From the opening dampened chords of ‘Hey DJ’ its sunshine Rock and Roll.  Whatever mood you find yourself in this guy and his band I guarantee will put a smile across your face and most probably make your toes involuntarily tap. One thing I noticed is the sound is of its time especially the earlier material ‘On The Highway’ sounds like bellbottom denim and a tight leather jacket and one of those oversized ghetto blasters honking out the guitar licks.

Plenty of bands still chase the ability to write songs like these bands like The Speedways have got the X-Factor to pen tunes and melodies like ‘Another World’ but its often left to the originals like Collins to really deliver the goods from the upbeat rockers to the more pop-minded songs like the jangly ‘Lonely Teardrops’ with some lush harmonies.

‘This heart’ is like a lost Dave Edmunds tune jamming out Buddy Holly.  You do wonder how these songs were shelved and how lucky we are that they are finally seeing the light of day.  Collins crooning on the sparse ballad ‘Baby I’m A Fool’ is fantastic same goes for ‘Witches Fall’ except it comes with added guitar solo and harmonies.

Sure these songs lack the glossy production of a finished studio album but for fans who like to dig deeper than the casual listener its a wonderful insight into what might get left on the cutting room floor and the fact that they’re left bare adds some authenticity to what you’re hearing.  Saying that I’d love to hear songs like ‘Girl From New York City’ get the full studio treatment and big modern production. Same for the rockier tunes like ‘Let’s Go!’.

To hear the birth of a master craftsmans work is great.  Anyone who loves power-pop should at least give this the once over and see how this stuff is really created.