LOUD WOMEN Sunday on Rebellion’s Introducing Stage

<strong>LOUD WOMEN Sunday on Rebellion’s Introducing Stage</strong>

Sunday August 4th at Blackpool Winter Gardens – More info on Rebellion Festival HERE:

Feminist DIY collective LOUD WOMEN have announced that they will be partnering with the Introducing Stage at Rebellion Festival in Blackpool, programming and hosting a one-day lineup of female and non-binary powered bands making shockwaves on the alternative and punk scene. LOUD WOMEN Sunday August 4th on the Rebellion Introducing Stage will feature hotly tipped and fast rising futurestars such as Fräulein, Baby Said and The Empty Page.

LOUD WOMEN’s founder Cassie Fox said of the collaboration:

“Rebellion is (by far) the UK’s biggest punk festival, and the Introducing Stage offers new, DIY bands the chance to play to an enormous crowd who absolutely love discovering new bands. So, it’s the perfect place to showcase some of the band’s LOUD WOMEN champions! We all know that the most exciting and innovative new alternative music is coming from women and non-binary musicians, who for so long have been under-represented on big stages … we have a great opportunity here to bring a fresh new flavour to the classic punk scene.”

On the lineup selections, she said:

“All of the bands on this lineup have either already blown our minds and stolen our hearts on LOUD WOMEN Fest stages or have recently arrived on my ‘must-book’ list! There’s a beautifully eclectic mix of righteous alt-rock from The Empty Page, NXKXTA and Playing Alice; pounding punk rock from the likes of Baby Said, Hipersona, Baby Teeth and The Dollheads; riot grrrl inspired disco rage from The Red Stains and Twat Union; glorious grunge from Fräulein and SNM; and I can’t wait to see what the punks make of electropunx Arch Femmesis!”

Rebellion booker Jonny “Wah Wah” Taylor said:

“When Jennie [Russell-Smith, Rebellion’s co-founder] and I talked about the idea of LOUD WOMEN doing this … to us, it was a no-brainer and an absolutely vital thing to do. The Introducing Stage has always had a high percentage of female and non-binary representation. We put on the best up and coming bands out there. And now to have a day when the representation is 100%, with every band picked on their own merit … it’s gonna show the world that this is not just a movement in itself but also one that the Punks from everywhere will welcome with open arms, and an excited anticipation that LOUD WOMEN Sunday on the RIS could just be one of those special days that people will be talking about for years to come … so get to Rebellion and don’t dare miss out! “

LOUD WOMEN will host the Rebellion Introducing Stage on Sunday 4th August, at Blackpool Winter Gardens. Weekend and day tickets available HERE:

Full lineup for LOUD WOMEN Sunday at RIS:

Arch Femmesis

Baby Said

Baby Teeth

The Dollheads

The Empty Page

Fräulein

Hipersona

NXKXTA

Playing Alice

The Red Stains

SNM

Twat Union

About LOUD WOMEN:

Founded in 2015 by Cassie Fox, the not-for-profit organisation is based in London with chapters in the US, Canada, Ireland, Spain and Australia. LOUD WOMEN’s stated aim is to “put more women on more stages and turn up the volume”. LW activities, besides an annual one-day Festival in London, include regular gigs in several cities, a well-regarded music blog updated daily by a team of 100+ writers, a weekly radio show, compilation album releases through LOUD WOMEN Records, and an active community on social media.

Cassie Fox is a musician (‘bass Doris’ in the London band I, Doris) and lectures at BIMM London.

Links

Rebellion Festival website/tickets:https://www.rebellionfestivals.com/

LOUD WOMEN website: www.loudwomen.org

Facebook https://www.facebook.com/loudwomen

Instagram https://www.instagram.com/loudwomen/

Twitter https://twitter.com/loudwomenclub

TikTok https://www.tiktok.com/@loudwomen

THE INTERRUPTERS ANIMATED VIDEO FOR ‘ALIEN’

THE INTERRUPTERS ANIMATED VIDEO FOR ‘ALIEN’

 The Interrupters, have an animated video for the track “Alien,” of their fourth studio album ‘In The Wild’.

Ukrainian sisters Olga & Vira “MadTwins” Ishchuk (@madtwinsart) known in the punk scene for their animation works for punk bands such as Social Distortion, NOFX, Flogging Molly, created the “Alien” video based on a plot invented by Aimee Interrupter. Mad Twins tell: “the song “Alien” spoke to us strongly because we know what it is like to be an abandoned child and a weirdo. Aimee and the guys wanted the main character to be a skeleton, and that was a challenge. In punk rock and metal there are a lot of visuals of skeletons, we wanted the main character to be different and the audience to empathize with him. The value of the song Alien is precisely in the openness of the emotions of suffering due to the difficulty of finding one’s place in society, which are well known to those who come to the punk rock subculture. The “happy end” at the finale of the video is not so important as the story about that the character sincerely tried to find his path. This is not the time to lie down in the pit of death, life is precious even if you are feeling yourself as an alien.”

Fresh of a month-long US headline tour, The Interrupters will be back for a selection of festival and headline shows across the UK and Europe, starting at Slam Dunk coming Saturday. The band will also be supporting Green Day in France and The Netherlands and The Hives in Italy. See below for the full list of dates.  
Tickets & info are available at wearetheinterrupters.com

UK/Europe Summer Tour

May 25th – Hatfield, UK – Slam Dunk  
May 26th – Leeds, UK – Slam Dunk
May 28th – Lille, France – Le Splendid *
May 30th – Santiago De Compostela, Spain – O Son Do Camino [SOLD OUT]
May 31st – Lisbon, Portugal – Lisboa Ao Vivo *
Jun. 1st – Madrid, Spain – Road To Rio Babel [SOLD OUT]
Jun. 3rd – Valencia, Spain – Repvblicca *
Jun. 4th – Bilbao, Spain – Santana 27 *
Jun. 5th – Lyon Decines, France – LDLC Arena # [SOLD OUT]
Jun. 7th – Nürnberg, Germany – Rock Im Park
Jun. 8th – Nürburgring, Germany – Rock Am Ring
Jun. 9th – Brussels, Belgium – Ancienne Belgique *
Jun. 10th – Hamburg, Germany – Grosse Freiheit * [SOLD OUT]
Jun. 12th – Prague, Czech Republic – Lucerna Music Bar *
Jun. 13th – Nickelsdorf, Austria – Nova Rock
Jun. 15th – Interlaken, Switzerland – Greenfield
Jun. 16th – Luxembourg, Luxembourg – Den Atelier * [SOLD OUT]
Jun. 18th – Paris, France – Accor Arena # [SOLD OUT]
Jun. 19th – Arnhem, The Netherlands – GelreDome # [SOLD OUT]
Jun. 21st – South Tyrol, Italy – Natz Alpen Flair
Jun. 22nd – Lyon, France – Slam Dunk
Jun. 23rd – Landgraaf, The Netherlands – Pinkpop
Jun. 25th – Bologna, Italy – Sequoie Music Park +
Jun. 27th – Berlin, Germany – Huxleys Neue Welt * [SOLD OUT]
Jun. 28th – Munster, Germany – Vainstream
Jun. 29th – Clisson, France – Hellfest

*  Headline Show

#  Supporting Green Day
+ Supporting The Hives

For more information on The Interrupters, visit: WEBSITE | INSTAGRAM | FACEBOOK | TWITTER

The Courettes return to North America in July and August!

<strong>The Courettes return to North America in July and August!</strong>

America & European Dates

Check out the tour posters and visit the band’s website for TICKET LINKS! A full list of the band’s gigs including their European and UK shows is at the bottom, just scroll down!

The band also have a new single lined up for release in July. ‘California’ b/w ‘Run Run Runaway’ will be available on a RED vinyl 7″. It features guest vocals from none other than La La Brookes of The Crystals! More info and pre-order details coming soon. Finally, don’t forget the band’s recent ‘SHAKE!’ 7″ is now available on BLACK VINYL. Just 500 copies on this pressing.

FULL TOUR DATES

23.05 Lux – Hannover, Germany

24.05 Sniester Festival – Den Haag, Netherlands

25.05 Botanique – Brussels, Belgium

12.06 Fermento in Villa – Bologna, Italy

13.06 Mocvara – Zagreb, Croatia

14.06 Bad Music Bogaloo – Belgrade, Serbia

15.06 Trash & Burn Fest – Sveti Martin na Muri – Croatia

20.06 Arena – Vienna, Austria

21.06 Club of Newchurch – Neukirchen A.G., Austria

22.06 Summer Live Fest – Lixing-lès-Rouhling, France 

18.07 Cafe Nine – New Haven, CT, USA

19.07 Robo Bar – Ottawa, ON – Canada

20.07 Le Festif – Baie-St-Paul, QC, Canada

21.07 L´esco – Montreal, QC, Canada

22.07 Monarch Tavern – Toronto, ON, Canada 

23.07 Lager House – Detroit, MI, USA 

24.07 Cafe Bourbon St. – Columbus, OH, USA 

25.07 Melody Inn – Indianapolis, IN, USA 

26.07 Portal – Louisville, KY, USA 

27.07 Liar´s Club – Chicago, IL, USA 

10.08 The Earl – Atlanta, GA 

11.08 Static Age – Asheville, NC 

12.08 Cobra Cabana – Richmond, VA 

13.08 Metro Baltimore – Baltimore, MD 

14.08 Pie Shop – Washibgton, DC, USA 

15.08 Kung Fu Necktie – Philadelphia, PA 

16.08 Hi-Tide Summer Holiday – Asbury Park, NJ 

17.08 Union Pool – Brooklyn, NY 

18.08 Askew – Providence, RI 

25.09 The Adelphi – Hull, UK 

26.09 The Night Owl – Birmingham, UK 

27.09 NE Volume Music Bar – Stockton, UK 

28.09 Acapela Studio – Cardiff, UK 

29.09 St Marys A Creative Space – Chester, UK 

30.09 The Cluny – Newcastle, UK 

01.10 The Caves – Edinburgh, UK 

02.10 Room 2 – Glasgow, UK 

03.10 Night & Day – Manchester, UK 

04.10 The Dome – London, UK 

05.10 Norwich Arts Centre – Norwich, UK 

06.10 Wedgewood Rooms – Portsmouth, UK 

Martin Savage And The Jiggerz – ‘Self Titled’ (Damaged Goods Records)

Martin Savage And The Jiggerz – ‘Self Titled’ (Damaged Goods Records)

It’s only May, yet it’s hard to keep count of the great albums released this year. As one of my favourite bands is King Salami, it’s no surprise that the debut from Martin Savage And The Jiggerz is up my street, featuring as it does the rhythm section of The Cumberland Three. The energy levels are similar, but this is twelve slices of barbed, garage rock.

‘Between The Lines’ races out of the starting blocks, like early Brian James. ‘On The Run’ doesn’t let up, veering close to the edge of the fretboard, complete with handclaps and police sirens. This, along with ‘Out Of This World’ is reminiscent of the great Larry Wallis, so, if that’s your bag, dive in. It sounds like the album was recorded in a day, a compliment in my opinion. “In, out, put the kettle on” as Monkfish used to say. And, indeed, much like ‘The Fast Show’, there’s no superfluous stuff here; fast, sharp, short songs that fly past.

‘Next In Line’ boogies at a now-expected frantic speed, and it’s on to ‘Eyes Of A Blind Man’ with no time to spare and some wailing harmonica. Put simply, if you like one song, you’ll like them all. ‘Fly By Night’ wouldn’t shame Johnny Thunders. Uncle Dom and I were saying only the other day that very few bands manage to pull off the ‘L.A.M.F’ sound convincingly, but this is an exception.

Single ‘Down The Line’ is slightly more laid back, before ‘Fast And Loose’ is exactly that. ‘On The Corner’ gives Wild Billy Childish a run for his money, and ‘Boomerang’ will hit you in the head.

What more do you want? If infectious, raucous garage rock is your thing, get your preorder in now.

Buy Here

Author: Martin Chamarette

It’s A Revolution – Podcast Episode 27

It’s A Revolution – Podcast Episode 27

Join us this week as we walk you through some pretty awesome tunes both old and new. Kicking off with a new song from Rich Ragany and his brand new solo album that’s released in a month but pre-sales are up now from his label Here

We delve back into the 80s for some Sea Hags and a track off their one and only self-titled album before we hit you with a brand new song off the soon-to-be-released Redd Kross double album! Yes Double. Pre Orders Here

We just keep giving. Try some Scandinavian Glunk in the shape of Leaded Fuel next before we offer some Ultrabomb who also have a new album on pre-sales.

Does anyone remember Electric Angels? well, we do and this is their Drinking Song the band was the springboard for Ryan Roxie who is currently playing with Alice Cooper. Fancy some cock Rock courtesy of CC from Poison? Hotshot did which is why we played a song from his project Samantha 7 with a track called ‘Framed’. We dug up a classic Fallen Angels track off that debut album because it’s one of those criminally underrated records that deserve to have more ears on it so here’s ‘Dagger In My Heart’.

In the 80s NYC dished up some sleazy rock n roll in the shape of Uncle Sam and a track off the ‘Heaven Or Hollywood’ record as we ‘Live For The Day’. Hotshot offers up Jizzy Pearls Love HAte and ‘Spinning Wheel’ which is quickly followed by the epic Warfare with ‘ Noise Filth and Fury’ that was the ultimate MEtal/punk crossover that paved the way for the likes of Midnight and they had a fan in Lemmy. So what’s not to like?

We heard of the recent passing of Jock from X-Ray Eyes so we played ‘Blind Sniper’ off the band’s latest release, Rest in Peace Jock.

Mo Bergs The Pursuit Of Happiness popped into my head earlier this week and I couldn’t get this banger out of my brain. ‘I’m An Adult Now’ is a stone wall classic. The Daniel James Gang offer some ‘Misery’ right from the sleazy side of the Replacements pocket and we love that, we also love some Indonesian Junk as well but they’re for a later episode so this banger will do for now.

We head into the home straight with a track off the RSD album from Dead Horse a band made up of a Damned, Sex Pistol, Generation X and twenty Flight Rocker that you should have picked up on RSD 2024 if you have any self respect, if not fear not we can sort you out with one of the tracks here.

Crazyhead released one of the singles ever and most definitely one of the best titled songs ever and we bring yo the original version from the 12″ not the overproduced album take which is still great but not as good as this version.

If you stick around with this episode we bring yo the mighty Scott Drake and a track called ‘Champagne On Ice’ a much underrated artist who is currently tearing it up with Guerrilla Teens a band you should also check out. We sign off Episode 27 with some Garage Rock from the awesome Suicide Generation and ‘Prisoner Of Love’ so until next time stay tuned and like-share-follow the RPM Online Podcast – It’s A Revolution

Steve Conte – ‘The Concrete Jangle’ (Wicked Cool Records)

Steve Conte – ‘The Concrete Jangle’ (Wicked Cool Records)

Now Steve Conte really caught my attention when he was drafted in to play guitar alongside Sylvain Sylvain in the Dolls and following that the solo career he was forging was all killer and no filler and even when he played in Michael Monroe band and wrote songs for someone as talented as Monroe to sing he couldn’t put a foot wrong it would seem. ‘Bronx Cheer’ was his last offering and to be fair I loved it I thought he had written some of his best material on that album and his vocals seemed to have been elevated to the next level as well. Fast forward a couple of years and after much social media jibber jabber about writing new material for another solo album I thought Conte can’t possibly top the last album but after running through this album for a couple of months I truly believe he’s mixed up his Rock album formula with a new found new wave pop seam and mined it to the maximum and taking a side step into some new territory works well and drafting in someone he really admires and holds in high regards a certain Andy Partridge from XTC is both interesting and unexpected but ultimately a fine move from the evidence of the co written tunes that make up the opening side of this album.

Clever clogs album title aside this might well prove to be Conte’s finest work to date which is no small feat for someone who has quite an impressive output over the last decade or so. Ian Hunter, Danko Jones, Steve Lillywhite, Nasty Suicide and Glen Matlock raise an eyebrow alongside several other impressive talents on show. The Melodies are constant and at every turn and the pop songs wear many outfits from bluesy rockers or more punky-edged songs Conte has covered all bases yet made a cohesive and truly wonderful album.

Ultimately Conte has evolved his repertoire and moved in another direction and quite possibly turned in his finest album thus far in an ever-impressive collection of mightily fine albums. Don’t just take my word for it check it out for yourself and immerse yourself in a fantastic album brimming with glorious songs where he goes from here, who knows, at this point, the world is his oyster and I’m happy to spend the next couple of years marvelling at ‘The Concrete Jangle’ my only complaint is it could have gone on and on, no should have gone on and on. Buy IT!

Buy Here

Author: Dom Daley

Haust – ‘Negative Music’ (Fysisk Format)

Haust – ‘Negative Music’ (Fysisk Format)

Norway’s finest have concocted another pure sonic assault, getting back to their roots musically while also looking forward and developing new aspects to their sound. 

New album Negative Music has the ear splitting extreme metal tones you would expect but with a raw underlying punk rock energy and ethos. Thudding bass lines akin to west coast hardcore but with shrieking and tortured vocals reminiscent of 80s Deathrock while also sharing the band’s issues and social concerns relating to their upbringing and the musical scenes they have navigated. 

Unrelenting and with absolutely no compromise, the black metal meets punk sound helps lend to a fresher more analogue sound to the record, getting away from the synthetic heavy metal pitfalls and tropes that can plague the genre but still remaining brutal. 

Particular stand out tracks are ‘dead ringer’ and ‘the burning’, a throbbing assault to the senses with the potential to upset any next door neighbours. 

In an industry and subculture that trades on shock value and over the top rorschach logo typography, Haust are refreshing due to their stripped down approach with their image, artwork and their level headed approach to interviews and promotion and as a result they’re a hell of a lot more approachable in their “scene”.

Author: Dan Kasm

HAUST:
Facebook: https://www. facebook.com/haustmusic
Instagram: https://www. instagram.com/haustmusic
Bandcamp: https://haustno.bandcamp.com

Fysisk Format:
Web: http://www.fysiskformat. no
Facebook: https://www. facebook.com/fysiskformat

The Meteors – ’40 Days A Rotting’ (Mutant Rock Records)

The Meteors – ’40 Days A Rotting’ (Mutant Rock Records)

THE METEORS were formed way back in 1980 post punk explosion and pre UK 82 to be more precise. They’ve released about a million albums both studio, live and compilation albums since then and its quite an achievement that in 2024 they are still enthusiastic and motivated to keep writing and recording original music and to be fair making music as good if not better than they were doing back in the 80s. To be fair doing this Rock N Roll lark for that many years they should be half decent by now.

Preferring their songs to contain topics about vampires, graveyards and radioactive kids, P. Paul Fenech, still the bands leader and six-string slinger and songwriter has vocals that are distinctively gravel chewing, whisky and cigarette-induced rasp and perfect for this style of Rock n stomp.

With fourteen tracks being wedged onto this latest offering it’s uncompromising and sounds like The MEteors doing it their own way as you’d expect. The surf Rock guitar and minimal tub thumping drumming and subdued salamander stick slapping of that stand-up Bass. They might have paved the way and inspired a whole scene along with a couple of other stalwarts of the scene but they do carve their own path through the scene. ‘The Swampy ‘Blood Moon’ has some sweet guitar licks and very rhythmic drumming taking centre stage.

The title track has a wandering almost folk rhythm going on through its heart with a great arrangement and use of instruments, excellent stuff. Fourteen songs is a lot to get through but there is quite a bit of variety on the theme and whilst its not variety for the sake of it songs like ‘Murder Party’, dare I say it there is a more mature feel to these songs or it might be the more restrained production but you wouldn’t say that on the lyrics which constantly made me chuckle. If you’re looking for a high point then look no further than ‘The Rage’, and ‘The Devil Take Me Highway’ truly majestic slices of the genre, no question about it.

There are the obvious rockabilly, country, surf and rock’n’roll aesthetics. A sound woven by Paul Fenech’s rockin’ guitar and bile-spitting Beelzebub-rousing lyrics. ‘40 Days a Rotting’ proves once again that form is temporary and class is permanent and The Meteors are indeed class. Buy It!

Pre-Order here 

Author: Dom Daley

The Hives / Bad Nerves – The Great Hall, Cardiff Uni. Cardiff – 05.04.24

The Hives / Bad Nerves – The Great Hall, Cardiff Uni. Cardiff – 05.04.24

A night when the old school garage rock grandmasters that are The Hives take young jedis in training out on tour to show them how it’s done by the best in the business and give them the leg up they deserve as they continue their upward trajectory to what can and should be a deserved seat at the top table.

Bad Nerves have been constantly touring and recording their second album then touring some more across the states they’re certainly not afraid of hard work and know that you have to go out and get every single sale and work for it. Tonight they strode onto the well-trodden boards of the great hall in Cardiff to a very healthy audience. They purposefully took up their stage positions and with an effortless cool, they exploded into ‘Don’t Stop’ and don’t look back for the next half hour.

With ‘Still Nervous’ getting its timely release at the end of this tour Bad Nerves have global domination in the pal of their hands. They’ve got the chops, tunes and attitude to one day go toe to toe with The Hives but at this point, they are the perfect Garage punks to open up this Rock n Roll show.

Bobby Bird leads the troops through a blistering set of well-worn in tunes and a couple of new ones. They look the part on the big stage and seem super comfortable pumping out their power pop punk anthems. It’s like all the vital ingredients for success and the right place at the right time but all that is immaterial if they don’t have the tunes but on tonight’s evidence they don’t have to worry on that front because the new songs are so strong. ‘USA’ is a vicious romp through the best power pop punk rock and with ‘You’ve Got The Nerve’ they have the punk rock authentic attitude to pull this off. As was pointed out by Mr H they have the songs like the mighty Cyanide Pills (who would be fantastic touring partners when they finish their stint with The Hives)

There was no fuckin about, no bullshit just Rock n Roll from top to bottom and Cardiff Uni had just been served up a lesson in how to open a show good and proper. Belting performance, catch em while you can Bad Nerves are going places.

After an impressive opener we readied ourselves for The Mighty Hives a band I’ve had the pleasure of seeing many times in many venues and this being their second time here after playing the smaller Yr Plas across the corridor two decades ago! Wow, Those twenty two years have flown by I’ve been lucky to see these Swedes play in front of 100,000 in Hyde Park and less than 1000 in Cardiff but the one thing I had on each occasion was a rock and roll show of the highest calibre. There aren’t many who can match the energy and drive of The Hives and that’s before we get to the arsenal of songs they have at their disposal. they treat each performance the same be it in the tiny Fleece in Bristol or a football stadium or a students union The hives put on a show and every night is nothing short of 100% they leave nothing on the stage when they leave except a puddle of sweat and an audience of beaming smiles on sweaty faces leaving knowing they’ve seen one of the best garage rock bands anywhere on the planet.

From the opening of ‘Bogus Operandi’ through the hits like ‘Main Offender’ or ‘Walk Idiot Walk’ the energy is incredible only matched by the quality of the music. In Howlin Pelle they have an exceptional frontman who has every audience eating from the palm of his hand from the moment he steps on the stage but he is enabled by an incredible band none more so than his brother Nicholaus who doesn’t stop making eye contact and moving like a cat on a hot tin roof.

Its a magnificent performance and the levels they reach are second to none be it old classics like ‘Hate To Say I Told You So’ to new songs of the Death Of album that peaked with ‘Trapdoor Solution’ or who cares they’re all spectacular and there can’t be single person wedged into this room who left disappointed with the garage rock majesty that is the Hives.

After seventy five minutes its a brief encore before a devastating one two three of ‘Come On’, ‘Smoke And Mirrors’ and ‘Tick Tick Boom’ and we’re done. Another magnificent evening with the Hives. Lets do it again same time same place next year. Simply magnificent!

Author: Dom Daley

The Unknowns – ‘East Coast Low’ (Drunken Sailor Records)

The Unknowns – ‘East Coast Low’ (Drunken Sailor Records)

The European release of The Unknowns second album, released on Bargain Bin Records in Australia is now out on Drunken Sailor Records in the UK.

The recently expanded four-piece has been bolstered by the addition of The Chats’ Eamon Sandwith on guitar, sees this Brisbane no-nonsense punk release their no frills just business album ‘East Coast Low’. It is not rocket science, it’s punk rock and it’s top-notch punk rock. It manages to draw from some pretty catchy pop tunes and collide it with ragged punk rock Aussie style it has the spirit of The Saints mashed up with The Ramones. It’s energetic, melodic, catchy and bang on the fucking money.

It all kicks off with the infectious big riff-a-rama of ‘Shot Down’. Its snotty, raw and bouncing with attitude. It’s the new school rockin the old school and has a ripping guitar break that’s not flash but spot on. You wont have to play it over and over to join in with the chorus but you’ll be on the bed with the tennis racket ripping out the solo before getting all sweaty with the feedback as the song crashes and burns. However, ‘Dianne’ is like the Dead Boys tipping up with a Ramones Chord book and a bunch of 77 choruses. Perfect!

Its not reinventing the wheel but its cruising along with the tool our forefathers left behind its thunder meets Dee Dee meets the Boys and of Course The Saints and threw them all in the back seat and went cruising round for a killer house party to crash. Garage punk, power pop, and straight-up rock n’ roll its all sewn into the rich tapestry that The Unknowns deliver.

‘East Coast Low’ is ten tracks of anthemic sing-along punk rock n roll and don’t worry about it dragging on it clocks in well under half an hour and is a no brainer if you are looking for a fix of snotty punk n roll done with a carefree attitude ‘Thinking About You’, and ‘I Don’t Know’ and ‘Beat Me’ are full of dumb fun and who doesn’t like that? Its like The Ramones never happened.

We’ve written about Australian Punk Rock and we’ll write about it again right here right now. Punk Rock is in safe hands with them folk down under they sure can rock n roll they do it just about better than most folks do you can now say that The Unknowns are going to come steaming to the front and centre of the cool kids looking for their next fix of sunshine, beer-swilling punk rockers The album crashes and burns with the blinding ‘Supersonic Love’ if AC/DC had grown up on the Ramones and Stooges and had short hair they could have sounded this good. Remember the name kids ‘East Coast Low’ is the Unknowns aiming high and on this evidence they’ve got every chance of success because they certainly got the chops, Buy It!

Buy Here

Author: Dom Daley