester scene. Future members of The Smiths and The Fall, Factory Records’ Tony Wilson, punk poet John Cooper Clarke, genius producer Martin Hannett and somewhere amongst that crowd was a young Peter Hook, with his friend & soon-to-be Joy Division bandmate Bernard Sumner.

Energised by the punk performance, Hook set out to buy a bass guitar the very next day. He went on to play in some of the most influential and iconic bands in British music history, pioneering post-punk with Joy Division before moving into more synth-driven soundscapes with New Order. Now, five decades on, Hook is set to celebrate the anniversary of that pivotal night with a special show in the city that shaped him. 

On 4th June 2026, 50 years to the day since The Sex Pistols changed the Manchester music scene forever, Peter Hook & The Light are set to perform a retrospective set spanning his lengthy career at the Academy. Playing choice picks from his time in Warsaw, Joy Division, New Order, Revenge, Monaco, and Freebass, it’s a night not to be missed by fans of Hook and his wide-spanning, widely-influential projects. “On the evening of the 4th June 1976 my life changed forever,” shares Hooky, “I hope on the evening of 4th June 2026 yours will too.” 

Hook will be joined by very special guests Buzzcocks, who were instrumental in putting the Sex Pistols on all those years ago. Since that night, the Buzzcocks have carved out their own place in British music history with hits like “Ever Fallen in Love (With Someone You Shouldn’t’ve)”, “What Do I Get?’ and “Harmony In My Head”, winning audiences over with their catchy punk songwriting and lovesick lyrics. Next June, they support Hook and celebrate their own 50-year anniversary in the process. 

Pre-sale tickets for the show go on sale on Wednesday 3rd December here, while general on-sale kicks off on Friday 5th December. Tickets will be available here.

Live Dates

4th June, 2026 – Manchester Academy (with Buzzcocks) 

Tickets available here. 

For more information:

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