Dawes – Everything Is Permanent

Dawes – Everything Is Permanent

Dawes have released another track from their forthcoming new album MISADVENTURES OF DOOMSCROLLER (out July 22nd on Rounder Records)

Acclaimed Los Angeles-based rockers Dawes have shared “Everything Is Permanent,” available now via Rounder Records at all DSPs and streaming services. An official performance video – directed by Caitlin Gerard at Hollywood, CA’s historic EastWest Studios – premieres today via YouTube.

“Everything Is Permanent” marks the latest single from Dawes’ upcoming eighth studio album, MISADVENTURES OF DOOMSCROLLER, arriving everywhere on Friday, July 22. Pre-orders are available now. In addition, a number of exclusive bundles – including Limited Edition Preferred Pink Vinyl w/Optional Exclusive 11×11 Signed Band Photo, Turntable Slipmat, Black Hoodie, White Pocket T, and Socks – are available now at the official Dawes webstore.

“This is a song (about how everything about us is tracked, documented, recorded, filed, mined, bought, sold, etc. etc. on some level) that is wrapped around a molten core of a breakdown/freakout/majorminorinterweave that is probably the moment I’m most proud of on the whole record,” says singer/guitarist Taylor Goldsmith. “After showing you the blood and guts, we gently sew the song back together again and end with what could be the tagline for all of social media and the screen-life-culture that we subscribe to these days to varying degrees: ‘Did you really need to cry? Or be seen crying?’”

PRE-ORDER MISADVENTURES OF DOOMSCROLLER

Dawes will celebrate MISADVENTURES OF DOOMSCROLLER with a non-stop live schedule getting underway with a very special Independence Day event with Phil Lesh & Friends, set for Monday, July 4 at Asbury Park, NJ’s Stone Pony Summer Stage. A jam-packed international itinerary follows, including headline shows, festival performances, a summer run with The Head and The Heart, and a just-announced co-headline tour with GRAMMY® Award-nominated Canadian artist Bahamas. “An Evening with Dawes and Bahamas” will see both acts performing together for two unique live sets, with Dawes backing Bahamas and Bahamas then joining Dawes for an unprecedented collaborative performance. The tour begins  September 7 at Knoxville, TN’s Bijou Theatre and then travels the US through the month. For complete details and ticket availability, please visit dawestheband.com/tour.

Produced by longtime collaborator Jonathan Wilson (Billy Strings, Father John Misty, Angel Olsen), MISADVENTURES OF DOOMSCROLLER represents an adventurous new turn for Dawes, evincing a more ambitious, exploratory approach towards recording than ever before. The album includes such recently released singles as “Comes In Waves” and the epic opening track, “Someone Else’s Café / Doomscroller Tries to Relax,” both available now at all DSPs and streaming services. Official performance videos are streaming now via YouTube.

LISTEN TO “COMES IN WAVES”

WATCH LIVE PERFORMANCE VIDEO

LISTEN TO “SOMEONE ELSE’S CAFÉ / DOOMSCROLLER TRIES TO RELAX”

WATCH LIVE PERFORMANCE VIDEO

MISADVENTURES OF DOOMSCROLLER marks Dawes’ first new LP following 2020’s Rounder Records debut, GOOD LUCK WITH WHATEVER. Produced by 7x GRAMMY® Award-winner Dave Cobb (Chris Stapleton, Brandi Carlile, Jason Isbell and the 400 Unit) at Nashville’s famed RCA Studio A, the album earned critical applause around the world, with Esquire declaring it “their liveliest, most visceral set yet.” Dawes celebrated with a range of high profile TV appearances, including ABC’s Jimmy Kimmel Live! and CBS’ The Late Show with Stephen Colbert #playathome series as well as CBS This Morning: Saturday Sessions.

CONNECT WITH DAWES:

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The Urban Voodoo Machine – ‘$nake Oi£ Engin€’ (Gypsy Hotel Records)

The Urban Voodoo Machine – ‘$nake Oi£ Engin€’ (Gypsy Hotel Records)

Sounding like the best night out on the wrong side of town, Dalston’s finest and dandiest vagabonds The Urban Voodoo Machine return with their long awaited and much delayed fifth long player ‘$nake Oi£ Engin€’.

Led by the vivacious Mr. Paul-Ronney Angel, the black n’ red wearing collective have been wowing audiences for well over 15 years with their self-proclaimed “bourbon-soaked gypsy blues bob ‘n’ stroll”. Some say they are the best live band in the country, others say they are just a bunch of drunken ne’er-do-wells. Both could be right, but one thing’s for sure, you cannot ignore them.

Recorded back in early 2020 at Space Eko Studios by The Future Shape Of Sound main man Alex McGowan (who also produced alongside PR and drummer J-Roni-Mo), ‘$nake Oi£ Engin€’ captures the relentless live energy of a band who have been described as The Pogues meets Gogol Bordello playing the last damn party at the end of the universe.

Paul-Ronney Angel writes songs about living in London as an outsider. Relatable issues such as the struggles of addiction, depression, mental health problems and being fuckin’ skint! With a love of The Clash, Tom Waits and AC/DC, these swampy blues jams, New Orleans jazz inspired ditties and mournful murder ballads have been lovingly crafted by the ringleader and his crew over a bevvy or three, and a few smokes along the way.

Four of the eleven songs have been previously released as singles and soundtrack the Covid/Brexit years better than the frontman could ever have imagined. The prophetic ‘Living In Fear’ was written as a dig at the Windrush scandal and the Grenfell disaster, and took on new meaning post-Covid when we actually were living in fear. The Caribbean feel created with the addition of steel drums and brass is upbeat and fresh, and a memorable hook is always going to win me over.

‘Empty Plastic Cup’ is an ode to the rich getting richer and the poor getting fucked! It has ‘Goodbye To Another Year’ vibes, with typical bombastic, UVM backing vocals, a killer sloppy guitar riff and enough brass to kick your ass! It builds and builds to a climactic finish; you just know it’s gonna be a live favourite.

The big band vibes of ‘Johnny Foreigner’ fit the bill and the lyrics hit home even with the raw, tongue-in-cheek vocal delivery. A larger-than-life tune delivered by a larger-than-life band. The reflective ‘January Blues’ is the morning after the night before comedown. Again, with hindsight it could be a prophetic reaction to Covid as the singer drawls “last year you can fuck right off, and this year, I’ve had enough of you” over mournful violin and acoustic guitar.

Of the new songs on offer, opener ‘Little Jimmy & The Wrong Crowd’ is an early favourite. The unmistakable PR vocal drawl is omnipresent, the blasts of brass and primal beats glorious as ever. But the surprise vocal rap is sung by James Brown II and the overall Cuban feel of the track give a new dimension to The Urban Voodoo Machine killer sound.

‘Pill Popping Cross Dressing Copper’ is 2 minutes of musical insanity, another high-energy party song to add to the arsenal. ‘Hell’s Caravan’ is a sombre, death march with regimental drums and killer voodoo backing vocals, ‘Dropping Like Flies’ an ode to lost friends, while the ringleader takes us to church with the gospel-tinged sermon ‘Carry Your Weight’.

There’s enough diversity and familiarity to please fans old and new and something to whet the appetite for those who are yet to capture the band live.

Live, The Urban Voodoo Machine channel gypsy punkabilly rave-ups, mariachi marches, outlaw country and bluesy jams, with a heady dose of burlesque and circus sideshow craziness when available. These are the sights and sounds of The Urban Voodoo Machine, and ‘$nake Oi£ Engin€’ is the perfect soundtrack to the crazy world of the band who just refuse to die.

Buy Here

Author: Ben Hughes

REBELLION FESTIVALS – STAGES AND TIMES FOR BOTH REBELLION AND R-FEST!

REBELLION FESTIVALS – STAGES AND TIMES FOR BOTH REBELLION AND R-FEST!

REBELLION FESTIVALS ANNOUNCE STAGES AND TIMES FOR BOTH REBELLION AND R-FEST!

TIME TO START PLANNING YOUR SCHEDULES!

R-FEST – A NEW OUTDOOR FESTIVAL IN FRONT OF BLACKPOOL TOWER AUGUST 4-7, 2022, IN ADDITION TO REBELLION AT THE WINTER GARDENS

It’s the news Rebellion Festival regulars have been waiting for! Now is the time to start planning and scheduling as stages and times for both Rebellion Festival in The Winter Gardens and the new R-Fest outdoor festival, situated in front of Blackpool Tower on the promenade directly down from the Winter Gardens, have been announced.

With so many bands playing across the multiple stages at The Winter Gardens, and now the R-Fest outdoor stage, there is inevitably going to be clashes of some people’s favourite bands, so meticulous planning is essential for those who want to see all of their preferences!

Full line-up, times and stages for both Rebellion and R-Fest here: https://www.rebellionfestivals.com/line-up

Rebellion Festival is the largest punk and alternative festival in the world and is returning this year to full-strength for the first time since 2019 due to the pandemic, with a robust line-up of punk legends that includes Sham 69, Bad Religion, Circle Jerks, Cock Sparrer and Stiff Little Fingers among many, many more.

R-FEST will be located slap bang in front of Blackpool Tower on the promenade, directly down from the Winter Gardens. The organisers are building an arena with the sea on one side and the town on the other, with a capacity for 15,000 punters and space for bars, food, and band merchandise.

The full line-up for R-Fest is.

THURSDAY 4th AUGUST: Levellers, Hawkwind, Misty in Roots, Dreadzone, Ferocious Dog, Beans on Toast, Millie Manders and the Shut Up

FRIDAY 5th AUGUST: The Stranglers, The Undertones, The Skids, From the Jam, Toyah, Jilted John, The Vapors

SATURDAY 6th AUGUST: Gary Numan, Peter Hook & the Light, Pop Will Eat Itself, Spear of Destiny, The Wedding Present, Primitives, Pete Bentham & the Dinner Ladies

SUNDAY 7th AUGUST: Squeeze, Billy Bragg, Tom Robinson Band, Hollie Cook, Buzzcocks, Altered Images, I, Doris

Tickets available here: https://rebellion.keekmerch.com/

Head to www.rebellionfestivals.com/r-fest for all info and tickets.  

SAXON confirmed as Saturday Headliners for Steelhouse

SAXON confirmed as Saturday Headliners for Steelhouse

Steelhouse Festival has been forced into a late change ahead of this year’s event. However, the hugely positive outcome of this is that the mighty SAXON are now headlining Steelhouse Saturday, 30th of July.

This will be the metal legend’s only UK festival appearance of 2022. They will be performing a ‘40th Anniversary Greatest Hits’ set.  

In a statement about the line-up change, promoters Mikey and Max said, “We have been informed by Ace Frehley’s representatives that, due to unforeseen circumstances on his part, he needs to cancel his entire European tour including his appearance at Steelhouse”. 

They continue, “Our most heartfelt thanks to the mighty SAXON. A bona fide British metal institution who have gone above and beyond to make this happen and in the process make Steelhouse 2022 an even more mouth-watering prospect. Every song in this set is a true metal classic.”

Biff Byford of SAXON said, “We’ve been asked to step in and headline Steelhouse Festival, Saturday 30th July. We love playing there so happy to help out. We’re doing our 40th anniversary set list so all the big songs. And it’s our only UK festival this year so see you in Wales. Fill your heads with heavy metal thunder”


Steelhouse Festival was honoured to be voted ‘Best Festival’ by the followers and members of the NWOCRsocial community at the end of 2021. 

2021, in the face of overwhelming odds, was a resounding success – marking as it did the 10thSteelhouse Festival. 2022 has a lot to live up to, but is well on the way to being the best ever with an outstanding line-up and production upgrades including its biggest ever stage. Weekend and all day tickets are now on sale; demand has been such that Glamping sold out faster than ever.

Tickets Here

With its unique mountain top setting on the edge of the beautiful Brecon Beacons, this family friendly great value event has built up a true following and a real heritage of its own since its establishment in 2011. Previous performers at The Steelhouse Festival have included Thin Lizzy, Glenn Hughes, Myles Kennedy, Black Star Riders, The Wildhearts, Thunder, The Darkness, UFO, Uriah Heep, Europe, Rival Sons, Saxon, Anvil, Michael Schenker, and Skindred. The event now includes a larger stage, an official Friday night, more glamping and we are working once more with our media partner Planet Rock.

Rainy Days & Mondays

Rainy Days & Mondays

the title track, and first single, from Lornes, first-ever solo album, out on Spaghetty Town Records on September 16, 2022.

Coming off his acclaimed 2021 four-song EP When I Hit The Floor–which prompted the esteemed Jesse Malin to praise it as “Real blood and guts rock and roll that bleeds with soul and redemption”–NYC punk rock n’ roll singer-songwriter-guitarist LORNE BEHRMAN today (June 9) shares the video for “A Little Midnight.” It’s the first single (out digitally this Friday, June 10) from his debut album of the same name, available September 16 on Spaghetty Town Records. Watch the video, directed by David J Barron, here and read a new Q&A below. It was premiered yesterday (June 8) by Glide which noted that the song “features a blackened riff howl of punk bands like The Damned and The Gun Club mixed with pop sensibilities of The Replacements. When Behrman sings “A little midnight/ it’s alright/A little midnight/does you right,” listeners get a gracious sense of rock and roll escapism at its most pure form.”

The “A Little Midnight” single is a slice of dirty rock n’ roll scrapped off of the streets of the Bowery with an introspective heart from the artist who previously played in The Dimestore Haloes, L.E.S. Stitches, The Dead Tricks and most recently The Sweet Things. “The moonlight looks on good you/Not darkness just silver blue/A little midnight/it’s alright/A little midnight/does you right,” sings LORNE on the song.

A LITTLE MIDNIGHT is a 10-song collection is a series of New York City vignettes haunted by shadows but guided by light. The words here are literate and lacerating, recalling the street poetics of Lou Reed, Richard Hell, and Television. The songs feature stark and fluid guitar playing in the spirit of The Stooges’ James Williamson, Johnny Thunders, and Lou Reed.

“This album is about struggling to be reborn,” LORNE shares. “Wanting to run back to the arms of toxic people or the patterns of self-destruction. It’s about clawing your way to a new existence while acknowledging all the causalities, and all you’re letting go. You glimpse a new life, but you don’t feel it yet.”

The album’s raw but polished production aesthetic is courtesy of producer Matt Chiaravalle (Warren Zevon, Joe Bonamassa, Spacehog). A LITTLE MIDNIGHT was mastered by Grammy-nominated engineer Joe Lambert. Wyldlife bassist Spencer Alexander designed the album artwork, and it is a subtly playful homage to the cover of Tom Petty and the Heartbreakers’ Damn the Torpedoes.

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New video for ‘You Shouldn’t Be Lonely on a Saturday Night’ by Diamond Dogs of their album, ‘Slap Bang Blue Rendezvous’. The Duke of Honk comments on the video: “Yes! We still have time to feel good all night with friends!  We still have time for rock’n’roll! – Big Love” Facebook Buy the album Here

Finishing off this most Rock n Roll of ‘Rainy Days’ is the new video from the awesome Slyder Smith & The Oblivion Kids.  ‘When The Rain Comes’ is taken from their debut album ‘Charm Offensive‘, which will be out on 19th August 2022 through Ray Records on 12” black vinyl, digipak CD and digital, distributed worldwide via Cargo Records You can pre-order this album Here

https://www.facebook.com/slydersmithandtheoblivionkids
https://www.instagram.com/slyder_smith
https://www.slydersmith.com
https://www.youtube.com/channel/UCRJya7QcdImW-Y2OUS0StfQ
https://www.twitter.com/SlyderSmith

Lester Greenowski – ‘Kover All Over’ (Self Release)

Lester Greenowski – ‘Kover All Over’ (Self Release)

What we’ve got here on ‘Kover All Over’ is a collection of Kiss covers recorded by Lester Greenowski during the pandemic. Each song features different line-ups and different guests on each track and adds a little bit of Lester’s heart and soul to each and every track. Now I’m not the biggest Kiss fan that’s for sure but I can’t deny they have a healthy back catalogue, especially the first few albums and up until the mid-80s when I first saw the band without the makeup but when people cover their songs they often miss the point where the earlier tunes were proper Rock n Roll songs and that’s something Lester gets, well and truly embracing the true spirit of what made them such a good band early on.

Back in his pre-teen years, Lester learned about the 70s New York City music scene through Kiss. Soon that scene will become one of Lester’s main passions and musical influences. Right from the opening salvo of ‘Radioactive’ you absolutely get that but he also manages to infuse what other greats poured out of the city that doesn’t sleep making this album more than just run-of-the-mill kiss covers this has plenty of Blondie and Dolls running through its heart and soul and you can hear that in these interpretations.

Sure there are some tracks that are (to this day) staple Kiss klassiks and it’s a brave move for a fan to tackle such tunes but Lester has a punk-n-roll beating heart and such a challenge must have been a buzz and the love shines through like lady liberty’s torch. ‘Got To Choose’ is a blast and the backing vocals have really captured the feel of the original and absolutely reeks of NYC, great job!

Of the biggies, I feel ‘New York Groove’ is a blast of energy, and the same can be said of ‘Cold Gin’ with a razor-sharp riff perfectly captured and my favourite Kiss tune ‘Strutter’ is thumpingly good. What’s not to like on the riff of ‘Parasite’ and Gene’s vocal is delivered with style. The power-pop swing of ‘It’s My Life’ clearly left a mark and as is the case for the whole of this album the quality of covers is exceptional and a real homage to Lester’s heroes and he does it so well.

Lester clearly loves it loud and this collection of Kovers serves him well for he has taken that passion and paid his dues and turned in a very respectable record. If you are a Kiss Kollector or just Kurious kome on in and get an earful of these fantastik Kiss Kovers now where are my stack boots and Kiss Korpse paint? Lester has got me diggin out me old Kiss rekords – I love it (loud)

Buy it here

Author: Dom Daley

The Alarm – ‘Omega’ (21st Century Recordings)

The Alarm – ‘Omega’ (21st Century Recordings)

When is a new album not really a new album? Um, well this one to be fair. During lockdown, Mike Peters recorded a plethora of new tunes in the wake of insurrection day in Washington DC. The album came out under the title ‘WAR’ and was pressed individually on a lathe press. Each copy came with a hand-drawn cover from Peters’ fair hand nonetheless and was the singularly most expensive record I’ve ever bought.

Since Lockdown and Insurrection Day things have improved in as much as we have the ability to attend live shows, gather and travel and back to some sort of normal (if where we are now is normal then yup normal) After witnessing an impressive show on The Alarms recent jaunt around the UK, news of the impending Alarm record was exciting and something I was looking forward to.

Maybe I didn’t read the memo or wasn’t paying attention (nothing new there then) this new album (on a rather nice splatter variant might I add)is that rather expensive ‘War’ album at a much more affordable price and an added new track. Anyway, I was impressed with that album and the story surrounding its birth into the world so when I go this new variant home (Housed in a collage of insurrection debris) the packaging is nice compared to the ‘War’ lathe cut one so that’s a bonus. Anyway onto the music.

On first spin, I can’t notice any immediate mastering wizardry from the previous recordings (although I am now aware there are special bundled versions available from the Alarm central but having just splashed out on a bunch of reissued records and the recent coloursound album I couldn’t stretch my funds just far enough to get the alternative mixes). I stand by my review for the ‘War’ record and whilst I’ve not played it for a while the songs sounded great live.

Sure it’s not groundbreaking sound-wise but the concept and way the record was grown are excellent and a sense of urgency is captured in the songs from the opening energetic rush of ‘Protect And Survive’ it’s a style Peters does very well and one I love hearing. The Alarm are a very different beast to the 68 Guns line up and have never let the grass grow around their collective feet and whilst I love hearing the classics I also love hearing new music and like it or loath it challenging himself to write new music is whats kept Peters moving forwards. It seems weird saying these songs have stood the test of time as they’re on a new album albeit 18 months old. some of the songs have certainly stood that test – still sounding fresh and energetic. The cover featuring Benji Webbe of Dub War is one of the stand-out tracks doing a sterling job covering someone else’s tune but by no means the best on offer here.

Some of the songs have jumped the queue like ‘Crush’ which are vibrant slabs of rock even with their gregorian style backing vocals. It also reminds me of the first few early poet’s singles with the use of the harmonica and aggressive rhythm. the musicianship is again of exceptional quality and Smiley does his best Moon on ‘Crush’. You can hear the energy Peters has managed to capture throughout the songs as to the mood it draws from when the attack on the Hill was taking place in real-time. ‘War (It’s Not Over Yet)’ is a fine example of what was unfolding and Peters vocals are excellent in capturing the chaos and craziness of what went on.

Side two opens with the excellent ‘Warriors’ with its skanking rhythm on the verses and great use of the one-finger piano line that flows well into the anthemic chorus. A lot of bands used to front-load their albums and put the most impactful and instantly impressive tunes early doors and keep the “album tracks” for filling out an album but not here folks this album gets stronger and stronger as it unfolds. ‘Gods And Demons’ is a bruising affair with heavy guitars hacking and slashing as Peters howls at the moon with the punchy lyrics, another excellent song, especially as it’s in deep cut territory.

Covers, love them, or loath them most bands do them, and ‘Safe From Harm’ is a good shout in the concept of this record, and getting Benji Webbe on board works perfectly on this rocked-up version of the Massive Attack song. Leaving just the one song, the new song that wasn’t on the War album – ‘Time To Start Over’ closes the album with its modern rock feel, Peters delivers a strong vocal before signing off.

I will make the exception of owning two copies of the same album but with a different title here because I love The Alarm and to be fair this is a bloody good album be it ‘WAR’ or ‘Omega’ it’s one you should really check out. not because I say so but because it’s a damn good record and has some of Mike Peters best songs for a while on it and that’s always a good thing. Hopefully, Mike Peters can get back to full health and keep on marching on and pushing himself to make new music.

Buy Here

Facebook / Love Hope And Strength / The Alarm

Author: Dom Daley

UK Subs – ”Work In Progress’/ ‘XXIV’ / ‘Yellow Leader’ (Cherry Red Records -Captain Oi!)

UK Subs – ”Work In Progress’/ ‘XXIV’ / ‘Yellow Leader’ (Cherry Red Records -Captain Oi!)

‘Work In Progress’

Whilst they might not be clocking up the 25th Anniversary editions these three more recent Subs platters are still almost a decade old and went out of print on vinyl as soon as they were released such was the collectability of Subs albums amidst the return of vinyl buying people, In fact, it’s been eleven years since ‘Work In Progress’ was issued amidst richly deserved critical acclaim (I know I was very complimentary at the time of its quality).

This new double vinyl edition comes with one gold-coloured disc and one silver coloured disc in a very nice repro of the original artwork but in a gatefold sleeve again pressed on 10″. It’s still got the fourteen Tracks. Kicking off a new era of Subs where Jet was on six strings and the rhythm section of Alvin and Jamie really hit their stride with some of the band’s finest songs coming into existence like opener ‘Creation’ which really set the tone.

I remember interviewing Charlie around the time and his enthusiasm for the album was infectious and on hearing the songs it’s easy to see why he’d be proud of this record. ‘Tokyo Rose’ was something a bit different from the band and the Alvin Gibbs sung tracks are some of his finest writings even to this point today ‘Hell Is Other People’ is such a banger of a tune. Their cover of The Sonics ‘Strychnine’ was also a glimpse of what was to come with their covers album (post-a-z). It was a real call to arms and this reissue of sorts is a most welcome addition to any Subs collection.

Buy ‘Work In Progress Here

‘XXIV‘

As the band headed towards the end of their epic 40-plus year project who ever thought they’d even make it to X let alone surpass the lot and head into new territory. ‘xxiv’ was a stunning follow-up to ‘Work In Progress’ and showed that the band were really locking into gear as a unit with all the incredible shows they were putting in around the time covering every inch they possibly could of this planet ‘XXiv’ is a limited edition double 10” that comes in a gatefold sleeve on green vinyl (disc one) and clear vinyl (disc two). It finds itself expanded to 15-tracks over two LPs with the addition of the previously unreleased album out-take ‘Workers Beer Company’.

Originally coming out in 2013 again, it sold out on its initial release on vinyl so this will please many fans and with the bonus of the extra track it isn’t just a cash cow or pension plan. (maybe they missed a trick, not including the bonus acoustic songs or reworkings on the original double CD that came out at the time now that would have been something special) this one took what the band did on the previous release and took it up a notch or two with the barnstorming opener ‘Implosion 77’ and then led us into the harmonica honking stomper that is ‘Coalition Government Blues’. I must admit I’d not played this album in a while and have played it over several times for review purposes I have a newly found affection for it. Maybe, with the passing of time I’d rate this one right up there with the best UK Subs album through any line ups and any album. ‘Speed is punk as fuck only to be outdone by ‘Rabid’ absolute blitzing it! The thrust of ‘Monkeys’ and its backing vocals giving it a softer edge is excellent. Again the Gibbs sung songs are top quality and there is no weak spot on any side of these new 10″ records and worth every penny.

Buy XXIV Here

‘Yellow Leader’

Tying up the trio of 10″ records is the penultimate A-Z ‘Yellow Leader’. This one originally came out in 2015 and the album track listing has been restored to its full running order of 18 tracks as previous vinyl editions had to cut four tracks due to running times. So again, it’s not just a reissue cashing in as anyone who picks up a copy will realise that the heavyweight records in their gatefold sleeves and pressed on colored vinyl are well worth having a lot of care and attention to detail has been put into these and it shows. ‘Sick Velveteen’ follows a long line of super-strong opening tracks on albums and it showed that there was no sign of fatigue in the Subs camp nor writer’s block. The songs were coming thick and fast and if anything better and better.

The variety on the eighteen-track album is fantastic from the punk bangers to the reflective acoustic ‘Rebellion Song’ to the riffy ‘Slave’ and the Stooges-inspired ‘Suicidal Girl’ ‘Yellow Leader’ is the third in this trilogy release and one that to my shame I’ve not played in a while but that has been rectified and one I will play more often.

The artwork reproduction is most welcome as is everything about the feel of these reissues. Lyrics, Bonus tracks, coloured vinyl – Man, I love the UK Subs, and with a new album imminent this is a great time for us fans. Sadly, I’m informed there are no plans to reissue ‘Ziezo’ but maybe that will change when these sell out. Trust me when I say these 10″ double albums are the dog’s bollocks and well worth getting your hands on.

Buy Yellow Leader Here

Author: Dom Daley

R-FEST – The Festival Within A Festival Confirms THE WEDDING PRESENT

R-FEST – The Festival Within A Festival Confirms THE WEDDING PRESENT

REBELLION FESTIVAL LAUNCH R-FEST – THE FESTIVAL WITHIN A FESTIVAL

A NEW OUTDOOR FESTIVAL IN FRONT OF BLACKPOOL TOWER TO TAKE PLACE AUGUST 4-7, 2022, IN ADDITION TO REBELLION AT THE WINTER GARDENS

Rebellion Festival, the largest punk and alternative festival in the world, is returning in 2022 even bigger and better with the launch of new outdoor event R-FEST – the festival within a festival.

Confirmed to take place this coming 4th to 7th of August 2022, in addition to Rebellion Festival at its annual home the Winter Gardens, R-FEST will be located slap bang in front of Blackpool Tower on the promenade, directly down from the Winter Gardens. The organisers are building an arena with the sea on one side and the town on the other, with a capacity for 15,000 punters and space for bars, food, and band merchandise.

Today, R-FEST can announce that English indie-rock legends The Wedding Present will be joining the line-up on Saturday August 6th. They replace the Chameleons who are sadly no longer able to perform, but the Leeds born John Peel favourites will join Gary Numan, Peter Hook & the Light, Pop Will Eat Itself, Spear of Destiny, Primitives and Pete Bentham & the Dinner Ladies for what is sure to be a fantastic day of classic music.

“Every time Rebellion Festival announces its line-up I say: “We have to go to that festival this time.” But we’ve sadly never made it. Until now,” exclaims singer and songwriter David Gedge. “I feel honoured that The Wedding Present have been invited to appear at this year’s brilliant-looking event.”

The full line-up for R-Fest is.

THURSDAY 4th AUGUST: Levellers, Hawkwind, Misty in Roots, Dreadzone, Ferocious Dog, Beans on Toast, Millie Manders and the Shut Up

FRIDAY 5th AUGUST: The Stranglers, The Undertones, The Skids, From the Jam, Toyah, Jilted John, The Vapors

SATURDAY 6th AUGUST: Gary Numan, Peter Hook & the Light, Pop Will Eat Itself, Spear of Destiny, The Wedding Present, Primitives, Pete Bentham & the Dinner Ladies

SUNDAY 7th AUGUST: Squeeze, Billy Bragg, Tom Robinson Band, Hollie Cook, Buzzcocks, Altered Images, I, Doris

R-FEST will quickly establish itself as the North West’s premier music festival and Rebellion Festival look forward to welcoming many fans that could be experiencing one of their events for the first time. We’re sure they will be welcomed by the Rebellion Family and soon realise why Blackpool is such a special place for our summer gatherings.

R-FEST is a standalone festival and day tickets are available at £50 per day. However, if you are a REBELLION weekend or REBELLION day ticket holder your ticket will get into R-FEST Free Of Charge!

R-FEST is all ages and there is re-entry available.

Rebellion Festival also looks forward to hosting the best punk from around the world in 2022 with the likes of Sham 69, Bad Religion, Circle Jerks, Cock Sparrer and Stiff Little Fingers confirmed to play the Winter Gardens August 4th-7th 2022.

Tickets for Saturday R-FEST are available HERE:

Rebellion Day & Weekend Tickets gets you in to R-FEST and the Winter Gardens full festival and are on sale HERE:

Head to www.rebellionfestivals.com/r-fest for all info and tickets.  

Alex Henry Foster & The Long Shadows hits the UK this month

Alex Henry Foster & The Long Shadows hits the UK this month

Canadian progressive post-rock outfit Alex Henry Foster and The Long Shadows are back in the UK this June, following their tour with And You Will Know Us By The Trail Of Dead in early 2020, right before the pandemic hit (thankfully they were just able to complete the tour and make it home!), and they’re back this month to play the following gigs.

21st June: London – Oslo Club
22nd June:  Nottingham – Bodega
23rd June: Glasgow – Broadcast
24th June: Huddersfield – The Parish
25th June: Manchester – The Deaf Institute
26th June: Bristol – Thekla

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