Gunfire Dance – “Witness to The Crime” LP is coming

Gunfire Dance – “Witness to The Crime” LP is coming

Due sometime in August or September the long wait is finally over for the Gunfire Dance album on vinyl for the first time. Easily one of the finest bands of their generation Gunfire Dance had it all except for the breaks. ‘Witness To The Crime’ will see some of the band’s finest songs on vinyl LP for the first time through Easy Action Records. It features twelve tracks from the incredible ‘Blue’ through ‘Burning Ambition’ and ‘Suit And Tie’. If there is one album you should pre-order then this is it. Snooze you loose, this is a limited pressing

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The Libertines – UP THE BRACKET 20th ANNIVERSARY 2LP, 2CD, DIGITAL & BOX SET

The Libertines – UP THE BRACKET 20th ANNIVERSARY 2LP, 2CD, DIGITAL & BOX SET

UP THE BRACKET 20th ANNIVERSARY 2LP, 2CD, DIGITAL & BOX SET(featuring 65 previously unreleased recordings)RELEASED OCTOBER 21ST 2022LIVE SHOWSManchester / London / Bristol / Cardiff / Edinburgh+ 4 UK Festivals


To celebrate the release of their astonishing debut album, Up The Bracket, The Libertines are releasing a 20th Anniversary Edition on multiple formats, through Rough Trade, on October 21st 2022. 


In addition to a remaster of the original Up The Bracket album, produced by Mick Jones (The Clash), the Super Deluxe Edition also includes a remarkable 65 previously unreleased recordings including many original demos, radio sessions and live recordings all helping to chart the making of Up The Bracket, plus a live recording from the 100 club in 2002. It also contains a 60 page book with a foreword by Matt Wilkinson, new interviews with the band by Anthony Thornton and many unseen photos and memorabilia.


To coincide with the release the Libertines will be performing the album in its entirety along with a selection of choice nuggets from their peerless back catalogue. For the Wembley show, for one night only, the band have chosen two of their favourite bands from the class of 2002 to support them – The Cribs and The Paddingtons. Also on the bill will be rising star, and darling of the Arsenal terraces, Louis Dunford, along with recording artist and DJ, Amazonica, on the decks. The full dates are:


JULY

1st Manchester Castlefield Bowl  

23rd London Wembley Arena

30th Bristol  O2 Academy  SOLD OUT

AUGUST

5th Cardiff University Great Hall  

8th Edinburgh O2 Academy 


The Libertines also appear at four UK Festivals this summer: JUNE 24th Pilton, Somerset Glastonbury Festival SOLD OUTAUGUST6th Bingley Bingley Weekender28th Portsmouth  Victorious Festival SEPTEMBER 2nd Coventry Godiva Festival
Tickets for all shows are available Here


Up The Bracket 20th Anniversary Edition is available to pre-order Here 

  • Super Deluxe Box set – strictly numbered limited edition of 4,000: 

Vinyl ‘Up The Bracket’ (Remastered),’Live at the 100 Club’, 7” blue vinyl ‘Up The Bracket’ and 7” red Vinyl ‘Time For Heroes’ (in their original sleeves), 2 CD’s of Out-takes, Demos, Radio sessions and live recordings, cassette of 20 early demos, DVD including HD versions of ‘Up The Bracket,’ Time For Heroes,’I get Along’ & exclusive bonus footage and a 60 page Book.

  • Deluxe Double Vinyl, ‘Up The Bracket’ (Remastered) and ‘Live at the 100 Club’ on black and Indie store exclusive on red vinyl.
  • Deluxe Double CD, ‘Up The Bracket’ (Remastered) and ‘Live at the 100 Club’.
  • Digital download, ‘Up The Bracket’ (Remastered)and ‘Live at the 100 Club’

UK Subs – ‘Reverse Engineering’ (Cleopatra Records)

UK Subs – ‘Reverse Engineering’ (Cleopatra Records)

“And now the end is near and so we face the final curtain”… or something like that. After completing the A-Z and then having a bazillion compilation albums come out, Two A-Z complete CD box sets, singles comps, live comps, covers Albums, 10” reissues. It’s certainly been a fantastic time to be a UK Subs fan (Even if it’s been heavy on the bank balance) we’ve arrived at the point where I believe the band has said time is being called on their recording career. Live shows are coming thick and fast and showing no sign of relenting.

If this is indeed to be the final record under the UK Subs monicker for Charlie and the boys then it’s fair to say they are going out in style and leaving us with a piece of work that stands tall next to their very best album and I sincerely mean that because ‘Reverse Engineering’ is an absolute fucking belter.

Charlie sounds better than he has for 20 years (the covid downtime must have helped his voice recover from all those hundreds of shows he didn’t have to sing at and if Alvin was paid by the note he’d be a millionaire. The songwriting is shared out and Straughan steps up and delivers one of my favourite Subs songs for many a year in ‘C60 Audio’ but more of that laters. The middle section of this album is some of the best Subs writing for years with the thumping ‘Hoist The Sail’ with its raw guitar intro and gang vocals as Admiral Harper rallies the shipmates for a battering ram of a verse that hacks and slashes towards the solo. Great stuff. It’s only the starter for the upbeat ‘Kill Me’ I know you wouldn’t think it by the title or the lyrics but the tempo and playing are excellent. It’s one of those happy-go-lucky Subs tracks. ‘Political Amo’ is an Oliver penned track that rushes out the blocks. As you’d imagine it’s a sprightly number with a modern feel to it with a strong melody.

There are a pair of Alvin-sung songs next with a smoldering ‘Slavery’ hitting you like a HGV. If you’re not familiar with Alvin’s style of songwriting now then let’s just say this one is uncompromising and full of big groove as the rhythm is rock solid and Alvin’s vocal is similar to his former employer Mr Pop and if this was to appear as a new Iggy single people would go nuts about it, the reality is, it’s laid to rest at the thick end of a UK Subs album that’s how good this record is.

The UK Subs aren’t signing out quietly with a whimper as ‘Statement’ testifies. They’re out of the trench and taking it to the enemy leading the charge, galloping along with this as the soundtrack again with some mighty fine musicianship with the guitar right up in the mix hacking and slashing away like a maniac – exciting stuff!

It’s not all galloping charging about mind. The intro for ‘The Night Holds The Key’ is low-key and restrained but it’s short-lived. The vocals leading to the chorus are superb and another classic Subs song unfolds. The record signs off with a real thumper written by Charlie. ‘Waiting For Godot’ with a cool verse-chorus set up where the band joins on the title repeat. its a more measured tempo that’s a fantastic way to wrap this album up. Go out with a track every bit as strong as the opener ‘Bad Acid’ that shows the UK Subs are still one of the very best the UK has to offer on studio recordings. They came out swinging over 40 years ago and sign off an incredible catalogue of records with ‘Reverse Engineering’ every bit as vital as at any period of their illustrious career. Trust me when I say ‘Reverse Engineering’ is an essential purchase. Get your mitts on a copy by any means necessary. Superb stuff just Buy it!

Buy Here or for those in the UK Time and Matter have limited copies Here

Author: Dom Daley

Marc Valentine – ‘Future Obscure’ (Arcane Wires Records)

Marc Valentine – ‘Future Obscure’ (Arcane Wires Records)

When a band goes on hiatus, however brief, it’s usually a reliance on the back catalogue to get the fans through the downtime; not so Last Great Dreamers, the once-antiquated dandies of the UK rock scene dusted off and rebooted in the last decade. No, the merry band of loyal supporters of this regenerated outfit revolving around the core of mainstays Marc Valentine and Slyder Smith has not one, but two new spin-off albums to get excited about while the Dreamers catch up on some much-needed beauty sleep.

Slyder Smith & the Oblivion Kids (Dreamers’ rhythm section, bassist Tim Emery and drummer, Rik Pratt) have a debut long player, ‘Charm Offensive’, released on 19th August through Ray Records, but first out of the last great gate is Marc Valentine and his ‘Future Obscure’ album, coming to a stereo near you on 8th July.

In the short space of time that news of this new, ten-track (twelve-track if you get the bonus-track-riddled compact disc) album has been with us Marc has wasted little time by releasing four (count ‘em!) tracks as digital singles: album opener, ‘Last Train Tonight’; ‘Mornington Avenue’, featuring Matt Dangerfield from The Boys; and double A-side, ‘Death Is Overrated/Break My Heart Anyway’, the latter featuring a guest appearance from Wreckless Eric. So, I have to approach this review from a slightly different angle: listeners already know what to expect from the album, I simply have to reassure them that the best tracks haven’t already been lifted from the tracklisting leaving nothing but filler. Spoiler alert: everything is going to be okay…

A Summer release is perfect for ‘Future Obscure’; the tracks blurring between that expected lilting power pop that is trademark Valentine and a hazy, lazy sentimentality, both conspiring to make a perfect soundtrack to long, hot days and cooler nights of reminiscence.

With synths set to stun, some of the power pop tunes that litter the tracklisting – the glorious ‘Swiss Launderette’, the great ‘Ghosts of Amsterdam’ – have every chance of filling a Fountains Of Wayne-shaped hole in the New Releases section of your record collection, while the more emotional-button-pushers – the terrific throwback that is ‘Arcades’, the fine ‘Fade Out In Blue’ for example – will have you questioning if that funny feeling that you have in your head as the sun sets is from the Summertime cider or the inevitable clawing back of memories. There’s even a tip of the bowler hat to the LGD day job via the lowslung rock ‘n’ roll of the fantastic ‘Zodiac Hotel’.

Mixed and produced by Dave Draper, that ‘Future Obscure’ sounds great should come as no surprise. That goes for the musicians that Valentine has surrounded himself with too: Richard Davies on guitar, and a return for former Last Great Dreamers rhythm section, bassist Steve Fielding and drummer Denley Slade, the latter so consistent in his work that he sounds almost robotic. Catch these guys backing Marc on a UK tour that starts on album release day.

We need great nights out at rock shows with friends and bright and breezy rock ‘n’ roll records like ‘Future Obscure’ at times like these. That three minute songs and small rooms full of sweaty people can help save us from the stresses of modern life is testament to the true power of music. Forget what that man from Sheffield with a creaking voice once (almost) told us; you CAN stop the hurt inside, when love and hiatus collide…

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Author: Gaz Tidey

Dawes – Everything Is Permanent

Dawes – Everything Is Permanent

Dawes have released another track from their forthcoming new album MISADVENTURES OF DOOMSCROLLER (out July 22nd on Rounder Records)

Acclaimed Los Angeles-based rockers Dawes have shared “Everything Is Permanent,” available now via Rounder Records at all DSPs and streaming services. An official performance video – directed by Caitlin Gerard at Hollywood, CA’s historic EastWest Studios – premieres today via YouTube.

“Everything Is Permanent” marks the latest single from Dawes’ upcoming eighth studio album, MISADVENTURES OF DOOMSCROLLER, arriving everywhere on Friday, July 22. Pre-orders are available now. In addition, a number of exclusive bundles – including Limited Edition Preferred Pink Vinyl w/Optional Exclusive 11×11 Signed Band Photo, Turntable Slipmat, Black Hoodie, White Pocket T, and Socks – are available now at the official Dawes webstore.

“This is a song (about how everything about us is tracked, documented, recorded, filed, mined, bought, sold, etc. etc. on some level) that is wrapped around a molten core of a breakdown/freakout/majorminorinterweave that is probably the moment I’m most proud of on the whole record,” says singer/guitarist Taylor Goldsmith. “After showing you the blood and guts, we gently sew the song back together again and end with what could be the tagline for all of social media and the screen-life-culture that we subscribe to these days to varying degrees: ‘Did you really need to cry? Or be seen crying?’”

PRE-ORDER MISADVENTURES OF DOOMSCROLLER

Dawes will celebrate MISADVENTURES OF DOOMSCROLLER with a non-stop live schedule getting underway with a very special Independence Day event with Phil Lesh & Friends, set for Monday, July 4 at Asbury Park, NJ’s Stone Pony Summer Stage. A jam-packed international itinerary follows, including headline shows, festival performances, a summer run with The Head and The Heart, and a just-announced co-headline tour with GRAMMY® Award-nominated Canadian artist Bahamas. “An Evening with Dawes and Bahamas” will see both acts performing together for two unique live sets, with Dawes backing Bahamas and Bahamas then joining Dawes for an unprecedented collaborative performance. The tour begins  September 7 at Knoxville, TN’s Bijou Theatre and then travels the US through the month. For complete details and ticket availability, please visit dawestheband.com/tour.

Produced by longtime collaborator Jonathan Wilson (Billy Strings, Father John Misty, Angel Olsen), MISADVENTURES OF DOOMSCROLLER represents an adventurous new turn for Dawes, evincing a more ambitious, exploratory approach towards recording than ever before. The album includes such recently released singles as “Comes In Waves” and the epic opening track, “Someone Else’s Café / Doomscroller Tries to Relax,” both available now at all DSPs and streaming services. Official performance videos are streaming now via YouTube.

LISTEN TO “COMES IN WAVES”

WATCH LIVE PERFORMANCE VIDEO

LISTEN TO “SOMEONE ELSE’S CAFÉ / DOOMSCROLLER TRIES TO RELAX”

WATCH LIVE PERFORMANCE VIDEO

MISADVENTURES OF DOOMSCROLLER marks Dawes’ first new LP following 2020’s Rounder Records debut, GOOD LUCK WITH WHATEVER. Produced by 7x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A, the album earned critical applause around the world, with Esquire declaring it “their liveliest, most visceral set yet.” Dawes celebrated with a range of high profile TV appearances, including ABC’s Jimmy Kimmel Live! and CBS’ The Late Show with Stephen Colbert #playathome series as well as CBS This Morning: Saturday Sessions.

CONNECT WITH DAWES:

DAWESTHEBAND.COM | FACEBOOK |  INSTAGRAM | TWITTER | YOUTUBE

SMALLTOWN TIGERS RETURN TO LONDON

SMALLTOWN TIGERS RETURN TO LONDON

Fast-rising Italian punks SMALLTOWN TIGERS return to the UK next month for the first time since their debut shows of October 2019. The girls from Rimini turned a lot of heads on that tour and plans were quickly made for a return. Covid put paid to that, however, and the dates had to be abandoned.

They refused to delay the release of their debut mini-album Five Things, though and were rewarded with fantastic reviews across the board. The icing on the cake was an invitation from The Damned to open for them on their original line-up reunion tour. Postponed twice, those dates are finally set to go ahead in October and November.

In the meantime, the girls are booked to play the Pump It Up Powerpop Weekender at London’s Lexington on Sunday 3 July. The two-day event will also feature sets by NYC’s Baby Shakes, Norway’s Yum Yums, Duncan Reid and the Big Heads, The Speedways and more.

Speaking about the show, singer/bassist Valli says…

“It’s a wonderful time of the year over here at the Smalltown Tigers camp. First, Summer is here so we can surf. Second, after an almost three years hiatus, we’re about to come back to London. And, more important, to play at one of the most significant events we ever played in our career, the Pump It Up Powerpop Weekender at the Lexington.

“It will be great to share the stage with so many great bands, some of them for the first time and some others like The Speedways and The Baby Shakes we already shared the stage with. Moreover, the fabulous NYC girls (and boy!) The Baby Shakes were the band we opened for in Italy on our first tour ever… ah, sweet memories. Can’t wait to be in London again. It’s gonna be a blast! Be sure to buy your ticket in advance, it’s gonna be a busy Saturday and Sunday night on the 2nd/3rd of July!

“Other than that, we can’t wait to play some songs from the brand new album we’re currently preparing and which will be out next year. We think it’s the best material we ever wrote and we can’t wait to hear what you think of it. See you at the Powerpop Weekender people! Stop by and say hi!”

Tickets Here

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The Richmond Sluts – ‘Psychoactive Sounds’ (Rock Box Records)

The Richmond Sluts – ‘Psychoactive Sounds’ (Rock Box Records)

Alright, all you groovy cats out there on this spinning rock just waiting for some cool tunes to float by. Well, the wait is over because Frisco’s coolest cats The Richmond Sluts have only gone and turned in a long-player jam-packed full of bangers with howling Organs, string bending trickery and gang vocals for you to bark at the moon along with.

Twelve tracks of wicked twists and turns and cosmic whig-outs right from the super cool off. ‘Top Of The Night’ will ease you gently before the overdriven six-string trickery clashes with that Organ wheeze to great effect. they might be on a hyperdrive mission and if this is in the 8-track cartridge then I want to be on board for the journey.

The vocals are dripping in reverb with enough dirt and whisky soaked into every breath the delivery is perfect from the cool drawl of ‘Satisfaction (I want you)’ through the cheeky handclaps of ‘Chasing Tail’ to the smokey dream-like state of ‘The Third Eye’ its oozing quality.

There’s some Stooges gimme danger captured in the heart and soul of ‘Used’ it reminds me of The mighty Chesterfield Kings and when the band joins in it reaches a giddy high and is a mighty fine tune with all its swirling drama whats not to love?

I love it when the band just rock out like on ‘What You Gonna Do Now’ No frills just kicking back and doing what they do best. They go straight into the choppy ‘Who Knew’. They throw their own spin on the classic ‘I Don’t Need No Doctor’ and sign off a really impressive record with the road worn groove of ‘Lights Go Out’ that builds like the best groove rock Primal Scream mustered which is a cool place to nestle down in and just play from the heart and soul and leave nothing behind with its cool rhythm and building wah soloing its a top tune to end with.

Ladies and Gentlemen, The Richmond Sluts are back in the groove, and that’s good news for us all. Get on it – Tune in – turn up and whig out!

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Author: Dom Daley

REBELLION FESTIVALS – STAGES AND TIMES FOR BOTH REBELLION AND R-FEST!

REBELLION FESTIVALS – STAGES AND TIMES FOR BOTH REBELLION AND R-FEST!

REBELLION FESTIVALS ANNOUNCE STAGES AND TIMES FOR BOTH REBELLION AND R-FEST!

TIME TO START PLANNING YOUR SCHEDULES!

R-FEST – A NEW OUTDOOR FESTIVAL IN FRONT OF BLACKPOOL TOWER AUGUST 4-7, 2022, IN ADDITION TO REBELLION AT THE WINTER GARDENS

It’s the news Rebellion Festival regulars have been waiting for! Now is the time to start planning and scheduling as stages and times for both Rebellion Festival in The Winter Gardens and the new R-Fest outdoor festival, situated in front of Blackpool Tower on the promenade directly down from the Winter Gardens, have been announced.

With so many bands playing across the multiple stages at The Winter Gardens, and now the R-Fest outdoor stage, there is inevitably going to be clashes of some people’s favourite bands, so meticulous planning is essential for those who want to see all of their preferences!

Full line-up, times and stages for both Rebellion and R-Fest here: https://www.rebellionfestivals.com/line-up

Rebellion Festival is the largest punk and alternative festival in the world and is returning this year to full-strength for the first time since 2019 due to the pandemic, with a robust line-up of punk legends that includes Sham 69, Bad Religion, Circle Jerks, Cock Sparrer and Stiff Little Fingers among many, many more.

R-FEST will be located slap bang in front of Blackpool Tower on the promenade, directly down from the Winter Gardens. The organisers are building an arena with the sea on one side and the town on the other, with a capacity for 15,000 punters and space for bars, food, and band merchandise.

The full line-up for R-Fest is.

THURSDAY 4th AUGUST: Levellers, Hawkwind, Misty in Roots, Dreadzone, Ferocious Dog, Beans on Toast, Millie Manders and the Shut Up

FRIDAY 5th AUGUST: The Stranglers, The Undertones, The Skids, From the Jam, Toyah, Jilted John, The Vapors

SATURDAY 6th AUGUST: Gary Numan, Peter Hook & the Light, Pop Will Eat Itself, Spear of Destiny, The Wedding Present, Primitives, Pete Bentham & the Dinner Ladies

SUNDAY 7th AUGUST: Squeeze, Billy Bragg, Tom Robinson Band, Hollie Cook, Buzzcocks, Altered Images, I, Doris

Tickets available here: https://rebellion.keekmerch.com/

Head to www.rebellionfestivals.com/r-fest for all info and tickets.  

The Urban Voodoo Machine – ‘$nake Oi£ Engin€’ (Gypsy Hotel Records)

The Urban Voodoo Machine – ‘$nake Oi£ Engin€’ (Gypsy Hotel Records)

Sounding like the best night out on the wrong side of town, Dalston’s finest and dandiest vagabonds The Urban Voodoo Machine return with their long awaited and much delayed fifth long player ‘$nake Oi£ Engin€’.

Led by the vivacious Mr. Paul-Ronney Angel, the black n’ red wearing collective have been wowing audiences for well over 15 years with their self-proclaimed “bourbon-soaked gypsy blues bob ‘n’ stroll”. Some say they are the best live band in the country, others say they are just a bunch of drunken ne’er-do-wells. Both could be right, but one thing’s for sure, you cannot ignore them.

Recorded back in early 2020 at Space Eko Studios by The Future Shape Of Sound main man Alex McGowan (who also produced alongside PR and drummer J-Roni-Mo), ‘$nake Oi£ Engin€’ captures the relentless live energy of a band who have been described as The Pogues meets Gogol Bordello playing the last damn party at the end of the universe.

Paul-Ronney Angel writes songs about living in London as an outsider. Relatable issues such as the struggles of addiction, depression, mental health problems and being fuckin’ skint! With a love of The Clash, Tom Waits and AC/DC, these swampy blues jams, New Orleans jazz inspired ditties and mournful murder ballads have been lovingly crafted by the ringleader and his crew over a bevvy or three, and a few smokes along the way.

Four of the eleven songs have been previously released as singles and soundtrack the Covid/Brexit years better than the frontman could ever have imagined. The prophetic ‘Living In Fear’ was written as a dig at the Windrush scandal and the Grenfell disaster, and took on new meaning post-Covid when we actually were living in fear. The Caribbean feel created with the addition of steel drums and brass is upbeat and fresh, and a memorable hook is always going to win me over.

‘Empty Plastic Cup’ is an ode to the rich getting richer and the poor getting fucked! It has ‘Goodbye To Another Year’ vibes, with typical bombastic, UVM backing vocals, a killer sloppy guitar riff and enough brass to kick your ass! It builds and builds to a climactic finish; you just know it’s gonna be a live favourite.

The big band vibes of ‘Johnny Foreigner’ fit the bill and the lyrics hit home even with the raw, tongue-in-cheek vocal delivery. A larger-than-life tune delivered by a larger-than-life band. The reflective ‘January Blues’ is the morning after the night before comedown. Again, with hindsight it could be a prophetic reaction to Covid as the singer drawls “last year you can fuck right off, and this year, I’ve had enough of you” over mournful violin and acoustic guitar.

Of the new songs on offer, opener ‘Little Jimmy & The Wrong Crowd’ is an early favourite. The unmistakable PR vocal drawl is omnipresent, the blasts of brass and primal beats glorious as ever. But the surprise vocal rap is sung by James Brown II and the overall Cuban feel of the track give a new dimension to The Urban Voodoo Machine killer sound.

‘Pill Popping Cross Dressing Copper’ is 2 minutes of musical insanity, another high-energy party song to add to the arsenal. ‘Hell’s Caravan’ is a sombre, death march with regimental drums and killer voodoo backing vocals, ‘Dropping Like Flies’ an ode to lost friends, while the ringleader takes us to church with the gospel-tinged sermon ‘Carry Your Weight’.

There’s enough diversity and familiarity to please fans old and new and something to whet the appetite for those who are yet to capture the band live.

Live, The Urban Voodoo Machine channel gypsy punkabilly rave-ups, mariachi marches, outlaw country and bluesy jams, with a heady dose of burlesque and circus sideshow craziness when available. These are the sights and sounds of The Urban Voodoo Machine, and ‘$nake Oi£ Engin€’ is the perfect soundtrack to the crazy world of the band who just refuse to die.

Buy Here

Author: Ben Hughes

SAXON confirmed as Saturday Headliners for Steelhouse

SAXON confirmed as Saturday Headliners for Steelhouse

Steelhouse Festival has been forced into a late change ahead of this year’s event. However, the hugely positive outcome of this is that the mighty SAXON are now headlining Steelhouse Saturday, 30th of July.

This will be the metal legend’s only UK festival appearance of 2022. They will be performing a ‘40th Anniversary Greatest Hits’ set.  

In a statement about the line-up change, promoters Mikey and Max said, “We have been informed by Ace Frehley’s representatives that, due to unforeseen circumstances on his part, he needs to cancel his entire European tour including his appearance at Steelhouse”. 

They continue, “Our most heartfelt thanks to the mighty SAXON. A bona fide British metal institution who have gone above and beyond to make this happen and in the process make Steelhouse 2022 an even more mouth-watering prospect. Every song in this set is a true metal classic.”

Biff Byford of SAXON said, “We’ve been asked to step in and headline Steelhouse Festival, Saturday 30th July. We love playing there so happy to help out. We’re doing our 40th anniversary set list so all the big songs. And it’s our only UK festival this year so see you in Wales. Fill your heads with heavy metal thunder”


Steelhouse Festival was honoured to be voted ‘Best Festival’ by the followers and members of the NWOCRsocial community at the end of 2021. 

2021, in the face of overwhelming odds, was a resounding success – marking as it did the 10thSteelhouse Festival. 2022 has a lot to live up to, but is well on the way to being the best ever with an outstanding line-up and production upgrades including its biggest ever stage. Weekend and all day tickets are now on sale; demand has been such that Glamping sold out faster than ever.

Tickets Here

With its unique mountain top setting on the edge of the beautiful Brecon Beacons, this family friendly great value event has built up a true following and a real heritage of its own since its establishment in 2011. Previous performers at The Steelhouse Festival have included Thin Lizzy, Glenn Hughes, Myles Kennedy, Black Star Riders, The Wildhearts, Thunder, The Darkness, UFO, Uriah Heep, Europe, Rival Sons, Saxon, Anvil, Michael Schenker, and Skindred. The event now includes a larger stage, an official Friday night, more glamping and we are working once more with our media partner Planet Rock.