Satan – ‘Earth Infernal’ (Metal Blade Records)

Satan – ‘Earth Infernal’ (Metal Blade Records)

Geordie metallers Satan first came to prominence as part of the NWOBHM movement in the late seventies and early eighties. They were considered as a proto thrash/speed metal band and were a cutting-edge band at the time. The band reformed in 2011 much to the delight of their loyal fan base. Satan signed with Metal Blade Records in 2018 and released Cruel Magic the same year.

Their latest effort, Earth Infernal tackles subject matter around climate change, politics, and capitalism. Very heavy topics for a very heavy band! The album was recorded in their home city of Newcastle with Dave Curle handling the engineering and mixing of the album with help from the band in the creativity department. I absolutely love the sound of the album; it has a rawness but still enough polish to highlight the great musicianship of the band. It has that NWOBHM feel, the instruments sound ‘real’, I’ve gone on record before stating my dislike of the sound of many of the NWOCR bands that seem to be everywhere and sound the same. None of that here I’m pleased to say!

Opening track Ascendancy kicks off with some nice twin guitar melodies before breakneck drums kick in and take the track into full-on headbanging mode. Vocalist Brian Ross wails away, his range is really shown off here, he sounds incredible. Burning Portrait highlights the skills of drummer Sean Taylor, his jazzy style gives him a Bill Ward vibe that fits perfectly here. Twelve Infernal Lords has an early Maiden feel with the twin guitar attack of guitarists Russ Tippins and Steve Ramsey. The instrumental Mercury’s Shadow starts off with some atmospheric acoustic guitars being strummed aimlessly, the track builds nicely after this and showcases the band’s musical chops.

‘A Sorrow Unspent’ is another barnstormer, a real earworm this one! The album continues to impress with other highlights; ‘Luciferic’, ‘From Second Sight’ and ‘Poison Elegy’. ‘Earth Infernal’ is a quality traditional heavy metal album with strong songs, performances and production values, a very enjoyable listen. The album artwork by Eliran Kantor is fantastic too. If you love your old-school metal, you’ll love ‘Earth Infernal’, there’s plenty for rabid metal fans to sink their fangs into here. Hail Satan!!

Buy Here

Author: Kenny Kendrick

EMF – release single, Album and head out on tour

EMF – release single, Album and head out on tour

announce brand new single ‘Sister Sandinista’ taken for their forthcoming new album ‘GO GO SAPIENS’ released on 1st April

first new album since 1995 & four intimate launch shows

Sister Sandinista is a “nod to all the women out there who are fighting for what they believe in, sometimes against overwhelming odds, and making the world a better place “ – EMFThe single, includes a radio mix and an extended remix by their “good friends the NYC duo Vladimir Komarov and Atsuo Matsumoto”. Also James put his techno hat on (you know the one) and produced a remix to get the dance floors bouncing.
Order Sister Sandista here: https://emf-theband.com/merch-shop

The video is a mash up of the icons used in the GO GO SAPIENS art work and footage that James had collected during lockdown when he was making the videos for the series of special performances EMF did remotely from various parts of the world. Ian is playing the guitar on a sunny day on an old railway track in Spain and James is singing on a rainy day in the Yorkshire Dales.The fresh and frantic GO GO SAPIENS marks a fresh new era of EMF. Funded entirely by and created for the fans of the band, the new album reinvents the classic EMF sound. GO GO SAPIENS will be available on CD and limited edition vinyl. GO GO SAPIENS  features 11 catchy punk rock songs with funky beats; including the first single Sister Sandinista and finds the band delivering some of the best songs of their career.


“After a great 30th anniversary year, the band was in a really good place and we just felt ready to make another album’”– James Atkins.


“Making GO GO SAPIENS without a record label breathing down our necks was liberating. As Derry always says ‘we have nothing to prove’ so we did it for the fans and cause this is who we are and what we love to do. 100% EMF from the cradle to the rave” – Ian Dench. 


To celebrate the release of ‘GO GO SAPIENS’, EMF play four shows in April including the 229 in London on Saturday 9th, plus intimate performances at Esquires in Bedford on Sunday 10th, the Fleece in Bristol on Monday 11th and the Parish in Huddersfield on Tuesday 12th.

With a very successful 2021 behind them, celebrating their 30th anniversary with several sold out gigs and a sold out vinyl box set, they are excited to continue with that refreshed energy and momentum into 2022.
EMF originally formed in Cinderford, England in October 1989.; All five original members were veterans of the local music scene before founding EMF, whose name supposedly stood for “Epsom Mad Funkers” (although it was widely speculated that the initials instead represented “Ecstasy Mother Fuckers”). Within two months of formation, the group played its first gig; after unearthing a Casio sampler and sequencer in a local thrift shop, a light techno element was added to their rock-oriented sound.


Their debut album, ‘SCHUBERT DIP’, was released in May 1991. It was certified platinum (over a million copies sold) in the US in September 1991. It had reached a peak chart position of #3 in the UK and #12 in the US, as well as finishing the year at #57 overall.


By the end of 1991, their infectious debut single “Unbelievable” had conquered the charts on both sides of the Atlantic, hitting #1 on the Billboard Hot 100 and #3 in the UK. The single was certified gold (over 500,000 copies sold) in the US in May 1991. The song was in such heavy rotation for most of the year in America, that it finished as the #6 single overall for the year. 


Further hit singles that succeeded “Unbelievable” included “I Believe,” “Children” and “Lies.” In 1992, EMF returned with the Unexplained EP and the much darker full-length effort STIGMA; STIGMA peaked at #19 on the UK charts, and the band toured extensively to promote it. It produced hit singles and EMF live set favourites, “They’re Here” and “It’s You.” 
The band released their final full-length album of new material in 1995 with CHA CHA CHA. After a successful European tour, they teamed up with comics Vic Reeves and Bob Mortimer on a cover of the Monkees’ “I’m a Believer,” which reached number 2 on the UK charts. 


The band reunited in the summer of 2001 and released a Greatest Hits CD that coincided with a mini European festival and UK tour. 


Primed to write new material and tour more extensively, the band were hit with the sudden passing of bassist Zac Foley on January 2, 2002.  So shocked by the loss of Zac, the band fell silent.The band reunited in 2007 and have been steadily doing festivals and live shows in the years since. In 2020, the band released a career-spanning vinyl box set and spent most of 2020 and 2021celebrating 30 years of EMF. 


To pre order / pre stream GO GO SAPIENS go Here

EMF -Socials –

http://www.emf-theband.com

https://www.facebook.com/EMFTheBand

https://www.instagram.com/emftheband/

https://twitter.com/EMFTheBand

Ferocious Dog with new line up, play UK shows in March and April

Ferocious Dog with new line up, play UK shows in March and April

Ferocious Dog announce new line up
& March / April UK headline shows

plus The Bearded Theory, Bloodstock and Rebellion festivals.

Ferocious Dog with a new line up, play twelve UK headline shows in March and April. “We’re super excited to get back on the road and do the 2nd half of “The Hope” tour and play in some brand new (to FD) venues. Finishing the tour at our hometown Rock City is going to be one of the best things we’ve ever done” exclaims Dan Booth. Ferocious Dog welcome back Kyle Peters on guitar; Kyle played on their debut album, which includes Pocket of Madness, which he wrote and sang on. The band will be playing fan favourite Pocket of Madness throughout the whole tour. Ferocious Dog also has a new rhythm section with new members Nick Wragg (bass) and Luke Grainger (drums) joining Ken Bonsall, Dan Booth and Sam Wood, to complete the sextet.


Following these shows, the band plays The Bearded Theory in May, with further festival appearances to follow including the Bloodstock and Rebellion festivals in August. More shows will be announced soon.
Ferocious Dog’s latest album The Hope, includes the title track, released as a single to coincide with World Mental Health day and the previous singles: ‘Broken Soldier’ and ‘Pentrich Rising’.
The Hope debuted at Number One on the Official UK & Ireland Folk Album Charts and entered the National Album charts at Number 31. While the vinyl version of The Hope entered the Top 20 Vinyl Album Chart.
The Hope flows irresistibly through tales of historical observations, to biting commentary on the plights facing the world today.  The songs follow a rollercoaster of pace and sentiment which will have you wanting to mosh one moment before having a moment to contemplate.
The Hope carries on in the strong tradition of Ferocious Dog albums, with thought-provoking and politically charged lyrics, seamlessly combining with dynamic and eclectic music. A great follow-up to the album Fake News & Propaganda – Ferocious Dog seems to have the knack of evolving their sound enough to pique your interest, without losing any of the sound or attitude that made you fall in love with them in the first place. 
To order / stream The Hope go to: https://ffm.to/thehope

UK 2021 tour dates:March Fri 4th The Junction  CambridgeSat  5th Roadmender  Northampton Fri 11thThe Parish  Huddersfield Sat 12th 1865 Southampton Fri 18th Victoria Hall Settle  SOLD OUT Sat  19th Victoria Hall Settle  SOLD OUTThu 24th The Garage  LondonFri  25th The Fleece BristolSat 26th Old Bakery Studios  TruroApril Fri 1st The Garage Glasgow Sat 2nd The Georgian Theatre Stockton-On-TeesSat   23rd Arlington Arts Centre NewburySat 30th Rock City Nottingham MaySun  1st  Nothern Kin FestivalFri  20th Keswick Mountain  FestivalSat  28th Bearded Theory Festival Derby  JulyFri  15th The Live Rooms  Chester
Sat  16th Kubix Festival SunderlandFri  22nd Chagstock Festival DartmoorSat 23rd O2 Academy  Leeds  A unique performance with 2 sets (acoustic then electric)Fri 29th Y Not Festval  Pikehall August Thu 4th Rebellion Festival Blackpool  Sat  6th  Wickham FestivalSat 13th Bloodstock Festival Walton-on-Trent November Sun  6th  The Tivoli Buckley
Tickets available from : https://ferociousdog.co.uk/tickets-and-tours/


Ferocious Dog are: Ken Bonsall – Lead singer & acoustic guitar. Dan Booth – Violin & lead vocals on some songs.Sam Wood – Multi-instrumentalist.Kyle Peters – GuitarNick Wragg- BassLuke Grainger- Drums

Märvel – ‘Graces Came with Malice’ The Sign Records)

Märvel – ‘Graces Came with Malice’ The Sign Records)

Märvel, the self-proclaimed Barons of High Energy Rock n’ Roll, have been treading the boards for two decades now. If you listen to the music before seeing the band, you could be forgiven for assuming they wore greasepaint on their faces, stack-heeled boots on their feet and had a larger-than-life persona to accompany their 70’s glam rock sound.

But Märvel ain’t Kiss, they ain’t even The Hellacopters and I don’t think they even party that hard. Hell, I keep forgetting that fact as I get lost in their grooves, such is the power of their high-octane rock n’ roll! Märvel are actually a 3-piece Scandinavian outfit who look like the evil henchmen in a 70’s superhero TV show and sound like the perfect combo of 70’s Kiss and prime Hellacopters, with flourishes of Thin Lizzy thrown about for good measure.

2021 sees The King (guitar/vocals), The Burgher (Bass) and The Vicar (drums) celebrating their 20th anniversary with album number 7 entitled ‘Graces Came With Malice’. It happens to be the follow-up to their critically acclaimed (by me anyway) 2019 covers album ‘Guilty Pleasures’.

If you know Märvel, or even the namechecked bands above, then you should know what to expect from the Scadinavian trio. High energy rock n’ roll is the name of the game and they deliver 10 tracks guaranteed to spice up yer life in 2022. If you’re a fan, you’ll know there are four singles out there already, if not then hold onto your feather boa, put the glitter bomb to one side and let’s delve right in.

The likes of album opener ‘Slasher With a Broken Heart’ and ‘One Common Enemy’ are full of familiar riffs, urgent beats and melodies Stanley & Simmons would’ve killed for in their prime, let alone their twilight years. On ‘Sound Of Life Slipping Away’ Märvel sound like a band at the top of their game. What a killer tune. It builds with more memorable hooks than one song deserves, to a chorus that insists on you punching your fist in the air. It will imbed itself in your brain from the first listen and you will feel the need to hit repeat again and again.

The poptastic ‘Lizard’s Tongue’ is full of Scott Gorham style leads, sexy Paul Stanley lyricism and more euro rock than I can cope with. It’s like Disco Kiss all over again, I loves it! It would seem that The King’s vocal tones are just what is desired for these larger-than-life tunes and if you aren’t sold after listening to any of these four singles, you best leave these pages and go read NME, coz we are done here!

There’s an instant likability to everything Märvel do. Their 70’s infused rock n’ roll is as ‘no frills’ as you can get, but the combination of bombastic drums, low slung riffage and high octane vocalisin’, mixed with instant melodies and lashings of garage rock goodness is a killer combination not many bands offer in 2022.

They are not afraid of wearing their influences on their sleeves. From the obvious Kiss-isms, to the more traditional, acoustic-led radio rock of the title track, onto the almost camp NWOBHM vibes of closer ‘Queen For A Day, ‘Graces Came From Malice’ has a lot to offer and it’s all delivered with the bravado and energy of a band on their first album, with nothing to lose and everything to prove.

If someone had shoved this album in my hands and said it was the highly anticipated new Hellacopters album, I would’ve believed ‘em. It’s the album I want Nicke Andersson and his boys to release and they’ll have to pull a fast one out of the bag to compete because Märvel sure stole the beat from the lord for this one. Essential listening folks.

Buy Here

Author: Ben Hughes

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The Undertones – ‘Dig What You Need’(The Best Of The “Reformation Years”) (Dimple Discs)

The Undertones – ‘Dig What You Need’(The Best Of The “Reformation Years”) (Dimple Discs)

‘Dig What You Need’ is the brand new Best of compilation from Derry’s finest The Undertones. Lifted from their two reformation albums, 2003’s “Get What You Need” and 2007’s “Dig Yourself Deep”. The first time on vinyl and They’ve got Paul Tipler to remix and remaster the tracks as well.

To be fair I think I speak for quite a few and admit to not really having paid much attention to Derry’s favourite sons and their output post Fergal. Much to my embarrassment, it would seem. You see, I loved the original band they were a big fixture on my record player as a young man growing up in West Wales and when Fergal and the band broke up I guess we all moved on. I wasn’t keen on Fergals direction and That Petrol Emotion just wasn’t what I wanted either so another great band was filed in the drawer…Remember them or whatever happened to?

Now I knew they reformed with a new frontman but I’d moved on. it was a chance viewing many years later of a documentary about the band that my love for them was reignited. Now I knew they released a few albums but never got involved and seeing as the best tracks off the noughties albums are here, reissued on vinyl for the first time, I must admit to being gutted I didn’t dive in earlier and wholeheartedly regret not trusting my instincts.

Back in the day when I first heard that debut album, I like many was totally blown away by their pop-rock melodies and Ramones-like relentless wall of sound. We all know how they were championed by BBC DJ John Peel. With disco and youth club classics like ‘Teenage Kicks’, ‘Get Over You’ and ‘My Perfect Cousin’ But this is about the reformed Undertones who in 1999 with new singer Paul McLoone got back amongst it releasing two really strong albums.

Now you’ll never please all the people all the time but with releases like this its to try and catch old fans (like Me) or tempt in new ones maybe too young to remember the bands heyday. you know what? this release does an excellent job in just that showcasing just what the band has to offer and giving a great cross-section of those Two naughties albums. Damian O’Neill said of this bunch of tunes, they are all firm favourites on an Undertones set list these days, all songs penned by John O¹Neill and Michael Bradley. 

So it’s a no brainer really that there is a best-of compilation taken from the two albums with Paul McLoone. O’Neill even spoke of his excitement that producer and mixing maestro Paul Tipler was on board with the songs providing a fresh pair of ears to make them sound even better than they originally did. What you have here is a bunch of songs that flow really well and as a “new” record it sounds impressive and current. So dig this compilation people both old and new for ‘Dig What You Need’ has some most excellent tunes.

The thirteen chosen songs kick off with a straight down-the-line rocker with a great hook and melody ‘Thrill Me’. To be fair McLoone has a belting voice and knocks this one right out of the park on what I would consider to be a bread and butter sound of The Undertones. That wall of overdriven guitar – a banging melody that sounds like it’s played with huge grins all around. The album doesn’t roll out in sequence as on the original records but jumps around which helps. ‘I Need Your Love’ is Rock and Rolling along with a great air of Joie de vivre much like a lot of the band’s songs. Its power pop with a smile and an offer of a great time.

It’s not all one-dimensional though ‘Joyride’ is more pop less power and they do add keyboards to proceedings along the way which adds another texture. The chosen songs from ‘Dig Yourself Deep’ sound fresh, the title track is a great song with a big chorus and a smart mid-tempo groove. to be fair there isn’t much between the best songs on offer they all shine and it’s great to hear them for the first time. Maybe the only question I have would be why a best of and not just a re-release of both records on vinyl? I guess a taster is a good place to start before you Dig into this proper and maybe if this does well both records on vinyl will come. Until then this will more than do. Never mind dig – This is what you need – Buy It!

Bandcamp ‘Dig What You Need’ Pre-Order: https://theundertones.bandcamp.com  

Digital ‘Dig What You Need’ Pre-order: https://orcd.co/undertonesdig

Author: Dom Daley


The Undertones dates in full:

March

10 – Sheffield, UK @ Leadmill *

11 – Northampton, UK @Roadmender ^

12 – London, UK @ Electric Ballroom ^

17 – Brighton, UK @ Chalk ^

18 – Frome, UK @ Cheese & Grain ^

19 – Cardiff, UK @ Cardiff SU Great Hall ^

31- Newcastle, UK @ Boiler Shop ^

April

01 – Manchester, UK @Academy – ^

02 – Liverpool, UK @ O2 Academy ^

09 – Munich, Germany @ Feierwerk

10 – Weinheim, Germany @ Cafe Central

22 – Dublin, Ireland @ Academy

May13 – Bremen, Germany @ Kulturzentrum Lagerhaus

14 – Düsseldorf, Germany @ Zakk

15 – Hamburg, Germany @ Markethalle

17 – Malmo, Sweden @ Plan B

18 – Oslo, Norway @ Vulkan Arena

20 – Göteborg, Sweden @ Pustervik

21 – Stockholm, Sweden @Slaktkykan

22 – Copenhagen, Denmark @ Pumpenhuset

*Special guest Neville Staple Band

^Special guest Hugh Cornwell Electric

Tickets available from : https://www.bandsintown.com/a/17292-the-undertones

Ravagers – ‘Badlands’ (Wanda Records/Spaghetty Town Records)

Ravagers – ‘Badlands’ (Wanda Records/Spaghetty Town Records)

Rock n’ roll is alive and kicking baby, and it lives in Baltimore! Well, that’s where these snotty, street punks known as Ravagers can be found anyways. Taking their tricks from all your favourite punk n’ roll bands, they come outta the gutters screaming like the bastard sons of Hanoi Rocks and The Dead Boys jamming out with The Exploding Hearts. And if those names aren’t enough to whet the appetite, you’re on the wrong page entirely. Just look at that cover art and tell me you don’t want that on vinyl right now!

This is the debut long player from the 8-legged denim & leather clad four piece, and it’s no surprise to discover former Biters and current Restless Hearts leader Tuk Smith at the production helm, as this 10-track ‘all killer, no filler’ affair comes on like his former band’s early EPs (and we all know how good those are, right kids?).

Right from the off, Ravagers are firing on all cylinders. Previous single ‘Down That Road’ has a cool as you like gang vocal chorus that is preceded by urgent beats, guitars shooting from the hip and snotty vocals spat with enough venom and attitude to make this listener pay attention. It’s instant, it’s exciting and it will make you wanna don a leather jacket, grease back your hair and go look for some action.

Yes, there’s an element of danger and a whole lotta energy packed into the sonically seductive grooves of ‘Badlands’. Untamed, unkempt and undernourished, Ravagers certainly have an appetite for destruction. They seem like the sorta band that would steal your beer, shag your girlfriend and piss on your rims without giving it a second thought. In fact, they’d probably write a song about it, and you’d buy it, cuz it would be fuckin’ killer!

Think Motörhead drums, the power chords of Ramones and Stooges raw power, all wrapped up with anthemic power pop melodies, that’s a sure-fire recipe for rock n’ roll success, baby! Frontman Hagen sure has a Stiv Bators drawl about him, and the powerful rhythm section backs up the guitars of the singer and former Biters man Matt Gabbs to perfection.

‘Shake The Reaper’ is ‘Badlands’ pièce de résistance. A haunting, almost gothic picked guitar intro leads into a killer AC/DC riff, with pumping bass and no-frills beats. A catchy chorus with stabs of keys to accompany it, here they remind me a lot of New York punks Wyldlife, as they also do on ‘White Widow’, not a bad thing at all in my book. Man, this band have street anthems designed to blast at top volume, at maximum speed. Play loud, play fast and leave the competition weeping in the rear-view mirror. Just blast out the high energy, hook-laden ‘Trespasser’ for further evidence.

There’s a 70’s glam rock stomp to ‘Blackout’, it has a killer hook any sleazy rock n’ roll band would kill for and its fast becoming an album highlight for me with each play. The thing all these songs have in common? Loud guitars, killer hooks and enough anthemic choruses to give the Swedish action rockers a run for their money.

Ravagers have been causing debauchery for nearly a decade. 2 EP’s and a whole bunch of touring cemented a notorious live reputation. They have opened for the likes of The Damned and The Adicts, and played the Las Vegas’ Punk Rock Bowling Festival amongst others.

Who knows where live music will take us in the coming months and years and how well underground bands will adapt to survive. But I’ll tell you one thing, on the evidence of their debut album, these street rats called Ravagers have what it takes to survive these trying times. A punk rock energy and a handful of great tunes could take them far. Hell, these boys are so confident, they have a song called ‘Suzi (has an Uzi)’ and it didn’t even make the album!

If they drag their skinny arses over the pond, make no bones about it, I’ll be there in a shot, and so should you. But for now, track down this album and buy it on your favourite musical format of choice. You won’t regret it.

Buy Here

Bandcamp

Wanda Records

Spaghetty Town Records

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Author: Ben Hughes

Rainy Days & Mondays

Rainy Days & Mondays

What with the shitty news going on on our televisions how about we get lost in some great new videos for new releases covered here on RPM Online? lets do it. First up is one from the brand new compilation album from The Undertones reviewed this week.

 The band unveil a brand new video for ‘Thrill Me’ made by Vinny Cunningham its the opening track on ‘Dig What You Need’,The Best Of The “Reformation Years 1999 – Present” released next week on Dimple Discs. The band are out there touring this record and tickets can be had Here

Next up is a track off the new Ravagers album ‘Badlands’ which has its vinyl release the same day as The Undertones but these street punk n rollers are a different breed and one that will satisfy those searching for the new breed of Dead Boys, Dictators influenced punks to challenge for the underground pack leaders. Don’t snooze on this bad boy.

Finally, this has just dropped from Bob Vylan, the new video for the single ‘Health Is Wealth’. Get Vylan’s album and merch here

Singles Club – March (or die)

Singles Club – March (or die)

Welcome to the singles club, we’ve not had many sittings recently probably due to the Christmas period but they’ve started to trickle in and when we had a few exciting tunes fly in we had to fire up the jukebox and get some 45″ RPM action going.

First up is a mighty fine 7” split for groups LJ & The Sleeze (Richmond, VA) and Killer Hearts (Houston, TX).

LJ & The Sleeze / Killer Hearts – Split (Eight Ball Record$) The 2 song split features the first new tune since Killer Hearts Debut LP was released last year (one we certainly championed here) ‘Skintight Electric’ was truly all killer and absolutely no filler. ‘High Temptress’ is more of the same with manic, rabid rock and roll resplendent with its chest-beating & frantic tempo, those Dead Boys inspired solos and catchy choruses that make you want to sling down a yard of ale before running through a brick wall – great stuff.


LJ & The Sleeze’s side of the split holds the newly redone ‘I’m Bad’, off of their LP ‘Stay Sleezy’, giving in-your-face punk attitude aplenty. It’s got a swagger and a hook that you won’t be able to free from your head, nor would you want to. Menacing and snotty with just enough snarling venom to make you want to root through your sister’s purse to fund this record. Exactly how a split should be done – Get on it Here it’s out in the middle of March so be sure to keep that link locked down – you won’t regret it.

Totally Slow – ‘The Lost Art of Shutting Up’ ( Refresh Records) Another new one on us comes out off their new album ‘Casual Drag’ its indie punk rock with a great hook and a foot in the past it’s got a tonne of energy like melodic punk of so-cal punks a really good earworm that just gets better the more you hear it.

I love the breakdown and want to hear more. Which is the whole original point of a 45″ single right? I dove into the back catalogue and am currently loving ‘Casual Drag’. Pick it up Here

These Arms Are Snakes – ‘Camera Shy’ (Suicide Squeeze Records) US hardcore/mathrock band These Arms Are Snakes have today announced a new rarities release called ‘Duct Tape & Shivering Crows’ which will be released April 15th via Suicide Squeeze Records.

Formed from the ashes of legendary noise bands Botch and Killsadie, These Arms Are Snakes had a 7-year run in the early 2000s and released three albums and many Eps and splits, toured relentlessly, before splitting in 2009.

Described rather wonderfully as a ‘synth-infused noise rock, bad-trip psychedelia, flamboyant proto-metal boogie, and unhinged basement-show hardcore,’ These Arms Are Snakes reformed for some reunion gigs in 2021 and now have this rarities comp

The Good The Bad And The Zugly – ‘One Dimensional Man’ (Fysisk Format) Any day you get to head a new GBATZ tune is a great fucking day so today must be fanfuckingtastic seeing as two of them have shown up. The first earworms from their new Covid produced album is here. ‘Nostradumbass’ is a huge melodic masterclass. Sure it’s the B side but its got a poptastic lick and a chorus that could have been lifted from Abba.

Now the A-side is loud and has a thumping rhythm and the hook is classic Turbonegro-tastic to boot right out of that ballpark. It’ll take a while to properly burrow down and lay its musical explosions that will go off for weeks to come but you know they’re in there. Bring on that damn album and bring it on now. Essential purchase! Here

The Blue Carpet Band – The Slow Death Of Camden (Bomber Music) dealing with the gentrification and all the changes happening on the once rock n’ roll streets of Camden Town. Major brands taking over and the loss of iconic venues and drinking places have erased the edginess and excitement. The rock’n’roll bandits are all gone. Pretty much the same thing happened in Soho and Wardour St and I guess the LES of Manhattan and St Marks and Time Sq as well as a host of other places to boot. Mores the pitty but these times they are a-changing but Rock and Roll will never die don’t you go thinking otherwise.

The Blue Carpet Band are true Rock and Rollers and this is another slice of sleazy Rock n Roll. Check it out – you won’t regret it. With a new album on the way 2022 is shaping up nicely. Buy Here

Find The Blue Carpet Band Online at: FACEBOOK INSTAGRAM BOMBER MUSIC

Electric Boys – ‘Favorite Hello, Worst Goodbye’ (Mighty Music) Another new song recorded by these hard rockin’ Swedes during the “Ups!de Down” sessions. The first one, “Favorite Hello, Worst Goodbye” is out on digital platforms now.

Claiming the song is made up using Cheap Tricks DNA is a big call but it isn’t a million miles from the mark. The Electric Boys play solid hard rock n roll and do it well. Conny Bloom rallies his troops through this meaty rocker and slides some neat fretwork. Fans will lick it up no doubt it’ll be interesting to hear more of this new material

Supera Morza – ‘I’m Working It Out’ (Bad Apple Music Group) The band’s third single sees Supera Morza, ‘Working It Out’ hailing from Manchester these spikey individuals play uncompromising punk rock. It’s possibly in the same ballpark as Blackwater and Cabbage in its gritty, angular post-punk attack with melody and aggression. Two-and-a-half minutes of uncompromising shit or bust anarchic grunge. Hailed as one of Manchester’s most exciting prospects expect to hear and see a lot more of these guys. The previous singles ‘Roadkill’ which had similarities to Nirvana pre ‘Nevermind’ (which isn’t a bad thing either) and my personal favourite the frantic Scrubber. Check them out via Facebook and Spotify

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Fontains D.C – ‘I Love You’ (Partisan Records) Taken from the band’s forthcoming album ‘Skinty Fia’ due in April. A slow-burning, brooding and intense love song the track sees the band offer up a dark insight into what they’ve been up to during lockdown. It follows hot on the heels of ‘Jackie Down The Line’. Check out the video here.

Stacy Crowne had their single reviewed here last year but have since shot a video for the B side of their cover of Golden Earrings ‘Radar Love’ check out the lively ‘Dead Of Night’ Get it while it’s hot Here

The Vibrators – ‘The Albums 85-90’ (Captain Oi!)

The Vibrators – ‘The Albums 85-90’ (Captain Oi!)

A follow up on two successful Captain Oi! box sets by the band, ‘THE EPIC YEARS’ and ‘THE ALBUMS 1979-85’

Disc One is the band’s first-ever live album that includes Punk classics like ‘Baby Baby’, ‘Automatic Lover’ and ‘Troops Of Tomorrow’. The recordings are vibrantly captured and the band’s boundless energy is well captured. When I’m listening it dawned on me how overlooked the band’s catalogue has been in general terms. Knox and the gang wrote some really great slabs of power pop punk rock and had it down to a tee and did it better than most of that time period. None more outstanding than ‘Amphetamine Blue’ which has stood the test of time and is still a stone-cold classic.

The second disc is 1988’s ‘Recharged’ album which features the single ‘String Him Along’ that opens the album in a more countrified power-pop but the band was able to go from that to the more aggressive and choppy ‘Hey Little Doll’. ‘Go Go Go’ is pure Rock n Roll’ and indicative of the time with regards to the production. One of my favourites off the album is the acoustic ‘Every Day I Die A Little’ maybe a predictable rise and fall middle section as the drums kick in but a top track all the same. Rounded off nicely with a crowd-edited rendition of ‘Disco In Moscow’.

Disc Three is the ‘Meltdown’ album which now adds the previously non LP ‘Wasted Life’ as a bonus track. ‘Office Girls’ kicked off the album and the band had lost none of their appetites to pen spikey punchy power pop, tight verses and uplifting chorus. Again I love the balladeering on ‘So Young’ with its great saxophone break from Waterboy Anthony Thislewaite that took the Green On Red sounding track into another direction making it one hell of a song. The band mixed the songs up quite a bit on ‘Meltdown’ running through their repertoire of influences from the balladeering to the tougher punkier songs and other genres getting some oxygen which helped make The Vibrators one of the best bands to emerge out of punk and beyond.

In under twelve months the band released the follow up to ‘Meltdown’ with the fourth disc in this set 1989’s ‘Vicious Circle’ album which features the Billy Fury cover of ‘Halfway To Paradise’ single and the rare bonus B-side ‘Drive’. With a better fuller more rounded production that really suited The Vibrators songs, ‘Vicious Circle’ kept the show on the road with topical ‘Polltax Blues’ adding some grunt to proceedings and that Stooges piano tonk underpinning the rolling riff.

Whilst ‘Fire’ was still snotty having it lean on the Billy Fury cover still sounds weird such is the contrast.

The final disc is the band’s tenth album, imaginatively called ‘Volume Ten’. Opening with ‘Losing It’ is something of a classic sounding Vibrators song with a strong pop melody and chorus glued together with a sharp guitar riff that leads to a palatable chorus. ‘Hot For You’ is more uptempo and yet another example as to how good the band was even when they did a cover of ‘Rave On’ which I’m still not sure about. It’s not like they were struggling with writer’s block and could have gone with just original tunes but hey ho what do I know.

The clamshell box also has a booklet containing detailed liner notes overseen by Jon ‘Eddie’ Edwards which are pretty cool.

For a relatively cheap amount of dosh, these Vibrators box sets are a fantastic purchase and people who possibly got blown off course and missed out on these recordings now have the chance to fill those gaps with some great records. Pick one up it’s a no-brainer!

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Author: Dom Daley

Midnight – ‘Let There Be Witchery’ (Metal Blade Records)

Midnight – ‘Let There Be Witchery’ (Metal Blade Records)

“Unfiltered, savage and animalistic.” That’s how Midnight main-man Athenar describes his second long player for Metal Blade Records (his fifth studio record overall), and I for one, think he’s hit the (nine inch) nail bang on the head with that description, because ‘Let There Be Witchery’ is indeed, a total beast of a record.

From the blistering opener ‘Telepathic Nightmare’ (which sounds like Discharge jamming with Hellhammer) through to closer (and perhaps one of the album’s most “commercial?” tracks) ‘Szex Witchery’, what you get is a set of songs that are, without question, Midnight’s strongest to date. You can forget the comments I made when reviewing their last album – ‘Rebirth By Blasphemy’ – for RPM that Midnight might be about to do a Ghost and break through to the mainstream, because the ten tracks contained here are a massive middle finger to anything even remotely resembling compromise.

Working once again with producer Noah Buchanan (who had worked on ‘Rebirth By Blasphemy’) is perhaps Athenar’s master stroke this time around, largely because when saying he wanted his new record to “sound like a cross between ‘Raw Power’ and ‘Apocalyptic Raids’,” the pushback he got from the man behind the desk was “those records already exist, let’s make it sound like Midnight.” This advice proving to be very wise indeed as tracks like ‘Nocturnal Molestation’ and ‘Snake Obsession’ simply ooze Midnight malevolence. Likewise, ‘Villainy Wretched Villainy and (the superb) ‘In Sinful Secrecy’ plough a now familiar Midnight groove in the same way Motorhead did through much of their back catalogue. Well, if it ain’t broke, eh? 

Elsewhere, ‘Let There Be Sodomy’, ‘More Torment’, ‘Nocturnal Molestation’, ‘Frothing Foulness’ and (the hypnotic) ‘Devil Virgin’ all sound like they have been taken straight from a Black Metal giallo movie soundtrack, albeit one that’s playing out in Athenar’s (hooded) head. There really is no let up as the (one man) band who pride themselves on producing music to start fights to turn in one metal suckerpunch after another, making the experience of listening to ‘Let There Be Witchery’ not unlike being constantly coshed around the side of the head with an aural battering ram.

“I always want it to be loud and nasty,” admits Athenar. “That kinda thing never gets old with me. How funny will that look to see me at age 77 – if I reach that point – sitting on the porch blasting Hellhammer?” Well, with ‘Let There Be Witchery’ it’s a job very well done indeed, as this 55 year old is listening to this and feeling like I’ve just discovered Venom all over again back in my early teens.

There are not many bands out there right now as brutally honest as Midnight, and ‘Let There Be Witchery’ really is the boot in the bollocks the metal world needs in 2022.

11 out of 10. Absolutely essential!!!!!!

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Author: Johnny ‘Satans Little Helper’ Hayward

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