Ok, Heres the deal.  Limited to 100 copies then they’re gone as an appetizer to the new LP that’s on the way.  This CD only features Deniz Tek on a couple of tracks and is seven songs deep – Three Exclusive to this EP.  Two from the last Studio album (still available on vinyl from those good looking lifers at Ghost HighwayRecords) the to round it all off there are a pair of tracks from the forthcoming new long player ‘Electric Junk’. If thats not enough to get your Rock and Roll heart skipping a beat then I’d check for a pulse and thats before the virtual needle has dropped on this little lot.

Right then settle down as Deniz Tek joins our man Jeff on the first exclusive and rather intriguing ‘Mr. Antlers I Presume?’ imagine this a smokey barroom with some honky-tonk piano and a raw guitar riffing away before riding in on a sinister dark lick and the band crash in.  Well, that the opener with a spoken narration from Dahl before your mind get fucked with some Jazzy middle eight.  Don’t get too worried you punk rock kids because ‘Burned Out’ is like being punched in the face and enjoying it – More, please.  An Acoustic ‘The Wooo Girls’ which has the loose feel of capturing the vibe of some repeated listening to Bowie’s ‘Hunky Dory’ album. Laidback and cool Like a mid ’70s bit of NYC rock and roll Lou Reed would approve I’m sure of it.

A couple of beauties from the ‘Made In Hawaii’ album are up next the first is the catchy ‘Kailua 5 a.m.’ followed by the slide guitar rock and rolla of ‘Bang On’ with its Glam undertones inspired by The Faces and some excellent 70s BV’s that make you want to hand clap and stamp your feet. Oh shit, I’m getting ahead of myself here because the first glimpse into the new album is ‘Violence Squad’ and man they’re stomping their feet and handclapping alright.  Again Tek adds his six-string expertise to this stonking rocka that whets the appetite for what’s to come. Another taken from ‘Electric Junk’ is ‘Until We Bleed’ and Dahl once again shows his roar with a no-nonsense slab of punk rock.  That’ll do nicely sir until we can all get down and get with the new long-player and if this pair of tracks are anything to go by we’re in for a treat pop pickers.

Now, what are you waiting for get over on the link and secure a copy before they’re gone and cost you a fortune on some website in six months. Essential purchase!

 

Buy it from direct from Jeff Here

Author: Dom Daley

David Lee Roth (October 10, 1954) If you don’t know then where’ve you been hiding? He is, of course, the frontman (I wouldn’t dare call him the singer) of Hall Of Fame members Van Halen and solo artist in his own right. Lee Roth is also a published author, Radio Presenter, Actor and multi-platinum recording artist to boot now how about that? Most famed for his stints in Van Halen (or rather the first stint in Van Halen) and his incredibly succesful solo run where he had an EP ‘Crazy From The Heat’ in ’85 that was an MTV smash as well as a couple of massively successful records ‘Eat Em And Smile’ in ’86 and ‘Skyscraper’ in ’88 that saw him assemble an iconic band around him that rivaled anything he did in Van Halen or it certainly seemed like it on this side of the pond (possibly due to his touring here in the UK) something his previous employers didn’t do to the same extent thats for sure.

 

He managed to release six solo albums between ’86 and ’03 which was the same amount he recorded with Van Halen between ’78 and ’84 however its fair to say the quality of the Van Halen albums far outshines his solo efforts.

Roth was born in Indiana to art teacher Sibyl Roth and ophthalmologist Nathan Roth.  Roth moved to Pasadena in his teens. He “bounced around” a number of schools and eventually saw a psychiatrist for several years, when he attended a ranch for troubled teens he cared for a horse to build a sense of responsibility something they obviously thought he was lacking. It was in Pasadena, at the Pasadena City College (he did not graduate either) where he met the Van Halen brothers, Eddie and Alex. and his life would change forever.

His first band was called Mammoth and along with the two Van Halen brothers they mostly played covers and it when they found out there was another band with the same name it was changed to Van Halen.  It was when playing a residency at the Starwood that the band was discovered by none other than Gene Simmonds in ’76.  It is believed he took note originally as he wanted Eddie for his own band Kiss however he did record the band’s first demos.  The demos went on to form the basis of the band’s debut album which Warner Brothers’ Ted Templeton had them signed after also seeing them perform at The Starwood club. That debut album has since gone on to sell a staggering 12 million copies.

As a frontman, Roth was perfect for the time and perfect for the band.  he was considered the ultimate party frontman and reveled in his role. they were described as  “a nonstop booze-and-babes party train.” by Rolling Stone and a lot of that was down to Roth’s flamboyant style.

Fast forward to the MTV age of 1984 and Roth certainly knew how to make a video and he was always under the spotlight of every party damn there was no party unless he was there.  His first foray into a solo career came just after the huge success of ‘Hot For Teacher’ and ‘Jump’ and it was something of a sidestep and a touch of genius that set him up as a crooner to record ‘Just A Gigalo’ and ‘California Girls’ which suited his style and persona to a tee. The videos were humorous (at the time) and indulged his womanizing party-going lifestyle.  It’s fair to say it was perfect for the star and he was indeed the larger than life character that people came to know and love. Let’s be fair lots of boys wanted to be him and girls wanted to be with him – life must have been peachy for Roth throughout the ’80s no doubt about it.

Going from the Van Halen brothers seemed like madness at the time but as soon as ‘Eat Em And Smile’ hit the shelves and people saw what was on offer via the video for ‘Yankee Rose’ it was like Van Who?   I bet Warner Brothers couldn’t believe their luck when they heard what he was creating with Vai, Bissonette and Billy Sheehan and then the lycra of ‘Yankee Rose’ hit the TV sets and Roth was top of the class again.  The debut solo album reached number four in the Billboard charts whilst the singles just licked the top ten. The second solo record ‘Skyscraper’ also featured Vai and Sheehan reaching number six in the Billboard charts selling over two million which isn’t something you can sniff at. The single ‘Just Like Paradise’ also got to number six and featured Roth carrying out his love of rock climbing.

His third solo record saw a change in guitar player with Vai leaving to be replaced by Jason Becker and after MTV banned the video for the title track ‘A Little Ain’t Enough’ the record only managed Gold. Becker was diagnosed with amyotrophic lateral sclerosis a form of Motor Neurons disease which meant he struggled to finish recording the record and couldn’t tour which was a major set back. Roth struggled under the emergence of Grunge and his decline was rapid with more than half the albums tour getting canceled due to poor ticket sales.

Roth did go on to make a further three albums with the last being 2003s ‘Diamond Dave’ which in fairness was mostly covers two of them were almost ten years old that had never been used.  Roth was seemingly on the scrap heap – losing his locks and with music moving on so quickly he was in danger of being left behind. IT was in 2007 when news broke of an original Van Halen reunion but this time there was to be no Anthony in the lineup and due to Eddie’s illness he didn’t attend the induction into the Hall Of Fame and it was turning into a bit of a shower.

Roth did not attend the ceremony and the event was considered yet another public shit shower for the band. It was rumored to be based on the choice of songs to be played Roth wanted to perform ‘Jump’,   but Velvet Revolver would only agree to play “Ain’t Talkin’ ‘Bout Love” or “You Really Got Me.” When it was finally agreed upon that Paul Shaffer would perform “Jump,” Roth claimed there was no longer enough time to rehearse and opted not to attend the ceremony. Leaving Anthony and Sammy Hagar to acknowledge Roth’s contribution to the iconic band. Later that year Roth and Eddie Van Halen held a press conference to announce, finally, things were on the up for the band’s reunion.  In 2012 the band finally released ‘A Different Kind of Truth’.  In a different time, things might have been so different however this album charted at number two on the Billboard charts but only sold 400,000 copies compared to earlier sales of early albums its dwarfed.

In that same year Roth began broadcasting a  video webcast on his YouTube channel, and also on iTunes, called ‘The Roth Show’.  Roth has lived in Tokyo since May 2012 but maintains homes in New York City and California. Today Diamond Dave is 65 years young. Happy Birthday David Lee Roth!

GLASGOW SHOW RE-SHEDULE

Saxon announce a new date for Scottish fans to see the band following the cancellation of the Glasgow Braehead Arena show on October 18th 2019 due to Lead Singer Biff Byford’s recent heart operation.

The new date is Friday March 27th 2020 and the venue is Glasgow Barrowland Ballroom.

Due to venue restrictions this show will not be a “Castles & Eagles” production as previously advertised.

Biff Byford “I am very sorry that we couldn’t reschedule the previously announced show at Braehead Arena with the full production we had planned, but after a couple of weeks of trying to get availability at Braehead Arena and other Scottish venues that could house the production we had drawn a blank. We decided we had to play a show for all our fans in Scotland and Barrowland’s stepped up with clearing the date we needed. Unfortunately due to Barrowland’s size restrictions we cannot put the Castles & Eagles production in and hope you all understand, but we will try to make this as special a show for you as possible”

Special guests on this show will be Girlschool.

Tickets purchased* for the Braehead Arena show will remain valid with a refund available for the price difference.

Additional tickets are available from www.ticketmaster.co.uk

 

*pending on outlet used to purchase Braehead Arena tickets, will determine whether new tickets are valid for the Barrowlands date. If any tickets are not valid for exchange (and refund of price difference) then a refund of original ticket price is available so you can purchase a new Barrowland Ballroom ticket. Your ticket agent will confirm.

Rescheduled October 2019 shows are now as follows:

2020
March 7th– Germany, Dusseldorf – Mitsubishi Electric Halle
March 27th– UK, Glasgow – Barrowland Ballroom
March 28th– UK, London – Eventim Apollo
March 29th– UK, Manchester – O2 Apollo

All existing tickets will remain valid for new dates and in the case of a required refund please visit point of purchase.

Tickets for the rescheduled London and Manchester shows are available from:
www.myticket.co.uk with Dusseldorf tickets from www.myticket.de

Next month marks the 30th anniversary of me and RPM’s Nev Brooks attending gigs together, our itinerary starting back in November 1989 when we were lucky enough to catch a just about to break big Mudhoney annihilate a packed to the rafters Bristol Bierkeller. Also on the bill that night, the cosmic psychedelia of The Telescopes, and in many ways tonight’s show bears more than just the odd striking similarity to that most memorable of first date nights.

It’s not just the fact that three decades on Brooks is somehow still putting up with my antics but that tonight’s show also perfectly blends those punk rock/psychedelia genres once again. Tonight is also long since sold out as two years on from the release for their excellent ‘The Haze’ album Leeds based rockers Pulled Apart By Horses look to premiere brand new songs from their yet to be recorded fifth studio album by playing a series of fourteen shows across the UK in some the most intimate venues they’ve played in years.

It’s great to see Le Pub’s live room packed out for the arrival of local openers Dactyl Terra (geddit?) too, a trio who in turn proceed to deliver a size ten alt-rock boot up the arse of all the UK bands who currently think it’s cool to wear cowboy hats and wax their facial hair whilst worshiping at the temple of 70s and 80s hard rock dinosaurs (sorry I couldn’t resist it).

Which also rather tenuously brings me to tour main support, Baba Naga. This trio is already renowned as Sheffield’s finest exponents of pagan doom and are also a band I quite often see being compared to… ahem Pink Floyd. So, whilst there’s certainly a few quieter Floyd-like transient moments during tonight’s all too brief 30 minute set, for me the Babas have much more in common with the aforementioned Telescopes or perhaps ‘Gravity Grave’ era The Verve whilst at their more rockier moments they actually kind of remind me of The Heads from just over the other side of the river Severn.

There’s no between song Baba banter just the sound of their intro tape looping away like some kind of hypnotic mantra and as a result I have no idea what songs the guys played tonight, I just found that I had this compelling urge to go  buy myself a Baba Naga tour kaftan at the end of their set…ha!

Owning all of the Pulled Apart By Horses albums but never actually having seen them live before tonight I really wasn’t too sure what to expect as the band stepped up onto Le Pub’s legendary low stage, and I must admit my first impressions weren’t that positive at all. Opening with new track ‘Pipe Dream’ singer Tom Hudson complete with matching black jacket and ¾ length trousers (keeping his ankles cool obviously) seemed kind of uninterested in the events at hand exuding an almost Kasabian-like arrogant swagger, that is until the track suddenly changed pace half way through and he instantly transformed into one of my new favourite frontmen, marching through the packed crowd mic in hand barking out lyrical orders to his devoted followers, he is now equal parts Iggy Pop and  Matt Caughtran.

‘First World Problems’ quickly follows and this along with ‘Rinse & Repeat’ aired later on after two cuts from ‘The Haze’ are the perhaps the immediate hits from the (I think?) eight new tracks played tonight, something that is never an easy thing to do, but all of them seem to go down well with the Horses faithful.

The superb 3 minute pop punk anthem ‘V.E.N.O.M’ is thankfully still in the set being the first song I ever heard by the band back in 2011 on Radio 6 Music and closing things out tonight we have the old school debut album mayhem of ‘High Five, Swan Dive, Nose Dive’ and ‘Punched A Lion In The Throat’ to send everyone home drenched in sweat.

Of course I’d have liked to have heard some tracks like the immense ‘Hot Squash’ from ‘Blood’  slotted into tonight’s set, but you know what, the new stuff worked just fine and this must be the first time, since I witnessed The Bronx preview the whole of ‘Bronx IV’ live long before its release, that such a feat was done with so much aplomb.

I leave Le Pub totally euphoric with what I have just witnessed, and its gigs like this that will always have me bowling back to the car arms laden with merch ready to tell the world what they have been missing out on.

Pulled Apart By Horses were fucking phenomenal tonight – FACT!

Author: Johnny Hayward

 

What I hear you say Two live reviews from Jim Jones in a couple of weeks.  Well, one is from the start of the tour and the other (this) from the tail of the tour.  Besides it would seem both nights were fucking spectacular so the internet being flooded (ok maybe not flooded) with Rock and Roll can only be a good thing and if you’ve never seen this band then take some advice and get down and get with it if they’re ever playing near you (which they probably will)

Johnny took care of the support act as I was busy negotiating the M4 that had taken on the look of a rapid river such was the downpour this evening.

If uber did arks you can bet your bottom dollar there would be a rank of them parked on Castle St just around the corner from Clwb Ifor Bach tonight. Such is the ferocity of the rain that walking up to the venue I think to myself that maybe I’ve walked onto the film set of Seven…or perhaps make that Severn as I by the time I do finally reach the gig I look like I’ve been for a dip in said river.

Why am I telling you all this? Well, it’s on nights like this that gigs can tend to suffer attendance-wise especially with walk-up crowds and some lost souls even when they have bought tickets in advance then simply can’t be arsed to get wet and make the effort to get out the front door. Not so tonight though as even before the ungodly hour of 7:30 pm there is more than a healthy number of Righteous Minds in attendance to bid a very warm welcome to last-minute support act Joe Kelly & The Royal Pharmacy.

Joe’s mix of deep south (wales) blues and folk actually proves to be the perfect pick me up tonic after our early evening soaking as the two-piece set up (of guitar and drums) deliver songs like ‘Home’ from their recent ‘The Road’ EP that spark and glow like a warm campfire that the audience can huddle around to dry off.

There’s a haunting quality to Joe’s guitar that recalls David Lynch movie soundtracks and his husky sour mash fermented vocals are straight outta the Usk Delta, whilst on earlier songs like ‘Babylon’ I can see why some folks are getting a little bit excited and calling him a modern-day Dylan.  As a band dropped in at the last minute to replace two other acts that had sadly fallen by the wayside due to illness Joe Kelly & The Royal Pharmacy just make their left of field take on this rock ‘n’ roll malarkey look oh so easy…

 

What, We carried a review from York on this tour but such is the undeniable force of nature that is Jim Jones & The Righteous Mind how could we not top and tail the tour? Having only seen the band play a few months ago on the opening night of the album’s release this was JJ&TRM having bedded in the new tunes and with some distance from their birth, this was another perfect night to check out one of the UK’s finest Rock and Roll bands currently treading the boards.  Like a finely tuned beast and with a new single on show they were never going to disappoint it was more a question of how good they were going to be.

 

In fairness to Jim he has always played this neck of the woods and this must have been the umpteenth time I’ve seen him perform with one line up or another and I’ve never left a show unenthused or thinking about missing the next time he breezes through town. Kicking off with the wonderful stomp of ‘Get Down Get With It’ it’s hard to believe that things can’t go anywhere but downhill from here but following on from the glam tastic cover its ‘Boil Yer Blood’ and a couple more from the marvelous debut ‘Super Natural’ before we get a peek behind the curtail and the band wheel in a wonderful dramatic ‘Shazam’. ‘Sex Robot’ and ‘Satan Got His Heart Set On You’ as the band then flip flop from one album to the other picking the audience up then slamming them down before knocking out a rough house version of ‘Helter Skelter’ the band are absolutely in tune with one and other as they spar off each other trading guitar lick or bass line or percussion fill with the lap steel and piano chipping in with uplifting fills at every opportunity.

Looking like the Cult of real Rock and Roll in their roll necks  or some brothers in arms armed with Guitars and music rather than Bullets and Bombs they’ll be queuing out the door to sign up to join the collective with these guys providing the soundtrack and message. It warms my heart to hear them rally against Austerity and tory Britain and how Shit Island is heading down the pan with clowns and Jokers at every turn but whilst were led by the snout by greedy politicians and right-wing loons I’ll take this soundtrack and I guess selfishly Great Rock and Roll always rises up in tough times and hearing the sermon of ‘I Found A Love’ for one evening the world outside can wait whilst I get carried away on a wave of Righteous Rock and Roll.  After taking a walk through the audience and taking the message to the people on ‘Base Is Loaded’ they are called back for an encore that they richly deserve.

With the clock ticking the band has time for ‘Hold up’ and a blistering ‘Alpha Shit’ before we rejoin the rank and file on the rainy street of Cardiff with our ears ringing and another night of the finest Rock and Roll you could wish for pumping around our hearts.  Amen to that Brothers Jim and the rest of the Righteous Mind you raised the bar a little higher than before – now when can we do it all again?

 

It’s been a while since we heard anything from the Sherriff McCoy. In fact, its 10 years since Hanoi Rocks performed their last hurrah and put the band to bed with a final show at the Tavastia in Helsinki. So what has Michael Monroe’s former partner in crime been up to? Well, if you believe the comments on YouTube, it appears he has been a lighthouse keeper for 10 years! While I would love that to be true, apart from the short-lived Grease Helmet and a few guest appearances, it seems he has done little musically to speak of and has spent more time on his artwork, clothes design and even a stint on Finland’s Celebrity Big Brother.

But the guitar legend is back with a 12 song slab of ‘21st Century Rocks’, his first solo album since ‘Building On Tradition’ that came out way back in 1995. And what a welcome surprise it is.

 

Lead single ‘Seven Seas’ came out of nowhere a month back and actually upstaged Monroe’s first offering from the highly anticipated ‘One Man Band’. Andy always had an ear for melody and ‘Seven Seas’ confirms he still has a trick or two up his sleeve. A definite classic Hanoi feel comes across, as it builds to a fantastic uplifting chorus that fills the ears and soul with a feeling of euphoria no drug can give. Can Andy McCoy possibly be the king of all comebacks? We will have to see if the rest of the album holds up to the same quality.

That familiar guitar tone blasts from the speakers as the title track sets the scene for the album. The even more familiar vocal drawl follows. Andy McCoy’s vocals are certainly an acquired taste, but let’s not forget Hanoi Rocks’ back catalogue would not be the same without those quirky ‘out of tune’ backing vocals of his. And that guitar solo… no one plays guitar quite like Andy McCoy! Killer stuff indeed.

 

The ghost of his bastard past is never far away. ‘Undertow’ comes on like ‘A Day Late, A Dollar Short’, there’s even a sax solo to boot. I wonder if it originated from those sessions. Whether it did or not, it’s a cool tune for sure. Then ‘Batteram’ takes things way back in time. That melody comes on like Hanoi’s ‘Desperado’ to these ears. And the way he sings “round” and “ground” in the chorus with an unmistakeable accent is cool as fuck.

Andy’s songwriting and guitar playing has always been more experimental, taking in eastern and reggae influences, and he certainly creates a few more mental beats to make a diverse album. While Monroe has stuck to his rock ‘n’ roll roots for his whole solo career, (and we wouldn’t want it any other way, right?) McCoy explores the obscure and recaptures the quirky influences that peppered Hanoi’s earlier albums.

‘Maria Maria’ is pure class. Mariachi vibes all over as trumpets and strummed acoustics take us into spaghetti western territory. The Urban Voodoo Machine comes to mind as Andy transports us to the Mexican border to smoke a doobie or two, down tequila and jam out in the scorching sun with a chiquita or two. That is what I imagine Andy has been doing in the wilderness years! While I don’t think Andy is even allowed anywhere near any US boarders anytime soon due to his past antics, the idea is spot on.

‘Soul Satisfaction’ is another track that is out there, even in Andy McCoy terms. A tripped-out pre chorus leads into a 70’s New York groove as the main man slurs his words like Keith Richards on his second bottle of Jack.

‘Bible and a Gun’ could sit nicely anywhere in his discography. A bluesy, Stonesy little number with honky tonk piano and a cool barroom boogie groove. Elsewhere, Andy makes his guitar gently weep on the opening riff of ‘The Hunger’. The laid back, jangly backing, harmonised guitars and the ‘Village Girl’ style breakdown to fade makes this a rapturous and satisfying ride.

As we reach the final stretch it comes to mind that Andy McCoy actually comes on like vintage Alice Cooper, which is something that I never realised.  Take away the smoky sax on ‘Gimme Time’ and listen intently to closer ‘This is Rock ‘n’ Roll’ with its gang backing vocals and Detroit garage rock delivery and maybe you’ll catch my drift.

 

Obviously, ‘21st Century Rocks’ will be measured up against ‘One Man Gang’ as they literally come out within weeks of each other. Michael Monroe has an established career as a solo artist and has one of the best live bands in the business, and Andy is…well he’s just Andy McCoy, the guitar-slinging outlaw! Let’s not take anything away from either camp. Both are living legends that together produced some of the greatest albums in my record collection and influenced a whole generation of bands.

While they made magic together, they continue to do the same on their own terms. ‘21st Century Rocks’ is a testament to that, a surprise hit on many levels. Who’s for a UK tour then?

Buy 21st Century Rocks Here  (Finland)

Buy 21st Century Rocks Here (Amazon)

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Author: Ben Hughes

 

 

 

First up on this windswept and wet Monday we have The Badrocks take on Portisheads ‘Glory Box’.

 

In Direct contrast and seeing as they’re over here in the UK this week how about some Black Flag.

Finally, in tribute to Kim Shattuck we pay our respects by adding ‘Sad Tomorrow’ from The Muffs turn it up kids and listen to the Muffs.

 

Certain people at RPM have been banging on about Leeds punk mob Cyanide Pills for some time now. We dig ‘em and we own all their albums, of course we do. We may even go as far to say they are the natural successors to the likes of The Buzzcocks and even the Ramones. Don’t believe us? Take one listen to the back catalogue and thank us later!

Yet, the only chance we get to catch the elusive mob is at Rebellion or the odd London date. They seem to tour mostly in Europe, and who can blame them. Germany, Spain, Italy…they love the pogo-ing punk rock of Cyanide Pills.

This band have the back catalogue and the live reputation to match, and I was not going to miss the rare chance of catching the spikey oiks on (near to) home turf.

 

First up tonight are LoGOz. They have been doing the rounds for a while now, some recent support slots with the likes of Maid Of Ace and The Bar Stool Preachers have seen them get the word out to a wider audience.

Tonight the four piece band seems to be missing a bass player. It matters not one bit. 2 guitars and drums seem to suffice for the catchy, punk pop the trio deliver. Singer Peesh wears his SG swinging from his knees and delivers his tunes like Billie Joe Armstrong meets Captain Sensible. Which is quite fitting, as they do remind me of mid-nineties Green Day with the quirky vocals of The Toy Dolls.

Short, sharp songs with buckets of energy. The likes of ‘Bones Of Yesterday’ and the topical ‘Anti Social Media’ are instant slabs of pop punk goodness with buzzsaw guitars and great harmonies. They go down well, a great band worth getting down early for.

 

Up next are Gateshead yob rockers Continental Quilts. I don’t know what the singer’s called, but she looks like a Debbie, so we’ll go with that for the sake of argument. Debbie looks like she’s off to a 50’s rock n roll convention with her dirty uncles in their matching baseball jackets and shoes. But looks can be deceptive.

She looks like butter wouldn’t melt, but happens to be a fiery little demon once their set kicks off. This band is a wolf in sheep’s clothing, as musically they are trashy as hell and deliver a high energy set. Recent single ‘C’mon Get Back To Gettin’ It On’ is a glorious, glam rock stomper that nods its head to Suzi Quatro or The Sweet. I think they played it twice! And ‘Motor Sicko Fever’ is raw, high energy garage rock at its finest.

Great gang backing vocals and bundles of enthusiasm make the Continental Quilts experience something worth dragging your sorry ass away from the bar for.

Four songs into Cyanide Pills set and singer Phil Privilege (not his real name) has already put his head through the ceiling of The Fulford Arms. Sporting a battered white leather jacket, the singer shakes the plasterboard from his hair, rubs the dust from his eyes and carries on singing ‘Making Her Mind Up’, one of many highlights from a 45 minute thriller of a set. Yes, Cyanide Pills have a clenched fist full of bangers and they deliver the lot at a frantic pace tonight. Seriously, this is an ‘all killer, no filler’ show.

The songs are so short that their 45 minute setlist is scrawled on the back on an old A3 poster. That set mixes up all three albums nicely and there is much to get excited about. ‘I Don’t Remember’ and ‘Alone Tonight’ from last year’s excellent ‘Sliced and Diced’ fit the set like old friends, and ‘Sit Tight’ and ‘I’m Bored’ are full on, high energy Buzzcocks style anthems for a jilted generation.

In biker jackets and skinny jeans, guitarists Alex and Sy point their guitars to the ceiling as they peel off every Thunders lick they know, while new (stand in?) bassist Conor Hussey holds down the low end, looking every inch the Sid Vicious clone he plays in The Sex Pistols Experience.

While the band jerk about like men possessed, their singer nonchalantly swigs from a can of cider and sprays mouthfuls of Dark Fruits in the general direction of the seemingly oblivious bassist and guitarist to his right. Full on, edgy punk rock man!

At other times he’s in the crowd, loving the moment, living the punk rock dream. “Johnny Thunders lived in York!” he shouts, as an introduction to the fabulous ‘Johnny Thunders Lived In Leeds’. It’s a song that is as cool as the title suggests it should be. One of many set highlights along with the topical ‘Government’, with its “robbing me blind” refrain, and the sublime ‘Suicide Bomber’, surely one of the greatest punk rock songs of modern times.

 

Forget buying a ticket to see Green Day in an enormodome. This is where true punk rock is at people. As we always say, the smaller and more intimate, the better. This is where the likes of Green Day started anyway, the sort of venue where they learnt their trade. The sort of venue where you can see the whites of their eyes, feel the sweat as it splashes against your own drenched t shirt, and feel the blood rush through your veins as the power of yet another classic anthem beats through your chest.

Cyanide Pills left their mark on The Fulford Arms both physically and mentally tonight. They are arguably the best punk rock band in the UK right now, and I would pay good money to see them any day of the week. In fact, I like them so much I might just move to Germany in the hope of catching them live more often.

 

Author: Ben Hughes

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With 2019 quickly rolling downhill towards 2020 and with Halloween just around the corner and Shit Island still under Tory rule heres a playlist to take you away from the humdrum of real-life and to take a peek at whats on the RPM turntables and MP3 players this month.

Alice Cooper is in the house with Go Man Go taken from his excellent EP ‘The Breadcrumbs EP’ and how could we not include Jim Jones & The Righteous Mind so get down and get with it as ‘Shazam’ is in the house on the virtual player.

Also on the live front we’ve caught up with the awesome Cyanide Pills who are ‘Still Bored’. this month we’ve got an exclusive interview we recently did with Spunk Volcano so it seems right we should include ‘Shit Excuse’ from ‘Double Bastard’.  It seems that every man and his dog is attending one of The Cult winter tour dates so why not play ‘New York City’ from the 30th Anniversary ‘Sonic Temple’.

Hands up if you’re heading to one of the Black Flag dates around the UK this month?  We are so ‘My War’ is on the list. Pulled Apart By Horses rode into Newport and left a mark so ‘The Big What If’ is on the list.

As for new albums we’ve reviewed how about a few new ones starting off with Pardon Us with the opening track on their debut album ‘Wait’ ‘check out ‘Beyond The Valley Of The Wolves’. The Hangmen are back with ‘Cactusville’ as are Starcrawler who we’ve included with the excellent rock and rolla ‘No More Pennies’, Bitch Queens bring ‘Superboy’ and their brothers from different mother are back with a new single.  The Hip Priests ‘I Hate The City’ from their recent split but fear not pop pickers they have another single on the way this month we’ve heard it and its a no brainer kids all killer and no filler was written for them.

As we say goodbye to Barrie Masters we’ve included Eddie And The Hot Rods cover of ‘Once Bitten Twice Shy’.  Since they’re having a movie made about them we think it’s apt that we include the awesome Redd Kross with ‘Motorboat’ on this months playlist.  turn it up baby because Charger make the paylist with ‘Victim’ from their self titled record. Cockroach Clan released their new/old record so why not sample some Norweigan punk rock whilst youre here.

It wouldn’t seem right not to have a Wildhearts tune in our playlist seeing as they have a new mini-album out this month and are playing the UK again so heres ‘A Song About Drinking’.  Supporting them on this round of dates are Janus Stark who also have a headliner at the hope & Anchor so with news of their new album released last week heres one from them for good measure – We can’t play you anything new but trust us when we say it’s going to be worth the wait so to keep you going heres ‘Every Little Thing Counts’.  It only seems fair we offer up some Shitbaby Mammals with the opener from their record ‘Heart On My Sleeve’.  To wrap up this months playlist heres some Black Star Riders with the second track from their new album and title track ‘Another State Of Grace’. So until next month…

Signed to Wicked Cool seems to be the seal of quality any band needs because I’ve not heard a dud yet but that’s not to say this Rock and Roll lark is a piece of piss either.  It ain’t.  Churning out quality tunes is something bands can do if they work hard enough but not everyone can make it good enough that other people will jump on board. Guitars, bass, and drums with a layer of strong harmonies might well be the vital ingredients but you still need the tunes and I’m happy to say The Jellybricks have got a record full of em. The fact that they’ve been around for twenty years means nothing maybe they just needed that break and maybe Wicked Cool is that break.

Starting with ‘Corner Of My Eye’ sees the band take the basics of guitar, bass and drums and a collection of Cars albums and maybe Big Star would have featured in their collective collections?  It’s polished for sure and there is an air of familiarity about ‘Brooklyn’ which just happens to be a very decent tune again sticking to the formula and having a strong chorus with plenty of light in the harmonies and energy in that solo -top tun.

‘Some Kind Of Lucky’ is the lighter side of the Posies whereas ‘Mrs. Misery’ is a sprightly little number that would have fitted in well with the more energetic tunes from Gaslight Anthem with a hint of Replacements (but only a hint) I like it so far its got energy and flows really well.

It’s a strange thing that a band this decent would never have flown across my radar until now.  ‘Faith’ has got radio appeal and would do well I’m sure of it like a latter-day Soul Asylum. I would say this album is very up in a happy and confident kinda way from top to bottom if you dig any of the bands I have name-checked then the chances are there is something on here that you will enjoy and if not you’ll be smiling anyway it’s so feelgood your jaw will ache.  they even find the time to turn to token ballad into a beaming ray of sunshine as the title track and last number puts a decent full stop on a really impressive record.  The Jellybricks might be a new one on me but it won’t be the last no doubt about it. Power Pop tastic!

Buy ‘Some Kind Of Lucky’ Here

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Author: Dom Daley